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  • 1
    ISBN: 9789004523074 , 9789004508385
    Language: Undetermined
    Pages: 1 Online-Ressource
    Abstract: Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape
    Note: English
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  • 2
    ISBN: 9004262008 , 9789004262003
    Language: English
    Pages: LV, 1008 S. , Ill.
    Additional Information: Rezensiert in McKim, Donald K., 1950 - [Rezension von: Melion, Walter S., Imago Exegetica: Visual Images as Exegetical Instruments, 1400-1700] 2015
    Series Statement: Intersections Vol. 33
    Series Statement: Intersections
    DDC: 302.2/22
    RVK:
    Keywords: Bible Hermeneutics ; Bible Criticism, interpretation, etc ; Bible Illustrations ; Bible Hermeneutics ; Bible Criticism, interpretation, etc ; Bible Illustrations ; Christian art and symbolism Medieval, 500-1500 ; Christian art and symbolism Modern period, 1500- ; Visual communication History ; Theology History ; Hermeneutics History ; Christian art and symbolism History ; Europe ; Visual communication History ; Europe ; Theology History ; Europe ; Hermeneutics History ; Europe Religious life and customs ; Europe Intellectual life ; Europe Religious life and customs ; Europe Intellectual life ; Konferenzschrift 2012 ; Konferenzschrift 2012 ; Exegese ; Visualisierung ; Visuelle Kommunikation ; Bildersprache ; Geschichte 1400-1700 ; Bibel ; Ikonographie ; Hermeneutik ; Exegese ; Geschichte 1400-1700
    Abstract: This volume of 'Intersections: Interdisciplinary Studies in Early Modern Culture', consists of essays that pose fundamental questions about the relation between verbal and visual hermeneutics, especially as relates to biblical culture. Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, was neither solely textual nor aniconic; on the contrary, following from Scripture itself, which is replete with verbal images and rhetorical figures, exegesis has traditionally utilized visual devices of all kinds. In turn, visual exegesis, since it concerns the most authoritative of texts, supplied a template for the interpretation of other kinds of significant text by means of images. Seen in this light, exegetical images prove crucial to understanding how meaning was constituted visually, not only in the sacred sphere but also in the secular.00
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