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  • BSZ  (136)
  • MPI Ethno. Forsch.  (26)
  • Electronic books
  • Monografische Reihe
  • Musicology  (147)
Datasource
Material
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    Protection of the cultural heritage; Technical handbooks for museums and monuments (from 1977-)
    Paris : UN ; 1.1977 -
    Details
    ISSN: 0251-5164
    Language: Undetermined
    Dates of Publication: 1.1977 -
    Parallel Title: Erscheint auch als Protection du patrimoine culturel / Cahiers techniques: musées et monuments
    DDC: 050
    RVK:
    LS 27020
    Keywords: Monografische Reihe
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 2
    Journal/Serial
    Journal/Serial
    Berichte aus dem Nationalkomitee Deutschland im ICTM : Bd. ... (from 1992-)
    Aachen : Shaker | Bamberg : Univ.-Bibliothek Bamberg | Münster : MV Wiss., Verl.-Haus Monsenstein und Vannerdat OHG ; 1.1990(1992) -
    Details
    ISSN: 0943-4224
    Language: German
    Pages: 21 cm
    Additional Material: CD-ROMs als Beil
    Dates of Publication: 1.1990(1992) -
    Former Title: Berichte aus dem ICTM-Nationalkomitee Deutschland
    Former Title: Bericht über die Tagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music (UNESCO) am
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im ICTM
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im International Council for Traditional Music (ICTM/UNESCO)
    DDC: 780.8905
    RVK:
    LS 12000
    RVK:
    LS 12100
    RVK:
    LP 13000
    RVK:
    LC 87000
    Keywords: Monografische Reihe ; Musikethnologie
    Note: Bis 8.1998 mit Kassettenbeil.; ab 9/10.1999/2000 mit CD-Beil , Ersch. unregelmäßig; enthaltener Kongress ab 20/21.2010/2013 als Monografie behandelt
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 3
    Journal/Serial
    Journal/Serial
    Kleine Reihe deutsche Volkslieder (from 1978-)
    Leipzig : Zentralhaus-Publ. | Leipzig : Kabinett für Kulturarbeit der Stadt Leipzig | Leipzig : Gruppe Folkländer ; 1.1978 -
    Details
    Language: German
    Dates of Publication: 1.1978 -
    Additional Information: Einzelne Bd. zugl. Bd. von Bibliographie der Literatur zum deutschen Volkslied Leipzig : Zentralhaus-Publ., 1987
    DDC: 780
    RVK:
    LP 10300
    RVK:
    LS 50140
    Keywords: Monografische Reihe ; Deutsch ; Volkslied
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 4
    Journal/Serial
    Journal/Serial
    Reihe Jazz (from 1970-)
    Wien : Universal Ed. ; 1970 -
    Details
    Language: German
    Dates of Publication: 1970 -
    DDC: 780
    RVK:
    LS 48200
    RVK:
    LS 48050
    Keywords: Monografische Reihe
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 5
    Journal/Serial
    Journal/Serial
    Irish musical studies (from 1990-)
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Details
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    LS 20555
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 6
    Journal/Serial
    Journal/Serial
    Werkstatt populäre Musik (from 2008-)
    Innsbruck : StudienVerl. ; 1.2008 -
    Details
    Language: German
    Dates of Publication: 1.2008 -
    DDC: 780
    RVK:
    LS 48000
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 7
    Journal/Serial
    Journal/Serial
    Jüdische Musik : Studien und Quellen zur jüdischen Musikkultur (from 2004-)
    Wiesbaden : Harrassowitz ; 1.2004 -
    Details
    ISSN: 1613-7493 , 2748-9523
    Language: German
    Dates of Publication: 1.2004 -
    Parallel Title: Erscheint auch als Jüdische Musik
    DDC: 780
    RVK:
    LS 33100
    RVK:
    LS 33120
    Keywords: Monografische Reihe ; Juden ; Musik
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 8
    Journal/Serial
    Journal/Serial
    Beiträge zur musikwissenschaftlichen Forschung in der DDR (from 1971-)
    Leipzig : Dt. Verl. für Musik ; 1.1971 -
    Details
    ISSN: 0323-8318
    Language: German
    Dates of Publication: 1.1971 -
    DDC: 050
    RVK:
    LP 17150
    Keywords: Monografische Reihe ; Deutschland ; Musikwissenschaft
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    BSZ
    GBV
    Ethn. Museum Berlin
    GRASSI Mus. Leipzig
  • 9
    Journal/Serial
    Journal/Serial
    Posebna izdanja / Etnografski Institut Srpske Akademije Nauka i Umetnosti : = Monographies = Special editions (from 1950-)
    Beograd : Etnografski Inst. SANU ; 1.1950 -
    Details
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    LS 20890
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    MPI Ethno. Forsch.
  • 10
    Journal/Serial
    Journal/Serial
    Posebna izdanja / Etnografski Institut Srpske Akademije Nauka i Umetnosti : = Monographies = Special editions (from 1950-)
    Beograd : Etnografski Inst. SANU ; 1.1950 -
    Details
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    LS 20890
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 11
    Journal/Serial
    Journal/Serial
    Beiträge zur rheinischen Musikgeschichte (from 1952-)
    Kassel : Merseburger | Köln [u.a.] : Staufen-Verl. | Köln : Volk ; H. 1.1952 -
    Details
    ISSN: 0522-7046
    Language: German
    Dates of Publication: H. 1.1952 -
    Additional Information: Index 1/155=82a von Arbeitsgemeinschaft für Rheinische Musikgeschichte Mitteilungen / Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V. Köln, 1955 0948-1222
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 6=1; 125=2 von Beiträge zur Musikgeschichte der Stadt Aachen Köln [u.a.], 1954
    Additional Information: 20=1; 52=2; 62=3; 112-4;119=5 von Studien zur Musikgeschichte des Rheinlandes Köln : Volk, 1956
    Additional Information: 26=1957 von "Referate der Jahrestagung für Rheinische Musikgeschichte"
    Additional Information: 43=1; 53=2; 58=3; 64=4; 69=5; 80=6; 97=7; 111=8; 150=10 von Rheinische Musiker Kassel : Merseburger, 1960
    Additional Information: 61=1 von Musik in Mönchengladbach Mönchengladbach : Kulturamt, 1965
    Additional Information: 61=[1]; 109=2 u.a. von Studien zur Musikgeschichte der Stadt Mönchengladbach Köln : Volk, 1965
    Additional Information: 104,1=2; 104,2=3 von Josef-Rheinberger-Archiv (Vaduz) Veröffentlichungen des Josef Rheinberger-Archivs, Vaduz Köln : Volk, 1974
    Additional Information: 121=7 von Musikalische Volkskunde Essen : Verl. Die Blaue Eule, 1971
    Additional Information: 149=1249; 155=1255; 157=1257; 159=1259; 169=1269; 170=1270; 172=1272; 173=1273 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    Additional Information: 170=2004 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Tagung der Arbeitsgemeinschaft für Rheinische Musikgeschichte ... Kassel : Merseburger, 2005
    Former Title: Veröffentlichungen der Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V.
    DDC: 780
    RVK:
    LD 8700
    Keywords: Monografische Reihe ; Rheinland ; Musik ; Geschichte ; Rheinland ; Musik ; Geschichte
    Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    Weltkulturen Museum
    BSZ
    GBV
    Ethn. Museum Berlin
  • 12
    Journal/Serial
    Journal/Serial
    Studien zur Musikgeschichte des 19. Jahrhunderts (from 1965-)
    Regensburg : Bosse ; 1.1965 -
    Details
    ISSN: 0081-7341
    Language: German
    Pages: 25 cm
    Dates of Publication: 1.1965 -
    Former Title: Studien zur Musikgeschichte des neunzehnten Jahrhunderts
    DDC: 050
    RVK:
    LP 19506
    Keywords: Monografische Reihe ; Musik ; Geschichte 1800-1900
    Note: Bd. 20; 32 u. 45 nicht ersch.; unregelmäßig
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    BSZ
    GBV
    Ethn. Museum Berlin
    GRASSI Mus. Leipzig
  • 13
    Journal/Serial
    Journal/Serial
    Musikpädagogische Bibliothek (from 1959-)
    Wilhelmshaven : Noetzel | Heidelberg : Quelle & Meyer | Wilhelmshaven : Heinrichshofen ; 1.1959 -
    Details
    Language: German
    Dates of Publication: 1.1959 -
    Former Title: Vorg. Musikpädagogische Bibliothek
    DDC: 780
    RVK:
    LR 56900
    Keywords: Monografische Reihe ; Musikerziehung
    Note: Repr.: Walluf bei Wiesbaden : Sändig
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    DNB
    BSZ
    GBV
    Ethn. Museum Berlin
    GRASSI Mus. Leipzig
  • 14
    Journal/Serial
    Journal/Serial
    Darmstädter Beiträge zur Jazzforschung : eine Veröffentlichung des Jazz-Instituts Darmstadt = Darmstadt studies in jazz research (from 1992-)
    Hofheim : Wolke-Verl. ; 2.1992 -
    Details
    Language: German
    Dates of Publication: 2.1992 -
    Former Title: Vorg. Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    LS 48200
    Keywords: Monografische Reihe ; Jazz
    Library Location Call Number Volume/Issue/Year Availability
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    Journal/Serial
    BSZ
    GBV
  • 15
    Online Resource
    Online Resource
    Hit Girls : Women of Punk in the USA, 1975-1983 (2023)
    La Vergne : Feral House
    Details
    ISBN: 9781627311281
    Language: English
    Pages: 1 Online-Ressource
    RVK:
    LS 48645
    RVK:
    LR 56617
    Keywords: Electronic books ; USA ; Punkerin ; Geschichte 1975-1983
    Abstract: Intro -- Title Page -- Copyright -- Dedication -- Contents -- Author's Note -- Foreword by Ann Magnuson -- Introduction -- Essays ¡Feminista! By Alice Bag -- Neo Boys Liner Notes by Suzi Creamcheese -- 1. Midwest: Hit Girls, Haute Girls -- Destroy All Monsters -- The Welders -- Nikki &amp -- the Corvettes -- Flirt -- Chi-Pig -- DA! -- The Shivvers -- The Waitresses -- Bitch -- The Dadistics -- The Cubes -- Unit 5 -- Ama-Dots -- The Dents -- Kate Fagan -- Algebra Suicide -- Dummy Club -- 2. South: Feast on My Heart -- Pylon -- Cichlids -- The Klitz -- The Delinquents -- Mydolls -- Screaming Sneakers -- The Cold -- F-Systems -- Teddy and the Frat Girls -- The Foams -- 3. Northwest: Guys Are Not Proud -- The Dishrags -- Chinas Comidas -- The Accident -- Neo Boys -- The Anemic Boyfriends -- Sado-Nation -- Art Object -- The Braphsmears -- The Visible Targets -- Bam Bam -- 4. West Coast (South): Manic in a Panic -- Backstage Pass -- The Bags -- The Controllers -- Castration Squad -- The Alley Cats -- The Eyes -- Suburban Lawns -- The Dinettes -- The Brat -- 45 Grave -- Tex &amp -- the Horseheads -- Sin 34 -- The Pandoras -- Screamin' Sirens -- 5. West Coast (North): Shake the Hands of Time -- Mary Monday -- The Nuns -- The Avengers -- The Blowdryers -- The Urge -- VS -- VKTMS -- U.X.A. -- IXNA -- Los Microwaves -- Romeo Void -- The Contractions -- Inflatable Boy Clams -- Wilma -- Frightwig -- 6. East Coast: Subversive Pleasure -- Jayne County -- Mars -- The Phantoms -- Helen Wheels Band -- 'B' Girls -- Teenage Jesus &amp -- the Jerks -- Cheap Perfume -- DNA -- Nasty Facts -- UT -- ESG -- Plasmatics -- Tiny Desk Unit -- Disturbed Furniture -- Bush Tetras -- Y Pants -- Egoslavia -- Dizzy and the Romilars -- Chalk Circle -- The Excuses -- Red C -- The Bloods -- Pulsallama -- IN MEMORIUM -- AUTHOR'S ACKNOWLEDGMENTS -- CITATIONS -- INDEX.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
  • 16
    Online Resource
    Online Resource
    Raving (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478024040
    Language: English
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Practices Ser.
    Parallel Title: Erscheint auch als
    DDC: 306.109747
    RVK:
    LS 48655
    RVK:
    LC 88610
    Keywords: Electronic books
    Abstract: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478024040?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478024040
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HeBIS
    MPI-MMG
  • 17
    Online Resource
    Online Resource
    Music and Citizenship (2023)
    Oxford : Oxford University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780197555200
    Language: English
    Pages: 1 Online-Ressource (193 pages)
    Series Statement: Oxford Theory in Ethnomusicology Series
    DDC: 306.4842
    RVK:
    LS 18600
    Keywords: Electronic books
    Abstract: In Music and Citizenship, author Martin Stokes challenges the conventional understanding of citizenship in terms of nationalism and national identity though case studies of music from across Latin America, Africa, Asia, and Europe. In this way, this volume reorients key questions about citizenship towards musical ecology, sustainability, democracy, and inclusivity.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HeBIS
    BVB
  • 18
    Online Resource
    Online Resource
    Congo's Dancers : Women and Work in Kinshasa (2023)
    Madison : University of Wisconsin Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780299340339
    Language: English
    Pages: 1 Online-Ressource (216 pages)
    Edition: 1st ed.
    DDC: 306.484609675112
    RVK:
    LQ 93300
    RVK:
    AP 83975
    Keywords: Rumba ; Tänzerin ; Geschlechterrolle ; Demokratische Republik Kongo ; Kinshasa ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    HeBIS
  • 19
    Online Resource
    Online Resource
    Jazz in socialist Hà Nội : improvisations between worlds (2022)
    New York : Routledge
    Details
    ISBN: 9781003165927 , 1003165923 , 9781000555684 , 1000555682 , 9781000555653 , 1000555658
    Language: English
    Pages: 1 Online-Ressource (xiv, 212 Seiten) , Illustrationen
    Series Statement: Transnational studies in jazz
    Parallel Title: Erscheint auch als Tan-Tangbau, Stan BH Jazz in socialist Hà Nội
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Jazz Political aspects ; Jazz musicians Interviews ; Communism and music ; Electronic books ; MUSIC / Genres & Styles / Jazz ; MUSIC / Ethnomusicology ; MUSIC / Genres & Styles / International
    Abstract: Between worlds -- A nascent discography -- Live jazz -- Jazz at the conservatoire -- Music, war and revolution -- Becoming a professional musician -- Vietnam, the Socialist Bloc and jazz -- Hà Nội's jazz scene -- Coda.
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781003165927
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
  • 20
    Online Resource
    Online Resource
    Music and Change in the Eastern Baltics Before and After 1989 (2022)
    Boston, MA : Academic Studies Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781644698952
    Language: English
    Pages: 1 Online-Ressource (362 p.)
    Series Statement: Studies in the History and Sociology of Music
    DDC: 306.484209479
    RVK:
    LQ 80027
    Keywords: Electronic books ; Konferenzschrift 2020 ; Konferenzschrift 2020
    Abstract: This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics-Lithuania, Latvia, Poland, and Russia-at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
    DOI: 10.1515/9781644698952
    URL: https://doi.org/10.1515/9781644698952?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781644698952
    URL: Cover
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
  • 21
    Online Resource
    Online Resource
    Jüdische Komponistinnen zwischen Erfolg und Verfolgung, Exil und Heimkehr (2022)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990128114
    Language: German , English , Hebrew , Japanese
    Pages: 1 Online-Ressource (181 Seiten) , Illustrationen, Porträts, Notenbeispiele
    Parallel Title: Erscheint auch als Schwab, Andrea, 1958 - Jüdische Komponistinnen
    RVK:
    LS 33120
    RVK:
    LR 56617
    Keywords: Electronic books ; Biografie ; Biografie ; Jüdin ; Komponistin ; Geschichte 1832-1992 ; Deutschland ; Österreich ; Komponistin ; Jüdin ; Geschichte 1832-1992
    Abstract: frontcover -- PRINT_Jüdische Komponistinnen LAYOUT.pdf -- backcover.
