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  • BSZ  (2)
  • English  (2)
  • Bloomington : Indiana University Press  (1)
  • Leiden [u.a.] : Brill
  • History
  • Ikonographie
  • Art History  (2)
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  • English  (2)
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  • 1
    Book
    Book
    Imago exegetica : visual images as exegetical instruments, 1400 - 1700 (2014)
    Leiden [u.a.] : Brill
    Details
    ISBN: 9004262008 , 9789004262003
    Language: English
    Pages: LV, 1008 S. , Ill.
    Additional Information: Rezensiert in McKim, Donald K., 1950 - [Rezension von: Melion, Walter S., Imago Exegetica: Visual Images as Exegetical Instruments, 1400-1700] 2015
    Series Statement: Intersections Vol. 33
    Series Statement: Intersections
    DDC: 302.2/22
    RVK:
    LO 35200
    Keywords: Bible Hermeneutics ; Bible Criticism, interpretation, etc ; Bible Illustrations ; Bible Hermeneutics ; Bible Criticism, interpretation, etc ; Bible Illustrations ; Christian art and symbolism Medieval, 500-1500 ; Christian art and symbolism Modern period, 1500- ; Visual communication History ; Theology History ; Hermeneutics History ; Christian art and symbolism History ; Europe ; Visual communication History ; Europe ; Theology History ; Europe ; Hermeneutics History ; Europe Religious life and customs ; Europe Intellectual life ; Europe Religious life and customs ; Europe Intellectual life ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Exegese ; Visualisierung ; Visuelle Kommunikation ; Bildersprache ; Geschichte 1400-1700 ; Bibel ; Ikonographie ; Hermeneutik ; Exegese ; Geschichte 1400-1700
    Abstract: This volume of 'Intersections: Interdisciplinary Studies in Early Modern Culture', consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular.00
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 2
    Online Resource
    Online Resource
    Mass culture and Italian society from fascism to the Cold War (2007)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253219480 , 9780253349811
    Language: English
    Pages: Online-Ressource (xvi, 351 p) , ill , 24 cm
    Edition: Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Mass Culture and Italian Society from Fascism to the Cold War
    DDC: 302.230945/09044
    RVK:
    AP 19390
    RVK:
    LN 10300
    Keywords: Mass media History 20th century ; Mass media Political aspects 20th century ; History ; Mass media ; Italy ; History ; 20th century ; Mass media ; Political aspects ; Italy ; History ; 20th century ; Electronic books
    Abstract: The 1930s to the 1950s in Italy witnessed large increases in film-going, radio-listening, and the sale of music and weekly magazines. The industries that made and sold commercial, cultural products were transformed by the new technologies of reproduction and new approaches to marketing and distribution.Yet historians tend to place the "real" genesis of mass culture in the 1960s, or to generalize about the harnessing of mass culture to the Fascist political project, without considering what kind of mass cu
    Description / Table of Contents: Cover; Contents; Preface and Acknowledgments; List of Abbreviations; Introduction: Culture, Place, and Nation; Part 1. Cultural Consumption and Everyday Life; 1 Patterns of Consumption; 2 Practices of the Self: Intimacy, Sexuality, Sport, Fashion; Part 2. Cultural Industries and Markets; 3 Publishing: Books, Magazines, and Comics; 4 Film Production; 5 The Film Market: Distribution, Exhibition, and Stars; 6 Radio and Recorded Music; Part 3. Politics and Mass Culture; 7 State Intervention in Cultural Activity; 8 Civil Society and Organized Leisure; Conclusion
    Description / Table of Contents: Appendix 1. The Oral History Project, by Marcella FilippaAppendix 2. Table of Interviewees; Appendix 3. Questionnaire; Notes; Bibliography; Index
    Note: Includes bibliographical references (p. [331]-344) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
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    URL: Volltext
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