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  • GBV  (98)
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  • 2010-2014  (120)
  • Musicology  (120)
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  • 1
    Online Resource
    Online Resource
    Ethnomusicology : a very short introduction (2014)
    New York, NY : Oxford University Press
    Details
    ISBN: 0199794588 , 0199397546 , 9780199794584 , 9780199397549
    Language: English
    Pages: 1 Online-Ressource (xvi, 151 Seiten)
    Series Statement: Very short introductions
    Parallel Title: Erscheint auch als Rice, Timothy, 1945 - Ethnomusicology
    DDC: 780.89
    RVK:
    EC 2440
    RVK:
    LC 87000
    RVK:
    LS 16000
    RVK:
    LC 86000
    Keywords: Ethnomusicology ; MUSIC ; Genres & Styles ; Classical ; MUSIC ; Reference ; Ethnomusicology ; Electronic books ; Einführung ; Musikethnologie
    Abstract: Defining ethnomusicology -- A bit of history -- Conducting research -- The nature of music -- Music and culture -- Individual musicians -- Writing music history -- Ethnomusicology in the modern world -- Ethnomusicologists at work
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
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    Online Resource
    BSZ
  • 2
    Online Resource
    Online Resource
    Thema Nr. 1 : Sex und populäre Musik (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1322003157 , 9783839415719 , 9781322003153
    Language: English
    Pages: Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung v.37
    Parallel Title: Print version Thema Nr. 1 : Sex und populäre Musik
    DDC: 306.4
    RVK:
    LR 54608
    RVK:
    LR 56608
    RVK:
    LS 48010
    Keywords: Electronic books
    Abstract: Sex ist Ekstase - und auch Musik kann Ekstase sein. Sex provoziert - und schafft durch Skandale Öffentlichkeit für die Ware Musik. Sex polarisiert - und ist daher Mittel der Distinktion für die Musik von sozialen Gruppen und Generationen. Populäre Musik ist ein Kulturprodukt, das in besonderem Maße jugendliche Lebenswelten repräsentiert. Wie kaum ein anderes Medium gibt sie Aufschluss über männliche und weibliche Identitätsmodelle und damit verbundene Machtstrukturen, über Moralvorstellungen, über intime Wünsche, Sehnsüchte, Hoffnungen und Idealvorstellungen in der Gesellschaft. So umfassend w
    Description / Table of Contents: CoverThema Nr. 1; INHALT; Editorial; Theoret ische Überlegungen und historische Schlagl ichter zum Thema »Erotik und Musik«; I'm bound to check your oil - Sexualisierte Metaphorik im Pre-War-Blues; What is this that stands before me? Männerbilder im Heavy Metal; Gender, Sex und populäre Mus ik. Drei Fallbeispiele; Technikphobie und Sexismus. Eine Interviewstudie zu Erfahrungen weiblicher DJs in Frankfurt am Main; »Je t'aime« und andere Stöhnsongs - über Musik und Erotik; »Make A Sex Noise Here«: Frank Zappa, Sex and Popular Music
    Description / Table of Contents: ». ..the only thing we're straight about is the edge«. Die Diskussion über (Homo-)Sexualität in Straight Edge»Come inna mi ramping shop«. Slackness und Schwulenhass in der jamaikanischen und deutschen Dancehall; Frauenrollen und Popmusik in der arabischen Welt: Von unantastbaren Starsängerinnen, Models in Unterwäsche und selbstbewussten Musikerinnen; Kopulations-Kulissen: Ergebnisse und Forschungsperspektiven einer explorativen Studie zu Selektions- und Nutzungsbedingungen von Popmusik in erotischen und sexuellen Kontexten; Zu den Autoren
    Note: Description based upon print version of record
    URL: Volltext
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    Online Resource
    GBV
  • 3
    Online Resource
    Online Resource
    Coughing and Clapping : Investigating Audience Experience (2014)
    Farnham : Ashgate Publishing Ltd
    Details
    ISBN: 9781409469810
    Language: English
    Pages: Online-Ressource (226 p)
    Edition: Online-Ausg.
    Series Statement: SEMPRE Studies in The Psychology of Music
    Parallel Title: Print version Coughing and Clapping : Investigating Audience Experience
    DDC: 306.4842
    RVK:
    LR 56600
    Keywords: Electronic books ; Musik ; Aufführung ; Publikumsforschung
    Abstract: This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question
    Description / Table of Contents: Cover; Contents; List of Figures; List of Tables; Notes on Contributors; Series Editors' Preface; Acknowledgements; 1 Prelude; SECTION 1: Before the Event; 2 Marketing Live Music; 3 Musical, Social and Moral Dilemmas: Investigating Audience Motivations to Attend Concerts; 4 Safe and Sound: Audience Experience in New Venues for Popular Music Performance; SECTION 2: During the Event; 5 Interlude - Audience Members as Researchers; 6 The Value of 'Being There': How the Live Experience Measures Quality for the Audience
    Description / Table of Contents: 7 In the Heat of the Moment: Audience Real-time Response to Music and Dance Performance8 Texting and Tweeting at Live Music Concerts; 9 Moving the Gong: Exploring the Contexts of Improvisation and Composition; 10 Context, Cohesion and Community; 11 Interlude - Lasting Memories of Ephemeral Events; 12 'The Gigs I've Gone To': Mapping Memories and Places of Live Music; 13 Warts and All: Recording the Live Music Experience; 14 Staying Behind: Explorations in Post-performance Musician-Audience Dialogue; 15 Postlude; References; Index
    Note: Description based upon print version of record
    URL: Volltext
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  • 4
    Online Resource
    Online Resource
    αTief in Neukölln± : Soundkulturen zwischen Improvisation und Gentrifizierung in einem Berliner Bezirk (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1306997674 , 9783839423219 , 9781306997676
    Language: English
    Pages: Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version »Tief in Neukölln« : Soundkulturen zwischen Improvisation und Gentrifizierung in einem Berliner Bezirk
    DDC: 780.943155090512
    RVK:
    AP 24350
    RVK:
    LB 73032
    RVK:
    LC 87032
    RVK:
    LQ 80508
    RVK:
    LR 56600
    RVK:
    MS 1820
    RVK:
    MS 8020
    Keywords: Electronic books ; Berlin-Neukölln ; Musikleben ; Musikästhetik ; Musiksoziologie ; Klangkunst ; Experimentelle Musik ; Stadtsoziologie
    Abstract: Stadträume werden für und durch Musik erobert und transformiert. Dieser Band bietet Erkenntnisse über die symbolischen Konstruktionen von sowohl sozialen als auch geographischen Grenzen im Berliner Stadtteil Neukölln. In mehr als 60 Interviews mit Musikern, Soundkünstlern und Akteuren städtischer Institutionen wird nach der lokalen Verortung ästhetisch-klanglicher Phänomene gefragt. Medial vermittelte Vorstellungen über Neukölln und institutionelle Rahmenbedingungen erweisen sich dabei als konstitutiv für die Lebenswelten der kreativen Newcomer und deren ästhetische Ideen. Daneben veranschauli
    Description / Table of Contents: Cover »Tief in Neukölln«; Inhalt; Danksagung; Einleitung; I. Musikräume im Reuterquartier; 1. Vereine und Kneipen im Reuterquartier; 2. Erste Spuren des Quartiersmanagements im Kiez; 3. Die Weserrakete; 4. Konzerte im Reuterquartier; 5. Zusammenfassung: Gemeinschaft im Reuterquartier?; II. Neuköllner Zonen. Lokale und ästhetische Dispositionen; 1. Von Kreuzberg über Mitte und Prenzlauer Berg bis ins ›tiefe‹ Neukölln; 2. Ästhetisierungen Neuköllns; 3. ›Andere‹ Orte in Neukölln; 4. Zusammenfassung und Diskussion; III. Räume des Dubstep; 1. Musikalische Raumeroberung
    Description / Table of Contents: 2. Dubstep-Party und Zukunftsmusik in Neukölln3. Dubstep als Neuköllner Subkultur und die Frage nach Authentizität; 4. Dubstep in Space. Dislokalisierte Identitäten und imaginierte Musikräume; 5. Lokale Repräsentationen von Berliner Clubkulturen aus der Sichtweis von Kulturwissenschaftlern und Journalisten; 6. Zusammenfassung und Diskussion; IV. Räume der Experimentalmusik und Improvisation in Neukölln; 1. Die Neuköllner Fluxus-Performance Candle Piece for Radios; 2. Gegen Akademismus, Institutionen und Determination; 3. Experimentelle, elektronische Kammermusik
    Description / Table of Contents: 4. Künstleridentitäten in Neukölln5. Experimentalmusik-»Szene« in Neukölln?; 6. Zusammenfassung: Neukölln Haven. Idealisierung eines Ortes; V. Medialer Raum Neukölln; 1. Neukölln als sogenannter Problemkiez; 2. Kiez der Vielfalt oder die Eventisierung von Differenzen; 3. Neukölln in Transformation. Über Gentrifierung, kreative Spannungen und subkulturellen Imperialismus; 4. Branding, Empowerment und der Wert von Kunst für Neukölln; 5. Wissensgesellschaft in Neukölln; 6. Zusammenfassung: Raum ›urbaner Regeneration‹; Fazit und Ausblick; Epilog; Literatur; Anhang
    Note: Description based upon print version of record
    URL: Volltext
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    Online Resource
    GBV
  • 5
    Online Resource
    Online Resource
    SABOTAGE! : Pop als dysfunktionale Internationale (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1306998301 , 9783839422106 , 9781306998307
    Language: English
    Pages: Online-Ressource
    Series Statement: Kultur- und Medientheorie
    Parallel Title: Print version SABOTAGE! : Pop als dysfunktionale Internationale
    DDC: 900
    RVK:
    LB 40000
    RVK:
    LS 48015
    RVK:
    MS 7850
    RVK:
    AP 36360
    Keywords: Electronic books
    Abstract: Funktionalität wird sabotiert! Dieses Buch untersucht an sieben populär- und popkulturellen Feldern, wie Sabotage entsteht, wie sie sich medial, technisch, gesellschaftlich, kulturell und politisch auswirkt - und wie sie selbst wiederum unterlaufen wird - durch Gegensabotage. Die Beiträge zeigen: Sabotage und Gegensabotage, Dysfunktionalisierung und Refunktionalisierung sind seit dem Entstehen populärer Kulturen im 19. Jahrhundert und von Popkulturen ab Mitte der 1950er Jahre gleichsam Motor und Narkotikum ihrer Formierungen und Fortschreibungen. Der Band unternimmt eine (Medien-)Geschichtssch
    Description / Table of Contents: Cover SABOTAGE! ; Inhalt; REVOLUTION DER GESTÖRTEN; Dies ist eine Störung; REVOLUTION; Mit Pop ist keine Revolution zu machen Zur Dysfunktionalität der Popularisierung von Widerstandskulturen; More Pop Politics! Dysfunktionale Medienästhetik von politischen Videoinhalten auf YouTube; GESTÖRTE; Dreck, Lärm & Gestammel; Jetzt knallts Zur disruptiven Funktion der Knallcharge - einer popkulturellen Randfigur; DIE ABWEICHUNG; Die Medienästhetik der Störung Künstliche Filmalterungsprozesse im digitalen Zeitalter oder: Auf der Suche nach dem „wahren" Kino
    Description / Table of Contents: Abweichung vom Selbst Entwurf eines Gesellschaftsspiels zur Identitätskonstruktion in sozialen NetzwerkenSTÖRENDE UND GESTÖRTE; Widerstand und Geschlecht The Rebel Girl: I Got This Fucking Thorn In My Side; Quellenverzeichnis der Meme; Autorinnen und Autoren
    Note: Description based upon print version of record
    URL: Volltext
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    GBV
  • 6
    Online Resource
    Online Resource
    Die Do-it-yourself-Karrieren der DJs : Über die Arbeit in elektronischen Musikszenen (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1306997763 , 9783839423233 , 9781306997768
    Language: English
    Pages: Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Print version Die Do-it-yourself-Karrieren der DJs : Über die Arbeit in elektronischen Musikszenen
    RVK:
    LB 42000
    RVK:
    LB 45000
    RVK:
    LC 87000
    RVK:
    LR 57400
    RVK:
    LS 48655
    Keywords: Electronic books ; Discjockey ; Elektronische Musik ; Musikleben ; Jugendkultur ; Berufserfolg ; Karriere ; Arbeitsfeld
    Abstract: Über das Leben am Plattenteller - dieses Buch zeichnet die ökonomisch erfolgreichen Do-it-yourself-Karrieren von Diskjockeys (DJs) in elektronischen Musikszenen nach. Ausgehend von aktuellen Forschungen zu Jugendkulturen und Kulturarbeitsmärkten und mit Rekurs auf Pierre Bourdieus Theorie der kulturellen Felder beschreibt Rosa Reitsamer die zentralen Tätigkeitsbereiche von DJs. Die qualitative Studie rekonstruiert die Konstruktionsprozesse, durch die »gute« und erfolgreiche DJs im Feld erzeugt werden und legt die Inkorporierungsprozesse neoliberaler Arbeitsverhältnisse offen, anhand derer sich
    Description / Table of Contents: Cover Die Do-it-yourself-Karrieren der DJs; Inhalt; Einleitung; I.Zum Stand der Forschung: Ein Überblick; 1.»Jugend-Subkultur«: Ein Forschungsparadigma und seine Kritik; 2.Neuere Konzepte: Clubkulturen, Neo-Tribes, Musikszenen; 3.Ökonomien der Jugendkulturen und Kulturarbeitsmärkte; II.Theoretischer Rahmen für die empirische Untersuchung; 1.Kultur als »soziale Praxis«; 2.Musikszenen: Felder der kulturellen Produktion; 3.Kulturelles Kapital in Musikszenen; 4.Das Wissen der DJs; 5.Die Logik der Felder; III.Methodologie und Erhebungsinstrumente; 1.Grounded Theory: Grundprinzipien
    Description / Table of Contents: 2.Grounded Theory: Untersuchungslogik3.Erhebungsinstrumente der feldspezifischen Analyse; 4.Erhebungsinstrumente der fallspezifischen Analyse; 4.1Beobachtung, Begleitung und Leitfadeninterview; IV.Darstellung der Untersuchungsergebnisse; 1.Genese, Struktur und Organisationsweise lokaler Musikszenen; 1.1Theoretische Bestimmung des Begriffs Musikszene; 1.2Wiener Techno-Szene; 1.3Wiener Szene für experimentelle elektronische Musik; 1.4Wiener Drum'n'Bass-Szene; 2.DJ-Tätigkeit; 2.1Der Plattenladen und die Tonträgersammlung der DJs; 2.2Die Praxis des DJ-ings