    Note: Vorwort auf englisch und deutsch , Text auf deutsch, Zusammenfassungen auf englisch, hebräisch und japanisch
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
    GBV
    KOBV
  • 22
    Online Resource
    Online Resource
    Krise - Boykott - Skandal : konzertierte Ausnahmezustände (2021)
    München : edition text + kritik
    Details
    ISBN: 9783967074598
    Language: German
    Pages: 1 Online-Ressource (268 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Krise - Boykott - Skandal
    DDC: 301
    RVK:
    LR 56707
    RVK:
    LR 57720
    Keywords: Electronic books ; Aufsatzsammlung ; Moderne ; Gesellschaft ; Krise ; Skandal ; Boykott ; Darstellende Kunst ; Massenmedien ; Pop-Kultur ; Geschichte 1945-2021
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 23
    Online Resource
    Online Resource
    Jüdische Musik im süddeutschen Raum : Mapping jewish music of southern Germany (2021)
    München : Allitera Verlag
    Details
    ISBN: 9783962332754 , 9783962332747
    Language: German
    Pages: 1 Online-Ressource (271 Seiten)
    Series Statement: Musikwissenschaftliche Schriften der Hochschule für Musik und Theater München 16
    Parallel Title: Erscheint auch als Jüdische Musik im süddeutschen Raum: Geschichte, Exil, Fortleben (Veranstaltung : 2019 : München) Jüdische Musik im süddeutschen Raum
    DDC: 780.899240434
    RVK:
    LS 33120
    Keywords: Jews Congresses Music ; History and criticism ; Jews Music History and criticism 19th century ; Congresses ; Jews Music History and criticism 20th century ; Congresses ; Music Congresses History and criticism ; Electronic books ; Süddeutschland ; Juden ; Musik ; Geschichte
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 24
    Online Resource
    Online Resource
    HipHop, Musik und die Artikulation von Geographie (2021)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515130585
    Language: German
    Pages: 1 online resource (317 pages)
    Edition: 1st ed.
    Series Statement: Sozialgeographische Bibliothek v.8
    DDC: 780.091
    RVK:
    RB 10795
    RVK:
    LS 48900
    RVK:
    LC 87000
    RVK:
    LC 88015
    RVK:
    RB 10801
    RVK:
    RB 10798
    Keywords: Electronic books ; Hochschulschrift
    Abstract: Intro -- Danksagung -- Inhalt -- Abbildungen -- 1 Einleitende Bemerkungen -- 2 Music non stop: Geräusche, Geschichte, Gesellschaft und Geographie -- 2.1 Anfänge wissenschaftlicher Rede über Klang: Musik- und Sozialwissenschaften -- 2.2 Geographische Traditionen in Musik -- 2.3 Peopling the soundscape: Humanistische Geographie und New Cultural Geography -- 2.4 Musik Macht Politik: die neue Agenda -- 2.5 Auralität und Räumlichkeit -- 2.6 Zusammenfassung -- 3 HipHop in Raum und Zeit -- 3.1 The rap on rap music -- 3.2 Strukturen und Akteure einer kulturellen Neuerung -- 3.3. Diffusionen -- 4 Raum und Zeit in HipHop-Musik -- 4.1 Räume, Orte und die Rhythmen des Alltäglichen -- 4.2 Rap in den USA: representing race, space and place -- 4.3 HipHop, Deutschrap!, Rap in Deutschland -- 5 HipHop, Musik und die Artikulation von Geographie: ein Fazit -- 6 Literatur, Quellen, Diskographie -- 6.1 Literatur- und Quellenverzeichnis -- 6.2 Auswahldiskographie und Filme -- 6.3 Übersicht der Interviews -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 25
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    Transforming ethnomusicology Volume I : methodologies, institutional structures, & policies (2021)
    New York : Oxford University Press
    Details
    ISBN: 9780197517642
    Language: English
    Pages: 1 Online-Ressource (272 Seiten)
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als Transforming ethnomusicology
    DDC: 780.89
    RVK:
    LB 30000
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology Methodology ; Electronic books ; Westliche Welt ; Entwicklungsländer ; Musikethnologie
    Abstract: This two-volume collection transforms our understanding of the discipline of ethnomusicology by exploring how ethnomusicologists can contribute to positive social and environmental change within institutional frameworks. The first volume focuses on ethical practice and collaboration and offers strategies for promoting institutional and methodological change.
    Note: Description based on publisher supplied metadata and other sources
    DOI: 10.1093/oso/9780197517604.001.0001
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
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  • 26
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    Songbooks : the literature of American popular music (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478021391 , 147802139X
    Language: English
    Pages: 1 Online-Ressource (xxii, 530 Seiten) , Illustrationen
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Weisbard, Eric Songbooks
    DDC: 782.421640973
    RVK:
    HR 1121
    RVK:
    LS 48050
    Keywords: Popular music History and criticism ; Popular music Historiography ; Electronic books ; USA ; Volksmusik ; Popmusik
    Abstract: Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478021391
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1515/9781478021391?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021391
    URL: Cover
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  • 27
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    The stories of Jazz : narrating a musical tradition (2021)
    Wien : Hollitzer
    Details
    ISBN: 9783990128954
    Language: English
    Pages: 1 Online-Ressource (406 Seiten)
    Series Statement: Jazzforschung 48 (2016)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Electronic books ; Jazz ; Geschichte
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
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  • 28
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    Classical Antiquity in heavy metal music (2020)
    London ; New York ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    Details
    ISBN: 9781350075382 , 9781350075368
    Language: English
    Pages: 1 Online-Ressource (XI, 260 Seiten) , 6 Illustrationen, Karte
    Series Statement: Imagines : classical receptions in the visual performing arts
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Heavy Metal ; Rezeption ; Rockmusik ; Antike ; Heavy metal (Music) / History and criticism ; Classical antiquities in music ; Heavy metal (Music) ; Criticism, interpretation, etc ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Rockmusik ; Heavy Metal ; Rezeption ; Antike
    Description / Table of Contents: Vergil's Aeneid and nationalism in Italian metal -- Eternal defiance : Celtic identity and the classical past in heavy metal -- Screaming ancient Greek hymns : the case of Kawir and the Greek black metal scene -- Cassandra's plight : gender, genre, and historical concepts of femininity in goth and power metal -- Heavy metal Dido : Heimdall's Ballad of the Queen -- A metal monstrum : Ex Deos Caligula -- Occult and pulp visions of Greece and Rome in heavy metal -- When the land was milk and honey and magic was strong and true : Edward Said, ancient Egypt, and heavy metal -- Coda : some trends in metal's use of classical antiquity
    DOI: 10.5040/9781350075382
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: lizenzpflichtig
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    HU Berlin
    Würzburg UB
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  • 29
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    Metalmorphosen : die unwahrscheinlichen Wandlungen des Heavy Metal (2020)
    Stuttgart : Franz Steiner Verlag
    Details
    ISBN: 9783515126397
    Language: German
    Pages: 1 Online-Ressource (290 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Electronic books ; Heavy Metal ; Geschichte
    Abstract: Intro -- Inhaltsverzeichnis -- 1. Intro. Happy Metal? Heavy Metal und seine unwahrscheinlichen Wandlungen -- Musiktheoretische Analyse 1: Rhapsody Of Fire - Emerald Sword -- 2. Arise. Metal und die Geschichte seiner Ästhetik -- 2.1 Megatrends in Brutality. Was ist Metal? -- 2.2 Point of Entry. Die Entstehung des Begriffs -- 2.3 Back to the Primitive. Die Archaik des Metal, der Blues und der Atomkrieg -- 2.4 Black Death. Metal, Hautfarbe und Hip-Hop -- Interview mit Sabina Classen (Holy Moses) -- 2.5 Desecrators of the New Age. Punk, Pluralismus und bleierne Moderne im klassischen Metal -- Interview mit Conrad Thomas "Cronos" Lant (Venom) -- Musiktheoretische Analyse 2: Megadeth - Symphony of Destruction -- 2.6 Into the Pandemonium. Über den Mainstream zum Extrem -- Interview mit Ben Weinman (The Dillinger Escape Plan) -- 2.7 Mental Floss for the Globe. Crossover und Renaissance des klassischen Metal -- Interview mit Mille Petrozza (Kreator) -- Musiktheoretische Analyse 3: Behemoth - O Father O Satan O Sun! -- 3. The God That Failed. Metal und Religion -- Interview mit Freddy Lim (Chthonic) -- Musiktheoretische Analyse 4: Metallica - Master Of Puppets -- 4. Heavy Metal Is the Law. Metal und Politik -- Interview mit Prika Amaral (Nervosa) -- Musiktheoretische Analyse 5: Amon Amarth - Twilight of the Thundergod -- 5. I'll Be Your Sister. Metal und Gender -- 6. Nachwort und Dank -- Anmerkungen zu Zitaten und Quellen -- Anmerkungen -- Bildnachweise &amp -- Copyright.
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  • 30
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    How the West stole democracy from the Arabs : the Syrian Arab Congress of 1920 and the destruction of its Liberal-Islamic Alliance (2020)
    New York : Atlantic Monthly Press, an imprint of Grove Atlantic | London : Grove Press UK, an imprint of Grove Atlantic
    Details
    ISBN: 9781611859003
    Language: English
    Pages: 1 Online-Ressource (442 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als Thompson, Elizabeth F., 1959 - How the West stole democracy from the Arabs
    DDC: 956.91041
    RVK:
    NQ 5750
    RVK:
    LS 48040
    Keywords: Faysal ; Lawrence, T. E ; Electronic books ; Syria History French occupation, 1918-1946 ; Arab countries History 20th century ; Arab countries Foreign relations ; Syrien ; Unabhängigkeitsbewegung ; Kolonialmacht ; Geschichte 1919-1920
    Abstract: Cover -- Title -- Copyright -- Contents -- Photo Credits -- Preface -- The Setting -- The Players -- Note on Nomenclature, Spelling, and Transliteration -- Abbreviations Used for Archival Sources -- Part I: An Arab State in Syria -- 1. Damascus: Enter the Prince -- 2. Aleppo: A Government and Justice for All -- 3. Cairo: A Sheikh Prays to an American President -- Part II: A Chilly Peace at Paris -- 4. Wooing Woodrow Wilson -- 5. The Covenant and the Colonial Color Line -- 6. A Sip of Champagne, with a Sour Aftertaste -- Part III: Syria's Declaration of Independence -- 7. The Syrian Congress and the American Commission -- 8. A Democratic Uprising in Damascus -- 9. Revolution at the Quai d'Orsay -- 10. The Prince, the Sheikh, and "The Day of Resurrection" -- 11. Wilsonism Colonized at San Remo -- Part IV: The Constitution: a Civil Weapon Against Colonization -- 12. The Sheikh versus the King: A Parliamentary Revolution -- 13. Women's Suffrage and the Limits of Islamic Law -- 14. A Democratic Constitution for Christians and Muslims -- Part V: Syria's Expulsion from the Civilized World -- 15. Battle Plans for Syria -- 16. The French Ultimatum and Faisal's Dissolution of Congress -- 17. Maysalun: The Arab State's Last Stand -- 18. Wilson's Ghost in Geneva -- Epilogue: Parting of Ways-The Liberal, the Sheikh, and the King -- Appendices -- A. Members of Congress in March 1920 -- B. The Syrian Declaration of Independence, March 8, 1920 -- C. The Syrian Constitution of July 19, 1920 -- Acknowledgments -- For Further Reading -- Notes -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 31
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    A people's music : Jazz in East Germany, 1945-1990 (2020)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781108776233
    Language: English
    Pages: 1 Online-Ressource (346 Seiten)
    Edition: First published
    Series Statement: New Studies in European History
    Parallel Title: Erscheint auch als
    DDC: 781.650943/1
    RVK:
    LS 48100
    RVK:
    LQ 80407
    RVK:
    LP 19507
    Keywords: Jazz History and criticism 20th century ; Music and state History 20th century ; Jazz Political aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Jazz History and criticism ; Electronic books ; Electronic books ; Deutschland ; Jazz ; Kulturpolitik ; Geschichte 1918-1945 ; Deutschland ; Jazz ; Kulturpolitik
    Abstract: Chronicles the history of jazz over the complete lifespan of East Germany, from 1945 to 1990, for the first time.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
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  • 32
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    Jewish Difference and the Arts in Vienna : Composing Compassion in Music and Biblical Theater (2019)
    Bloomington : Indiana University Press
    Details
    ISBN: 9780253040565
    Language: English
    Pages: 1 online resource (226 pages)
    Additional Information: Rezensiert in Uslin, Karen L. [Rezension von: Kita, Caroline A., Jewish Difference and the Arts in Vienna] 2021
    Series Statement: German Jewish Cultures Ser.
    Parallel Title: Erscheint auch als Kita, Caroline A. Jewish difference and the arts in Vienna
    DDC: 780.943613
    RVK:
    NY 4690
    RVK:
    LS 33100
    RVK:
    BD 6820
    RVK:
    BD 6810
    Keywords: Music-Austria-Vienna-History and criticism ; Music-Austria-Vienna-History and criticism ; Electronic books ; Biblisches Drama ; Juden ; Mitgefühl ; Musik ; Literatur ; Bibel Altes Testament ; Juden ; Wien ; Geschichte 1876-1918
    Abstract: Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.
    Abstract: Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Note on Translation -- Introduction -- 1. A Case for Compassion: Siegfried Lipiner's Adam -- 2. Voicing Compassion: Gustav Mahler's Second and Third Symphonies -- 3. Polyphony as a Poetics of Compassion: Arnold Schoenberg's Die Jakobsleiter -- 4. Dialogues of Compassion: Richard Beer-Hofmann's Jaákobs Traum -- 5. Compassion as Communal Song: Stefan Zweig's Jeremias -- Epilogue -- Bibliography -- Index -- About the Author.
