Note: Repr.: London : Mansell; 1665/1905: Millersville, Pa. : Adıok , Inhaltl. Gliederung 5.1976/78 in P. 1: Articles; P. 2: Monographs , Verf. 1665 - 1980: W. H. Behn , Später ohne Suppl.-Bez.; N.S. ersch. 4x jährl. mit H. 4 als Jahreskumulation

Note: Parallelsacht. ab 70.2011 , Repr.: Amsterdam : Swets & Zeitlinger , Bd. 58 - 60 ersch. nur in kleiner Aufl. für Tagungsteilnehmer , Index 1/57.1933/88 in: 57.1988

Note: Anfangs hrsg. vom Nationaal Centrum voor de Plastische Kunsten van de XVIde en XVIIde Eeuw

Note: Anfangs mit Verf.-Ang.: Hrsg. von Christel Matthias Schröder. - Anfangs ohne Nebent

Note: Repr.: New York, NY [u.a.] : Johnson , Beteil. Körp. anfangs: International Institute for the Conversation of Museum Objects , Zsfassung in dt. Sprache

Note: Bd 4 ersch. bei Hakluyt Soc. in London

Note: Hrsg. anfangs: Helmut Rauschenbusch , 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Index 1/10.1961/71 in: 10.1970/71; 11/20.1971/81 in: 20.1980/81; 21/35.1981/95 in 35.1995

Note: Ab Vol. 3 mit der Angabe: Edited ... by Ernest J. Burrus in collaboration with Madeleine Turrell Rodack

Note: Beitr. teilw. engl., teilw. tibet. - Literaturangaben

Note: Erscheinungsbeginn: 1928 , Beitr. teilw. dt., teilw. engl., teilw. franz , Bis Bd. 2 u.d.T.: Reallexikon der Assyriologie

Note: Erschienen: 1 - 2

Note: Includes bibliographical references and indexes , Erschienen: 1 - 2

Note: Ersch. unregelmäßig

Note: Erscheint zehnmal jährlich; Vol. 59.2020/21 mit 8 Heften komplett , 42.2003/04,7 fälschlich als Jg. 43 bez.

Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: 2. Parallelsacht. ab 10.2002

Note: Anfangs mit Verf.-Ang.: Hrsg. von Christel Matthias Schröder. - Anfangs ohne Nebent

Note: Text in rumän. und dt. Sprache

Note: Beteil. Körp. bis 18.1991: Akademie der Wissenschaften der DDR, Zentralinstitut für Alte Geschichte und Archäologie , Ersch. 2x jährl. , Text meist dt., teils engl., teils in anderen Sprachen , Index 1/20.1974/93 in: 21.1994

Note: Ersch. unregelmäßig

Note: "Papers originally presented to a Conference on Buddhism across Asia: Networks of Material, Intellectual and Cultural Exchange, organized by Nalanda-Sriwijaya Centre at ISEAS and held in Singapore from 2 to 5 February 2009"--Title page verso , "Co-published by Manohar Publishers & Distributors; Manohar ISBN 9789350980453 for distibution in South Asia"--Title page verso , Includes bibliographical references and index

Note: Anfangs hrsg. von C. E. Bosworth ... - Indices teilw. engl. und franz

Note: Aus dem Chines. übers

Note: 7.1963/64 - 22.1995/96 inhaltliche Gliederung in Bd. 1: Museen u. Galerien, Bildende Künstler, Restauratoren, Sammler, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandlungen, Kunstverleger, Experten; ab 23.1997/98 in Bd. 1: Museen und öffentliche Galerien, Universitäten, Akademien, Schulen, Vereinigungen; Bd. 2: Kunst- und Antiquitätenhandel, Numismatik, Galerien, Auktionatoren, Restauratoren, Kunstverleger, Kunstzeitschriften, Antiquariate und Kunstbuchhandlungen; Bd. 3: Register; ab 33.2009 in Bd. 1: Museums and public galleries, universities, associations; Bd. 2: Antiques and numismatics, fairs, galleries, auctioneers, restorers, publishers, periodicals, booksellers; Bd. 3: Index , Hrsg. anfangs: Helmut Rauschenbusch , Ersch. anfangs alle 2 Jahre, später jährl.

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Parallelsacht. ab 15.2002,3 , Ersch. 2x jährl.; 30. Jahrgang, Heft 2 (2017) auf dem Umschlag als Heft 1 bezeichnet

Note: Index 1/10.1961/71 in: 10.1970/71; 11/20.1971/81 in: 20.1980/81; 21/35.1981/95 in 35.1995

Note: Ab No. 2 Text auf Deutsch, Abstracts auf Englisch

Note: Parallelsacht. ab 19.2005 , Ersch. 2x jährl.; 2020 nicht erschienen , Index 1/10.1987/96 in: 11.1997,1

Note: Anfangs ohne Zählung

Note: Literaturangaben

Note: Includes bibliographical references

Note: Aufsätze teilweise auf Deutsch, teilweise auf Englisch

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English

Note: Literaturangaben. - Index

Note: Description based on publisher supplied metadata and other sources

Note: 6 Bände erschienen

Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern

Note: Includes bibliographical references

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references , Of Africa: A Reflection on "Speaking Back" / , Opening Spaces: Of Africa, Hauntings, Hesitations, and Possible Futures / , The Into the Heart of Africa Exhibition and the Coalition for the Truth about Africa: A Personal Journey / , Lessons Learned from the Heart of Afro-Canada: Into the Heart of Africa 30 Years Later / , A Life in the Day of an Object / , Here We Are Here: Creating in the Black Atlantic / , Sweet Childhood, Art, and Memory / , From Souvenir to How She Read: The Poetry behind the Design / , Between Absence and Presence: The Politics and Poetics of (In)Visibility in the Work of Sandra Brewster / , On Sucking Teeth / , Hoodies and Regimentals: Black Attire and Access in the Canadian Art Museum / , What to Wear in Canada in Winter / , Longing and Belonging: A Personal Journey through Art and Identity / , Singularity and Strangeness: One-on-One with Eddy Firmin / , On Quiet Happiness, Charcoal, Wood, and Metal: Charmaine Lurch's Being, Belonging and Grace / , Esmaa Mohamoud: Playing the Game / , Twisted Together: The Sweet Ironies of Belonging in the Art of Bushra Junaid / , A Self-Portrait of Creation: Depi m sòti nan Ginen / , Digging Us: Making Visible Black Canadian Narratives / , Travelling Exhibition: Here We Are Here at the Montreal Museum of Fine Arts / , Why Are There No Famous Black Canadian Artists? Here We Are Here and How Diversity and Inclusion Trump Aesthetic Critique / , The Pervasive Persistence of Primitivism: Face-to-Face and Exhibition Practices in the 21st Century /

Note: Originally published: 2022

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index , Quellen- und Literaturverzeichnis: Seite 249-261. - Register

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index