    Description / Table of Contents: 2.3Die (Selbst-)Konstruktion »guter« DJs2.4Wie kommen DJs zu ihren Auftritten?; 3.Die Musikproduktion im »Wohnzimmer-Studio«; 3.1Das »Song Getting« elektronischer Musikstücke; 3.2Musikproduktion und Kreativität; 3.3Die Suche nach dem Plattenlabel für die Veröffentlichung von Tonträgern; 3.4Die Bedeutung der Tonträger für die DJ-Karriere; 4.Netzwerke; 4.1Clubhosts und Organisationseliten; 4.2Einladungspolitik der Clubhosts; 4.3Netzwerke von DJ-Frauen: Female Pressure; 5.Selbstvermarktung; 5.1Das verwertbare DJ-Profil; 5.2Selbststeuerung der Karriere durch Selbstvermarktung
    Description / Table of Contents: 5.3Die Arbeits- und Zeiteinteilung der DJsVon der Schwierigkeit, ein/e erfolgreiche/r DJ zu werden; Resümee und Ausblick; Literatur; Anhang
    Note: Description based upon print version of record
    URL: Volltext
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    GBV
  • 7
    Online Resource
    Online Resource
    Schwermetallanalysen : Die musikalische Sprache des Heavy Metal (2014)
    s.l. : transcript Verlag
    Details
    ISBN: 1322003432 , 9783839415764 , 9781322003436
    Language: English
    Pages: Online-Ressource
    Series Statement: texte zur populären musik v.6
    Parallel Title: Print version Schwermetallanalysen : Die musikalische Sprache des Heavy Metal
    DDC: 781.66
    RVK:
    LS 48900
    Keywords: Electronic books ; Heavy Metal
    Abstract: Die Attraktivität von Heavy Metal ist seit 40 Jahren ungebrochen. »Metal« stellt trotz - oder wegen - seines oft zwiespältigen Leumunds ein globales Phänomen dar, in dessen Mittelpunkt die Liebe zur Musik steht. Dietmar Elflein beschäftigt sich intensiv mit Heavy Metal als Musik und untersucht LPs und Bands, die das Genre geprägt haben, auf musikalische Gemeinsamkeiten und Entwicklungslinien - die musikalische Sprache des Heavy Metal. Die Vielfalt der untersuchten musikalischen Ansätze reicht von Black Sabbath über Judas Priest und Iron Maiden bis zu Metallica, Megadeth und Slayer, schließt ab
    Description / Table of Contents: CoverSchwermetallanalysen; INHALT; I. Einleitung; Danksagung; II. Theoretische Überlegungen zur musikalischen Sprache eines Musikstils - komplexe musikalische Äußerungen im Traditionsstrom; Der Traditionsstrom als Reservoir des momentan verfügbaren Wissens; Verschiedene Arten des Zugriffs auf den Traditionsstrom: Erwartungshorizont und Kompositionsmodell; Bakhtins endlose Kette der Äußerungen; Die Bedeutung des Klangs - zum Verhältnis von Musik und Sprache; Das Werk als Äußerung im Dialog; Heavy Metal als Schichtung komplexer Äußerungen; Heavy Metal als Genre und/oder Stil
    Description / Table of Contents: Der Formverbrauchseffekt - „das ist kein Metal mehr"Zusammenfassung; III. Heavy Metal in der Literatur; Die soziologische Beschäftigung mit der Kulturwelt, Szene oder Subkultur Heavy Metal; Eine kurze Genregeschichte; Heavy Metal als Musikstil; Zusammenfassung; IV. Methodik; Zur Konzentration auf Tonträger; Drei sich ergänzende Zugänge zum Traditionsstrom; Zugang 1: Die Stichprobe; Zugang 2: Musikalische Assoziationen; Zugang 3: Zufallsstichprobe; Methodik der musikalischen Analyse; V. Die Auswertung der Stichprobe; Nationale Herkunftsverteilung; Die herausgehobenen Bands
    Description / Table of Contents: Herkunftsverteilung der herausgehobenen BandsDie herausgehobenen Alben I; Zeitliche Verteilung - die herausgehobenen Alben II; Fazit der Auswertung; VI. Musikalische Analysen; 1. Heavy (Metal) - die Erweiterung des Blues Rock und die Vereinfachung des Progressive Rock: Black Sabbath; Black Sabbath in der Auswertung; Bandbiographie; Black Sabbath mit Ozzy Osbourne - Instrumentierung, Komposition, Produktion; Die Klangfarbe - zur Dominanz verzerrter Gitarren; Die formale Struktur der komplexen Äußerungen; Paralleles Ensemblespiel; Das Gitarrenriff als komplexe musikalische Äußerung
    Description / Table of Contents: Die unverzerrte Klangfarbe - Akkordbrechungen und EinleitungenDie Emanzipation vom Backbeat - das Schlagzeugspiel auf Black Sabbath und Paranoid; Der Beginn einer musikalischen Sprache des Heavy Metal; Black Sabbath mit Ronnie James Dio - Unterschiede und Gemeinsamkeiten; 2. Classic Metal I - das Zurückdrängen des Blues Rock- und Progressive Rock-Einflusses: Judas Priest; Judas Priest in der Auswertung; Bandbiographie und Imagewechsel; Judas Priest mit Rob Halford - Instrumentierung, Komposition, Produktion; Die ‚Metallisierung' der Klangfarbe I - die Ausdünnung der Mitten
    Description / Table of Contents: ‚Scream For Me' - zur Wichtigkeit des Schreis im Traditionsstrom des Heavy MetalDie formale Struktur der komplexen Äußerungen; Die Aufwertung des Pulses im Ensemblespiel; ‚Metrische Ketten' - die Reihung von Gruppen von Pulsen zu Gitarrenriffs; Pulsbasiertes Instrumentalspiel; Das Ensemblespiel mit zwei Gitarren - Möglichkeiten und Beschränkungen; Eine erste Ausdifferenzierung einer musikalischen Sprache des Heavy Metal; 3. Harter Rock'n'Roll - vom parallelen Leben des Blues-Einflusses: AC/DC, Guns N'Roses, Motörhead; AC/DC, Guns N'Roses und Motörhead in der Auswertung; Bandbiographien
    Description / Table of Contents: Instrumentierung, Komposition, Produktion
    Note: Description based upon print version of record
    URL: Volltext
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    GBV
  • 8
    Online Resource
    Online Resource
    Youth and Rock in the Soviet Bloc : Youth Cultures, Music, and the State in Russia and Eastern Europe (2014)
    Lanham : Lexington Books
    Details
    ISBN: 9780739166932
    Language: English
    Pages: Online-Ressource (320 p)
    Parallel Title: Erscheint auch als Youth and rock in the Soviet bloc
    DDC: 306.484260947
    RVK:
    NQ 8273
    RVK:
    LS 48060
    Keywords: Youth - Europe, Eastern - History - 20th century ; Youth - Europe, Eastern - History - 20th century ; Electronic books ; Electronic books ; Aufsatzsammlung ; Osteuropa ; Jugend ; Popmusik ; Rockmusik ; Kulturpolitik ; Jugendkultur ; Musiksoziologie ; Geschichte 1945-1989
    Abstract: 〈span〉〈span style=""font-style:italic;""〉Youth and Rock in the Soviet Bloc 〈/span〉〈span〉explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War. 〈/span〉〈/span〉
    Description / Table of Contents: Contents; Introduction; 1 Swinging between East and West; 2 Against "Pop-Song" Poison from the West; 3 Coercion and Consumption; 4 Only Rock 'n' Roll?; 5 The Making of the Gang; 6 Détente and Western Cultural Products in Soviet Ukraine during the 1970s; 7 Punk and the State of Youth in the GDR; 8 "A Room-Sized Ocean"; 9 Shostakovich versus Boney M.; 10 Facing the Music; 11 Rockin' Down the Mainline; 12 East of (Teenaged) Eden, or, Is Eastern Youth Culture So Different from the West?; Select Bibliography; Index; About the Contributors
    Note: Description based upon print version of record
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
  • 9
    Online Resource
    Online Resource
    Dislocated memories : Jews, music, and postwar German culture (2014)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199367504
    Language: English
    Pages: 1 Online-Ressource (XVII, 302 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89/924043
    RVK:
    LS 33120
    Keywords: Geschichte 1900-2000 ; Geschichte 1945-2014 ; Juden ; Musik ; Jews Music History and criticism ; Music History and criticism 20th century ; National socialism and music ; Judentum ; Kollektives Gedächtnis ; Musik ; Deutschland ; Deutschland ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Judentum ; Musik ; Kollektives Gedächtnis ; Geschichte 1945-2014
    Abstract: This title draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music - a highly debated topic - encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even 'German (Jewish) memory,' which is not necessarily physically bound to Germany.
    DOI: 10.1093/acprof:oso/9780199367481.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    BSZ
    GBV
    KOBV
    BVB
    Bayreuth UB
  • 10
    Online Resource
    Online Resource
    Cairo Pop : Youth music in contemporary Egypt (2014)
    Minneapolis, London : University of Minnesota Press
    Details
    ISBN: 9781452942797
    Language: English
    Pages: 1 online resource (xi, 256 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.4
    RVK:
    MI 12930
    RVK:
    LS 35200
    Keywords: Geschichte 2000- ; Popmusik ; Jugendkultur ; Musiksoziologie ; Kairo ; Music ; Social aspects ; Egypt ; Cairo ; History ; 21st century ; Music and youth ; Egypt ; Cairo ; History ; 21st century ; Popular culture ; Egypt ; Cairo ; History ; 21st century ; Popular music ; Egypt ; Cairo ; History and criticism ; Electronic books ; Online-Publikation ; Online-Publikation ; Electronic books ; Kairo ; Jugendkultur ; Popmusik ; Musiksoziologie ; Geschichte 2000-
    Abstract: Cairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud-the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya-and its role in the lives of a nation's youth
    Abstract: Cover -- Contents -- Preface -- Acknowledgments -- Note on Transliteration and Pseudonyms -- Introduction: Good Music, Bad Music, and Youth Music -- 1. "My Patience Is Short": Youth Talk about Grandpa's Music -- 2. " Oh, My Brown Skinned Darling": Sex, Music, and Egyptianness -- 3. "The Hardest Thing to Say": Taxonomies of Aesthetics -- 4. " A Poem Befitting of Her": Ambiguity and Sincerity in Revolutionary Pop Culture -- Epilogue: On the Counterrevolution -- Notes -- Glossary -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
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  • 11
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    Playing with something that runs : technology, improvisation, and composition in DJ and laptop performance (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199380909
    Language: English
    Pages: 1 Online-Ressource (xiii, 262 Seiten)
    Parallel Title: Erscheint auch als Butler, Mark J. Playing with something that runs
    DDC: 306.09
    RVK:
    LR 57790
    Keywords: Underground dance music History and criticism ; Underground dance music Production and direction ; Underground dance music ; History and criticism ; Underground dance music ; Production and direction ; Underground dance music History and criticism ; Underground dance music Production and direction ; Elektronische Musik ; Subkultur ; Discjockey ; Improvisation ; Komposition ; Tanzmusik ; Subkultur ; Discjockey ; Improvisation ; Komposition
    Abstract: The DJs and laptop performers of electronic dance music use preexistent elements such as records and digital samples to create extended improvisations. Analysis of these technologically mediated performances reveals a complex dynamic in which a modular approach to musical structure enables flexible adaptation and transformation of seemingly 'fixed' products in live contexts. This book covers the following topics: ontology; interface design and liveness in performance; the interaction of the preexistent and the novel within improvisation; and musical design as performative technology.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 9, 2014)
    DOI: 10.1093/acprof:oso/9780195393613.001.0001
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  • 12
    Online Resource
    Online Resource
    Popular music in India : studies in Indian popular music (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199369751
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als More than Bollywood
    DDC: 781.630954
    RVK:
    LR 53509
    RVK:
    LS 39000
    Keywords: Popular music History and criticism ; Motion picture music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Indien ; Unterhaltungsmusik
    Abstract: This text tackles the diverse styles and multiple histories of popular musics in India. Fourteen of the world's leading scholars on Indian popular music have contributed chapters on a range of topics from the classic songs of Bollywood to Indian rock music, summarized by a reflective afterword by popular music scholar Timothy Taylor.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 10, 2014)
    DOI: 10.1093/acprof:oso/9780199928835.001.0001
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  • 13
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    Online Resource
    Resonances of the Raj : India in the English musical imagination, 1897-1947 (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199372959
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ghuman, Nalini Resonances of the Raj
    DDC: 780.9410954
    RVK:
    LS 39820
    Keywords: Music History and criticism 20th century ; Music History and criticism 20th century ; Music Indic influences ; Großbritannien ; Kolonialismus ; Musical ; Indienbild
    Abstract: This text examines the ramifications of the intertwined and overlapping histories of Britain and India on English music in the last fifty years of the colonial encounter, and traces the effects of the British Raj on the English musical imagination. Through a series of case studies, author Nalini Ghuman integrates music directly into the cultural history of the British Raj, revealing unexpected minglings of peoples, musics, and ideas that raise questions about 'Englishness', about the nature of Empire, and about the fixedness of identity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on July 8, 2014)