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  • 33
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    Cornelius's Fantasma (2019)
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    Details
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
    RVK:
    LS 48040
    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
    DOI: 10.5040/9781501330209
    URL: lizenzpflichtig
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  • 34
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    Kulturelle Teilhabe durch Musik? : Transkulturelle Kinder- und Jugendbildung im Spannungsfeld von Empowerment und Othering (2019)
    Bielefeld : transcript
    Details
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    DG 8500
    RVK:
    DG 9000
    RVK:
    DS 7400
    RVK:
    LR 56600
    RVK:
    LR 56957
    RVK:
    LR 57070
    RVK:
    MS 3500
    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5988547
    URL: https://www.transcript-verlag.de/978-3-8376-4849-2/kulturelle-teilhabe-durch-musik/
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    Music is power : popular songs, social justice and the will to change (2019)
    New Brunswick : Rutgers University Press
    Details
    ISBN: 1978808151 , 9781978808157
    Language: English
    Pages: 1 Online-Ressource (vii, 236 pages) , illustrations
    Parallel Title: Erscheint auch als Schreiber, Brad Music is power
    DDC: 306.4/8424
    RVK:
    LS 48050
    Keywords: Popular music Social aspects ; History ; Popular music Political aspects ; History ; History ; Popular music ; Social aspects ; Popular music ; Political aspects ; MUSIC ; General ; Electronic books
    Abstract: Frontmatter -- Contents -- 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- 3. Caged Artists: Lesley Gore, Janis Ian, and P.F. Sloan -- 4. Parody and Poetry: Tom Lehrer; Peter, Paul and Mary; and The Smothers Brothers -- 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- 6. Reason and Blues: Marvin Gaye and The Temptations -- 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- 9. More Than a Working-Class Hero: John Lennon and The Beatles -- 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- 11. Word: Gil Scott-Heron and Grandmaster Flash -- 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- 14. Rap, Not Hip-Hop: NWA and Public Enemy -- 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Bibliography -- Index -- About the Author
    Abstract: Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches-- angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority--to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
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    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: https://www.degruyter.com/isbn/9781978808157
    URL: Cover
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  • 36
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    Jazz in Europe : networking and negotiating identities$h (2019)
    New York : Bloomsbury Academic & Professional
    Details
    ISBN: 9781501346606
    Language: English
    Pages: 1 online resource (201 pages)
    Parallel Title: Erscheint auch als
    RVK:
    LS 48200
    Keywords: Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=5751870
    URL: Inhaltsverzeichnis
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    Theory for ethnomusicology : histories, conversations, insights (2019)
    New York : Routledge
    Details
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Edition: Second edition
    Parallel Title: Erscheint auch als Theory for ethnomusicology
    RVK:
    LC 87000
    RVK:
    LS 16000
    Keywords: Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Includes bibliographical references and index
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  • 38
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    Sprechen Sie Rhythmus? : Onomatopoesie beim Lernen melorhythmischer Pattern (2019)
    Wien : Hollitzer Wissenschaftsverlag
    Details
    ISBN: 9783990125786
    Language: German
    Pages: 1 online resource (169 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.62
    RVK:
    AP 84350
    RVK:
    LR 55250
    RVK:
    AP 84050
    Keywords: Rhythm ; Electronic books ; Musikerziehung ; Lautmalerei ; Rhythmus ; Pattern
    Note: Description based on publisher supplied metadata and other sources
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  • 39
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    Popular Music and Public Diplomacy : Transnational and Transdisciplinary Perspectives (2019)
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    LS 48015
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    DOI: 10.1515/9783839443583
    URL: kostenfrei
    URL: Cover
    URL: kostenfrei registrierungspflichtig
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    URL: De Gruyter, Cover
    URL: EBSCOhost
    URL: https://doi.org/10.14361/9783839443583
    URL: https://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff
    URL: Biblioboard
    URL: Image
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  • 40
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    Music Practices Across Borders : (E)Valuating Space, Diversity and Exchange (2019)
    Bielefeld : transcript-Verlag
    Details
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
    RVK:
    LS 48000
    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
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  • 41
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    Turkic soundscapes : from shamanic voices to hip-hop (2018)
    Abingdon, Oxon : Routledge
    Details
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: SOAS musicology series
    Parallel Title: Erscheint auch als Turkic soundscapes
    DDC: 780.9174943
    RVK:
    LS 36760
    Keywords: Music Europe, Western x History and criticism ; Music Middle East x History and criticism ; Turkic peoples Music ; History and criticism ; Music Turkish influences ; Electronic books
    Abstract: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- List of musical examples -- Notes on contributors -- Acknowledgements -- Map of the Turkic-speaking world -- Foreword -- Foreword -- 1 Introduction: traditions and transformations in Turkic musical cultures -- Part I Cultural foundations in music of the twenty-first century -- 2 The concept of makam-based melody and its problematic in musical analysis -- 3 The pedagogical system of Azerbaijani master musician Bahram Mansurov (1911‒1985) -- 4 From popular tradition to pop diffusion: jahrī zikr among teenagers in present-day Kazakhstan -- Part II Turkic music in popular culture and mass media -- 5 Azerbaijani rap music and oral poetry between "the folk" and "the popular" -- 6 Mass music in Kazakhstan: the phenomenon and its interpretation -- 7 Musical images of Istanbul from Fatih Akin's films and stage performances -- Part III Cross-cultural encounters in the Turkic-speaking world and beyond -- 8 From the spiritual to the profane and back: religious melodies and folksongs of Turkic peoples -- 9 The Circumpontic Lezginka dance as a cultural phenomenon -- 10 The impact of Turkic musical culture on the music of Bulgaria -- Part IV Turkic music and national identities -- 11 Debating "national ownership" of musical instruments: the balalaika as a subject of ethnopolitical discourse -- 12 New music of the Crimean Tatars: history and current status -- 13 Ancient roots, modern nation-building: Kazakh spirituality and identity in the music of the Turan ensemble -- References -- Index.
    Note: Includes bibliographical references and index
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  • 42
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    Music, sound, and architecture in Islam (2018)
    Austin : The University of Texas Press
    Details
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
    RVK:
    LS 34000
    RVK:
    LO 87143
    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
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  • 43
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    Anti-Music : Jazz and racial blackness in German thought between the wars (2018)
    Albany : State University of New York Press
    Details
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
    RVK:
    LS 48100
    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
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  • 44
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    Sonic agency : sound and emergent forms of resistance (2018)
    Cambridge : Goldsmiths Press
    Details
    ISBN: 9781906897536
    Language: English
    Pages: 1 Online-Ressource (191 Seiten)
    Series Statement: Goldsmiths Press sonics series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als LaBelle, Brandon, 1969 - Sonic agency
    DDC: 303.48/4
    RVK:
    LC 59000
    RVK:
    LR 56650
    RVK:
    LR 56668
    Keywords: Sound Psychological aspects ; Resistance (Philosophy) ; Resistance (Philosophy) ; Resistance (Philosophy) ; Sound Psychological aspects ; Sound Psychological aspects ; Sound-Psychological aspects ; Electronic books ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik ; Sozialer Wandel ; Politischer Wandel ; Widerstand ; Klang ; Psychoakustik
    Abstract: A timely exploration of whether sound and listening can be the basis of political change.
    Abstract: Cover -- Half title -- Title page -- Copyright -- Contents -- Acknowledgments -- 1 Unlikely Publics: On the Edge of Appearance -- Tact / And Tenderness -- Four Sonic Figures -- Anti-political Politics -- Notes -- 2 The Invisible -- Acousmatic Voices / Listening in the Dark / Encounters beyond the Face -- The Black Arts / And Black Readings / From Histories of Secrets / (Im)possible -- The Hidden / Yet Heard / As New Consciousness / The Making of Faces -- Notes -- 3 The Overheard -- Urban Scenes / A Logic of Encounters / Stranger Relations -- Networks / The Cognitive Body / Leaks and Invisible Remainders -- Unsitely Commons / Pirate Cultures / New Moral Challenge -- Notes -- 4 The Itinerant -- Echo Worlds / And Diversal Subjects / Lyrics of Displacement -- Rasta Reasoning / "I and I" / Of Deep Echoes -- The Migrations / And Desperate Walks / For No Borders -- Border Subjects / Giving Way to Border Publics / Encroachments -- Notes -- 5 The Weak -- Ecstasy / Collective Vibrations / By Which to Weaken / And Raise -- Non-violence / Standing Still / Within Churches from Below -- Listening / Loving Relations / This Rage / And Other Weapons -- Notes -- 6 Poor Acoustics: Listening from Below -- Notes -- Bibliography -- Index.
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  • 45
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    Gender Inequality in Metal Music Production (2018)
    Bingley : Emerald Publishing Limited
    Details
    ISBN: 9781787146747
    Language: English
    Pages: 1 Online-Ressource (170 pages)
    Series Statement: Emerald Studies in Metal Music and Culture Ser
    Parallel Title: Print version Berkers, Pauwke Gender Inequality in Metal Music Production
    DDC: 305.4
    RVK:
    LR 56610
    RVK:
    LS 48635
    Keywords: Music trade.. ; Sound recordings-Production and direction.. ; Sex discrimination against women.. ; Discrimination in employment ; Electronic books
    Abstract: In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is such an impenetrable fortress for female musicians and how it could change
    Abstract: Intro -- Gender Inequality in Metal Music Production -- Contents -- Lists of Images, Figures and Tables -- Images -- Figures -- Tables -- About the Authors -- Preface and Acknowledgments -- Introduction: Gender Inequality in Metal Music Production -- Learning, Doing and Evaluating Gender in Society, Pop Music and Metal -- I. Gender in Society at Large -- II. Gender in Popular Music -- Representation of Women in Pop Music -- Explaining the Representation of Women in Pop Music -- III. Gender in Metal Music -- Representation of Women in Metal Music -- Explaining the Representation of Women in Metal Music -- Data and Methods -- Structure and Outline of the Book -- 1. Winds of Change? Longitudinal Trends and Cross-National Differences -- A History of Women in Metal Music Production -- Getting into Metal Music -- The Statistics of a Boy's Club: Three Per Cent -- Global Cultural Production of Metal Music -- The Masculine Glocalisation of Metal Music -- 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres -- Genre Rules: Expectations, Orientations and Conventions -- Gendered Genre Rules -- The Statistics of Gendered Subgenres -- Gender and Subgenres -- Gender and Subgenres in Six Countries -- Gendering of (Sub)Genre Through Social Marking -- 3. All Vocals, Few Chords: Gender Differences in Instrumentation -- Horizontal Sex Segregation: Gender, Instruments and Stereotypes -- Vertical Sex Segregation: Gender, Prestige and Instruments -- The Statistics of Instrumentation: All Vocals, Few Chords -- Gender and Instrumentation -- Gender and Instrumentation in Metal Subgenres -- 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers -- Social Marking and Boundaries -- Tokenism -- Cultural/Structural Embeddedness and the Double-Edged Sword -- Positive Tension: The Benefits of Higher Visibility
    Abstract: Negative Tension: The Disadvantages of Higher Visibility -- The Statistics of the Double-Edged Sword: Institutional Recognition -- The Great Trade-Off: Standing Out or Fitting In? -- Conclusion: Women Are Nowhere, Gender Is Everywhere -- Main Findings and Contributions -- Discussion and Further Research -- Amplifying Gender Equality, Perhaps -- Appendix 1: Quantitative Data - The Metal Archives -- Variable Construction: Subgenre and Instruments -- Appendix 2: Qualitative Data - Interviews with Metal Musicians -- References -- Secondary Sources -- Index
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  • 46
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    Popular music, stars and stardom (2018)
    Acton, ACT, Australia : Australian National University Press
    Details
    ISBN: 9781760462123 , 1760462136 , 1760462128 , 1760462136 , 9781760462123 , 9781760462130
    Language: English
    Pages: 1 Online-Ressource (x, 162 pages)
    Parallel Title: Print version Popular music, stars and stardom
    RVK:
    LR 57730
    RVK:
    MS 7850
    Keywords: Mercury, Freddie Criticism and interpretation ; Caballé, Montserrat Criticism and interpretation ; Jacques, Judy Criticism and interpretation ; Saddington, Wendy Criticism and interpretation ; Beyoncé Criticism and interpretation ; Mercury, Freddie ; Caballé, Montserrat ; Jacques, Judy ; Saddington, Wendy ; Beyoncé ; Rock music ; Popular music Political aspects ; Popular music Social aspects ; Popular music History and criticism ; Fame Political aspects ; Minstrel music History ; Women musicians ; Popular music ; Rock music ; Popular music ; Popular music ; Popular music ; Fame ; Minstrel music ; Women musicians ; Popular music ; Electronic books ; Beyoncé ; Caballé, Montserrat ; Mercury, Freddie ; Music ; Popular culture ; Media, information & communication industries ; Minstrel music ; Popular music ; Popular music ; Political aspects ; Popular music ; Social aspects ; Rock music ; Women musicians ; Australia ; Criticism, interpretation, etc ; History ; Electronic books ; Popmusik ; Popsänger ; Popsängerin ; Starkult
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Abstract: "A popular fascination with fame and stardom has existed in Western culture since the late eighteenth century; a fascination that, in the twenty-first century, reaches into almost every facet of public life. The pervasive nature of stardom in modern society demands study from the perspectives of a range of distinct but thematically connected disciplines. The exploration of intersections between broader considerations of stardom and the discourses of popular music studies is the genesis for this volume. The chapters collected here demonstrate the variety of work currently being undertaken in stardom studies by scholars in Australia. The contributions range from biographical considerations of the stars of popular music, contributions to critical discourses of stardom in the industry more broadly, and the various ways in which the use of astronomical metaphors, in both cultural commentary and academic discourse, demonstrate notions of stardom firmly embedded in popular music thought. Not only do these chapters represent a range of perspectives on popular music, stars and stardom, they provide eloquent and innovative contributions to the developing discourse on stardom in popular music."
    Note: Includes bibliographical references and index
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  • 47
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    The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll (2018)
    Cambridge : Harvard University Press
    Details
    ISBN: 9780674919747
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Stephens, Randall J The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
    DDC: 306.4/84260973
    RVK:
    LV 78630
    Keywords: Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Electronic books
    Abstract: When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.--
    Abstract: Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Pentecostalism and Rock 'n' Roll in the 1950s -- 2. Race, Religion, and Rock 'n' Roll -- 3. The Beatles, Christianity, and the Conservative Backlash -- 4. The Advent of Jesus Rock -- 5. The Fundamentalist Reaction to Christian Rock -- Epilogue -- Notes -- Acknowledgments -- Index
    Note: Includes bibliographical references and index
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    URL: https://doi.org/10.4159/9780674919747?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780674919747
    URL: Cover
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  • 48
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    Middlebrow modernism : Britten's operas and the great divide (2018)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520970700 , 0520970705 , 9780520298651 , 0520970705 , 9780520298651 , 9780520970700
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Chowrimootoo, Christopher, 1985- Middlebrow modernism
    RVK:
    LP 91536
    Keywords: Britten, Benjamin ; Britten, Benjamin ; Britten, Benjamin ; Music ; Opera ; Modernism (Music) ; Music Philosophy and esthetics 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Opera 20th century ; Modernism (Music) History 20th century ; Music Philosophy and esthetics 20th century ; Electronic books ; MUSIC / History & Criticism ; Modernism (Music) ; Opera ; Operas (Britten, Benjamin) ; History ; Electronic books ; Britten, Benjamin 1913-1976 ; Oper ; Soziale Situation ; Massenkultur ; Neue Musik
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Abstract: "At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the 'great divide' between modernism and mass culture. Reviving midcentury discussions of the 'middlebrow, ' Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of gray in the previously black-and-white historiographies of twentieth-century music"--Provided by publisher
    Note: Includes bibliographical references and index
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  • 49
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    Logic of experimentation : reshaping music performance in and through artistic research (2018)
    Leuven (BE) : Leuven University Press
    Details
    ISBN: 9789462701380 , 9461662505 , 9462701385 , 9461662505 , 9789462701380 , 9789461662507
    Language: English
    Pages: 1 Online-Ressource (300 pages)
    Series Statement: Orpheus Institute series
    Parallel Title: Print version Assis, Paulo de Logic of experimentation. Reshaping music performance in and through artistic research
    RVK:
    LR 56008
    Keywords: Music Performance ; Music ; Electronic books ; Music ; Performance ; MUSIC / Instruction & Study / General ; Musikalische Aufführungspraxis ; Experiment ; Musikalische Aufführungspraxis ; Rezeption ; Musikalische Aufführungspraxis ; Künstlerische Forschung
    Abstract: Beyond interpretation: a proposal for experimental performance practices.0'Logic of Experimentation' offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance - be it mainstream or historically informed performance practices - 'Logic of Experimentation' creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research
    Note: Includes bibliographical references and index
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  • 50
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    Online Resource
    Klingende Eklats : Skandal und Neue Musik (2018)
    Bielefeld : Transcipt Verlag
    Details
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Series Statement: Histoire Band 118
    Parallel Title: Print version Schürmer, Anna Klingende Eklats : Skandal und Neue Musik
    DDC: 306
    RVK:
    LR 56707
    RVK:
    LR 57720
    Keywords: Popular culture ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: Cover -- Inhalt -- KLINGENDE HISTORIOGRAPHIE (Einleitung) -- REFERENZEN und CHIFFREN (Exposition) -- AGON und SKANDAL (Durchführung #1) -- ELEKTRONISCHE EKLATANZ (Durchführung #2) -- TRANSKULTURELLE TRANSFERS (Durchführung #3) -- QUERSTAND von KUNST und POLITIK (Durchführung #4) -- ANALYTISCHE KONTRAPUNKTE (Reprise) -- BIBLIOGRAPHIE
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    URL: http://www.transcript-verlag.de/978-3-8376-3983-4
    URL: Inhaltsverzeichnis
    URL: Unbekannt
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    URL: Open Access
    URL: Cover
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  • 51
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    In Search of Soul : Hip-Hop, Literature, and Religion (2017)
    Berkeley : University of California Press
    Details
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
    RVK:
    LS 48650
    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
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  • 52
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    Online Resource
    Popular Music in Southeast Asia : Banal Beats, Muted Histories (2017)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048534555
    Language: English
    Pages: 1 online resource (105 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.484
    RVK:
    LS 40040
    Keywords: Popular music-Southeast Asia-History and criticism ; Popular music-Southeast Asia-History and criticism ; Electronic books ; Criticism, interpretation, etc ; Electronic books
    Abstract: Cover -- Table of Contents -- Introduction -- Muted sounds, obscured histories -- Living the modern life -- Four eras -- Research project Articulating Modernity -- 1. Oriental Foxtrots and Phonographic Noise, 1910s-1940s -- New markets -- The rise of female stars and fandom -- Jazz, race, and nationalism -- Box 1.1 Phonographic noise -- Box 1.2 Dance halls -- Box 1.3 The modern woman -- 2. Jeans, Rock, and Electric Guitars, 1950s-mid-1960s -- Youth culture -- Moral indignation -- Local industry -- Beat goes local -- Box 2.1 Gangs -- Box 2.2 Blue Jeans -- Box 2.3 Tremolo guitar -- 3. The Ethnic Modern, 1970s-1990s -- Modern music for the Muslim Malay masses -- Pop history, as we know it -- Subversive sounds -- Making noise in the big melting pot -- What is so modern about the ethnic? -- The sound of longing for home: pop Minang -- Village girl and big city pop diva: The story of Elly Kasim -- Box 3.1 Disco -- Box 3.2 Dangdut -- Box 3.3 Going abroad (in two songs) -- 4. Doing it Digital, 1990s-2000s -- Musical revolutions: Finally indie-pendent? -- Pop, politics, and piety -- Asia around the corner -- Doing it Digital: Three apparent paradoxes -- The Malay Muslim girl-next-door: A deeper conversation with Yuna -- Box 4.1 - JKT48 -- Box 4.2 - An Indonesian indie song -- Box 4.3 - Karaoke discs -- Box 4.4 - SoundCloud communities -- Selected Bibliography -- List of Illustrations -- Illustration 1 – A Malay dondang sayang song recorded in Singapore by Pagoda Record, subsidiary of Deutsche Grammophon, c. 1935 -- Illustration 2 – Quranic text interpretation (tafsir) and translation from Arabic to Malay by a female religious expert (ustazah) recorded by Extra Records (His Master’s Voice) in Indonesia, c. 1938 -- Illustration 3 – Rajuan Irama, an Malay orchestra, c. 1935.
