ISBN:
9781351577984
Language:
English
Pages:
1 Online-Ressource (xxi, 190 Seiten)
Series Statement:
Ashgate popular and folk music series
Parallel Title:
Erscheint auch als A Song for Europe
DDC:
306.48424079
Keywords:
Eurovision Song Contest
;
Popular music Competitions
;
Europe
;
Popular music Political aspects
;
Europe
;
Grand Prix Eurovision de la Chanson
;
Europa
;
Politik
;
Soziologie
;
Grand Prix eurovision de la chanson
;
Politik
Abstract:
The world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
Abstract:
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of tables -- List of contributors -- General Editor's preface -- Additional reading and resources -- Introduction -- 1 Camping on the borders of Europe -- 2 Return to ethnicity: The cultural significance of musical change in the Eurovision Song Contest -- 3 Eurovision at 50: Post-Wall and Post-Stonewall -- 4 Chanson, canzone, Schlager, and song: Switzerland's identity struggle in the Eurovision Song Contest -- 5 Chasing the "magic formula" for success: Ralph Siegel and the Grand Prix Eurovision de la Chanson -- 6 Fernando, Filippo, and Milly: Bringing blackness to the Eurovision stage -- 7 Finland, zero points: Nationality, failure, and shame in the Finnish media -- 8 The socialist star: Yugoslavia, Cold War politics and the Eurovision Song Contest -- 9 Lithuanian contests and European dreams -- 10 "Russian body and soul": t.A.T.u. performs at Eurovision 2003 -- 11 Gay brotherhood: Israeli gay men and the Eurovision Song Contest -- 12 Articulating the historical moment: Turkey, Europe, and Eurovision 2003 -- 13 "Everyway that I can": Auto-Orientalism at Eurovision 2003 -- 14 Idol thoughts: Nationalism in the pan-Arab vocal competition Superstar -- 15 "Changing Japan, unchanging Japan": Shifting visions of the Red and White Song Contest -- Index
Permalink