    DOI: 10.1093/acprof:oso/9780199314898.001.0001
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  • 14
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    Online Resource
    Rap in Deutschland : Musik als Interaktionsmedium zwischen Partykultur und urbanen Anerkennungskämpfen (2014)
    Bielefeld : transcript Verlag
    Details
    ISBN: 1306997380 , 9783839422519 , 9781306997386
    Language: English
    Pages: Online-Ressource (307 S.)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Print version Rap in Deutschland
    Dissertation note: Zugl.: Köln, Univ., Diss., 2012
    DDC: 782.4216490943
    RVK:
    AP 14900
    RVK:
    LS 48650
    Keywords: Electronic books ; Deutschland ; Rap
    Abstract: Rap - für die einen der Inbegriff des subversiven Widerstands einer marginalisierten Unterschicht, für die anderen klanglicher Ausdruck von Homophobie, Misogynie und Gewaltverherrlichung. Vergessen wird dabei oft, dass Rap in erster Linie Partymusik ist. Seit der Entstehung des Stils in den 1970er Jahren ist die HipHop-Kultur ein stark umkämpftes Terrain. Ayla Güler Saieds Studie legt den empirischen Fokus auf die Biographien von Rapperinnen und Rappern verschiedener Genres und bettet diese in die theoretische Analyse der Entstehungsgeschichten des HipHop in Deutschland und den USA ein. Auf di
    Description / Table of Contents: Cover Rap in Deutschland; Inhalt; 1 Einleitung; 2 HipHop: Vier Elemente für eine Kultur; 2.1 DJing und Graffiti; 2.2 Dancing to the Beat: B-Boys and B-Girls; 2.3 Rap als letztes Element; 2.4 Das Urbane als das Zentrale; 2.5 Gangster-Rap; 2.6 HipHop-Kritik; 2.7 HipHop und die Rezeption als Widerstandskultur; 2.8 Female MCs - Ladies First; 3 HipHop in der BRD; 3.1 One, two, three - from New York to Germany; 3.2 Multikulturalität und Mehrsprachigkeit im HipHop: Ein aufgezwungenes Konzept; 3.3 HipHop im neuen Jahrtausend; 3.4 Ethnisierende Diskurse im HipHop
    Description / Table of Contents: 3.5 „Fremd im eigenen Land" als nationales Statement3.6 Rap im politischen Diskurs; 3.7 Das urbane Quartier im Rap; 3.8 Köln-Porz Deadline; 4 Einwanderungsland BRD; 4.1 Migrations-Diskurse in der multikulturellen Stadt; 4.2 Imaginierte Ghettos und Parallelgesellschaften; 4.3 Ethnische Kategorisierung im Kontext des Pluralismus; 4.4 Ethnisierung und rassistische Praxen; 4.5 Verweigerung von Zugehörigkeit und Anerkennung; 4.6 Zwischenbilanz; 5 Forschungsdesign der empirischen Untersuchung; 5.1 Die „Entdeckung" der Grounded Theory; 5.2 Die Methoden der Grounded Theory
    Description / Table of Contents: 5.3 Das dreifache Kodierparadigma nach Strauss und Corbin5.3.1 Offenes Kodieren; 5.3.2 Axiales Kodieren; 5.3.3 Selektives Kodieren; 5.4 Biographischer Ansatz; 5.5 Das narrative Interview; 5.6 Feldzugang und Forschungsprotokoll; 5.6.1 Interviewdurchführung; 5.6.2 Transkription; 5.6.3 Auswertung des empirischen Datenmaterials; 6 Kurzbiographien; 6.1 Die erste Generation von Rappern in Deutschland; 6.1.1 Asia; 6.1.2 Signore Rossi; 6.1.3 Hannes Loh; 6.1.4 Killa Hakan; 6.1.5 Scope; 6.2 Female MCs; 6.2.1 Duygu DAI; 6.2.2 MC Sinaya; 6.2.3 MISS PM; 6.2.4 Aziza A.; 6.2.5 Akua Naru; 6.2.6 MC Soom T
    Description / Table of Contents: 6.3 Rapper Generation 20006.3.1 OJ Kingpin; 6.3.2 Ja2NI; 6.3.3 Patrik; 6.3.4 Dihad; 6.3.5 Ashraf; 6.3.6 David; 6.3.7 MC Hasso; 6.3.8 Mighty Maho; 6.3.9 Chaoze One; 6.4 Expertinnen-Interviews; 7 Bildungswege: „Ganz locker eingeschult worden!"; 7.1 Familiärer Kontext und die Konstruktion von sozialen Schichten; 7.2 „Ich sag nicht Rap, weil ich mit Rappen überhaupt nichts am Hut hatte!"; 7.3 „Wir kannten nicht den Türken, den Italiener. Wir waren einfach Wir!"; 7.4 „Ich mags nicht, wenn man Deutsch-Türkin sagt!"; 7.5 „Für ein Mädchen ist die aber echt gut!"
    Description / Table of Contents: 7.6 „Frauen sollen in Deutschland einfach nur als MCs akzeptiert werden!"7.7 „Die wichtigen Sachen, die vielleicht dazu beitragen, dass man das besser versteht, die haben die ausgelassen. So wie es halt im Journalismus ist."; 7.8 „Oh Gott, wo tun wir denn diese Scheibe hin in den Läden?"; 8 Resümee; Ausblick; Diskografie; Literaturverzeichnis
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  • 15
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    Online Resource
    Punk in Russia : cultural mutation from the "useless" to the "moronic" (2014)
    New York : Routledge
    Details
    ISBN: 9781315850573
    Language: English
    Pages: Online-Ressource (xiii, 223 p.) , ill.
    Series Statement: Routledge contemporary Russia and Eastern Europe series 55
    Parallel Title: Erscheint auch als Gololobov, Ivan Valerʹevič, 1975 - Punk in Russia
    DDC: 305.2350947
    RVK:
    LQ 86300
    RVK:
    MS 1225
    RVK:
    MS 2350
    RVK:
    LC 86326
    RVK:
    LB 42326
    Keywords: Youth Russia (Federation) ; Subculture Russia (Federation) ; Punk culture Russia (Federation) ; Electronic books ; Youth ; Subculture ; Punk culture ; Aufsatzsammlung ; Aufsatzsammlung ; Russland ; Punk
    Abstract: 1. Punk, but not as we know it : rethinking punk from a post-socialist perspective / Hilary Pilkington -- 2. The evolution of punk in Russia / Ivan Gololobov and Yngvar B. Steinholt -- 3. St Petersburg : big city : small scenes / Yngvar B. Steinholt, Ivan Gololobov and Hilary Pilkington -- 4. Krasnodar : perpendicular culture in the biggest village on Earth / Ivan Gololobov -- 5. Vorkuta : a live scene in a 'rotting city' / Hilary Pilkington -- 6. Conclusion / Hilary Pilkington, Ivan Gololobov and Yngvar B. Steinholt
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries of the world. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia. It considers the music and lyrics of classic and new punk bands, explores social media underpinning punk scenes, and reports on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Abstract: "Punk culture is currently having a revival worldwide, and is poised to grow even more as youth unemployment and youth alienation increase in many countries. In Russia, its power to have an impact and to shock is well illustrated by the girl punk band Pussy Riot. This book, based on extensive original research, examines the nature of punk culture in contemporary Russia, considering the music and lyrics of classic and new punk bands, exploring social media, and reporting on interviews and extensive observation in three key Russian cities. It relates punk to wider contemporary culture, and uses the Russian example to discuss generally what constitutes punk subculture"--
    Note: Includes bibliographical references and index
    DOI: 10.4324/9781315850573
    URL: Volltext
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  • 16
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    Greeted with smiles : Bukharian Jewish music and musicians in New York (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
    RVK:
    LS 33100
    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
    DOI: 10.1093/acprof:oso/9780199379033.001.0001
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  • 17
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    Radical traditions : reimagining culture in Balinese contemporary music (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199345908
    Language: English
    Pages: 1 online resource , illustrations (black and white), map (black and white), music
    Parallel Title: Erscheint auch als
    DDC: 780.9598
    RVK:
    LS 45300
    Keywords: Music History and criticism ; Music Social aspects
    Abstract: In this work, author Andrew Clay McGraw shows how Balinese contemporary music, music kontemporer, embodies the tensions between culture as represented and lived. Through a highly interdisciplinary approach, this book presents an all-encompassing social and musical history of musik kontemporer.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 6, 2014)
    DOI: 10.1093/acprof:oso/9780199941407.001.0001
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  • 18
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    Voices from the cane fields : folksongs from Japanese immigrant workers in Hawai'i (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199345328
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 782.421629560969
    RVK:
    LS 43900
    Keywords: Sugar workers Songs and music ; Immigrants Songs and music ; Japanese Americans History ; Folk songs, English History and criticism ; Hawaii ; Japanischer Einwanderer ; Arbeiter ; Zuckerrohrplantage ; Volkslied ; Arbeitslied
    Abstract: Holehole bushi, folk songs of Japanese workers in Hawaii's plantations, describe the experiences of this particular group caught in the global movements of capital, empire, and labour during the late 19th and early 20th centuries. In this book author Franklin Odo situates over two hundred of these songs, in translation, in a hitherto largely unexplored historical context.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 6, 2014)
    DOI: 10.1093/acprof:oso/9780199813032.001.0001
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  • 19
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    Danzón : circum-Caribbean dialogues in music and dance (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199369874
    Language: English
    Pages: 1 online resource , illustrations (black and white), music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Danzón
    DDC: 781.64
    RVK:
    AP 85600
    RVK:
    LS 48700
    Keywords: Danzones (Music) History and criticism ; Danzón ; Musik ; Tanz ; Kuba ; Mexiko ; Gesellschaftstanz
    Abstract: Initially branching out of the European contradance tradition the danzón first emerged as a distinct form of music and dance among black performers in 19th-century Cuba. By the early 20th-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. This book studies the emergence hemisphere-wide influence, and historical and contemporary significance of this phenomenon of music and dance.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 11, 2013)
    DOI: 10.1093/acprof:oso/9780199965809.001.0001
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  • 20
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    Jewish contiguities and the soundtrack of Israeli history (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199354962 , 9780199354955
    Language: English
    Pages: 1 Online-Ressource (XV, 280 Seiten) , Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Geschichte ; Juden ; Musik ; Music / Israel / History and criticism ; Music by Jewish composers / History and criticism ; Jews / Music / History and criticism ; Musik ; Religiöse Identität ; Juden ; Komponist ; Israel ; Israel ; Juden ; Komponist ; Musik ; Religiöse Identität ; Geschichte
    Abstract: Shelleg revolutionizes the study of modern Israeli art music by tracking the surprising itineraries of Jewish art music in the move from Europe to Mandatory Palestine and Israel. Leaving behind clich es about East and West, Arab and Jew, this book provocatively exposes the legacies of European antisemitism and religious Judaism in the making of Israeli art music
    DOI: 10.1093/acprof:oso/9780199354948.001.0001
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  • 21
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    A different voice, a different song : reclaiming community through the natural voice and world song (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199354580
    Language: English
    Pages: 1 Online-Ressource (XXII, 351 Seien) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.5
    RVK:
    LS 19000
    Keywords: Gesellschaft ; Natural voice singing ; Singing Social aspects ; Weltmusik ; Chorgesang ; Gemeinschaftsgefühl ; Kulturvergleich ; Chorgesang ; Gemeinschaftsgefühl ; Weltmusik ; Kulturvergleich
    Abstract: Caroline Bithell explores the history and significance of the natural voice movement and its culture of open-access community choirs, weekend workshops, and summer camps. Founded on the premise that 'everyone can sing', the movement is distinguished from other choral movements by its emphasis on oral transmission and its eclectic repertoire of songs from across the globe.
    DOI: 10.1093/acprof:oso/9780199354542.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 22
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    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
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    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
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  • 23
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    Rebel music : race, empire, and the new muslim youth culture (2014)
    New York : Pantheon
    Details
    ISBN: 9780375424908 , 9780307908681 , 9781306465700
    Language: English
    Pages: 1 Online-Ressource (xxx, 398 pages)
    Series Statement: Myilibrary
    Parallel Title: Erscheint auch als Aidi, Hishaam D. Rebel music
    DDC: 305.235/088297
    RVK:
    HD 375
    RVK:
    LR 57720
    RVK:
    LR 56600
    Keywords: Islam ; Jugend ; Subkultur ; Musik
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  • 24
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    The cultural impact of Kanye West (2014)
    New York, NY [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9781137395825 , 9781137395832
    Language: English
    Pages: 292 S.
    Edition: 1. ed.