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  • 53
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    A distinctive voice in the antipodes : essays in honour of Stephen A. Wild (2017)
    Acton, A.C.T : ANU Press
    Details
    ISBN: 9781760461119 , 1760461121
    Language: English
    Pages: 1 Online-Ressource (Electronic text (xvi, 502 pages))
    DDC: 305.899/15
    RVK:
    LS 49400
    Keywords: Wild, Stephen ; Essays ; Festschriften ; Dance ; Aboriginal Australians ; Music ; Festschrift ; Aufsatzsammlung ; Electronic books ; Electronic books ; Electronic books
    Abstract: Stephen A. Wild: A Distinctive Voice in the Antipodes / Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles -- Festschrift Background and Contents / Kirsty Gillespie, Sally Treloyn and Don Niles -- Indigenous Australia. A Different Mode of Exchange: The Mamurrng Ceremony of Western Arnhem Land / Reuben Brown -- Warlpiri Ritual Contexts as Imaginative Spaces for Exploring Traditional Gender Roles / Georgia Curran -- Form and Performance: The Relations of Melody, Poetics, and Rhythm in Dhalwangu Manikay / Peter G. Toner -- Alyawarr Women's Rain Songs / Myfany Turpin, Richard Moyle and Eileen Kemarr Bonney -- Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley / Sally Treloyn -- Turning the Colonial Tide: Working towards a Reconciled Ethnomusicology in Australia / Elizabeth Mackinlay and Katelyn Barney ---
    Abstract: Pacific Islands and Beyond. Chanting Diplomacy: Music, Conflict, and Social Cohesion in Micronesia / Brian Diettrich -- Songs for Distance, Dancing to Be Connected: Bonding Memories of the Ogasawara Islands / Masaya Shishikura -- The Politics of the Baining Fire Dance / Naomi Faik-Simet -- Touristic Encounters: Imag(in)ing Tahiti and Its Performing Arts / Jane Freeman Moulin -- Heritage and Place: Kate Fagan's Diamond Wheel and Nancy Kerr's Twice Reflected Sun / Jill Stubington -- Living in Hawai'i: The Pleasures and Rewards of Hawaiian Music for an 'Outsider' Ethnomusicologist / Ricardo D. Trimillos -- Archiving and Academia. Protecting Our Shadow: Repatriating Ancestral Recordings to the Lihir Islands, Papua New Guinea / Kirsty Gillespie -- The History of the 'Ukulele 'Is Today' / Gisa Jähnichen -- 'Never Seen It Before': The Earliest Reports and Resulting Confusion about the Hagen Courting Dance / Don Niles ---
    Abstract: Capturing Music and Dance in an Archive: A Meditation on Imprisonment / Adrienne L. Kaeppler -- Some Comments on the Gradual Inclusion of Musics beyond the Western Canon by Selected Universities and Societies / Barbara B. Smith -- Ethnomusicology in Australia and New Zealand: A Trans-Tasman Identity? / Dan Bendrups and Henry Johnson -- Publications by Stephen A. Wild
    DOI: 10.2307/j.ctt1trkk4c
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  • 54
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    Global Pop : das Buch zur Weltmusik (2017)
    Stuttgart : J.B. Metzler Verlag
    Details
    ISBN: 9783476054807
    Language: German
    Pages: 1 Online-Ressource (VII, 392 Seiten)
    Parallel Title: Erscheint auch als Global Pop
    DDC: 780
    RVK:
    LS 48015
    Keywords: Culture Study and teaching ; Music ; Cultural and Media Studies ; Popular music ; Weltmusik ; Popular music ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Hochschulschrift ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Intro -- Inhalt -- Einleitung -- Mut zur Lücke: Zu diesem Buch -- Global Pop oder The art formerly known as world music -- Audiotopia -- Danksagung -- I. Konzepte und Anschlüsse -- 01 Weltmusik: Ein politisch umstrittener Begriff -- Eine Frage von Macht -- Die Spannungen zwischen Wissenschaft und dem Musikmarkt -- Kritik -- Neueste wissenschaftliche Betrachtung der Weltmusik -- 02 Von Fusion und Crossover zur Weltmusik Eine Begriffsund Ideologie kritik -- Crossover -- Hybridität und Hyperkultur -- 03 Volksmusik und Folklore -- Volksmusikforschung -- Folkloristik -- Volksmusikdiskurs und Ideologiegeschichte -- Akteure -- Gattungen und Stile europäischer Volksmusik -- Volksmusikbezogene Erneuerungs bewe gungen (Revival, Folklorismus, »Pflege«) -- 04 Musikethnologie -- Forschungstraditionen -- Wandel der Untersuchungsobjekte -- Weltmusik -- 05 Musik und Religion/ Spiritualität -- Die Gesänge der Synagoge -- Musik unter christlichen Vorzeichen -- Säkularisation und Re-Sakralisierung -- Musik im Islam -- Sufismus -- Animismus -- Tibetischer Buddhismus -- Klang und Ritual in China -- Indische Klangkosmologie und ihre säkulare Relativierung -- Musik jenseits religiöser Konfessionen -- Evolutionstheorien und Psychologie -- Musik und Religion als universale Kulturfähigkeiten -- Spirituelle Qualitäten von Musik an sich? -- 06 Interund Transkulturalität -- Interkulturalität -- Transkulturalität -- 07 Postkolonialismus und Orientalismus -- Edward Said: Orientalismus -- Gegendiskurse, Subversion und Widerstand -- 08 Popmusikkulturen: Ent wicklung und Verständnis -- Herangehensweisen -- Transformationen des Pop -- Populäre Kultur als Programm -- 09 Sampling: Ästhetik der Zitate oder Piraterie? -- Sampling im Studio - und vor Gericht -- Kulturwissenschaftliche Perspektiven und Problematisierungen -- II. Akteure und Projekte -- 10 Archive der Musik der Welt.
    Abstract: Sammeln, Archivieren, Klassifizieren -- Herders Projekt und die Folgen: Zum Archiv der Musiken der Welt -- Weltmusik 2.0: Musikarchivein Zeiten des Internet -- 11 Marcel Cellier: Ein Vermittler der frühen Weltmusik -- Bedeutung und Einfluss -- Kulturwissenschaftliche Einordnung -- 12 Ry Cooder: Sammler, Archivar, Visionär -- Raga-Blues und Mali-Blues -- Buena Vista Social Club -- Von Irland nach Mexiko -- 13 A World of Music Arts and Dance: Peter Gabriel und Real World Records -- Festivals: Von der Pleite bis zum Welterfolg -- Peter Gabriel & Youssou N'Dour -- Von Music and Rhythm zu Real World -- 14 Alan Bern und das Klezmer-Revival -- Klezmer-Revival in den USA -- Klezmer in Deutschland -- Brave Old World (BOW) -- Klezmer-Revival in Israel -- The Other Europeans -- Other Music Academy -- 15 Manu Chao: Weltbürger mit Attitude -- Mano Negra -- Solokarriere -- 16 Damon Albarn: Netz werker des Global Pop -- Africa Express: Das Netzwerk - die Aktionen -- Mali Music und Kinshasa One Two -- Politik der gleichen Augenhöhe -- 17 Brian Shimkovitz: Awe some Tapes from Africa -- Kassettenkultur in Afrika -- Informelle Ökonomie und Urheberrecht -- Im Spannungsfeld von Postkolonialismus und Entexotisierung -- 18 Der Soundtrack der Migration, oder: Hungrige Vögel singen schöner -- Opaganda - Propaganda: Musik der Roma als Modell -- Wechselgesang -- Nostalgia, oder: Sprung in der Platte? -- Rembetiko - Der griechische Blues -- Widerstand -- Sons of Gastarbeita -- III. Infrastrukturen und Instrumente -- 19 Weltmusik als Markt und Marke -- Der Pop-Intellektuelle als Mäzen -- Global Player im Weltmusik-Markt -- Die Hauptstadt der Weltmusik -- Der deutsche Zweig der Weltmusik-Szene -- Die Spur der Goldschürfer -- Multiplikatoren in den Medien -- Was von der Weltmusik geblieben ist -- Weltmusik 2.0: Eine neue Generation
    Abstract: 20 Weltmusik: Musikwirt-schaftliche Annäherungen -- Weltmusik als Repertoirekategorie, Genrebezeichnung und Markt -- Vermessungen des Marktes für Weltmusik -- 21 Messen, Wettbewerbe, Auszeichnungen -- Messen: WOMEX & Co -- creole - Weltmusik / Globale Musik aus Deutschland -- Der Preis der deutschen Schallplattenkritik -- RUTH - Der deutsche Weltmusikpreis -- 22 Zwischen Kulturpolitik und Kreativwirtschaft: Weltmusik in Deutschland -- Globale Musik als kulturpolitische Herausforderung -- Zur Geschichte der Selbstorganisation des Weltmusik-Bereichs -- Charta der Weltmusik und Künstlermobilität -- 23 Wa(h)re Weltmusik: Diskurse des Global Pop -- David Byrne: Why I hate World Music -- Joe Boyd: Wie Stalin die Weltmusik erfand -- Klaus Frederking: Was ist Weltmusik -- Thomas Burkhalter: Weltmusik -- 24 Tourismus -- Musik-Event-Tourismus -- Tourismus und Globalisierung -- Weitere Dimensionen der Musiktourismusforschung -- Musiktourismus und Weltmusik -- 25 Weltmusikfestivals und Festivalisierung der Weltmusik -- Vorläufer und Entstehung von Weltmusikfestivals -- Aspekte der Festivalisierung -- Kontroverse Weltmusikfestivals -- 26 Die Wiederkehr der Ukulele -- Spaßfaktor und Widerstandssymbol -- Mitbringsel aus Madeira -- Erfolgswellen -- Rock Killed the Ukulele-Star -- Die Beatles und der neue Boom -- Uke Goes Online -- 27 Weltmusik studieren - unterrichten - vermitteln -- Weltmusik studieren -- Weltmusik unterrichten -- Weltmusik vermitteln -- IV. Sound und Raum -- 28 Sounds like World Music: Zur klanglichen Konstruktion räumlicher Ordnungen -- Klanglichkeit und deren Bedeutung -- Medientechnologische Transformationsprozesse -- Seismographische Klänge -- 29 Folk in den USA, Europa und Deutschland -- Folk in den -- Folk in Großbritannien und Irland -- Folk in Südeuropa -- Folk im übrigen Europa -- Folk in Deutschland
    Abstract: 30 Neue Volksmusik: Alpine Klanglabore in Deutschland, Österreich und der Schweiz -- Kratzen an den Fundamenten der Tradition -- Musik ohne Genre -- Sonderfall Blasmusik -- Akademisierung einer Laienkultur -- 31 Pop, Politik und musikalische Peripherie -- Die Entdeckung Südafrikas -- Kein Entkommen vor der Politik -- Der Sound der Rebellion -- Ausblick -- 32 Turbofolk: Politik und Weltmusik -- Von der »neukomponierten Volksmusik« zum Turbofolk -- Die akademische Kontroverse -- Turbofolk als »Weltmusik 2.0«? -- 33 Balkanmusik auf dem westeuropäischen World Music-Markt -- Die Entdeckung der Musik der Roma in Südosteuropa -- Blasmusik der Roma: Zentraler Topos der Balkanmusik -- Gypsy Music als Kategorie: Vermarktung der Klischees -- Balkanpartys und Balkanpop -- Institutionalisierung von Balkanmusik in der World Music -- 34 Von der Sitar zum Laptop: Indien und der Westen -- Die Sitar als Symbol -- Weltmusik 2.0 -- 35 Highlife transnational: Moderne westafrikanische Populärmusik 1950-1965 -- Spezifische Merkmale des Highlife und musikhistorische Berührungspunkte -- Highlife und Calypso -- Ghanaisch-nigerianische musikalische Interaktion als transnationales Vermächtnis des Highlife -- Präkolonialer Preisgesang und Pop in den jungen Nationen -- Gerappte Opposition, Unabhängigkeits-nostalgie und neue Bedrohungen -- 36 Westafrikanische Musik:Vom Preisgesang zum Pop -- Präkolonialer Preisgesang und Pop in den jungen Nationen -- Gerappte Opposition, Unabhängigkeitsnostalgieund neue Bedrohungen -- 37 J-Pop: Warum populäre Musik aus Japan nicht unbedingt japanisch klingt -- 38 Das globale Mestizo-Dorf -- Der Begriff »mestizo« und seine ambivalenten Hintergründe -- Die alten und die neuen musikalischen »mestizos« -- Die Mestizo-Pioniere des 20. Jahrhunderts und ihre Vorläufer -- Barcelona - Relaisstation der Mestizos
    Abstract: Die markantesten Bestandteile der Mestizo-Rezeptur -- Wichtige Standorte und Gralshüter der »música mestiza« -- Diskrepanzen und Grenzen der grenzenlosen Mestizo-Musik -- 39 Südafrikas Musik zwischen Popularität und Politisierung -- Mbube und Isicathamiya - die populäre Chormusik Südafrikas -- Miriam Makeba und der Kampf gegen die Apartheid -- Brenda Fassie und der Bubblegum -- Die Postapartheidgeneration: Kwaito und House -- 40 »Das Schweigen brechen« - vom Raï zum HipHop in Algerien -- Die Vorläufer der algerischen Raï-Musik -- Oran - Drehscheibe des Raï -- Der Raï im politischen Spannungsfeld -- Der Siegeszug des Raï in Westeuropa -- »Aufschrei gegen das Schweigen« - Rap in Algerien -- Lokaler und globaler »Sound of Protest« -- Raï, Reggae, Rap -- Flucht ins Exil -- 41 Dub - Vom Remix zur Produktionsmethode -- Dub in Jamaika: Der engineer als Musiker -- Dub-Alben -- Dub als Remix und als Produktionsmethode: King Tubby und Lee Perry -- Dub-Diaspora -- Dub als Virus -- 42 Neue Formen von Hybridität in der populären Musik Brasiliens -- Samba: Vorläufer und Variationen -- Rock Nacional / Crossover / Heavy Metal -- HipHop und Funk Carioca -- 43 Madagassischer Heavy Metal - globale oder lokale Praxis? -- »Global Metal« und seine Lesart -- Metal in Madagaskar - Der Kampf um den Sound -- 44 Bikutsi: Kameruner Popmusik abseits der Weltmusik -- Bikutsi-Pop in Kamerun -- Bikutsi als Weltmusik -- Getrennte Bikutsi-Welten: Europa und Kamerun -- Die Autorinnen und Autoren -- Register
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  • 55
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    Consuming Music : Individuals, Institutions, Communities, 1730-1830 (2017)
    Rochester : Boydell & Brewer
    Details
    ISBN: 9781782049227
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    Series Statement: Eastman Studies in Music v.Volume 138
    Parallel Title: Print version Green, Emily H Consuming Music : Individuals, Institutions, Communities, 1730-1830
    Parallel Title: Erscheint auch als Consuming music
    DDC: 780.9/033
    RVK:
    LR 56604
    RVK:
    LR 57760
    RVK:
    LR 57435
    RVK:
    LR 57434
    RVK:
    LR 57430
    RVK:
    LR 55860
    Keywords: Electronic books ; Aufsatzsammlung ; Musikmarkt ; Musikleben ; Geistesleben ; Kulturleben ; Geschichte 1730-1830
    Abstract: This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics
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  • 56
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    Flip the script : European Hip Hop and the politics of postcoloniality (2017)
    Chicago : University of Chicago Press
    Details
    ISBN: 9780226496351
    Language: English
    Pages: 1 Online-Ressource (295 Seiten)
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Rollefson, J. Griffith Flip the script
    DDC: 782.421649094
    RVK:
    LS 48650
    Keywords: Hip-hop-Europe, Western ; Postcolonialism and music ; Music-Europe, Western-African American influences ; Electronic books ; Hip-hop ; Music ; Postcolonialism and music ; Europe, Western ; Westeuropa ; Hip-Hop ; Postkolonialismus ; Westeuropa ; Hip-Hop ; Postkolonialismus
    Abstract: Intro -- Contents -- Acknowledgments -- Introduction: Hip Hop as Postcolonial Art and Practice -- 1. "J'accuse": Hip Hop's Postcolonial Politics in Paris -- 2. Nostalgia "En noir et blanc": Black Music and Postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- 3. Musical (African) Americanization: Strategic Essentialism, Hybridity, and Commerce in Aggro Berlin -- 4. Heiße Waren: Hot Commodities, "Der Neger Bonus," and the Commercial Authentic -- 5. M.I.A.'s "Terrorist Chic": Black Atlantic Music and South Asian Postcolonial Politics in London -- 6. Marché Noir: The Hip Hop Hustle in the City of Light -- 7. "Wherever We Go": UK Hip Hop and the Deformation of Mastery -- 8. "Straight Outta B.C.": Différance, Defness, and Juice Aleem's Precolonial Afrofuturist Critique -- Conclusion: Hip Hop Studies and/as Postcolonial Studies -- Notes -- Bibliography -- Discography and Videography -- Index.
