Note: Contents: v. 1 A-fuzz - v. 2 Gabler-Niewood - v. 3 Nightclubs-Zwingenberger , Includes bibliographical references and discography , Previous ed.: published in 2 v. London : Macmillan, 1988 , Erschienen: Vol. 1-3

Note: Titel ist im Rahmen der Initiative Knowledge Unlatched frei zugänglich.

Note: "The term 'flow' refers to experiences where the musician moves into a consciousness in which time seems to be suspended and perception of reality is blurred by unconscious forces. An essential part of the jazz tradition, which often serves as the foundation of the musician's identity, flow is recognised within the greater jazz community as a critical factor in accomplished musicianship. Flow as a concept is so deeply embedded in the scene that these experiences are not generally discussed. It contributes to the musicians' work motivation, providing a vital level of satisfaction and accomplishment. The power of the experience, consciously or unconsciously, has given rise to the creation of heroic images, in which jazz musicians are seen as being bold, yet vulnerable, strong and masculine, but still capable of expressing emotions. In this discourse, musicians are pictured as people constantly putting themselves on the line, exposing themselves and their hearts to one another as well as to the audience. Heroic profiles are richly constructed within the jazz scene, and their incorporation into narratives of flow suggests that such images are inseparable from jazz. It is thus unclear how far the musicians are simply reporting personal experience as opposed to unconsciously perpetuating a profoundly internalised mythology. Drawing on eighteen interviews conducted with professional jazz musicians from around the world, Elina Hytönen examines the fundamentals of the phenomenon of flow in jazz that has led to this genre's popularity. Furthermore, she draws on how flow experiences are viewed and constructed by jazz musicians, the meanings they attach to it, and the quality of music that it inspires

Note: Includes index

Note: Literaturverzeichnis: Seite 461-502

Note: Die Vorlage enthält insgesamt 9 Werke , Literaturverzeichnis: Seite 209 - 221

Note: Biogr. Index der Musiker S. 254 - 260. - Diskogr. S. 264 - 265. - Literaturverz. S. 266

Note: Literatur- und Quellenverz. S. 121 - 130

Note: Includes bibliographical references (pages 225-226) and index

Note: $dDissertation$eMartin-Luther-Universität Halle-Wittenberg$f2013

Note: Previous ed.: 2008. - Formerly CIP Uk. - Includes bibliographical references

Note: Literaturverz. S. 259 - 281

Note: Includes bibliographical references and index

Note: Includes bibliographical references (pages 231-244) and index , Lubbock or leave it , Lubbock or leave it , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting , Good time rollers , Joan Baez , From Roger and out into dang me/chug a lug , Midnight in Memphis with the wicked Pickett , Jackson C. Frank , What time has told me about Nick Drake's Five leaves left , The voice of the quiet one , That's it , New York Dolls , Warren Zevon , Chasing after vengeance , Steve Forbert, alive on arrival from Meridian to Manhattan , Ready for the house , Rickie Lee Jones , Metallica kills , I know someday you'll have a beautiful life , Leann Rimes blue , Third Eye Blind , Dap-dippin' independent tradition , Pilfering the past or postmodern punks? , Cinematic fantastic sampledic funky found sound sifting

Note: Includes index

Note: Includes bibliographical references, discographies, and index.

Note: Zusätzliches Online-Angebot unter DOI 10.3726/978-3-653-02623-8

Note: Includes bibliographical references (pages 301-317) and index

Note: Bibliogr. p. 175. - Discogr. p. 172 - 175. - Webliogr., 1 p.

Note: Text engl.

Note: Includes bibliographical references and index.

Note: Includes bibliogr. references and index

Note: Literaturverzeichnis: Seite 341-353

Note: Literaturangaben

Note: Includes bibliographical references and index.

Note: Literaturverz. S. 207 - 217

Note: Hardcover mit Schutzumschlag

Note: Includes bibliographical references and index

Note: Now is the time : voicing against the grain of orality / Aldon Lynn Nielsen -- The antiquity of the avant-garde : a meditation on a comment by Duke Ellington / John Szwed -- Listening trust: the everyday politics of George Lewis' "dream team" / Julie Dawn Smith and Ellen Waterman -- Jeanne Lee's voice / Eric Porter -- Kick out the jazz! / Rob Wallace -- Days of bread and roses / Marc Ribot -- Subsidy/advocacy/theory : experimental music in the academy, in New York City, and beyond / Tamar Barzel -- Subsidizing the experimental muse: rereading Ribot / John Brackett -- Musician writes about creative music venues in Toronto / Scott Thomson -- Somewhere there : contemporary music, performance spaces, and cultural policy / Alan Stanbridge -- Sound check : he jazz photography of Thomas King -- Get ready: jazz futures -- Black jazz in the digital age / Greg Tate -- Improvising digital culture: a conversation / DJ Spooky and Vijay Iyer -- Ancient to the future : celebrating 40 years of the AACM / Douglas Ewart, Nicole Mitchell, Roscoe Mitchell, Famoudou Don Moye, Matana Roberts, Jaribu Shahid, Wadada Leo Smith, Corey Wilkes -- People, don't get ready: improvisation, democracy, and hope / Tracy McMullen

Note: Verz. der Konzerte S. 650 - 668. - Verz. der Tonträger S. 684 - 691. [Bildband zur Geschichte der Jazz-Festival-Veranstaltungen in Willisau]

Note: Literaturangaben , Text teilweise deutsch, teilweise englisch

Note: Literaturangaben , Werk- und Schriftenverz. R. Flender S. 421 - 432