    Parallel Title: Print version The Cultural Impact of Kanye West
    DDC: 306
    RVK:
    LS 48045
    RVK:
    LS 48650
    Keywords: Communication ; Electronic books ; Electronic books ; Aufsatzsammlung
    Abstract: Through rap and hip hop, entertainers have provided a voice questioning and challenging the sanctioned view of society. Examining the moral and social implications of Kanye West's art in the context of Western civilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them
    Description / Table of Contents: Cover; Title; Copyright; Dedication; Contents; Foreword; Preface: The Cultural Impact of Kanye West ; Acknowledgments; Part I Revisiting the Pharmakon: Artistic Gifts / Human Complexities; Chapter 1 Now I Ain't Saying He's a Crate Digger: Kanye West, "Community Theaters" and the Soul Archive; Chapter 2 Kanye West: Asterisk Genius?; Chapter 3 Afrofuturism: The Digital Turn and the Visual Art of Kanye West; Chapter 4 You Got Kanyed: Seen but Not Heard; Chapter 5 An Examination of Kanye West's Higher Education Trilogy; Part II Unpacking Hetero-normativity and Complicating Race and Gender
    Description / Table of Contents: Chapter 6 "By Any Means Necessary": Kanye West and the Hypermasculine ConstructChapter 7 Kanye West's Sonic [Hip-hop] Cosmopolitanism; Chapter 8 "Hard to Get Straight"; Chapter 9 You Can't Stand the Nigger I See!: Kanye West's Analysis of Anti-Black Death; Part III Theorizing the Aesthetic, the Political, and the Existential; Chapter 10 When Apollo and Dionysus Clash: A Nietzschean Perspective on the Work of Kanye West; Chapter 11 God of the New Slaves or Slave to the Ideas of Religion and God?*; Chapter 12 Trimalchio from Chicago*: Flashing Lights and The Great Kanye in West Egg
    Description / Table of Contents: Chapter 13 Confidently (Non)cognizant of Neoliberalism: Kanye West and the Interruption of Taylor SwiftChapter 14 Kanye Omari West: Visions of Modernity; References; Notes on Contributors; Index
    Note: Description based upon print version of record
    DOI: 10.1057/9781137395825
    URL: Volltext
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  • 25
    Online Resource
    Online Resource
    Music in the Social and Behavioral Sciences : An Encyclopedia (2014)
    Thousand Oaks : SAGE Publications
    Details
    ISBN: 9781452283036
    Language: English
    Pages: Online-Ressource (1350 p)
    Parallel Title: Print version Music in the Social and Behavioral Sciences : An Encyclopedia
    DDC: 306.4/842
    RVK:
    LR 56400
    Keywords: Music -- Psychological aspects -- Encyclopedias ; Music -- Social aspects -- Encyclopedias ; Music ; Psychological aspects ; Encyclopedias ; Music ; Social aspects ; Encyclopedias ; Electronic books ; Musikpsychologie ; Musiksoziologie
    Abstract: This first definitive reference resource to take a broad interdisciplinary approach to the nexus between music and the social and behavioral sciences examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-t
    Description / Table of Contents: Cover; Volume 1; Copyright; Table of Contents; List of Articles; Reader's Guide; About the Editor; List of Contributors; Introduction; Chronology; A Chapter; B Chapter; C Chapter; D Chapter; E Chapter; F Chapter; G Chapter; H Chapter; I Chapter; Volume 2; L Chapter; M Chapter; N Chapter; O Chapter; P Chapter; R Chapter; S Chapter; T Chapter; U Chapter; V Chapter; W Chapter; Y Chapter; Glossary; Resource Guide; Appendix; Index; Photo Credits
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
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  • 26
    Online Resource
    Online Resource
    Black popular music in Britain since 1945 (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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  • 27
    Online Resource
    Online Resource
    The global sixties in sound and vision : media, counterculture, revolt (2014)
    New York : Palgrave Macmillan
    Details
    ISBN: 9781306837965 , 9781137375230 , 9781137375223
    Language: English
    Pages: 1 Online-Ressource (VIII, 296 Seiten)
    DDC: 306.400904
    RVK:
    LS 48070
    RVK:
    AP 19000
    Keywords: Geschichte 1960-1970 ; Counterculture History 20th century ; Art and society History 20th century ; Mass media Social aspects 20th century ; Gegenkultur ; Massenmedien ; Rebellion ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Massenmedien ; Gegenkultur ; Rebellion ; Geschichte 1960-1970
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 28
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    Online Resource
    Sonic modernities in the Malay world : a history of popular music, social distinction and novel lifestyles (1930s-2000s) (2014)
    Leiden : Brill | New York : JSTOR
    Details
    ISBN: 9789004261778 , 900426177X
    Language: English
    Pages: 1 Online-Ressource (xi, 375 Seiten) , Illustrations
    Series Statement: Verhandelingen van het Koninklijk Instituut voor Taal- volume 290
    Series Statement: Southeast Asia mediated ; volume 5
    DDC: 781.6309595/1
    RVK:
    LS 40080
    RVK:
    NQ 5770
    Keywords: Popular music History and criticism ; Popular music History and criticism ; Music Social aspects 20th century ; History ; Music Social aspects 20th century ; History ; MUSIC Instruction & Study ; Theory ; Music Social aspects ; Popular music ; MUSIC / Genres & Styles / General ; Musiksoziologie ; Popmusik ; Criticism, interpretation, etc ; History
    Abstract: "Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia's twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences"--...
    Note: Includes bibliographical references (pages 369-370) and index
    URL: kostenfrei
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  • 29
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    Online Resource
    Ware Inszenierungen : Performance, Vermarktung und Authentizität in der populären Musik (2014)
    Bielefeld : transcript
    Details
    ISBN: 1306997267 , 9783839422984 , 9781306997263
    Language: English
    Pages: Online-Ressource (229 Seiten)
    Series Statement: Beiträge zur Popularmusikforschung 39
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Print version Ware Inszenierungen : Performance, Vermarktung und Authentizität in der populären Musik
    DDC: 780.2
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Electronic books ; Konferenzschrift 2011
    Abstract: Populäre Musik ist 'performte' Musik, sie ist eine Musik des Machens - im Gegensatz zu einer Musik des Erdenkens und Notierens des schriftlich fixierten Werkes. Ihre Medien sind Medien, die Performance ermöglichen, vervielfältigen und transportieren: die Schallplatte, das Video, die MP3-Datei - und zuerst das Konzert, das als Urform in alle Verbreitungsmedien eingeschrieben ist. Die Beiträge dieses Bandes zeigen: Die Art und Weise, wie (mit stimmlichen, instrumentalen oder körperlichen Gesten), wo (im Studio, im Club, auf Festivals) und von wem (welcher Persönlichkeit, welchen Geschlechts, wel
    Description / Table of Contents: Cover Ware Inszenierungen; INHALT; EDITORIAL; EDITORIAL; THE VALUE OF LIVE MUSIC; THE VALUE OF LIVE MUSIC; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SOUND UND BILD: DIE AUDIO/VISUELLE ÖKONOMIE MUSIKALISCHER PERFORMANCE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; SCHEIN ODER NICHT-SCHEIN? ZUR INSZENIERUNG VON AUTHENTIZITÄT AUF DER BÜHNE; INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIK
    Description / Table of Contents: INSZENIERTE AUTHENTIZITÄT VERSUS AUTHENTISCHE INSZENIERUNG: EIN ORDNUNGSVERSUCH ZUM KONZEPT AUTHENTIZITÄT IN MEDIENKULTUR UND POPMUSIKABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ABHÄNGIGE INSZENIERUNGEN DER UNABHÄNGIGKEIT. DER INDEPENDENT-DISKURS IN MUSIKZEITSCHRIFTEN; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK; ›GUTE FRAGE!‹ POPULÄRE INSZENIERUNGEN VON FRAGE-ANTWORT-STRATEGIEN AUF PRESSEKONFERENZEN IM BEREICH DER POPMUSIK
    Description / Table of Contents: DER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHREDER DOKUMENTARISCHE GESTUS. EINE SPURENSUCHE IN POPULÄRER MUSIK UND KULTUR IN DER BRD DER 1970ER JAHRE; FACETTEN DER JOSEPHINE BAKER; FACETTEN DER JOSEPHINE BAKER; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; AN UNDERSTANDING OF PERFORMANCE: THE BEATLES IN HAMBURG; PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEIN
    Description / Table of Contents: PINK RIEFENSTAHL. (UN-)AUTHENTISCHE INSZENIERUNGEN VON HOMOPHILIE UND HOMOPHOBIE IM MUSIKVIDEO »MANN GEGEN MANN« VON RAMMSTEINÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ÜBERSETZEN UND RAHMEN. AUFFÜHRUNGEN IN GLOBALISIERTEN POP(ULÄR)KULTUREN; ZU DEN AUTOREN; ZU DEN AUTOREN
    Note: Description based upon print version of record
    URL: Volltext
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839422984
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  • 30
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    Online Resource
    Rock Star : The Making of Musical Icons from Elvis to Springsteen (2014)
    Baltimore : Johns Hopkins University Press | [Ann Arbor, Michigan] : [ProQuest]
    Details
    ISBN: 9781421413938
    Language: English
    Pages: 1 Online-Ressource (265 pages)
    DDC: 306.48426
    RVK:
    LS 48635
    RVK:
    LS 48015
    Keywords: Rockmusiker ; Ruhm ; USA ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext
    URL: Volltext
    URL: Volltext
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  • 31
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    The Cambridge companion to Duke Ellington (2014)
    Cambridge : Cambridge Univ. Press | New York : Cambridge Companions Online
    Details
    ISBN: 9780521881197 , 9780521707534 , 9781139021357
    Language: English
    Pages: 1 online resource (xx, 294 pages)
    Edition: Cambridge companions online
    Edition: Cambridge companions to music
    Series Statement: Cambridge companions to music
    Parallel Title: Druckausg. The Cambridge companion to Duke Ellington
    DDC: 781.65092
    RVK:
    LP 91870
    RVK:
    LS 48100
    Keywords: Ellington, Duke 1899-1974 Criticism and interpretation ; Ellington, Duke Criticism and interpretation ; Jazz History and criticism ; United States ; Jazz musicians Biography ; Ellington, Duke ; 1899-1974 ; Criticism and interpretation ; Jazz musicians ; United States ; Biography ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Ellington, Duke 1899-1974 ; Ellington, Duke 1899-1974
    Abstract: "Duke Ellington is widely held to be the greatest jazz composer and one of the most significant cultural icons of the twentieth century. This comprehensive and accessible Companion is the first collection of essays to survey, in-depth, Ellington's career, music, and place in popular culture. An international cast of authors includes renowned scholars, critics, composers, and jazz musicians. Organized in three parts, the Companion first sets Ellington's life and work in context, providing new information about his formative years, method of composing, interactions with other musicians, and activities abroad; its second part gives a complete artistic biography of Ellington; and the final section is a series of specific musical studies, including chapters on Ellington and song-writing, the jazz piano, descriptive music, and the blues. Featuring a chronology of the composer's life and major recordings, this book is essential reading for anyone with an interest in Ellington's enduring artistic legacy"..
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015)
    DOI: 10.1017/CCO9781139021357
    URL: Volltext
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext
    URL: Inhaltsverzeichnis
    URL: https://doi.org/10.1017/CCO9781139021357
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  • 32
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    Online Resource
    Research and Research Education in Music Performance and Pedagogy (2014)
    Dordrecht : Springer Netherlands
    Details
    ISBN: 9789400774353
    Language: English
    Pages: Online-Ressource (XVII, 202 p. 11 illus., 7 illus. in color, online resource)
    Series Statement: Landscapes: the Arts, Aesthetics, and Education 11
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. Research and research education in music performance and pedagogy
    RVK:
    LR 56900
    Keywords: Music ; Education ; Education ; Music ; Musikerziehung
    Abstract: This volume is an innovative collection that transcends national boundaries and provides new knowledge about approaches to research and research education in music. The collection brings together leading thinkers and practitioners in music research from Europe, Asia, North America and Australia. The book is designed to serve as a resource for university music departments and conservatoires, and offers insights into the development of research programs in this context.
    Abstract: This volume is an innovative collection that transcends national boundaries and provides new knowledge about approaches to research and research education in music. The collection brings together leading thinkers and practitioners in music research from Europe, Asia, North America and Australia. The book is designed to serve as a resource for university music departments and conservatoires, and offers insights into the development of research programs in this context
    Description / Table of Contents: 1. Practitioners at the centre: Concepts, strategies, processes and products in contemporary music research2. Evolving an artistic research culture in music: An Analysis of an Australian study in an international context -- 3. (Re-) searching artists in artistic research: Creating fertile ground for experimentation at the Orpheus Institute, Ghent -- Encouraging and training conservatoire students at undergraduate and taught-postgraduate level towards fluency in the thought-processes and methods of artistic research -- 5. Research degrees in the Conservatoire context: Reconciling practice and theory -- 6. Research skills in practice: Learning and teaching practice-based research at RNCM -- 7 -- 8. The 'little r' in Artistic Research Training -- 9. Some challenges of practice based/centred enquiry -- 10. Addressing the politics of practice-based research and its potential contribution to higher music education -- 11. Creative arts research assessment and training in Hong Kong -- 12. Complicated conversations: Creating opportunities for transformative practice in higher education music performance research and pedagogy -- 13. No two are the same: A narrative account of supervising two students through a Doctor of Musical Arts program -- 14. Weaving together disparate threads: Future perspectives for research and research education.  .
    Note: Description based upon print version of record
    DOI: 10.1007/978-94-007-7435-3
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    MPI Ethno. Forsch.
  • 33
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    Online Resource
    Aurality : listening and knowledge in nineteenth-century Colombia (2014)
    Durham : Duke University Press
    Details
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    LQ 90304
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822376262?locatt=mode:legacy
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  • 34
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    Online Resource
    Sexing the Groove : Popular Music and Gender (2013)
    Abingdon, Oxon : Taylor and Francis
    Details
    ISBN: 9780415146708
    Language: English
    Pages: 1 Online-Ressource (xxxvi, 353 Seiten)
    Parallel Title: Erscheint auch als Sexing the groove
    DDC: 306.484
    RVK:
    LR 56617
    RVK:
    LR 56600
    RVK:
    LS 48000
    Keywords: Electronic books ; Rockmusik ; Sexualverhalten
    Abstract: Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of case studies, from Mick Jagger to Riot Grrrls, they demonstrate that there is nothing `natural', permanent or immovable about the r
    Description / Table of Contents: Cover; Title; Copyright Page; Contents; List of contributors; Acknowledgements; INTRODUCTION; Part I Rock music culture; 1 SIZING UP RECORD COLLECTIONS; 2 MEN MAKING A SCENE; 3 WOMEN AND THE ELECTRIC GUITAR; 4 (R)EVOLUTION NOW?; Part II Masculinities and popular music; 5 LITTLE RED ROOSTER v. THE HONKY TONK WOMAN; 6 BRUCE SPRINGSTEEN AND MASCULINITY; 7 THE PET SHOP BOYS; Part III A time of growth and change: Femininities and popular music; 8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS?; 9 FEMALE IDENTITY AND THE WOMAN SONGWRITER; 10 SINÉAD O'CONNOR - MUSICAL MOTHER; 11 MANNISH GIRL
    Description / Table of Contents: 12 THE MISSING LINKS13 'REBEL GIRL, YOU ARE THE QUEEN OF MY WORLD'; Part IV Music, image and identity; 14 SEDUCED BY THE SIGN; 15 FEELING AND FUN; 16 ROLLING AND TUMBLING; Part V Annotated bibliography; 17 SOURCES FOR FURTHER READING AND RESEARCH; Index; Discography
    Note: Description based upon print version of record
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  • 35
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    Bob Marley : Herald of a Postcolonial World (2013)
    Hoboken : Wiley
    Details
    ISBN: 9780745630892
    Language: English
    Pages: Online-Ressource (274 p)
    Edition: Online-Ausg.