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  • 57
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    The Jazz republic : music, race, and American culture in Weimar Germany (2017)
    Ann Arbor : University of Michigan Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9780472122660
    Language: English
    Pages: 1 Online-Ressource (xi, 311 Seiten) , Illustrationen
    Series Statement: Social history, popular culture, and politics in Germany
    DDC: 306.4/8425094309042
    RVK:
    LS 48100
    RVK:
    LS 48200
    RVK:
    LS 48060
    RVK:
    NQ 1090
    Keywords: Kultur ; Jazz ; Modernität ; Ethnische Beziehungen ; Deutschland ; Electronic books ; Criticism, interpretation, etc ; History ; Electronic book ; Electronic book ; Criticism, interpretation, etc. ; History ; Electronic books.
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  • 58
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    Identity, intertextuality, and performance in early modern song culture (2016)
    Leiden, Netherlands ; : Brill
    Details
    ISBN: 9789004314986
    Language: English
    Pages: 1 online resource (397 pages) , illustrations, photographs.
    Series Statement: Intersections Volume 43
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Identities, Intertextuality and Performance in Song Culture (2012 : Amsterdam) Identity, intertextuality, and performance in early modern song culture
    DDC: 782.0094
    RVK:
    LS 21000
    RVK:
    LR 53970
    Keywords: Autograph albums History 16th century ; Music Social aspects 16th century ; History ; Music Social aspects 17th century ; History ; Music Social aspects 18th century ; History ; Music Social aspects 19th century ; History ; Vocal music History and criticism 16th century ; Vocal music History and criticism 17th century ; Vocal music History and criticism 18th century ; Vocal music History and criticism 19th century ; Vocal music ; Europe ; 16th century ; History and criticism ; Vocal music ; Europe ; 17th century ; History and criticism ; Vocal music ; Europe ; 18th century ; History and criticism ; Vocal music ; Europe ; 19th century ; History and criticism ; Music ; Social aspects ; Europe ; History ; 16th century ; Music ; Social aspects ; Europe ; History ; 17th century ; Music ; Social aspects ; Europe ; History ; 18th century ; Music ; Social aspects ; Europe ; History ; 19th century ; Autograph albums ; Netherlands ; History ; 16th century ; Electronic books ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift Identity, intertextuality, and performance in early modern song culture 17.10.2012-19.10.2012 ; Vokalmusik ; Volkslied ; Liederbuch ; Geschichte 1450-1850
    Abstract: Contents -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Chapter 1 Introduction -- Chapter 2 Local and Religious Identity in Swedish Popular Hymn Singing during the Seventeenth and Eighteenth Centuries -- Chapter 3 Performing Pietism in the Peatlands: Songs in the Manuscript Miscellany of a Village Schoolmaster in the Dutch Republic between 1750 and 1800 -- Chapter 4 Guilielmus Bolognino's Den Gheestelijcken Leeuwercker: The Collected Songs of a Counter-Reformation Champion -- Chapter 5 Songs and Identities: Handwritten Secular Songbooks in German-Speaking Areas of the Fifteenth and Sixteenth Centuries -- Chapter 6 'Social Networking is in Our Dna': Women's Alba Amicorum as Places to Build and Affirm Group Identities -- Chapter 7 The Many Shades of Love: Possessors and Inscribers of Sixteenth-Century Women's Alba -- Chapter 8 Exploring Love's Options: Song and Youth Culture in the Sixteenth Century Netherlands -- Chapter 9 Oppositional Political Identity in the Song Culture of the Vormärz and the 1848 Revolution in Germany -- Chapter 10 The Perils of Performance: From Political Songs to National Airs in Romantic-Era Wales (1790-1820) -- Chapter 11 Folksongs, Conflicts and Social Protest in Early Modern France -- chapter 12 "Fortune My Foe": The Circulation of an English Super-Tune -- Chapter 13 Samuel Pepys and the Making of Ballad Publics -- Chapter 14 Slave Orchestras and Rainbow Balls: Colonial Culture and Creolisation at the Cape of Good Hope, 1750-1838 -- Index Nominum
    Note: Includes bibliographical references at the end of each chapters and index. Description based on print version record
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  • 59
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    Popular Music Scenes and Cultural Memory (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137402042
    Language: English
    Pages: 1 Online-Ressource (X, 206 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 306.01
    RVK:
    LS 48015
    Keywords: Culture Study and teaching ; Music ; Historiography ; Emotions ; Interview ; Electronic books
    DOI: 10.1057/978-1-137-40204-2
    URL: http://dx.doi.org/10.1057/978-1-137-40204-2
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  • 60
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    Gender, Metal and the Media : Women Fans and the Gendered Experience of Music (2016)
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    Details
    ISBN: 9781137554413
    Language: English
    Pages: 1 Online-Ressource (IX, 184 p. 9 illus., 8 illus. in color)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 302.23
    RVK:
    LR 56600
    RVK:
    LS 48635
    Keywords: Culture Study and teaching ; Communication ; Music ; Feminist anthropology ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity ; Geschlechterrolle ; Hard Rock ; Weiblicher Fan ; Heavy Metal ; Großbritannien ; Electronic books ; Großbritannien ; Hard Rock ; Heavy Metal ; Weiblicher Fan ; Geschlechterrolle
    DOI: 10.1057/978-1-137-55441-3
    URL: http://dx.doi.org/10.1057/978-1-137-55441-3
    URL: Inhaltsverzeichnis
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  • 61
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    Post-punk, politics and pleasure in Britain (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137497802
    Language: English
    Pages: 1 Online-Ressource (XI, 228 Seiten)
    Series Statement: Palgrave studies in the history of subcultures and popular music
    Parallel Title: Erscheint auch als
    DDC: 941
    RVK:
    LS 48645
    RVK:
    MG 42094
    Keywords: History ; Music ; Great Britain / History ; Civilization / History ; History of Britain and Ireland ; Cultural History ; Geschichte ; Musik ; Politik ; Musik ; Postpunk ; Kultur ; Großbritannien ; Großbritannien ; Electronic books ; Großbritannien ; Kultur ; Musik ; Postpunk ; Großbritannien ; Postpunk ; Politik
    DOI: 10.1057/978-1-137-49780-2
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  • 62
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    Business innovation and disruption in the music industry (2016)
    Cheltenham, UK : Edward Elgar Publishing
    Details
    ISBN: 9781783478156
    Language: English
    Pages: 1 Online-Ressource (vii, 233 Seiten) , Illustrationen
    Series Statement: Edward Elgar books
    Series Statement: Elgaronline
    Series Statement: Edward Elgar E-Book Archive
    Parallel Title: Erscheint auch als Business innovation and disruption in the music industry
    RVK:
    LR 57440
    RVK:
    QR 750
    Keywords: Musikwirtschaft ; Innovation ; Störungsmanagement ; Music trade ; Creative ability in business ; Electronic books ; Musikwirtschaft ; Digitalisierung ; Technischer Fortschritt ; Innovation ; Unternehmensmodell
    Abstract: pt. I. Music industry transformation in context -- pt. II. Changing business models -- pt. III. Streaming music services and the future of music.
    Abstract: Patrik Wikström and Robert DeFillippi bring together innovative, multidisclipinary perspectives on business innovation and disruption in the music industry. Authors from fields such as cultural studies, economics, management, media studies, musicology and human geography in North America, Europe and Asia focus on the "second wave" of digital disruption and the transformation of the music industry. The chapters are structured into three parts: the first part contextualizes changes in the music industry that have been driven by digital technologies since the end of the 1990s. The second part unpacks the impact of these disruptive technologies on business models in specific industry sectors and geographies, and the third and final part examines questions related to the emergence of subscription music services. Concluding chapters link back to the role of hackers as a subversive and innovative force in the music economy and examine how hacker creativity can be facilitated and encouraged to generate the next big music industry innovation. This multifaceted look at the music business will serve as a resource for both undergraduate and graduate students, as well as established scholars and industry professionals
    Note: Enthält 11 Beiträge
    DOI: 10.4337/9781783478156
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 63
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    Classics for the Masses : Shaping Soviet Musical Identity under Lenin and Stalin (2016)
    New Haven, CT : Yale University Press
    Details
    ISBN: 9780300219432
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Parallel Title: Erscheint auch als Fairclough, Pauline, 1970 - Classics for the masses
    DDC: 306.4842809470904
    RVK:
    LQ 86007
    RVK:
    NQ 8294
    RVK:
    NK 4700
    Keywords: Music - Soviet Union - History and criticism ; Electronic books ; Sowjetunion ; Musikpolitik ; Nationalismus ; Musikleben ; Kulturelle Identität ; Geschichte 1917-1953
    Abstract: Cover page -- Halftitle page -- Title page -- Copyright page -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGEMENTS -- NOTE ON TRANSLITERATION AND ARCHIVAL SOURCES -- SOVIET ACRONYMS AND ABBREVIATIONS -- INTRODUCTION -- Postscript -- CHAPTER ONE PROPAGANDIZING THE CLASSICS 1917-1929 -- After 1917 -- Shaping the Canon: The Russian Classics -- Marketing the Western Classics -- Narkompros -- Composer Societies in the 1920s -- Mass Work in the 1920s: Amateur Groups -- The Modernism Question: Repertoire Politics in the Leningrad and Moscow Philharmonias, 1921-8 -- The Church Music Problem -- CHAPTER TWO CULTURAL REVOLUTION, REPERTOIRE POLITICS AND THE CLASSICS -- The All-Union Conferences, 1929-31 -- Repertoire Politics during the 'Great Break' -- Final Attacks on Church Music -- End of an Era -- The Campaign against RAPM -- CHAPTER THREE INTERNATIONALISM, MODERNISM AND THE 'STALINIST ENLIGHTENMENT' 1932-1941 -- The End of RAPM? -- Internationalism and Modernism -- Narratives of Enlightenment, 1932-41 -- The Soviet Bach Revival -- Pergolesi, Mozart and Beethoven -- Anti-fascism and Wagner -- Classics versus Moderns -- CHAPTER FOUR TURNING INWARDS: THE RISE OF RUSSIAN NATIONALISM 1937-1941 -- The Philharmonia Purges -- Nationalism and Repertoire -- Old Faces, New Scapegoats -- The End of Internationalism? -- Reinventing the Russian Musical Past -- Musorgskiy and the Kuchka -- CHAPTER FIVE FROM THE GREAT PATRIOTIC WAR TO THE ZHDANOVSHCHINA 1941-1953 -- The Radio Committee Orchestra in Blockaded Leningrad, 1941-4 -- Allied 'Internationalism' -- Restoring the Orthodox Church: The Return of Russian Sacred Music? -- The 'Rehabilitation' of Rakhmaninov -- The 'Iron Curtain' Descends: 1944-7 -- Background to the Zhdanovshchina -- 'Weary of False Notes': The Gol'denveyzer Affair -- The End of Internationalism: Late Stalinist Stagnation
    Abstract: Wagner Revisited and New Soviet Music -- Attitudes to the West in Post-war Soviet Scholarship -- CONCLUSION -- BIOGRAPHIES -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX
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  • 64
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    Oper. Geschichte Einer Institution (2016)
    Stuttgart : J. B. Metzler'sche Verlagsbuchhandlung & Carl Ernst Poeschel GmbH
    Details
    ISBN: 9783476055064
    Language: German
    Pages: 1 online resource (471 pages)
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    AP 68600
    RVK:
    LR 54170
    Keywords: Opera ; Electronic books
    Abstract: Intro -- Inhalt -- Vorwort -- Technische Hinweise -- Dank -- I Sichtweisen -- Der Zuschauer -- Der Fachmann für öffentliche -- Verwaltung -- Die Sängerin -- II Rahmenbedingungen -- Geld und Münzen -- Reisen und Geld -- Wechsel und Creditbriefe -- Bezahlung der Sänger -- Wechselgeschäfte der Impresari -- Reichstaler -- Lire und Zecchini -- Pfund Sterling -- Französische Livres und Francs -- Louis d'or, Doppia di Spagna, Pistole -- Einheitliche Währungen -- Reisen -- Reisebedingungen -- Reisen im 18. Jahrhundert -- Reisen im 19. Jahrhundert -- Reisen im 20. Jahrhundert -- III Organisations-formen -- Einleitendes -- Unternehmeroper -- Kommerzielle Oper und Impresario-System in Italien -- Londoner Opernhäuser -- USA: Metropolitan Opera -- Opéra Comique und die kollektive Theaterleitung in Frankreich -- Die Hamburger »Oper am Gänsemarkt« -- Mobile Opernund Schauspieltruppen -- Die Stadttheater in Deutschland und Frankreich -- Hofund Staatsoper -- Die Pariser Opéra -- Deutsche Hofoper -- IV Rechtsfragen -- Theaterrecht -- Prozesse -- Kontraktbruch -- »Theatergesetze« -- Gefängnis -- Armenabgabe -- Zensur -- Volljährigkeit bei Sängern und Sängerinnen -- Die rechtliche Stellung von Sängerinnen -- V Die Sänger -- Symbolisches Kapital -- Gagen und symbolisches Kapital -- »Gage« -- Die Gagen der Sänger im 18. Jahrhundert -- Gehälter an den deutschen Höfen -- Kastraten -- Die Gehälter an der Pariser Opéra -- Die Sängergehälter im 19. Jahrhundert -- Die Sängergehälter im 20. Jahrhundert -- Gagen im 21. Jahrhundert -- Sängergehälter im Vergleich -- Die Einnahmen -- Altersversorgung -- Die Solisten an den kleinen Theatern -- Agenten -- VI Autoren -- Komponisten, Librettisten und die Oper als Aufführung -- Urheberrecht und »Werk« -- Der Operndirigent -- Angelo Mariani -- Die verlorene Macht des Komponisten -- VII Das Opern-publikum.
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  • 65
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    Global metal music and culture : current directions in metal studies (2016)
    New York : Routledge, Taylor & Francis Group
    Details
    ISBN: 9781317587255 , 9781315742816
    Language: English
    Pages: 1 Online-Ressource (xv, 369 Seiten)
    Series Statement: Routledge studies in popular music 12
    Parallel Title: Erscheint auch als
    DDC: 781.66
    RVK:
    LS 48635
    Keywords: Gesellschaft ; Musik ; Heavy metal (Music) / History and criticism ; Music / Social aspects ; Kulturwissenschaften ; Heavy Metal ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Electronic books ; Heavy Metal ; Kulturwissenschaften
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781315742816
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  • 66
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    Instruments for new music : sound, technology, and modernism (2016)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520963122
    Language: English
    Pages: 1 Online-Ressource (xii, 237 pages) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Patteson, Thomas, 1981 - Instruments for new music
    RVK:
    LR 11180
    Keywords: Musical instruments ; Music and technology History ; Electronic musical instruments History ; Music Philosophy and aesthetics ; Civil engineering. ; Communication. ; Electronic musical instruments; History. ; Engineering. ; Mass media. ; Music and technology; History. ; Music; Philosophy and aesthetics. ; Musical instruments. ; Music ; Theory of music & musicology ; Media studies ; History of engineering & technology ; Electronic books ; Musikinstrument ; Neue Musik ; Elektronische Musik
    Abstract: Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.
