Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • BSZ  (2)
  • MPI-MMG  (1)
  • Book  (3)
  • Oxford : Oxford University Press  (3)
  • Zensur  (2)
  • Arab Spring, 2010-  (1)
  • General works  (3)
Datasource
Material
  • Book  (3)
Language
Years
Subjects(RVK)
  • 1
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780198719670
    Language: English
    Pages: xv, 319 Seiten , 24 cm
    Edition: First edition
    DDC: 792.0942/09031
    RVK:
    RVK:
    Keywords: England ; Theater History 16th century ; England / Office of the Revels Theater / History / 16th century / England ; Great Britain / History / Elizabeth, 1558-1603 ; England / Civilization / 16th century ; Great Britain History Elizabeth, 1558-1603 ; England Civilization 16th century ; Elisabeth I. England, Königin 1533-1603 ; Theater ; England ; Hoftheater ; Zensur ; Geschichte 1558-1603 ; Geschichte
    Abstract: The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The Queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.
    Note: Literaturverzeichnis: Seite 295-304 , Hier auch später erschienene, unveränderte Nachdrucke
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780199999736 , 9780199999743
    Language: English
    Pages: x, 160 Seiten , Diagramme , 24 cm
    Series Statement: Oxford studies in digital politics
    Parallel Title: Erscheint auch als Papacharissi, Zizi Affective publics
    DDC: 323/.042
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Twitter ; Social media Political aspects ; Online social networks Political aspects ; Arab Spring, 2010- ; Occupy movement ; Political participation Technological innovations ; Politik ; Politische Kultur ; Social Media ; Politik ; Politische Kultur ; Social Media
    Abstract: "Over the past few decades, we have witnessed the growth of movements using digital means to connect with broader interest groups and express their points of view. These movements emerge out of distinct contexts and yield different outcomes, but tend to share one thing in common: online and offline solidarity shaped around the public display of emotion. Social media facilitate feelings of engagement, in ways that frequently make people feel re-energized about politics. In doing so, media do not make or break revolutions but they do lend emerging, storytelling publics their own means for feeling their way into events, frequently by making those involved a part of the developing story. Technologies network us but it is our stories that connect us to each other, making us feel close to some and distancing us from others. Affective Publics explores how storytelling practices facilitate engagement among movements tuning into a current issue or event by employing three case studies: Arab Spring movements, various iterations of Occupy, and everyday casual political expressions as traced through the archives of trending topics on Twitter. It traces how affective publics materialize and disband around connective conduits of sentiment every day and find their voice through the soft structures of feeling sustained by societies. Using original quantitative and qualitative data, Affective Publics demonstrates, in this groundbreaking analysis, that it is through these soft structures that affective publics connect, disrupt, and feel their way into everyday politics"--
    Abstract: "Over the past few decades, we have witnessed the growth of movements using digital means to connect with broader interest groups and express their points of view. These movements emerge out of distinct contexts and yield different outcomes, but tend to share one thing in common: online and offline solidarity shaped around the public display of emotion. Social media facilitate feelings of engagement, in ways that frequently make people feel re-energized about politics. In doing so, media do not make or break revolutions but they do lend emerging, storytelling publics their own means for feeling their way into events, frequently by making those involved a part of the developing story. Technologies network us but it is our stories that connect us to each other, making us feel close to some and distancing us from others. Affective Publics explores how storytelling practices facilitate engagement among movements tuning into a current issue or event by employing three case studies: Arab Spring movements, various iterations of Occupy, and everyday casual political expressions as traced through the archives of trending topics on Twitter. It traces how affective publics materialize and disband around connective conduits of sentiment every day and find their voice through the soft structures of feeling sustained by societies. Using original quantitative and qualitative data, Affective Publics demonstrates, in this groundbreaking analysis, that it is through these soft structures that affective publics connect, disrupt, and feel their way into everyday politics"--
    Description / Table of Contents: Machine generated contents note:Acknowledgments -- Prelude -- Chapter One: The Present Affect -- Chapter Two: Affective News and Networked Publics -- Chapter Three: Affective Demands and the New Political -- Chapter Four: The Personal as Political: Everyday Disruptions of the Political Mainstream -- Chapter Five: Affective Publics -- Notes -- References -- Index.
    Note: Literaturverzeichnis: Seite 141-151
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780199589630 , 0199589631
    Language: English
    Pages: XII, 312 S. , Ill., Kt.
    DDC: 303.3760943109045
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1961-1989 ; Zensur ; Theater ; Deutschland ; Deutschland 〈DDR〉 ; Theater ; Zensur ; Geschichte 1961-1989 ; Theater--Censorship--Germany (East) ; Theater and state--Germany (East) ; Theater--Germany (East) ; Deutschland ; Theater ; Zensur ; Geschichte 1961-1989
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...