    Series Statement: Polity celebrities series
    Parallel Title: Print version Bob Marley : Herald of a Postcolonial World
    DDC: 782.421646092
    RVK:
    HD 450
    RVK:
    LS 48040
    Keywords: Electronic books
    Abstract: Is Bob Marley the only third world superstar? How did he achieve this unique status? In this captivating new study of one of the most influential musicians of the twentieth century, Jason Toynbee sheds new light on issues such as Marley's contribution as a musician and public intellectual, how he was granted access to the global media system, and what his music means in cultural and political terms.Tracing Marley's life and work from Jamaica to the world stage, Toynbee suggests that we need to understand Marley first and foremost as a 'social author'. Trained in the co-operative yet al
    Description / Table of Contents: COPYRIGHT; contents; acknowledgements; INTRODUCTION; 1 HOW DO YOU SOLVE A PROBLEM LIKE BOB MARLEY?; 2 NESTA MARLEY AND COLONIAL JAMAICA; 3 BOB MARLEY AT THE REGGAE CONJUNCTURE; 4 STANDING UP AND FINALLY BEING COUNTED; 5 UP ON THE ROCK , CHANTING DOWN BABYLON; 6 AFTER BOB; discography and filmography; bibliography; index
    Note: Description based upon print version of record
    URL: Volltext
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  • 36
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    Online Resource
    Punk rock and German crisis : adaptation and resistance after 1977 (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137337559
    Language: English
    Pages: Online-Ressource (209 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Studies in European culture and history
    Parallel Title: Druckausg. Shahan, Cyrus Punk rock and German crisis
    DDC: 781.660943
    RVK:
    LS 48645
    Keywords: Geschichte 1977-1989 ; Punk rock music Social aspects ; Germany (West) ; Punk culture Germany (West) ; Deutschland 〈Bundesrepublik〉 ; Punk Rock ; Germany (West) Social life and customs ; Electronic books ; Deutschland ; Punk Rock ; Geschichte 1977-1989
    Abstract: Introduction--representing "no future" -- Punk poetics -- Psycho punk and the legacies of state emergency -- Post-punk poaching, subversive consumerism and reading for anti-racism -- After punk
    Note: Includes bibliographical references. - Description based on print version record
    URL: Volltext
    URL: Cover
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  • 37
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    Online Resource
    Ukrainische Musik : Idee und Geschichte einer musikalischen Nationalbewegung in ihrem europäischen Kontext (2013)
    Leipzig : Gudrun Schröder Verlag
    Details
    ISBN: 9783926196668
    Language: German , English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Ukrainische Musik
    DDC: 780.9477
    RVK:
    LS 20800
    RVK:
    KL 4040
    Keywords: Konferenzschrift 2006 ; Ukraine ; Musik ; Geschichte ; Ukraine ; Musikbeziehungen ; Mitteleuropa ; Geschichte ; Ukraine ; Musik ; Geschichte ; Ukraine ; Komponist ; Komposition ; Ukraine ; Musikbeziehungen ; Mitteleuropa
    URN: urn:nbn:de:bsz:15-qucosa2-210332
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: kostenfrei
    URL: Inhaltsverzeichnis
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  • 38
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    Ethnomusicology : A Research and Information Guide (2013)
    Hoboken : Taylor and Francis
    Details
    ISBN: 9780415879774
    Language: English
    Pages: Online-Ressource (468 p)
    Edition: 2nd ed
    Series Statement: Routledge Music Bibliographies
    Series Statement: Routledge Music Bibliographies Ser
    Parallel Title: Print version Ethnomusicology : A Research and Information Guide
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    Parallel Title: Druckausg. Post, Jennifer C. Ethnomusicology
    DDC: 016.78089
    RVK:
    LS 13000
    Keywords: Ethnomusicology Bibliography ; Ethnomusicology ; Electronic books ; Ethnomusicology ; Bibliography ; Electronic books ; Bibliografie ; Musikethnologie
    Abstract: Ethnomusicology: A Research and Information Guide is an annotated bibliography to books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts. Part One is organized by resource type in categories of greatest concern to students and scholars. It includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widel
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Description / Table of Contents: Front Cover; Ethnomusicology; Copyright Page; Contents; Introduction; Part I: Reference and Information Sources; I. Research Guides and Links to Online Information; Topical Research Guides in Music and Dance; General Studies in Music and Dance; Jazz and Popular Music; Music Education and Music Therapy; Topical Research Guides in Other Subject Areas; Anthropology and Ethnography; Media and Cultural Studies; Research Guides: Regional Resources; Africa; Europe; Latin America and the Caribbean; North America; Online Information Guides; II: Encyclopedias, Dictionaries, and Handbooks
    Description / Table of Contents: Topical Encyclopedias and Dictionaries in Music and DanceGeneral Music and Dance Sources; Blues, Country, and Folk Music; Jazz; Musical Instruments; Popular Music; Regional Encyclopedias and Dictionaries in Music; African Music; Asian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Encyclopedias and Dictionaries in Related Disciplines; General; Anthropology and Sociology; Cultural Studies; Folklore; Gender Studies; Geography; Philosophy; Popular Culture; Race and Ethnicity; Religion; Theater
    Description / Table of Contents: Regional Encyclopedias and DictionariesAfrica and the African Diaspora; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia; Handbooks: Topics in Music; Medical Ethnomusicology; Music Education; Music Psychology; Musical Instruments; Handbooks: Other Topics; Cultural Studies; Fieldwork; Filmmaking; III: Bibliographies, Discographies, and Videographies; Topical Bibliographies in Music and Dance; Dance; Gender and Music; Jazz and Blues; Jewish Music; Popular Music; Religion and Music; Sound Engineering; Regional Music Bibliographies; General
    Description / Table of Contents: African MusicAsian Music; European Music; Latin American and Caribbean Music; North American Music; Pacific Island and Australian Music; Topical Discographies; Regional Discographies; European Music; Latin American Music; North American Music; Pacific Island and Australian Music; Filmographies and Videographies; IV: Indexing and Abstracting Tools; Indexes: Arts and Humanities; General; Dance and Music; History; Religion; Indexes: Social Sciences; General; Anthropology and Sociology; Gender Studies; Regional Indexes; Africa; Asia; Europe; Latin America and the Caribbean; North America
    Description / Table of Contents: DissertationsPart II: Sources for Research and Study; V: Journals and Other Serial Publications; Journals in Music; Ethnomusicology; Folk Music; Gender and Music; Jazz and Blues; Music Education; Musicology, Organology, and Music Theory; Popular Music; Regional Music; Journals in Other Disciplines; Anthropology; Cultural Studies; Dance; Folklore; Popular Culture; Theater; Regional; VI: Audio Recordings; Record Companies; Audio Recordings: General; Regional Audio Recordings; Africa; Asia; Europe; Latin America and the Caribbean; North America; Pacific Islands and Australia
    Description / Table of Contents: VII: Film and Video Recordings
    Note: Description based upon print version of record
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  • 39
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    Rock and roll always forgets : a quarter century of music criticism (2013)
    Durham [N.C.] : Duke University Press
    Details
    ISBN: 0822394170 , 9780822394174
    Language: English
    Pages: Online-Ressource (XVI, 335 S.) , Ill.
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Eddy, Chuck Rock and roll always forgets
    DDC: 781.64
    RVK:
    LS 48000
    Keywords: Rock music History and criticism ; 1981-1990 ; Rock music History and criticism ; 1991-2000 ; Rock music History and criticism ; 2001-2010 ; Popular music History and criticism ; 1981-1990 ; Popular music History and criticism ; 1991-2000 ; Popular music History and criticism ; 2001-2010 ; Electronic books
    Abstract: Over and out -- Rhymed funk hits area -- Skin yard, skin yard -- Drug crazed teens: flaming lips -- Music that passes the acid test -- New kids in the '90s: a decade in the life -- Radiohead, the bends -- Walking into spiderwebs : the ultimate band list -- Talking world war iii blues -- Bombast in the blood: bad religion -- Conscience of some conservatives: the ramones -- Punk's first family grow old together : the Ramones -- Howls from the heartland : the untamed Midwest -- An indie rises above: SST records -- Slime is money (bastard) -- Big black give you a headache -- Nirvana, "all apologies" -- Wrong is right : Marilyn Manson -- Live : Tower Theatre, Philadelphia, 18 february 1997 -- City of dreams : rock in Mexico -- Chumbawamba at the piss factory -- Mr. and Mrs. used to be : the White Stripes find a little place to fight 'em off -- Great beats-per-minute -- Seduce, seduce -- Agnostic front, beyond possession, Dr. Know, Helstar, Raw Power -- Top 40 that radio won't touch : Metallica -- Welcome home (sanitarium): Metallica seek psychiatric help -- Mentors, up the dose -- Robert Plant, technobilly -- Def Leppard?s magic and loss -- AC/DC's aged currencies -- White Wizzard escape each other -- Mantronix : strange loops -- Spoonie Gee : unreformed -- Just-Ice : rap with teeth -- Pazz & jop ballot excerpt 1989 : N.W.A -- Pazz & jop ballot excerpt 1992 : Arrested Development -- Sir Mix-a-Lot : Chief Boot Knocka -- From Taco Bell to Pachelbel : Coolio -- Pazz & jop ballot excerpt 1997 : Erykah Badu and B-Rock & the Bizz -- Timbaland, Magoo, and ma
    Note: Includes index. - Description based on print version record. - Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 40
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    Dig : sound and music in hip culture (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199354467
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.1
    RVK:
    LS 48015
    Keywords: Geschichte 1940-1970 ; Gesellschaft ; Counterculture / United States ; Popular music / Social aspects / United States ; Hippie ; Musik ; Soziale Bewegung ; USA ; USA ; USA ; Hippie ; Soziale Bewegung ; Musik ; Geschichte 1940-1970
    Abstract: 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199939916.001.0001
    URL: Volltext
    URL: http://dx.doi.org/10.1093/acprof:oso/9780199939916.001.0001
    URL: Volltext
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  • 41
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    Assimilate : a critical history of industrial music (2013)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190268305
    Language: English
    Pages: 1 Online-Ressource (XIV, 361 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64809
    RVK:
    LS 48015
    RVK:
    LS 48900
    Keywords: Geschichte ; Industrial music History and criticism ; Industrial Rock ; Electronic books ; Electronic books ; Industrial Rock ; Geschichte
    Abstract: Noisy, confrontational, and controversial, industrial music first emerged in the mid-1970s around bands and performance groups who combined avant-garde electronic music with the provocative attitude and style of punk rock. In its early days, bands such as Throbbing Gristle and Cabaret Voltaire produced a genuinely radical form of music bent on recontextualizing the signs and methods of cultural authority in an attempt to liberate listeners from the trappings of modernity. But, as industrial music took on more and more elements of popular music over the course of the 1980s it slowly abandoned its mission. By the mid-1990s, it was seen as simply another style of pop music, and had ironically fallen into the trappings it sought by its very existence to destroy. In "Assimilate", S. Alexander Reed provides the first ever critical history of this fascinating and enigmatic genre tracing industrial music's trajectory from Throbbing Gristle's founding of the record label Industrial Music in 1976, to its peak in popularity on the back of the band Nine Inch Nails in the mid-1990s, and through its decline to the present day. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created. In so doing, he reveals an engaging story of an ideological disintegration and its aftermath. The definitive text on the genre, "Assimilate" is essential reading for fans of industrial music, and scholars and students of popular music alike.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780199832583.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 42
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    Beyond a love supreme : John Coltrane and the legacy of an album (2013)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190268121
    Language: English
    Pages: 1 Online-Ressource (XII, 160 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 788.7165092
    RVK:
    LS 48100
    Keywords: Coltrane, John ; Coltrane, John Criticism and interpretation ; Coltrane, John ; Jazz History and criticism ; Rezeption ; Coltrane, John 1926-1967 A love supreme ; Rezeption
    Abstract: Recorded by his quartet in a single session in 1964, John Coltrane's 'A Love Supreme' is widely considered one of the greatest jazz albums of all time. A significant record of Coltrane's transition from the bebop and hard bop of his earlier recordings to the free jazz style perfected throughout the rest of his career, the album is also an embodiment of the deep spirituality that characterised the final years of his life. This book explores both the musical aspects of 'A Love Supreme', and the album's seminal importance in jazz history.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780199733231.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
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    Bodies of sound : studies across popular music and dance (2013)
    Burlington, Vt : Ashgate
    Details
    ISBN: 9781409445180
    Language: English
    Pages: Online-Ressource (XVIII, 237 S.) , Ill.