    Note: English
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  • 67
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    Tonsetzerinnen : Zur Rezeption Von Komponistinnen in Deutschland Um 1800 (2016)
    Wiesbaden : Springer Fachmedien Wiesbaden GmbH
    Details
    ISBN: 9783658138400
    Language: German
    Pages: 1 online resource (330 pages)
    Series Statement: Edition Centaurus - Beiträge Zur Kultur- und Sozialgeschichte der Musik Ser.
    Parallel Title: Erscheint auch als
    DDC: 305.3
    RVK:
    LR 56614
    Keywords: Composers--Germany--Biography ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: sdfdsf.
    Abstract: Intro -- Inhaltsverzeichnis -- Vorwort -- 1. Einleitung: Die Frage an einen Ästhetiker - eine Frauenfrage? -- 2. Die Ordnung der Geschlechter und die Ordnung der Musik -- 2.1 Konzepte von Weiblichkeit und Männlichkeit -- 2.2 Geschlechter-Dualismen in der Musik -- 2.2.1 Typologisierungen von Musikausübenden und -produzierenden -- 2.2.1.1 Das Genie -- 2.2.1.2 Der Dilettant -- 2.2.2 Musik verschriftlicht: Das Männliche und das Weibliche -- 2.2.3 Doing gender in den musikästhetischen Kategorien Ausdruck und Charakter -- 3. Musikkritik und "Frauenzimmer-Compositionen -- 3.1 Vorüberlegungen -- 3.1.1 Musikkritiken als Quellen -- 3.1.2 Die Anzahl von Frauen unter den Tonsetzern -- 3.2 Rezensionen in Musikzeitschriften des ausgehenden 18. Jh. -- 3.2.1 Werkbesprechungen 1780 - 1798: Die Etablierung einer Textsorte -- 3.2.2 Zwischenergebnis: Die verschiedenen Ebenen der Bewertung -- 3.3 Musikkritik in den ersten Jahrzehnten des 19. Jahrhunderts -- 3.3.1 Die Suche nach Kriterien der Beurteilung von Musik -- 3.3.2 Sophie Westenholz' Werke für Klavier - ein Kritikerstreit? -- 3.3.3 Personenabhängige Kritik -- 3.3.4 Zielgruppenkritik -- 3.3.5 Musikimmanente Kritik: Zu Gattung, Grammatik und Ausdruck -- 3.3.5.1 Die Beurteilung von Klavier- und Kammermusik -- 3.3.5.2 Die Bewertung von Liedern -- 3.4 Rezensionen als Spiegel zeitgenössischer Rezeption -- 3.5 ...und wenn der Komponist eine Frau ist? Adolf Bernhard Marx und Felix Mendelssohn Bartholdys Lieder op. 8 -- 4. Corona Schröter -- 4.1. Corona Schröter: Komponistin -- 4.1.1 Musikalischer Werdegang -- 4.1.2 Komponieren -- 4.2 Corona Schröter: Iphigenie - Proserpina - Juno? -- 4.2.1 Iphigenie auf Tauris - "Die Rolle des Lebens7"? -- 4.2.2 Schröters Selbstinszenierung: Kleidungsgewohnheiten -- 4.3 Das Denkmal: "Miedings Tod -- 5. Louise Reichardt -- 5.1 Musizieren -- 5.2 Komponieren.
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    Networked music cultures : contemporary approaches, emerging issues (2016)
    London : Palgrave Macmillan
    Details
    ISBN: 9781137582904
    Language: English
    Pages: 1 Online-Ressource (xiii, 251 Seiten) , Illustrationen
    Series Statement: Pop music, culture and identity
    Parallel Title: Print version Nowak, Raphaël Networked Music Cultures : Contemporary Approaches, Emerging Issues
    Parallel Title: Erscheint auch als Networked music cultures
    DDC: 306.4842
    RVK:
    LR 57790
    Keywords: Music ; Electronic books ; Electronic books ; Aufsatzsammlung ; Musik ; Musikwirtschaft
    Abstract: "Contents" -- "Contributor Biographies" -- "List of Figures" -- "List of Tables" -- "Chapter 1: Editorsâ Introduction" -- "1.1 Music and Digital Technologies" -- "1.2 Networked Music Cultures" -- "1.3 Outline of the Book" -- "Bibliography" -- "Chapter 2: The Peopleâs Mixtape: Peer-to-Peer File Sharing without the Internet in Contemporary Cuba" -- "2.1 Prologue" -- "2.2 âThe Peopleâs Internetâ: Foreign Texts in Cuba" -- "2.3 Static and Hiss: Contextualising USB Use in Cuba" -- "2.4 Getting the Content, Getting the Devices" -- "2.5 Extra-textual Data Loss: File Sharing and/as Collective Identity" -- "2.6 Conclusion: The Future of File Sharing" -- "2.7 Epilogue" -- "Notes" -- "Bibliography" -- "Chapter 3: Musica Analytica: The Datafication of Listening" -- "3.1 Spotify: The Echo Nest" -- "3.2 Pandora Internet Radio: The Music Genome Project" -- "3.3 Data-Driven Advertising on Pandora" -- "3.4 Political Ad Targeting" -- "3.5 Conclusion" -- "Notes" -- "Bibliography" -- "Chapter 4: The Legacy of Napster" -- "4.1 Control, Format and Content" -- "4.2 Not Quite P2P" -- "4.3 Legal Cat and Mouse: Not a Technical Necessity" -- "4.4 Commercial Cat and Mouse Too" -- "4.5 Spotify: The Taming of âFreeâ or Its Triumph?" -- "4.6 Who Pays and Who Gets Paid?" -- "4.7 Parallel Economies of Free and Paid Access" -- "4.8 The Counterfactual Case of Digital Sports Broadcasting" -- "4.9 Conclusion" -- "Bibliography" -- "Chapter 5: Streaming Music in Japan: Corporate Cultures as Determinants of Listening Practice" -- "Bibliography" -- "Chapter 6: Making Sense of Acquiring Music in Mexico City" -- "6.1 Data Collection" -- "6.2 Music, Technology and Musical Practices" -- "6.3 Un-blackboxing Mexican Piracy" -- "6.4 The Heterogeneous Know-How of Downloading" -- "6.5 The Right Practices of Music".
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    Good Vibrations : Brian Wilson and the Beach Boys in Critical Perspective (2016)
    Ann Arbor : University of Michigan Press | [Berlin] : BiblioLabs
    Details
    ISBN: 9780472902385
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking Pop
    DDC: 782.42166092/2
    RVK:
    LS 48040
    Keywords: Wilson, Brian ; The Beach Boys ; Geschichte ; Electronic books ; Electronic books ; Electronic books
    Abstract: Good Vibrations brings together scholars with a variety of expertise, from music to cultural studies to literature, to assess the full extent of the contributions to popular culture and popular music of one the most successful and influential pop bands of the twentieth century. The book covers the full fifty-year history of the Beach Boys' music, from essays on some of the group's best-known music-such as their hit single "Good Vibrations" -to their mythical unfinished masterpiece, Smile. Throughout, the book places special focus on the individual whose creative vision brought the whole enterprise to life, Brian Wilson, advancing our understanding of his gifts as a songwriter, arranger, and producer
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  • 70
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    Sounds of the underground : a cultural, political and aesthetic mapping of underground and fringe music (2016)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472121649 , 9780472902378
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als Graham, Stephen, 1982 - Sounds of the Underground
    DDC: 781.64
    RVK:
    LS 48015
    Keywords: Underground music Social aspects ; Underground music Political aspects ; Underground music History and criticism ; Subculture ; Music ; Music / Ethnomusicology ; Electronic books ; Electronic books ; Electronic books ; Underground ; Musiker ; Musikleben ; Soziale Funktion
    Abstract: In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy
    Note: Literaturverzeichnis: Seite 269-289
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  • 71
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    Keys to Play: Music as a Ludic Medium from Apollo to Nintendo (2016)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520965096 , 9780520965096 , 9780520965096 , 9780520291249
    Language: English
    Pages: 1 Online-Ressource (1 electronic resource (468 p.))
    RVK:
    LR 57600
    Keywords: Music ; Media studies ; Electronic books
    Abstract: How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book?s diverse objects of inquiry?from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles?enter into analogical relations. Remapping the keyboard?s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new
    Note: English
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  • 72
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    Ein Klang - zwei Welten : Blues im geteilten Deutschland, 1945 bis 1990 (2016)
    Bielefeld : transcript
    Details
    ISBN: 9783839433874
    Language: German
    Pages: 1 online resource (369 pages)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 781.64309000000003
    RVK:
    LS 48500
    Keywords: Blues (Music) ; Germany ; History and criticism ; Electronic books
    Abstract: Cover. Ein Klang - zwei Welten -- Inhalt -- Schalt bloß diesen Lärm aus ... -- Einleitung -- Kalter Schnitt und schöner Schein -- Woher wir wissen, was der Blues ist -- Early in the Morning: Aufbruch -- Im Kraftfeld der Hot-Club-Bewegung -- B.O.A.S.: Blues Overseas American Service -- Jazz- und Bluesrezeption in der DDR -- Die Eroberung der medialen Grauzonen -- Archaische Typen: Blues auf der Bühne -- Get off of My Cloud: Emanzipation -- Idee und Design der American Folk Blues Festivals -- Logistik, Marketing und künstlerische Profile -- Die zweite Staffel der American Folk Blues Festivals -- Das American Folk Blues Festival in der DDR -- Bluesdiskurse: Topoi, Deutungsmuster und Klischees -- Standing at the Crossroads: Expansion -- Zwischen Pop und politischem Protest -- Die Stimme des ›anderen Amerika‹ -- Der Blues als offizielle Kultur in der DDR -- Auf Deutsch: Blues und Muttersprache -- Fernab des Mainstreams: L+R Records -- I'm Drifting and Drifting: Alltag -- Nischen und Biotope: Aktionsräume der Szene -- Das Selbstverständnis des German Blues Circle -- Nur ein ›Schwarzer‹ kann den Blues singen -- Metamorphosen: Blues und Hippiekult in der DDR -- Fans im Visier von Staat und Geheimdienst -- ...dreh doch mal lauter -- Resümee -- Abkürzungen -- Literatur -- Bildnachweis -- Dank -- Personen- und Bandregister.
    Note: Description based on publisher supplied metadata and other sources
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    URL: http://d-nb.info/1109541376/34
    URL: http://dx.doi.org/10.1515/9783839433874?locatt=mode:legacy
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  • 73
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    Relocating popular music : edited by Ewa Mazierska and Georgina Gregory (2015)
    London : Palgrave Macmillan UK
    Details
    ISBN: 9781137463388
    Language: English
    Pages: 1 Online-Ressource (262 Seiten)
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als Relocating popular music
    Parallel Title: Erscheint auch als Relocating popular music
    DDC: 301
    RVK:
    LS 48015
    Keywords: Arts ; Electronic books ; Electronic books
    Abstract: Pages:1 to 25 -- Pages:26 to 50 -- Pages:51 to 75 -- Pages:76 to 100 -- Pages:101 to 125 -- Pages:126 to 150 -- Pages:151 to 175 -- Pages:176 to 200 -- Pages:201 to 225 -- Pages:226 to 250 -- Pages:251 to 262
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  • 74
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    The study of ethnomusicology : thirty-three discussions (2015)
    Urbana : University of Illinois Press
    Details
    ISBN: 9780252097331 , 0252097335
    Language: English
    Pages: Online Ressource (xiii, 560 pages)
    Edition: Third edition
    Parallel Title: Erscheint auch als Nettl, Bruno, 1930 - 2020 The study of ethnomusicology
    Parallel Title: Print version Nettl, Bruno, 1930- Study of ethnomusicology
    DDC: 780.89
    RVK:
    LS 16000
    RVK:
    LC 87000
    Keywords: Ethnomusicology ; Ethnomusicology ; MUSIC / General ; Music ; Ethnomusicology ; Musikethnologie ; Music ; Electronic books ; Aufsatzsammlung ; Musikethnologie
    Abstract: Known affectionately as The Red Book, Bruno Nettl's The Study of Ethnomusicology became a classic upon its original publication in 1983. Scholars and students alike have hailed it not just for its insights but for a disarming, witty style able to engage and entertain even casual readers while providing essential grounding in the field. In this third edition, Nettl revises the text throughout, adding new chapters and discussions that take into account recent developments across the field and reflecting on how his thinking has changed or even reversed itself during his sixty-year career. An updated bibliography rounds out the volume
    Note: Includes bibliographical references and index. - Print version record
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  • 75
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    The organic globalizer : Hip Hop, political development, and movement culture (2015)
    [New York] : Bloomsbury Academic
    Details
    ISBN: 9781501302299 , 9781628920062
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als The organic globalizer
    DDC: 306.2
    RVK:
    LR 57728
    RVK:
    LS 48650
    Keywords: Social movements ; Hip-hop Political aspects ; Political participation ; Social action ; Youth Political activity ; Popular culture Political aspects ; Music Political aspects ; Politics and culture ; Electronic books ; Electronic books ; Hip-Hop ; Politische Bewegung ; Globalisierung
    Abstract: "The Organic Globalizer is a collection of critical essays which takes the position that hip-hop holds political significance through an understanding of its ability to at once raise cultural awareness, expand civil society's focus on social and economic justice through institution building, and engage in political activism and participation. Collectively, the essays assert hip hop's importance as an "organic globalizer:" no matter its pervasiveness or reach around the world, hip-hop ultimately remains a grassroots phenomenon that is born of the community from which it permeates. Hip hop, then, holds promise through three separate but related avenues: (1) through cultural awareness and identification/recognition of voices of marginalized communities through music and art; (2) through social creation and the institutionalization of independent alternative institutions and non-profit organizations in civil society geared toward social and economic justice; and (3) through political activism and participation in which demands are articulated and made on the state. "--Bloomsbury Publishing
    Abstract: Machine generated contents note: -- About the Cover Art Contributors1. The organic globalizer Christopher Malone; George Martinez, Jr.2. No church in the wild: Politics, morality, and hip hop in the political science classroomCraig Douglas Albert3. (Re)building the cypher: Fulfilling the promise of hip hop for liberation Paul Kuttner; Mariama White-Hammond4. Men or monsters? The applied uses of the commercial rap artist Joy Boggs5. Copyright outlaws and hip hop moguls: Intellectual property law and the development of hip hop musicRichard Schur6. Whirl Trade: The peculiar image of hip hop in the global economiesFahamu Pecou7. Liberation hip hop: Palestinian hip hop and peaceful resistance Denise DeGarmo; E. Duff Wrobbel8. Asserting identity through music: Indigenous hip hop and self-empowerment Anne Flaherty9. Hip hop and the dialects of political awareness: Between branding banality and authenticity in Central European rap Barbara Franz10. Representations of Chinese-ness in Afro-Cuban hip hop during post-Soviet era Cuba Angela Ju11. The politics of violence, hustling, and contempt in the Oakland, CA rap music scene H. Lavar Pope12. The belly of the beast Keesha M. Middlemass13. All day, all week, occupy all streets! Race, class, and hip hop in the occupy movement Christopher Malone; George Martinez, Jr.; Davina AndersonIndex.