    Edition: Online-Ausg.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. Bodies of sound
    DDC: 781.6409
    RVK:
    LS 48015
    Keywords: Popular music History and criticism ; Dance History ; Electronic books ; Popmusik ; Tanz
    Abstract: Constructing the popular. The problem of popularity : the cancan between the French and digital revolutions / Clare Parfitt-Brown ; Bellowhead : re-entering folk through a pop movement aesthetic / Sherril Dodds ; Sound understandings : embodied musical knowledge and "connection" in a ballroom dance community / Joanna Bosse -- Authenticity, revival, and reinvention. Dancing out of time : the forgotten Boston of Edwardian England / Theresa Jill Buckland ; The English folk voice : singing and cultural identity in the English folk revival, 1955-65 / Simon Featherstone ; Halling as a tool for nationalistic strategies / Anne Margrete Fiskvik -- (Re)framing value. Rocking the rhythm : dancing identities in drum 'n' bass club culture / Joanna Hall ; Authenticity, uplift, and cultural value in Bahian samba junino / Danielle Robinson and Jeff Packman ; Hierarchical reversals : the interplay of dance and music in West Side story / Rachel Duerden & Bonnie Rowell ; Talking machines, dancing bodies : marketing recorded dance music before World War 1 / Susan C. Cook -- Politics of the popular. Superficial profundity : performative translation of the dancing body in contemporary Taiwanese popular culture / Chih-Chieh Liu ; Keeping the faith : issues of identity, spectacle, and embodiment in Northern soul / Laura Robinson ; Jazz, dance, and black British identities / Catherine Tackley
    Note: Includes bibliographical references and index. - Electronic reproduction; Palo Alto, Calif; ebrary; 2013; Available via World Wide Web; Access may be limited to ebrary affiliated libraries
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  • 44
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    Composing dissent : avant-garde music in 1960s Amsterdam (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199346202
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 306.484209492352
    RVK:
    LQ 83807
    Keywords: Avant-garde (Music) ; Social change ; Netherlands History 1945- ; Niederlande ; Amsterdam ; Musik ; Avantgarde
    Abstract: The 1960s saw the emergence in the Netherlands of a generation of avant-garde musicians with a pronounced commitment to social and political engagement. This book presents the Dutch experience as an exemplary case study in the complex and conflictual encounter of the musical avant-garde with the decade's currents of social change.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 26, 2013)
    DOI: 10.1093/acprof:oso/9780199981014.001.0001
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  • 45
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    DJ culture in the mix : power, technology, and social change in electronic dance music (2013)
    London : Bloomsbury Publishing
    Details
    ISBN: 9781623564377
    Language: English
    Pages: 1 Online-Ressource (342 Seiten)
    Parallel Title: Erscheint auch als DJ culture in the mix
    DDC: 781.648
    RVK:
    LS 48655
    Keywords: Electronic books ; Aufsatzsammlung ; Discjockey ; Elektronische Musik ; Tanzmusik ; Musiksoziologie
    Abstract: The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dan
    Description / Table of Contents: FC; Half Title; Title Page; Copyright; Dedication; Contents; Acknowledgements; 1. Introduction; 2. Subjectivity in the Groove: Phonography, Digitality and Fidelity; 3.DJ Technologies, Social Networks and Gendered Trajectories in European DJ Cultures; 4.Journey to the Light? Immersion, Spectacle and Mediation; 5. The DJ as ElectronicDeterritorializer; 6.'It's Not the Mix, It's the Selection': Music Programming in Contemporary DJ Culture; 7.Electronic Dance Music and Technological Change: Lessons from Actor-Network Theory; 8. DJ Culture and the Commercial Club Scene in Sydney
    Description / Table of Contents: 9.DJs and the Aesthetic of Acceleration in Drum 'n' Bass10. The Forging of a White Gay Aesthetic at the Saint, 1980-4; 11. DJs as Cultural Mediators: The Mixing Work of São Paulo's Peripheral DJs; 12. War on the Dancefloor: Synthscenen's Military Power Games; 13.DJ-driven Literature: A Linguistic Remix; Contributors; Index
    Note: Description based upon print version of record
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  • 46
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    Cumbia! : scenes of a migrant Latin American music genre (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391929 , 9780822391920
    Language: English
    Pages: 1 Online-Ressource (302 pages) , map
    Parallel Title: Erscheint auch als
    DDC: 781.64098
    RVK:
    LS 26690
    Keywords: Cumbia (Music) / History and criticism / America ; Working class / Songs and music / History and criticism / America ; Musiksoziologie ; Cumbia ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Cumbia ; Musiksoziologie
    Abstract: Cumbia music in Colombia: origins, transformations, and evolution of a coastal music genre / Leonardo D'Amico -- ¿Pa' dónde vas Marioneta? ¿Pa' donde va la gaita? : la Cumbiamba Eneyé returns to San Jacinto / Jorge Arévalo Mateus with Martín Vejarano -- Cumbia in Mexico's northeastern region / José Juan Olvera Gudiño -- Rigo Tovar, cumbia, and the transnational grupero boom / Alejandro L. Madrid -- Communicating the collective imagination : the socio-spatial world of the Mexican sonidero in Puebla, New York and New Jersey / Cathy Ragland -- From the world of the poor to the beaches of Eisha : cumbia, and the search for a popular subject in Peru / Joshua Tucker -- Pandillar in the jungle : regionalism and tecno-cumbia in Amazonian Peru / Kathryn Metz -- Gender tensions in Cumbia villera's lyrics / Pablo Semán and Pablo Vila -- Feliz, feliz / Cristian Alarcón -- El "tú" tropical, el "vos" villero, and places in between : language ideology, music, and the spatialization of difference in Uruguay / Matthew J. Van Hoose -- On music and Colombianess : towards a critique of the history of cumbia / Héctor Fernández L'Hoeste
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822391920
    URL: Volltext  (lizenzpflichtig)
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  • 47
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    Music and empire in Britain and India : identity, internationalism, and cross-cultural communication (2013)
    New York, NY : Palgrave Macmillan
    Details
    ISBN: 9781137311641 , 9781137311658
    Language: English
    Pages: 1 Online-Ressource(xii, 219 Seiten) , Illustrationen, Notenbeispiele
    Edition: Online-Ausgabe
    Series Statement: Palgrave studies in cultural and intellectual history
    Parallel Title: Erscheint auch als Linden, Bob van der Music and empire in Britain and India
    DDC: 780.9171/241
    RVK:
    LQ 84006
    RVK:
    LS 39400
    RVK:
    LQ 94006
    Keywords: Music Social aspects 20th century ; History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music History and criticism 19th century ; Music History and criticism 20th century ; Music Indic influences ; Music Western influences ; Music Social aspects 19th century ; History ; Music Social aspects 19th century ; History ; Music Social aspects 20th century ; History ; Great Britain-History ; Electronic books ; Electronic books ; Indien ; England ; Geschichte 1649-1660 ; Musik ; Kulturkontakt ; Geschichte
    Abstract: Partly because of academic disciplinary boundaries, music remains a neglected subject in British Imperial history and, indeed, intellectual history at large. Nonetheless, the imperial encounter was, as this richly detailed new study demonstrates, a sound exercise, and music was a key dimension of identity formation as well as transnational networks and transcultural communication between colonizer and colonized. Specifically, it explores the ways in which rational, moral, and aesthetic motives underlying the institutionalization and modernization of 'classical' music converged and diverged in
    Note: Includes bibliographical references and index
    DOI: 10.1057/9781137311641
    URL: Volltext
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  • 48
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    Men, masculinity and the Beatles (2013)
    Burlington, VT : Ashgate
    Details
    ISBN: 9781409422440 , 9781283804998
    Language: English
    Pages: Online-Ressource (1 online resource.)
    Edition: Online-Ausg.
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. King, Martin, 1958 - Men, masculinity and the Beatles
    RVK:
    LS 48040
    Keywords: Beatles ; Popular music Social aspects ; Masculinity in music ; Masculinity in motion pictures ; Popular music History and criticism ; 1961-1970 ; Beatles ; Film ; Geschlechterrolle ; Männlichkeitskult ; Mann ; Männlichkeit ; Popmusik ; The Beatles ; Popmusik ; Film ; Männlichkeitskult ; Geschlechterrolle
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 49
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    Shaping jazz : cities, labels, and the global emergence of an art form (2013)
    Princeton, NJ : Princeton University Press
    Details
    ISBN: 1299640230 , 9780691150888 , 9781400846481
    Language: English
    Pages: Online-Ressource (xi, 217 pages) , illustrations, charts
    DDC: 781.6509
    RVK:
    LS 48200
    RVK:
    LS 48100
    Keywords: Sozialgeschichte ; Jazz
    Note: Includes bibliographical references (pages 187-202) and index
    DOI: 10.1515/9781400846481
    URL: http://dx.doi.org/10.1515/9781400846481
    URL: Cover
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  • 50
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    Musical performance and the changing city : post-industrial contexts in Europe and the United States (2013)
    New York : Routledge
    Details
    ISBN: 9780203078921
    Language: English
    Pages: 1 Online-Ressource (xiii, 309 Seiten)
    Series Statement: Routledge research in music 4
    Series Statement: Routledge research in music
    Parallel Title: Erscheint auch als Musical performance and the changing city
    DDC: 306.4/8424
    RVK:
    LR 56608
    Keywords: Popular music Social aspects ; Popular music History and criticism ; Popular music Social aspects ; Electronic books ; Popmusik ; Musiksoziologie ; USA ; Europa ; Popmusik ; Nachindustrielle Gesellschaft ; Urbanität
    Note: Includes bibliographical references at the end of each chapters and index
    DOI: 10.4324/9780203078921
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  • 51
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    The culture of connectivity : a critical history of social media (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199307425
    Language: English
    Pages: 1 Online-Ressource (IX, 228 Seiten)
    Parallel Title: Erscheint auch als Dijck, José van, 1960 - The culture of connectivity
    DDC: 302.30285
    RVK:
    LR 57848
    RVK:
    MS 7965
    RVK:
    ST 252
    RVK:
    SR 850
    RVK:
    AP 15934
    Keywords: Social media History ; Online social networks History ; Soziale Software ; Geschichte ; Soziales Netzwerk ; Soziale Software ; Geschichte ; Neue Medien ; Kommunikation ; Medienkompetenz
    Abstract: This book studies the rise of social media in the first decade of the twenty-first century, up until 2012. It provides both a historical and a critical analysis of the emergence of networking services in the context of a changing ecosystem of connective media. Such history is needed to understand how the intricate constellation of platforms profoundly affects our experience of online sociality.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on Dec. 20, 2012)
    DOI: 10.1093/acprof:oso/9780199970773.001.0001
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  • 52
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    Soundscapes of the urban past : staged sound as mediated cultural heritage (2013)
    Bielefeld : transcript Verlag | The Hague : OAPEN Foundation
    Details
    ISBN: 9783839421796
    Language: English
    Pages: 1 Online-Ressource (229 Seiten) , Illustrationen
    Series Statement: Sound studies series volume 5
    DDC: 307.760940904
    RVK:
    LR 57720
    RVK:
    LB 73000
    RVK:
    LC 87000
    RVK:
    RB 10909
    Keywords: Geschichte 1920-2010 ; Urbanität ; Darstellung ; Geräusch ; Museum ; Audiovisuelle Medien ; Berlin ; London ; Amsterdam ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Note: Literaturangaben
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    The Garland encyclopedia of world music (2013)
    New York, NY : Routledge
    Details
    ISBN: 9780824060350
    Language: English
    Pages: 1 Online-Ressource (7929 pages)
    Series Statement: Garland reference library of the humanities 2.1169, 5.1191, 8.1193
    Series Statement: Music Online Reference
    Series Statement: The Garland encyclopedia of world music
    Parallel Title: Erscheint auch als The Garland encyclopedia of world music
    DDC: 780/.9
    RVK:
    LP 11500
    RVK:
    LP 12000
    RVK:
    LS 14000
    Keywords: World music Encyclopedias ; World music Encyclopedias ; World music Encyclopedias ; Folk music South America ; History and criticism ; Folk music Central America ; History and criticism ; Folk music Caribbean ; History and criticism ; Folk music Encyclopedias ; Music Encyclopedias ; Popular music Encyclopedias ; Wörterbuch ; Wörterbuch ; Musik ; Musikethnologie ; Weltmusik
    Note: Includes bibliographical references, discographies, filmographies, and indexes , Vols. 6-7, 10 published: New York : Routledge, 2002 , v. 1. Africa , v. 2. South America, Mexico, Central America, and the Caribbean , v. 3. The United States and Canada , v. 4. Southeast Asia , v. 5. South Asia : the Indian subcontinent , v. 6. The Middle East , v. 7. East Asia : China, Japan, and Korea , v. 8. Europe , v. 9. Australia and the Pacific Islands , v. 10. The world's music : general perspectives and reference tools
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  • 54
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    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
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  • 55
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    Keith Jarrett's "The Köln Concert" (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780190268244
    Language: English
    Pages: 1 Online-Ressource (X, 171 Seiten) , Notenbeispiele
    Series Statement: Oxford studies in recorded jazz
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 786.2165092
    RVK:
    LR 11757
    RVK:
    LS 48040
    RVK:
    LS 48100
    Keywords: Jarrett, Keith ; Deutschland ; Jarrett, Keith / Performances / Germany / Cologne ; Jazz / History and criticism ; Jarrett, Keith 1945- The Köln Concert
    Abstract: Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His K{uml}oln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the remarkable reception it has received from musicians and lay-listeners alike. Since the album's 1975 release, it has sold over three million copies: an unprecedented feat for a 2 disc set of solo piano performances featuring no well-known songs. This book seeks to uncover what it is about this recording and performance that elicits such success.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780199779253.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/acprof:osobl/9780199779253.001.0001
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  • 56
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    Kinesthetic city : dance and movement in Chinese urban spaces (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199980390
    Language: English
    Pages: 1 Online-Ressource (XXXV, 175 S.)
    Parallel Title: Erscheint auch als
    DDC: 792.80951
    RVK:
    LS 41750
    Keywords: Alltag, Brauchtum ; Gesellschaft ; Verstädterung ; Dance ; Movement, Aesthetics of ; Dance Social aspects ; Public spaces ; Urbanization ; Chinesen ; Tanz ; Kulturelle Identität ; Stadt ; China Social life and customs ; China ; USA ; China ; USA ; Chinesen ; Stadt ; Kulturelle Identität ; Tanz
    Abstract: 'Kinesthetic City' uses choreography as subject and method to explore how movement through particular spaces at precise moments can illuminate the communities in those places and times. It examines the simultaneous persistence and mobility of the idea of Chineseness as it travels across a transnational network of Chinese cities
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199921515.001.0001
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  • 57
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    Music and Game : Perspectives on a Popular Alliance (2013)
    Wiesbaden : Springer VS
    Details
    ISBN: 9783531189130 , 1283625156 , 9781283625159
    Language: English
    Pages: Online-Ressource (IX, 223 p. 2 illus, digital)
    Series Statement: Musik und Medien
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Music and game
    RVK:
    ST 324
    RVK:
    LR 11370
    RVK:
    AP 15963
    Keywords: Social sciences ; Social Sciences ; Social sciences ; Aufsatzsammlung ; Computerspiel ; Musik
    Abstract: This anthology examines the various facets of video game music. Contributors from the fields of science and practice document its historical development, discuss the musics composition techniques, interactivity and function as well as attending to its performative aspects.
    Abstract: Though battling virtual worlds in high fidelity started to spread from youth into mainstream culture decades ago the study of music in games is still a research desideratum of media studies and musicology. Particularly in German-speaking countries this issue has only been paid very little attention. This limited recognition is contradictory to a global game market worth 30 billion dollars, and as important for the production and distribution of music as other media sectors. Numbers of computer users have multiplied in recent years. Especially in the formative teenage years, games are just as i
    Description / Table of Contents: Contents; Foreword; History of Video Game Music; 1 Introduction; 2 …and a "bip" disrupted the silence; 3 The second crash and the golden age of 8-bit; 3.1 Personal computers; 3.2 Consoles; 3.3 Handhelds; 4 16-bit; 4.1 Personal computers; 4.2 Consoles; 5 Bit wars in the 1990s; 5.1 Personal computers; 5.2 Consoles; 6 Handhelds and mobile phones; 7 The first decade of the new millennium; 7.1 Consoles and PCs; 7.2 Handhelds and other platforms (smartphones); 8 Game music outside games (live concerts, radio stations, movies, TV series, education); 9 Bibliography
    Description / Table of Contents: Interactivity and Music in Computer Games1 Selection of paradigmatic music games; 2 Forms of music in computer games; 3 Non-gameplay related music and sound manipulators; 4 Interactivity in computer games; 5 Structure of music games; 6 Computer performance; 7 Player performance; 8 The role of the interface; 9 Bibliography; Droppin' Science: Video Game Audio Breakdown; 1 Introduction; 2 Branching and Layering; 3 Stingers and Overlays; 4 Transition Speed Quantization; 5 Transition Types; 6 Generative Scores; 7 Creative Composition and Editing; 8 Space Invaders: Interactive Beginnings
    Description / Table of Contents: 9 Koji Kondo and Super Mario Bros.10 Koji Kondo after Super Mario Bros.; 11 Def Jam: Icon; 12 Rez; 13 Vib-Ribbon; 14 EA's NBA Jam; 15 Bibliography; The Legacy of iMuse: Interactive Video Game Music in the 1990s; 1 Introduction; 2 MIDI syncopations: iMuse in Monkey Island 2: LeChuck's Revenge (1991); 3 Beyond MIDI - The Dig (1995); 4 Semiotic and semantic signals in interactive video game music; 5 Semantic clichés derived from film music; 6 Outlook: the problem of interactivity; 7 Bibliography; Scoring Play - Soundtracks and Video Game Genres; 1 Rhythm is it; 2 Adaptive Mickey Mousing
    Description / Table of Contents: 3 Dynamic Symphonies4 Performance and Parody; 5 Coda; 6 Bibliography; Resourceful Frames and Sensory Functions - Musical Transformations from Game to Film in Silent Hill; 1 Introduction; 2 Silent Hill; 3 Musical Style and Instrumentation; 4 The Function of Music within the Media Context; 5 Conclusion; 6 Bibliography; Mundane Sounds in Miraculous Realms: An Auditory Analysis of Fantastical Games; 1 Am I fantastic, or what?; 2 Prerequisites and central questions; 2.1 Music; 2.2 Sound effects; 2.3 Voice and dialogue; 2.4 Overall soundscape; 3 Listening to games: participant feedback
    Description / Table of Contents: 3.1 Dragon Age: Origins, played on a laptop PC for approx. 70 minutes3.2 Spore, played on a laptop PC for approx. 80 minutes11; 3.3 Dead Space, played on an Xbox 360 for approx. 75 minutes; 4 Of contemporary futures and scary sounds: a conclusion in progress; 5 Bibliography; 6 Acknowledgements; Atmospheres at Play: Aesthetical Considerations of Game Music; 1 Introduction: Homo Ludens; 2 Games and atmosphere; 3 Musical atmosphere in games; 4 Some examples; 5 Bibliography; Playing with Music - Featuring Sound in Games; 1 Rededications; 2 Acting, Performing and Composing
    Description / Table of Contents: Geeks on Stage? Investigations in the World of (Live) Chipmusic
    Note: Description based upon print version of record
    DOI: 10.1007/978-3-531-18913-0
    URL: Volltext
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  • 58
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    Making samba : a new history of race and music in Brazil (2013)
    Durham : Duke University Press
    Details
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    LS 48800
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
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    URL: http://dx.doi.org/10.1215/9780822391906
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    URL: http://dx.doi.org/10.1215/9780822391906?locatt=mode:legacy
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    Listening in detail : performances of Cuban music (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 Online-Ressource (xviii, 333 pages) , illustrations
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als
    DDC: 780.97291
    RVK:
    LS 48700
    Keywords: Music / History and criticism / Cuba ; Music / Performance / Cuba ; Unterhaltungsmusik ; Aufführung ; Kuba ; Aufsatzsammlung ; Electronic books ; Electronic books ; Kuba ; Unterhaltungsmusik ; Aufführung
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822378877?locatt=mode:legacy
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  • 60
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    The instrumental music of Wutaishan's Buddhist monasteries : social and ritual contexts (2012)
    Surrey, England ;Burlington, VT : Ashgate
    Details
    ISBN: 9781283429337
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 174 p.)) , ill., music
    Edition: Online-Ausg.
    Series Statement: SOAS musicology series
    Parallel Title: Druckausg. Szczepanski, Beth The instrumental music of Wutaishan's Buddhist monasteries
    DDC: 781.7430951152
    RVK:
    LS 41950
    Keywords: Buddhist music History and criticism ; China ; Wutai Mountains ; Shengguan History and criticism ; China ; Wutai Mountains ; Electronic books ; Buddhismus ; Kloster ; Instrumentalmusik ; Wutai Shan ; Hochschulschrift ; Wutai Shan ; Buddhismus ; Kloster ; Instrumentalmusik
    Note: Based on the author's thesis (doctoral--Ohio State University, 2008) presented under title: Sheng Guan in the past and present. - Includes bibliographical references (p. [157]-163) and index. - Description based on print version record
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    Historical dictionary of jazz (2012)
    Lanham, Md. [u.a.] : Scarecrow Press
    Details
    ISBN: 9780810867574
    Language: English
    Pages: XXXV, 433 S.
    Edition: Online-Ausg. Online-Ressource
    Series Statement: Historical dictionaries of literature and the arts
    Parallel Title: Druckausg. Davis, John S., 1960 - Historical dictionary of jazz
    DDC: 781.6503
    RVK:
    LS 48200
    Keywords: Wörterbuch ; Jazz ; Jazzmusiker
    Note: Includes bibliographical references
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  • 62
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    Brian Wilson (2012)
    Sheffield [u.a.] : Equinox Pub
    Details
    ISBN: 190804991X , 1845536630 , 9781908049919 , 9781845536633
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Icons of pop music
    RVK:
    LS 48040
    Keywords: Wilson, Brian Criticism and interpretation ; Wilson, Brian 1942-
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    Song means : analysing and interpreting recorded popular song (2012)
    Farnham, Surrey, England : Ashgate
    Details
    ISBN: 9781283479875 , 9781409428657 , 9781315609898
    Language: English
    Pages: 1 Online-Ressource (XVI, 395 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Moore, Allan F. Song means
    DDC: 782.42164117
    RVK:
    LS 48000
    RVK:
    LS 48015
    Keywords: Popular music Analysis, appreciation ; Popular music History and criticism ; Songs Analysis, appreciation ; Popular music Philosophy and aesthetics ; Sound recordings in musicology ; Electronic books Criticism, interpretation, etc ; Popmusik ; Musikalische Analyse
    Abstract: Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song
    Note: Includes bibliographical references (pages 337-350), discography (p. 351-383) , and indexes. - Print version record
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    The jazz standards : a guide to the repertoire (2012)
    Oxford : Oxford University Press
    Details
    ISBN: 1283848422 , 9781283848428 , 9780199772995
    Language: English
    Pages: 1 Online-Ressource (XV, 527 Seiten)
    Parallel Title: Erscheint auch als Gioia, Ted, 1957 - The jazz standards
    DDC: 016.78165
    RVK:
    LS 48200
    Keywords: Jazz Discography ; Jazz Analysis, appreciation ; Jazz Bibliography ; Jazz ; Bibliography ; Jazz ; Discography ; Jazz ; Analysis, appreciation ; Wörterbuch ; Jazz ; Komposition
    Abstract: Written by award-winning jazz historian Ted Gioia, this comprehensive guide offers an illuminating look at more than 250 seminal jazz compositions. In this comprehensive and unique survey, here are the songs that sit at the heart of the jazz repertoire, ranging from ""Ain't Misbehavin'"" and ""Autumn in New York"" to ""God Bless the Child,"" ""How High the Moon,"" and ""I Can't Give You Anything But Love."" Gioia includes Broadway show tunes written by such greats as George Gershwin and Irving Berlin, and classics by such famed jazz musicians as Miles Davis, Thelonious Monk, Duke Ellington, an
    Note: Includes bibliographical references, discographical references, and index. - IMD-Felder maschinell generiert
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    Black Box Pop : Analysen populärer Musik (2012)
    Bielefeld : Transcript-Verl.
    Details
    Language: German , English
    Pages: Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 38
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Druckausg. Black Box Pop
    DDC: 781.64
    RVK:
    LR 55520
    RVK:
    LS 48010
    Keywords: Konferenzschrift 2010 ; Popmusik ; Rockmusik ; Jazz ; Musikalische Analyse
    Note: Literaturangaben , Beitr. teilw. dt., teilw. engl.
    URN: urn:nbn:de:hebis:26-opus-100893
    URL: Volltext  (kostenfrei)
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    Sound and sentiment : birds, weeping, poetics, and song in Kaluli expression (2012)
    Durham, N.C. : Duke University Press
    Details
    ISBN: 9780822395898 , 0822395894
    Language: English
    Pages: 1 online resource (xli, 300 p. , ill., map, music)
    Edition: 3rd ed.; thirtieth anniversary ed. with a new introduction.
    Parallel Title: Erscheint auch als
    DDC: 305.89/912
    RVK:
    LC 86690
    RVK:
    LS 49500
    RVK:
    RX 70844
    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Electronic books ; Forschungsbericht
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822395898
    URL: lizenzpflichtig
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    Africa speaks, America answers : modern jazz in revolutionary times (2012)
    Cambridge, Mass. [u.a.] : Harvard Univ. Press
    Details
    ISBN: 9780674046245
    Language: English
    Pages: XII, 244 S. , Ill.
    Series Statement: The Nathan I. Huggins lectures
    Parallel Title: Druckausg. Kelley, Robin D. G. Africa speaks, America answers
    DDC: 781.65/7296
    RVK:
    HD 475
    RVK:
    LS 48200
    Keywords: Warren, Guy ; Weston, Randy ; Abdul-Malik, Ahmed ; Benjamin, Sathima Bea ; Fela ; Weston, Randy ; Fela ; Abdul-Malik, Ahmed ; Benjamin, Sathima Bea ; Geschichte 1950-1970 ; Jazz African influences ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; Jazz musicians Biography ; Jazz ; Afrika ; USA ; Biografie ; Afrika ; Jazz ; USA ; Geschichte 1950-1970 ; Weston, Randy 1926-2018 ; Benjamin, Sathima Bea 1936-2013 ; Abdul-Malik, Ahmed 1927-1993 ; Fela 1938-1997
    Note: Includes bibliographical references and index
    URL: Inhaltsverzeichnis
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: http://dx.doi.org/10.4159/harvard.9780674065246
    URL: http://www.degruyter.com/doi/book/10.4159/harvard.9780674065246
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  • 68
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    The Oxford handbook of the new cultural history of music (2012)
    New York, New York : Oxford University Press
    Details
    ISBN: 9780199940547
    Language: English
    Pages: 1 Online-Ressource (xviii, 586 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of the new cultural history of music
    Parallel Title: Erscheint auch als The Oxford handbook of the new cultural history of music
    DDC: 306.4842
    RVK:
    NK 4930
    RVK:
    LR 56800
    RVK:
    LR 56600
    Keywords: Musicology ; Music Philosophy and aesthetics ; Musicology ; Music ; Philosophy and aesthetics ; Geschichte ; Musik ; Kulturgeschichtsschreibung ; Enzyklopädie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Kulturgeschichtsschreibung ; Geschichte
    Abstract: This volume demonstrates a new approach to cultural history, as it now being practiced by both historians and musicologists, in their quest to grasp the realms of human experience understanding, communication and meaning through the study of music and of musical practices.
    DOI: 10.1093/oxfordhb/9780195341867.001.0001
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
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  • 69
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    Hearts of pine : songs in the lives of three Korean survivors of the Japanese "comfort women" (2012)
    New York : Oxford University Press
    Details
    ISBN: 0199932301 , 9780199932306
    Language: English
    Pages: 1 Online-Ressource (XV, 191 S.)
    Parallel Title: Erscheint auch als
    DDC: 782.42082/09519
    RVK:
    LS 42000
    Keywords: Geschichte ; Gesellschaft ; Musik ; Songs, Korean History and criticism ; Women singers ; Music Social aspects ; Comfort women History ; Comfort women History ; Identität ; Lied ; Zwangsprostituierte ; Koreanerin ; Koreanerin ; Zwangsprostituierte ; Lied ; Identität
    Abstract: In the wake of the wartime experience of sexual slavery for the Japanese military during the Asia-Pacific War (1930-45), Korean survivors lived under great pressure not to speak about what had happened to them. These sexual slaves were known as 'comfort women,' and this book brings us into the lives of three of them
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199759569.001.0001
    URL: Volltext
    URL: Volltext
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  • 70
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    Music, language, and human evolution (2012)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199227341 , 9780191804274 (Sekundärausgabe)
    Language: English
    Pages: xii, 345 p. , Ill.
    Edition: Online-Ausg. Online-Ressource ISBN 9780191804274
    Edition: [Online-Ausg.]
    DDC: 306.4842
    RVK:
    ES 360
    RVK:
    LR 57710
    Abstract: Examining the potential role of musicality in human evolution and its consequences for human culture, this book draws on archaeology, anthropology, psychology and musicology in order to illustrate the interdisciplinary necessity of accounting for the phenomenon of human music-making.
    Note: Includes bibliographical references and index , Online-Ausg.:
    DOI: 10.1093/acprof:osobl/9780199227341.001.0001
    URL: http://dx.doi.org/10.1093/acprof:osobl/9780199227341.001.0001
    URL: Volltext
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  • 71
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    French moves : the cultural politics of le hip hop (2012)
    New York : Oxford University Press
    Details
    ISBN: 9780199347353
    Language: English
    Pages: 1 online resource (xxxviii, 202 p.) , ill.