    Note: Includes bibliographical references and index
    DOI: 10.5040/9781501302299
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    URL: http://dx.doi.org/10.5040/9781501302299?locatt=label:secondary_bloomsburyPopularMusic
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  • 76
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    Performing civility : international competitions in classical music (2015)
    Cambridge : Cambridge University Press | Cambridge, UK : Cambridge University Press
    Details
    ISBN: 9781316181478
    Language: English
    Pages: 1 Online-Ressource (xii, 287 pages)
    Series Statement: Cambridge cultural social studies
    DDC: 780.794
    RVK:
    LR 57230
    Keywords: Electronic books ; Electronic books
    Abstract: Although competitions in classical music have a long history, the number of contests has risen dramatically since the Second World War, all of them aiming to launch young artists' careers. This is not the symptom of marketization that it might appear to be. Despite the establishment of an international governing body, competitions are plagued by rumors of corruption, and even the most mathematically sophisticated voting system cannot quell accusations that the best talent is overlooked. Why do musicians take part? Why do audiences care so much about who wins? Performing Civility is the first book to address these questions. In this groundbreaking study, Lisa McCormick draws from firsthand observations of contests in Europe and the US, in-depth interviews with competitors, jurors and directors, as well as blog data from competition observers to argue that competitions have endured because they are not only about music, they are also about civility.
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: https://doi.org/10.1017/CBO9781316181478
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  • 77
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    The art of fugue : Bach fugues for keyboard, 1715-1750 (2015)
    Oakland, California : University of California Press
    Details
    ISBN: 9780520962590 , 0520962591 , 0520287630 , 9780520243583 , 9780520287631 , 0520243587
    Language: English
    Pages: 1 Online-Ressource (xxv, 165 pages)
    Edition: Open access edition.
    Series Statement: Luminos
    Parallel Title: Erscheint auch als Kerman, Joseph, 1924-2014.; Art of fugue.
    Parallel Title: Print version Kerman, Joseph, 1924-2014 Art of fugue
    RVK:
    LP 38250
    Keywords: Bach, Johann Sebastian ; Bach, Johann Sebastian ; Fugue ; Fugue. ; Fugue ; Keyboard music (Bach, Johann Sebastian) ; Fugue ; MUSIC ; Genres & Styles ; Classical ; Electronic books ; Bach, Johann Sebastian 1685-1750 Die Kunst der Fuge
    Abstract: "Fugue for J.S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most infl uential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues?some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving."--Provided by publisher.
    Abstract: Fugue in C major : The well-tempered clavier, book 1 -- Fugue in C minor : The well-tempered clavier, book 1 -- Fughetta in C major, BWV 952 -- Fugue in C-sharp minor : The well-tempered clavier, book 1 -- Contrapunctus 1 : The art of fugue -- Contrapunctus 10 : The art of fugue -- Chromatic fantasy and fugue, BWV 903 -- Prelude and fugue in E-flat major : The well-tempered clavier, book 1 -- Fugue in E major : The well-tempered clavier, book 2 -- Fugue on "Jesus Christus unser Heiland" : Clavierübung, book 3 -- Fugue in F-sharp minor : The well-tempered clavier, book 1 -- Gigue : English suite no. 3 in G minor -- Fugue in A-flat major : The well-tempered clavier, book 1 -- Fugue in A minor : Fantasy and fugue in A minor, BWV 904 -- Fugue in B-flat major : The well-tempered clavier, book 2 -- Fugue in B major : The well-tempered clavier, book 2
    Note: "Simpson, imprint in humanities"--PDF of front matter , Includes bibliographical references (pages 159-161) and index
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  • 78
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    Pop-Frauen der Gegenwart : Körper - Stimme - Image ; Vermarktungsstrategien zwischen Selbstinszenierung und Fremdbestimmung (2015)
    Bielefeld : Transcript-Verl.
    Details
    ISBN: 9783837627749 , 9783839427743
    Language: German , English
    Pages: 1 Online-Ressource (269 S.) , Ill.
    Series Statement: Studien zur Popularmusik
    DDC: 346.4
    RVK:
    LS 48030
    Keywords: Popmusikerin ; Strategie ; Vermarktung ; Frau ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusikerin ; Vermarktung ; Strategie ; Popmusik ; Frau ; Vermarktung ; Strategie
    Note: Beitr. teilw. dt., teilw. engl.
    URL: Volltext
    URL: http://dx.doi.org/10.1515/9783839427743?locatt=mode:legacy
    URL: Cover
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    URL: Inhaltsverzeichnis
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Cover
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    URL: Cover
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    URL: Cover
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  • 79
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    Pop Insights : Bestandsaufnahmen aktueller Pop- und Medienkultur (2015)
    Bielefeld : transcript
    Details
    ISBN: 9783839407301
    Language: German
    Pages: 1 online resource (153 pages)
    Edition: 1st ed.
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
    DDC: 781.64094299999999
    RVK:
    EC 2410
    RVK:
    LS 48000
    Keywords: Popular music ; Germany ; History and criticism ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Cover Pop Insights -- Inhalt -- Das NOW-Projekt - Zur Entstehung dieser Publikation -- Musikland Deutschland - Zwischen Bach und Baglama -- Zum Verhältnis von Pop und Politik - Ein Streifzug von den 1960er-Jahren bis heute -- Heimatklänge - Lokale Popmusik und transkulturative Prozesse -- Persönlichkeit und Verhalten der Fans von Hard Rock, Punk und Gangsta Rap. Eine Gegenüberstellung empirisch-sozialpsychologischer Befunde und kulturwissenschaftlicher Erkenntnisse -- „Seeing Is Believing" - Zur Rolle von Musik in den Medien -- M(y)TV - Bekenntnisse und Erkenntnisse eines TV-Produzenten -- Musik und Mobile Entertainment -- Texte zur Zeit - Gegenwart und Gegenwärtigkeit in der Literatur -- NOW: - Theologische Zugänge zu einer popkulturellen Kategorie -- Wen oder was sucht Deutschland? -- Register -- Autoren.
    Note: Description based on publisher supplied metadata and other sources
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  • 80
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    Dancehall und Homophobie : postkoloniale Perspektiven auf die Geschichte und Kultur Jamaikas (2015)
    Bielefeld :Transcript,
    Details
    ISBN: 978-3-8394-3109-2 , 978-3-8376-3109-8
    Language: German
    Pages: 1 Online-Ressource (300 Seiten) : , Illustrationen.
    Series Statement: Postcolonial studies 22
    Series Statement: Postcolonial studies
    Parallel Title: Erscheint auch als
    Dissertation note: Teilw. zugl.: Heidelberg, Univ., Diss., 2014
    DDC: 000
    RVK:
    LS 48900
    RVK:
    MS 2870
    Keywords: Homophobie ; Rassismus ; Karibik ; Jamaika ; Postkolonialismus ; Popkultur ; Geschlecht ; Popmusik ; Queer Theory ; Cultural Studies ; Kulturwissenschaft ; Popular Culture ; Homophobia ; Racism ; Caribbean ; Jamaica ; Postcolonialism ; Gender ; Pop Music ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Electronic books ; Hochschulschrift ; Electronic books
    Abstract: Erstmalig wird in diesem Buch die mediale Kontroverse um Dancehall-Musik und Homophobie im Jahr 2004 analysiert und in den historischen, politischen und kulturellen Kontext des postkolonialen jamaikanischen Staates eingeordnet. Ein umfangreicher Querschnitt durch die Geschichte der Insel beleuchtet die vielfältigen Widerstandskulturen von den Maroons und den Rastafari bis zu den »Gangstern« der zeitgenössischen Dancehall-Musik. Patrick Helber betont die Präsenz und politische Arbeit von sexuellen Minderheiten auf Jamaika und veranschaulicht, inwiefern bei internationalen Kampagnen gegen Homophobie im globalen Süden neokoloniale Machtkonstellationen und Alterisierungsprozesse eine Rolle spielen
    Abstract: Dancehall: cool vibes with homophobic lyrics? Reflections on a controversy between the recognition of sexual minorities and neocolonial power relations
    DOI: 10.14361/9783839431092
    DOI: 10.1515/9783839431092
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839431092
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  • 81
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    Kind und Musik : das Entwicklungspotenzial erkennen und verstehen (2015)
    [s.l.] : Springer-Verlag
    Details
    ISBN: 3642416918
    Language: German
    Pages: Online Ressource (5153 KB, 223 S.)
    Edition: 1. Aufl.
    Parallel Title: Erscheint auch als Stadler Elmer, Stefanie, 1956 - Kind und Musik
    Parallel Title: Print version Kind und Musik : Das Entwicklungspotenzial erkennen und verstehen
    DDC: 150
    RVK:
    DG 9000
    RVK:
    LR 56650
    RVK:
    LR 57070
    RVK:
    LR 56962
    Keywords: Music and children ; Musical ability in children ; Musikpsychologie Kind ; Musik ; Music ; Psychological aspects.. ; Music and children.. ; Creative ability in children ; Testing ; Electronic books ; Electronic books ; Kind ; Musikalität ; Entwicklungspsychologie ; Musikalität ; Kind ; Entwicklung
    Abstract: Sind alle Kinder musikalisch? Was ist Musik? Was ist angeboren? Wie können Kinder am besten gefördert werden? Der Begriff Musik löst oft Missverständnisse aus. Vielfach werden unklare oder hohe Ansprüche damit verbunden. Dieses Buch zeigt auf, was kleine Kinder von Natur aus an Musikalität mitbringen und in welcher Weise die musikalischen Grundkompetenzen bei allen Menschen vorhanden sind: Bei der Geburt ist der Säugling bestens vorbereitet, um sich an die Musik und die Sprache seiner Umgebung anzupassen. Er kann hören und die Stimme verwenden und nutzt vor allem die musikalischen Eigenschaften, um innerhalb von zwei bis drei Jahren singen und sprechen zu lernen. Dazu benötigt das Kind eine anregende Umgebung. Welche Art von Musikverständnis ist förderlich für ein Kind? Im Unterschied zur Musiktheorie, definiert dieses Werk den Begriff 'Musik' ausgehend von elementaren Erfahrungen und Funktionen. Die Leserin und der Leser finden hier wertvolle Hinweise, nach welchen Prinzipien die musikalischen Grundeigenschaften geordnet werden können und warum unsere kulturellen Regeln nicht immer gelten. Die Ausführungen zu den Funktionen von Musik zeigen auf, in welcher Weise Musik seit jeher ein wichtiges kulturelles Mittel ist, um das Zusammenleben der Menschen zu gestalten. Diese praxisorientierte Darstellung bietet mit anschaulichen Illustrationen und Fallbeispielen einen aktuellen und leicht verständlichen Überblick über diese Thematik. Prof. Dr. Stefanie Stadler Elmer lehrt Entwicklungspsychologie an der Universität Zürich und ist international bekannt für ihre Forschungen zur sprach-musikalischen Entwicklung. Seit mehr als 30 Jahren interessiert sie sich vor allem für die Entstehung des Singens und Sprechens, das vokale Lernen, für akustisch-basierte Analysen von Vokalisationen und für die Anwendung von Forschungsergebnissen in der Bildung. Ihre Theorie der vokalen Entwicklung fokussiert die sprach-musikalischen Strukturen, die Kommunikation und die psychischen und kulturellen Funktionen. Sie beteiligt sich an nationalen und internationalen Forschungsprojekten (EU, Kanada) und hat an Universitäten in verschiedenen Ländern gelehrt, so in Deutschland, Finnland, Ungarn, Estland, Lettland und Litauen. Ihre Veröffentlichungen über die musikalische Entwicklung haben sich im deutschsprachigen Raum als interdisziplinäre Standardliteratur in verschiedenen Studiengängen etabliert.
    Description / Table of Contents: Geleitwort; Vorwort ; Inhaltsverzeichnis; Kapitel-1; Quatsch und Hopp, hopp, Pferdchen; 1.1Quatsch oder Musik?; 1.2Warum es Konventionen braucht; 1.3Was beobachten?; 1.4Wie kommt Musik in die Stimme, in den Körper?; 1.5Frühes Liedersingen, Bewegen und Hören; 1.6Grundannahmen und Leitfrage; 1.7 Übersicht zu den Kapitel; Literatur; Kapitel-2; Warum machen Menschen Musik?; 2.1.1Das Formen von Gefühlen; 2.1Kultur und Musik; 2.1.2Symbole und Vorstellungen; 2.1.3Spiel; 2.1.4Instrumentelle und rituelle Kultur; 2.1.5Kulturelle Identität; 2.1.6Zusammenfassung; 2.2Wozu dienen Rituale, Kunst und Musik?
    Description / Table of Contents: 2.3Wandel der Musikerziehung2.3.1Von Kirche und Religion hin zum Web; 2.3.2Normen und Ziele aushandeln; 2.4Schlussfolgerungen; Literatur; Musik - die begrifflichen Grundlagen; Kapitel-3; 3.1Die Suche nach Ordnung; 3.2Physikalische Grundlagen von Musik und Sprache; 3.2.1Schall und Schallwahrnehmung; 3.2.2Eigenschaften von Schall in Bezug auf Musik und Sprache; 3.3Generative Systeme; 3.3.1Ordnungsprinzip; 3.4Tonhöhe; 3.4.1Die Dimension hoch - tief; 3.3.2Geordnete Ereignisse; 3.4.2Diskretisierung von Tonhöhe; 3.4.3Kulturelle Konventionen; 3.5Zeit; 3.5.1Gerichtetheit von Zeit
    Description / Table of Contents: 3.5.2Einheiten und hierarchische Organisation3.5.3Zeitliche Organisation - Rhythmus; 3.5.4Diskretisierung der kontinuierlichen zur musikalischen Zeit; 3.5.5Verwendungen des Begriffs »Rhythmus«; 3.6Gemeinsamkeiten und Übergänge von Musik und Sprache; 3.6.1Laute und Silben; 3.6.2Betonungsmuster in der Sprache; 3.6.3Poetische Sprache; 3.6.4Singen und Sprechen; 3.7Generatives Handlungssystem; Literatur; Kapitel-4; Einfach und zugleich komplex: Das Kinderlied; 4.1Kinderleichtes Spiel?; 4.1.1Schlicht und einfach; 4.1.2Drei Typen von Kinderliedern; 4.1.3Gibt es Regeln für Kinderlieder?
    Description / Table of Contents: 4.2Grammatik des Kinderliedes4.2.1Sieben Bauprinzipien des Liedes; 4.2.2Beispiel eines Kinderliedes; 4.2.3Regeln zur zeitlichen Gliederung; 4.2.4Regeln zur tonalen Struktur, der Melodie; 4.2.5Regeln zum Liedtext; 4.3Vom Umgang mit musikalischen Spielregeln; 4.3.1Spielregeln und Freiräume; 4.3.2Variationen; 4.3.3Wann sind welche Regeln wichtig?; 4.4Musikalische Intuition und Verstehen; 4.4.1 Schnelles und langsames Handeln ; 4.4.2 Über den Nutzen der Kinderliedgrammatik ; Literatur; Kapitel-5; Anfänge von Musikalität; 5.1Biologische Grundlagen; 5.1.1Gibt es angeborene Musikalität?
    Description / Table of Contents: 5.1.2Gehirnentwicklung und Musikalität5.2Elementare Aktivitäten - musikalische Grundkompetenzen; 5.2.1Schallwahrnehmung; 5.2.2Vokalisation; 5.2.3Motorik; 5.3Soziale Interaktion; 5.3.1Intuitive elterliche Fürsorge und frühe Lernförderung; 5.3.2Kindgerichtetes Singen; 5.3.3Frühe musikalische Anregung und »musikalische Begabung«; 5.4Mikroanalyse eines Übergangs vom Sprechen zum Singen; 5.4.1Kontext; 5.4.2Analyse des Verlaufs; 5.4.3Wohlgeformtes Lied; 5.4.4Wie unterscheidet das Kind zwischen Sprechen und Singen?; 5.5Schlussfolgerungen; Literatur; Kapitel-6
    Description / Table of Contents: Die weitere musikalische Entwicklung: Erwerb von Spielregeln und Konventionen
    Note: Description based upon print version of record
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  • 82
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    Ethnomusicology : a very short introduction (2014)
    New York, NY : Oxford University Press
    Details
    ISBN: 0199794588 , 0199397546 , 9780199794584 , 9780199397549
    Language: English
    Pages: 1 Online-Ressource (xvi, 151 Seiten)
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als Rice, Timothy, 1945 - Ethnomusicology
    DDC: 780.89
    RVK:
    EC 2440
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LC 86000
    Keywords: Ethnomusicology ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Ethnomusicology ; Electronic books ; Einführung ; Musikethnologie
    Abstract: Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work
    Note: Includes bibliographical references and index
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  • 83
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    Online Resource
    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
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    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
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  • 84
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    Youth and Rock in the Soviet Bloc : Youth Cultures, Music, and the State in Russia and Eastern Europe (2014)
    Lanham : Lexington Books
    Details
    ISBN: 9780739166932
    Language: English
    Pages: Online-Ressource (320 p)
    Parallel Title: Erscheint auch als Youth and rock in the Soviet bloc
    DDC: 306.484260947
    RVK:
    NQ 8273
    RVK:
    LS 48060
    Keywords: Youth - Europe, Eastern - History - 20th century ; Youth - Europe, Eastern - History - 20th century ; Electronic books ; Electronic books ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: 〈span〉〈span style=""font-style:italic;""〉Youth and Rock in the Soviet Bloc 〈/span〉〈span〉explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War. 〈/span〉〈/span〉
    Description / Table of Contents: Contents; Introduction; 1 Swinging between East and West; 2 Against "Pop-Song" Poison from the West; 3 Coercion and Consumption; 4 Only Rock 'n' Roll?; 5 The Making of the Gang; 6 Détente and Western Cultural Products in Soviet Ukraine during the 1970s; 7 Punk and the State of Youth in the GDR; 8 "A Room-Sized Ocean"; 9 Shostakovich versus Boney M.; 10 Facing the Music; 11 Rockin' Down the Mainline; 12 East of (Teenaged) Eden, or, Is Eastern Youth Culture So Different from the West?; Select Bibliography; Index; About the Contributors
    Note: Description based upon print version of record
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  • 85
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    Punk in Russia : cultural mutation from the "useless" to the "moronic" (2014)
    New York : Routledge
    Details
    ISBN: 9781315850573
    Language: English
    Pages: Online-Ressource (xiii, 223 p.) , ill.
    Series Statement: Routledge contemporary Russia and Eastern Europe series 55
    Parallel Title: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
    RVK:
    LQ 86300
    RVK:
    MS 1225
    RVK:
    MS 2350
    RVK:
    LC 86326
    RVK:
    LB 42326
    Keywords: Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Abstract: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781315850573
    URL: Volltext
    URL: Volltext
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  • 86
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    The cultural impact of Kanye West (2014)
    New York, NY [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9781137395825 , 9781137395832
    Language: English
    Pages: 292 S.
    Edition: 1. ed.
    Parallel Title: Print version The Cultural Impact of Kanye West
    DDC: 306
    RVK:
    LS 48045
    RVK:
    LS 48650
    Keywords: Communication ; Electronic books ; Electronic books ; Aufsatzsammlung
    Abstract: Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them
    Description / Table of Contents: Cover; Title; Copyright; Dedication; Contents; Foreword; Preface: The Cultural Impact of Kanye West ; Acknowledgments; Part I Revisiting the Pharmakon: Artistic Gifts / Human Complexities; Chapter 1 Now I Ain't Saying He's a Crate Digger: Kanye West, "Community Theaters" and the Soul Archive; Chapter 2 Kanye West: Asterisk Genius?; Chapter 3 Afrofuturism: The Digital Turn and the Visual Art of Kanye West; Chapter 4 You Got Kanyed: Seen but Not Heard; Chapter 5 An Examination of Kanye West's Higher Education Trilogy; Part II Unpacking Hetero-normativity and Complicating Race and Gender
    Description / Table of Contents: Chapter 6 "By Any Means Necessary": Kanye West and the Hypermasculine ConstructChapter 7 Kanye West's Sonic [Hip-hop] Cosmopolitanism; Chapter 8 "Hard to Get Straight"; Chapter 9 You Can't Stand the Nigger I See!: Kanye West's Analysis of Anti-Black Death; Part III Theorizing the Aesthetic, the Political, and the Existential; Chapter 10 When Apollo and Dionysus Clash: A Nietzschean Perspective on the Work of Kanye West; Chapter 11 God of the New Slaves or Slave to the Ideas of Religion and God?*; Chapter 12 Trimalchio from Chicago*: Flashing Lights and The Great Kanye in West Egg
    Description / Table of Contents: Chapter 13 Confidently (Non)cognizant of Neoliberalism: Kanye West and the Interruption of Taylor SwiftChapter 14 Kanye Omari West: Visions of Modernity; References; Notes on Contributors; Index
    Note: Description based upon print version of record
    DOI: 10.1057/9781137395825
    URL: Volltext
    URL: Volltext
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  • 87
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    Online Resource
    Richard Strauss-Handbuch (2014)
    Stuttgart : J.B. Metzler
    Details
    ISBN: 9783476005106
    Language: German
    Pages: 1 Online-Ressource (XXXIII, 583 Seiten)
    Edition: Online-Ausg.
    Parallel Title: Print version Werbeck, Walter Richard Strauss-Handbuch
    DDC: 301
    RVK:
    LP 66059
    Keywords: Electronic books ; Aufsatzsammlung
    Note: Description based upon print version of record
    URL: Volltext
    URL: Volltext
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  • 88
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    Music in the Social and Behavioral Sciences : An Encyclopedia (2014)
    Thousand Oaks : SAGE Publications
    Details
    ISBN: 9781452283036
    Language: English
    Pages: Online-Ressource (1350 p)
    Parallel Title: Print version Music in the Social and Behavioral Sciences : An Encyclopedia
    DDC: 306.4/842
    RVK:
    LR 56400
    Keywords: Music -- Psychological aspects -- Encyclopedias ; Music -- Social aspects -- Encyclopedias ; Music ; Psychological aspects ; Encyclopedias ; Music ; Social aspects ; Encyclopedias ; Electronic books ; Musikpsychologie ; Musiksoziologie
    Abstract: This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-t
    Description / Table of Contents: Cover; Volume 1; Copyright; Table of Contents; List of Articles; Reader's Guide; About the Editor; List of Contributors; Introduction; Chronology; A Chapter; B Chapter; C Chapter; D Chapter; E Chapter; F Chapter; G Chapter; H Chapter; I Chapter; Volume 2; L Chapter; M Chapter; N Chapter; O Chapter; P Chapter; R Chapter; S Chapter; T Chapter; U Chapter; V Chapter; W Chapter; Y Chapter; Glossary; Resource Guide; Appendix; Index; Photo Credits
    Note: Description based upon print version of record
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  • 89
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    Black popular music in Britain since 1945 (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
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  • 90
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    Online Resource
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
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    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
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  • 91
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    Technologische Dramen : Radiokulturen und Medienwandel in Benin (Westafrika) (2014)
    Bielefeld : transcript Verlag
    Details
    ISBN: 9783839425916
    Language: German
    Pages: Online-Ressource
    Series Statement: Locating Media/Situierte Medien 6
    Series Statement: Locating Media/Situierte Medien
    Parallel Title: Druckausg.
    Parallel Title: Erscheint auch als Grätz, Tilo Technologische Dramen
    DDC: 302.2344096683
    RVK:
    AP 19748
    RVK:
    LS 46774
    Keywords: Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit ; Benin ; (Produktform)Electronic book text ; Westafrika ; Benin ; Medienwandel ; Technologie ; Medien ; Ethnologie ; Analoge Medien ; Medienwissenschaft ; Afrika ; Media ; Ethnology ; Analogue Media ; Media Studies ; Africa ; (BISAC Subject Heading)SOC052000 ; (BIC subject category)JFD ; (VLB-WN)9752 ; Radio ; (DDC 22 ger)300 ; (BISAC Subject Heading)SOC002010 ; (BIC subject category)JHMC ; Electronic books ; Benin ; Medien ; Wandel ; Hörfunk ; Alltag ; Medienkonsum ; Hörfunksendung ; Kommunikation ; Öffentlichkeit
    Note: Lizenzpflichtig
    URN: urn:nbn:de:101:1-2015120114210
    URL: http://nbn-resolving.org/urn:nbn:de:101:1-2015120114210
    URL: http://d-nb.info/1079534717/34
    URL: http://www.transcript-verlag.de/978-3-8376-2591-2
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    URL: https://elibrary.utb.de/doi/book/10.5555/9783839425916
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    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
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    Cairo Pop : Youth music in contemporary Egypt (2014)
    Minneapolis, London : University of Minnesota Press
    Details
    ISBN: 9781452942797
    Language: English
    Pages: 1 online resource (xi, 256 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4
    RVK:
    MI 12930
    RVK:
    LS 35200
    Keywords: Geschichte 2000- ; Popmusik ; Jugendkultur ; Musiksoziologie ; Kairo ; Music ; Social aspects ; Egypt ; Cairo ; History ; 21st century ; Music and youth ; Egypt ; Cairo ; History ; 21st century ; Popular culture ; Egypt ; Cairo ; History ; 21st century ; Popular music ; Egypt ; Cairo ; History and criticism ; Electronic books ; Online-Publikation ; Online-Publikation ; Electronic books ; Kairo ; Jugendkultur ; Popmusik ; Musiksoziologie ; Geschichte 2000-
    Abstract: Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth
    Abstract: Cover -- Contents -- Preface -- Acknowledgments -- Note on Transliteration and Pseudonyms -- Introduction: Good Music, Bad Music, and Youth Music -- 1. "My Patience Is Short": Youth Talk about Grandpa's Music -- 2. " Oh, My Brown Skinned Darling": Sex, Music, and Egyptianness -- 3. "The Hardest Thing to Say": Taxonomies of Aesthetics -- 4. " A Poem Befitting of Her": Ambiguity and Sincerity in Revolutionary Pop Culture -- Epilogue: On the Counterrevolution -- Notes -- Glossary -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
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  • 93
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    The global sixties in sound and vision : media, counterculture, revolt (2014)
    New York : Palgrave Macmillan
    Details
    ISBN: 9781306837965 , 9781137375230 , 9781137375223
    Language: English
    Pages: 1 Online-Ressource (VIII, 296 Seiten)
    DDC: 306.400904
    RVK:
    LS 48070
    RVK:
    AP 19000
    Keywords: Geschichte 1960-1970 ; Counterculture History 20th century ; Art and society History 20th century ; Mass media Social aspects 20th century ; Gegenkultur ; Massenmedien ; Rebellion ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Massenmedien ; Gegenkultur ; Rebellion ; Geschichte 1960-1970
    URL: Volltext
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    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 94
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    Punk rock and German crisis : adaptation and resistance after 1977 (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137337559
    Language: English
    Pages: Online-Ressource (209 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Studies in European culture and history
    Parallel Title: Druckausg. Shahan, Cyrus Punk rock and German crisis
    DDC: 781.660943
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1989 ; Punk rock music Social aspects ; Germany (West) ; Punk culture Germany (West) ; Deutschland 〈Bundesrepublik〉 ; Punk Rock ; Germany (West) Social life and customs ; Electronic books ; Deutschland ; Punk Rock ; Geschichte 1977-1989
    Abstract: Introduction--representing "no future" -- Punk poetics -- Psycho punk and the legacies of state emergency -- Post-punk poaching, subversive consumerism and reading for anti-racism -- After punk
    Note: Includes bibliographical references. - Description based on print version record
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  • 95
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    Rock and roll always forgets : a quarter century of music criticism (2013)
    Durham [N.C.] : Duke University Press
    Details
    ISBN: 0822394170 , 9780822394174
    Language: English
    Pages: Online-Ressource (XVI, 335 S.) , Ill.
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Eddy, Chuck Rock and roll always forgets
    DDC: 781.64
    RVK:
    LS 48000
    Keywords: Rock music History and criticism ; 1981-1990 ; Rock music History and criticism ; 1991-2000 ; Rock music History and criticism ; 2001-2010 ; Popular music History and criticism ; 1981-1990 ; Popular music History and criticism ; 1991-2000 ; Popular music History and criticism ; 2001-2010 ; Electronic books
    Abstract: Over and out -- Rhymed funk hits area -- Skin yard, skin yard -- Drug crazed teens: flaming lips -- Music that passes the acid test -- New kids in the '90s: a decade in the life -- Radiohead, the bends -- Walking into spiderwebs : the ultimate band list -- Talking world war iii blues -- Bombast in the blood: bad religion -- Conscience of some conservatives: the ramones -- Punk's first family grow old together : the Ramones -- Howls from the heartland : the untamed Midwest -- An indie rises above: SST records -- Slime is money (bastard) -- Big black give you a headache -- Nirvana, "all apologies" -- Wrong is right : Marilyn Manson -- Live : Tower Theatre, Philadelphia, 18 february 1997 -- City of dreams : rock in Mexico -- Chumbawamba at the piss factory -- Mr. and Mrs. used to be : the White Stripes find a little place to fight 'em off -- Great beats-per-minute -- Seduce, seduce -- Agnostic front, beyond possession, Dr. Know, Helstar, Raw Power -- Top 40 that radio won't touch : Metallica -- Welcome home (sanitarium): Metallica seek psychiatric help -- Mentors, up the dose -- Robert Plant, technobilly -- Def Leppard?s magic and loss -- AC/DC's aged currencies -- White Wizzard escape each other -- Mantronix : strange loops -- Spoonie Gee : unreformed -- Just-Ice : rap with teeth -- Pazz & jop ballot excerpt 1989 : N.W.A -- Pazz & jop ballot excerpt 1992 : Arrested Development -- Sir Mix-a-Lot : Chief Boot Knocka -- From Taco Bell to Pachelbel : Coolio -- Pazz & jop ballot excerpt 1997 : Erykah Badu and B-Rock & the Bizz -- Timbaland, Magoo, and ma
    Note: Includes index. - Description based on print version record. - Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 96
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    Music and empire in Britain and India : identity, internationalism, and cross-cultural communication (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    LQ 84006
    RVK:
    LS 39400
    RVK:
    LQ 94006
    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
    DOI: 10.1057/9781137311641
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  • 97
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    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
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    URL: http://dx.doi.org/10.1215/9780822391906
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    URL: http://dx.doi.org/10.1215/9780822391906
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  • 98
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    Listening in detail : performances of Cuban music (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 online resource (xviii, 333 pages)
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    DDC: 780.97291
    RVK:
    LS 48700
    Keywords: Music History and criticism ; Music Performance ; Music ; Cuba ; History and criticism ; Music ; Performance ; Cuba ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
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  • 99
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    Bodies of sound : studies across popular music and dance (2013)
    Burlington, Vt : Ashgate
    Details
    ISBN: 9781409445180
    Language: English
    Pages: Online-Ressource (XVIII, 237 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. Bodies of sound
    DDC: 781.6409
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Dance History ; Electronic books ; Popmusik ; Tanz
    Abstract: Constructing the popular. The problem of popularity : the cancan between the French and digital revolutions / Clare Parfitt-Brown ; Bellowhead : re-entering folk through a pop movement aesthetic / Sherril Dodds ; Sound understandings : embodied musical knowledge and "connection" in a ballroom dance community / Joanna Bosse -- Authenticity, revival, and reinvention. Dancing out of time : the forgotten Boston of Edwardian England / Theresa Jill Buckland ; The English folk voice : singing and cultural identity in the English folk revival, 1955-65 / Simon Featherstone ; Halling as a tool for nationalistic strategies / Anne Margrete Fiskvik -- (Re)framing value. Rocking the rhythm : dancing identities in drum 'n' bass club culture / Joanna Hall ; Authenticity, uplift, and cultural value in Bahian samba junino / Danielle Robinson and Jeff Packman ; Hierarchical reversals : the interplay of dance and music in West Side story / Rachel Duerden & Bonnie Rowell ; Talking machines, dancing bodies : marketing recorded dance music before World War 1 / Susan C. Cook -- Politics of the popular. Superficial profundity : performative translation of the dancing body in contemporary Taiwanese popular culture / Chih-Chieh Liu ; Keeping the faith : issues of identity, spectacle, and embodiment in Northern soul / Laura Robinson ; Jazz, dance, and black British identities / Catherine Tackley
    Note: Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 100
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    Ethnomusicology : A Research and Information Guide (2013)
    Hoboken : Taylor and Francis
    Details
    ISBN: 9780415879774
    Language: English
    Pages: Online-Ressource (468 p)
    Edition: 2nd ed
    Series Statement: Routledge Music Bibliographies
    Series Statement: Routledge Music Bibliographies Ser
    Parallel Title: Print version Ethnomusicology : A Research and Information Guide
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    DDC: 016.78089
    RVK:
    LS 13000
    Keywords: Ethnomusicology Bibliography ; Ethnomusicology ; Electronic books ; Ethnomusicology ; Bibliography ; Electronic books ; Bibliografie ; Musikethnologie
    Abstract: Ethnomusicology: A Research and Information Guide is an annotated bibliography to books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts. Part One is organized by resource type in categories of greatest concern to students and scholars. It includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widel
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Note: Description based upon print version of record
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