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als McCarren, Felicia French moves
    DDC: 793.3
    RVK:
    LS 48650
    Keywords: Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; France Social life and customs ; Frankreich ; Tanz ; Hip-Hop ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780199939954.001.0001
    URL: lizenzpflichtig
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  • 72
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    Popular music : topics, trends & trajectories (2012)
    Los Angeles : Sage
    Details
    ISBN: 1847874355 , 1847874363 , 9781847874351 , 9781847874368
    Language: English
    Pages: Online-Ressource (vi, 287 p)
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Popular Music : Topics, Trends & Trajectories
    DDC: 306.48423
    RVK:
    MS 2350
    RVK:
    LS 48050
    Keywords: Popular music ; Popular music History and criticism
    Abstract: An introductory textbook which uses short bite-sized snap shots to introduce the key debates & approaches, technologies and genres in popular music. Written by an internationally recognised authority it explores the 'ipodification' of popular music whilst providing clear social context for the field as a whole
    Description / Table of Contents: COVER; Contents; About the Author; Acknowledgements; Introduction: Walking On the Dance Floor; Section I: Approaches; Section II: Music Spaces; Section III: Instruments of/for Study; Section IV: Genre and Community; Section V: Debates; Conclusion: Walking Off the Dance Floor; Further Reading; References; Sonic Sources; Visual Sources; Index
    Note: Includes bibliographical references, discographies, and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
    URL: Volltext
    URL: http://sk.sagepub.com/books/popular-music
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  • 73
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    Senses of Vibration : a History of the Pleasure and Pain of Sound (2012)
    New York : Bloomsbury Publishing
    Details
    ISBN: 9781441118905 , 144111890X
    Language: English
    Pages: Online Ressource (223 pages)
    Parallel Title: Print version Senses of Vibration : A History of the Pleasure and Pain of Sound
    DDC: 306.09
    RVK:
    LR 57810
    Keywords: Sound Psychological aspects ; Sound Physiological effect ; Vibration Physiological effect ; Sound in literature ; Sensory stimulation ; Vibration ; Sound Psychological aspects ; Sound Physiological effect ; Vibration ; Sound in literature ; Sensory stimulation ; Vibration ; Vibration Physiological effect ; Sound Psychological aspects ; Sound Physiological effect ; Sound ; Vibration ; Literature ; Noise ; Psychological Phenomena and Processes ; Sensory stimulation ; Sound Physiological effect ; Sound Psychological aspects ; Sound in literature ; Vibration Physiological effect ; Vibration ; SOCIAL SCIENCE ; Popular Culture ; Kultur ; Schallwelle ; Schwingung ; Wahrnehmung ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; Electronic books ; Electronic books
    Abstract: The study of the senses has become a rich topic in recent years. Senses of Vibration explores a wide range of sensory experience and makes a decisive new contribution to this growing field by focussing not simply on the senses as such, but on the material experience - vibration - that underpins them. This is the first book to take the theme of vibration as central, offering an interdisciplinary history of the phenomenon and its reverberations in the cultural imaginary. It tracks vibration through the work of a wide range of writers, including physiologists (who thought vibrations in the nerve
    Description / Table of Contents: Acknowledgements; Introduction: Hearing Vibrations; 1 Nervous Motions; 2 Psychophysical Sensations and Spiritual Vibrations; 3 Wires, Rays and Radio Waves; 4 Pathological Motions: Railway Shock, Street Noises, Earthquakes; 5 Sexual Health: Sewing Machines, Bicycle Spine, the Vibrator; Afterword; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages 193-209) and index. - Print version record , Includes bibliographical references (pages 193-209) and index
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  • 74
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    'Rock on' : women, ageing and popular music (2012)
    Farnham, Surrey, England : Ashgate
    Details
    ISBN: 9781409428428 , 1409428427 , 9781409428411 , 1409428419
    Language: English
    Pages: 1 Online-Ressource (viii, 174 p.)
    Series Statement: Ashgate popular and folk music series
    DDC: 781.64082
    RVK:
    LS 48015
    Keywords: MUSIC / Genres & Styles / Pop Vocal ; Aging ; Popular music / Political aspects ; Popular music / Social aspects ; Women in music ; Women musicians ; Gesellschaft ; Politik ; Women musicians ; Women in music ; Aging ; Popular music Political aspects ; Popular music Social aspects ; Rocksängerin ; Popsängerin ; Karriere ; Altern ; Aufsatzsammlung ; Electronic books ; Popsängerin ; Rocksängerin ; Karriere ; Altern
    Note: Includes bibliographical references (p. [155]-169), discography (p. 169), filmography (p. 169), and index , Renewal, recycling and renegotiation. Madonna : like a crone / Lucy O'Brien ; It's all just a little bit of history repeating : pop stars, audiences, performance and ageing : exploring the performance strategies of Shirley Bassey and Petula Clark / Ros Jennings ; Long live the queen! : Celia Cruz's longevity as a counterpoint of tradition and change / Delia Poey ; Framing Grace : shock and awe at the ageless black body / Abigail Gardner -- "It's not over..." Mom rock? Media representations of 'mothers who rock' / Norma Coates ; 27 forever : Kristen Pfaff and the coverage of death as the re-presentation of a gendered musical life / Paula Hearsum ; "I'd stage-dive, but I'm far too elderly" : Courtney Love and expectations of femininity and ageing / Catherine Strong ; Rebel without a pause : the continuity of controversy in Madonna's contemporary music videos / Paul Watson and Diane Railton , For female pop stars, whose star bodies and star performances are undisputedly the objects of a sexualized external gaze, the process of ageing in public poses particular challenges. Taking a broadly feminist perspective, 'Rock On': women, ageing and popular music shifts popular music studies in a new direction. Focussing on British, American and Latina women performers and ageing, the collection investigates the cultural work performed by artists such as Shirley Bassey, Petula Clark, Madonna, Celia Cruz, Grace Jones and Courtney Love. The study crosses generations of performers and audiences enabling an examination of changing socio-historical contexts and an exploration of the relationships at play between performance strategies, star persona and the popular music press. For instance, the strategies employed by Madonna and Grace Jones to engage with the processes and issues related to public ageing are not the same as those employed by Courtney Love or Celia Cruz. The essays in this insightful collection reflect on the ways that artists and fans destabilise both the linear trajectories and the compelling weight of expectations regarding ageing by employing different modalities of resistance through persona re-invention, nostalgia, postmodern intertextuality and even early death as the ultimate denial of age
    URL: Volltext
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  • 75
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    Black Box Pop : Analysen populärer Musik (2012)
    Bielefeld : transcript
    Details
    ISBN: 9783839418789
    Language: German , English
    Pages: 1 Online-Ressource (282 Seiten) , Illustrationen, Diagramme, Notenbeispiele
    Series Statement: Beiträge zur Popularmusikforschung 38
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Black Box Pop
    RVK:
    AP 36360
    RVK:
    LS 48000
    Keywords: Music ; music ; Musik ; Popkultur ; Klang ; Musikwissenschaft ; Rockmusik ; Popmusik ; Populäre Musik ; Jazz ; Popular Culture ; Sound ; Musicology ; Pop Music ; Analyse; Populäre Musik; Rockmusik; Jazz; Musik; Popkultur; Popmusik; Musikwissenschaft; Klang; Music; Popular Culture; Pop Music; Musicology; Sound; ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Konferenzschrift 2010 ; Popmusik ; Rockmusik ; Jazz ; Musikalische Analyse
    Abstract: Wie analysiert man eigentlich populäre Musik? Nach zwei Jahrzehnten eines überwiegend kulturwissenschaftlichen Blicks auf den Gegenstand besinnt sich die Popularmusikforschung wieder auf ihre Kernkompetenz: auf die Beschreibung von Musik als akustisches Phänomen. Die etablierten Techniken der Untersuchung von Kunstmusik erweisen sich hier jedoch als nur bedingt transferierbar. Die Beiträge dieses Bandes diskutieren daher alternative Methoden zur Analyse populärer Musik und erproben sie am Beispiel von Songs aus Pop, Rock und Jazz
    Note: Beitr. teilw. dt., teilw. engl. - Zsfassungen in engl. Sprache
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: kostenfrei
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839418789
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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  • 76
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    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48800
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
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  • 77
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    The Oxford handbook of sound studies (2012)
    New York, New York : Oxford University Press
    Details
    ISBN: 9780199940691
    Language: English
    Pages: 1 Online-Ressource (xiv, 593 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als
    DDC: 534
    RVK:
    AP 14900
    RVK:
    LR 56700
    RVK:
    LR 55170
    RVK:
    LR 57600
    RVK:
    LC 87000
    RVK:
    LR 57790
    RVK:
    UF 6000
    RVK:
    LB 59000
    Keywords: Sound ; Sounds ; Noise ; Sound ; Sounds ; Noise ; Sonifikation ; Schall ; Geräusch ; Lärm
    Abstract: Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.
    DOI: 10.1093/oxfordhb/9780195388947.001.0001
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Rezension
    URL: Volltext
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  • 78
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    Go-go live : the musical life and death of a chocolate city (2012)
    Durham : Duke University Press
    Details
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    LS 48900
    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822395201?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822395201
    URL: Cover
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  • 79
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    The politics of post-9/11 music : sound, trauma, and the music industry in the time of terror (2011)
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    Details
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    LR 57728
    RVK:
    LS 48015
    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
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  • 80
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    Sonic bodies : reggae sound systems, performance techniques, and ways of knowing (2011)
    New York, NY [u.a.] : Continuum
    Details
    ISBN: 9786613307736 , 1283307731 , 9781441149343 , 9781283307734
    Language: English
    Pages: Online-Ressource (XXXVI, 352 S.) , Ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Sonic Bodies
    Parallel Title: Druckausg. Henriques, Julian Sonic bodies
    DDC: 781.646097292
    RVK:
    LS 48700
    Keywords: Reggae music History and criticism ; Dancehall (Music) History and criticism ; Dancehall (Music) ; Jamaica ; History and criticism ; Reggae ; Rezeption ; Hören ; Dance hall ; Rezeption ; Hören ; Jamaika ; Kultur ; Hören ; Jamaika ; Reggae ; Performance ; Audiotechnik ; Jamaika ; Dance hall ; Performance ; Audiotechnik
    Abstract: The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyp
    Description / Table of Contents: Preface; Acknowledgements; Figures; Preamble: Thinking Through Sound; The time and place of sounding; Body of sound; Body of thought; The argument of Sonic Bodies; Introduction: Practising and Theorising Sounding; Chapter One; The Dancehall Scene; Jamaican auditory culture; Three wavebands of sounding; Three-fold relationships; Theoretical context; Chapter Two; Sound Systems; Instruments; Media; Techniques; Part One; The Audio Engineer and the Material Waveband; Chapter Three; Fine-tuning; Audio engineering; Manipulating; Monitoring; Evaluating; Chapter Four; Learning to Listen
    Description / Table of Contents: Learning to engineerApprenticeship tradition; A research methodology of listening; Sonic engineering; Part Two; The Selector and the Corporeal Waveband; Chapter Five; Juggling; The selector's role and function in the session; Skilled performance techniques; Chapter Six; Cut, Mix 'n' Rewind; Cut and splice; Mixing; Rewind and repetition; Part Three; The MC and the Sociocultural Waveband; Chapter Seven; Voicing; The MC's role in the session; Lyrical techniques; Performance tropes; Personality; Chapter Eight; Rhetoric and the Logic of Practice; An ancient art of communication; Ways of knowing
    Description / Table of Contents: SituatednessThe logic of practice; Measure and value; Chapter Nine; Conclusion: The Sonic Logos; Know-what and know-how; Sounding a critique; Logos as ratio, proportion and patterning; Triangulation; Last Word: Dubwise; Notes; Bibliography; Index;
    Note: Includes bibliographical references (p. 317-348) and index , Electronic reproduction; Available via World Wide Web
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  • 81
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    Rock and Roll Always Forgets : A Quarter Century of Music Criticism (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822394174
    Language: English
    Pages: 1 online resource (352 p.) , 32 illustrations
    DDC: 781.64
    RVK:
    LS 48000
    RVK:
    LS 48000
    Keywords: Popular music / History and criticism / 1981-1990 ; Popular music / History and criticism / 1991-2000 ; Popular music / History and criticism / 2001-2010 ; Rock music / History and criticism / 1981-1990 ; Rock music / History and criticism / 1991-2000 ; Rock music / History and criticism / 2001-2010 ; MUSIC / Genres & Styles / Rock ; Aufsatzsammlung
    Abstract: Chuck Eddy is one of the most entertaining, idiosyncratic, influential, and prolific music critics of the past three decades. His byline has appeared everywhere from the Village Voice and Rolling Stone to Creem, Spin, and Vibe. Eddy is a consistently incisive journalist, unafraid to explore and defend genres that other critics look down on or ignore. His interviews with subjects ranging from the Beastie Boys, the Pet Shop Boys, Robert Plant, and Teena Marie to the Flaming Lips, AC/DC, and Eminem’s grandmother are unforgettable. His review of a 1985 Aerosmith album reportedly inspired the producer Rick Rubin to pair the rockers with Run DMC. In the eighties, Eddy was one of the first critics to widely cover indie rock, and he has since brought his signature hyper-caffeinated, hyper-hyphenated style to bear on heavy metal, hip-hop, country—you name it. Rock and Roll Always Forgets features the best, most provocative reviews, interviews, columns, and essays written by this singular critic. Essential reading for music scholars and fans, it may well be the definitive time-capsule comment on pop music at the turn of the twenty-first century
    DOI: 10.1515/9780822394174
    URL: https://doi.org/10.1515/9780822394174
    URL: https://www.degruyter.com/isbn/9780822394174
    URL: Cover
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  • 82
    Online Resource
    Online Resource
    Cosmic cowboys and new hicks : the countercultural sounds of Austin's progressive country music scene (2011)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199896981
    Language: English
    Pages: 1 Online-Ressource (xvi, 173 p.) , Ill.
    DDC: 781.6420976431
    RVK:
    LS 48610
    Keywords: Countrymusic ; Country music History and criticism ; Austin, Tex.
    Abstract: Here the author connects the local Austin culture and the progressive music that became its trademark. He presents a colourful range of evidence, from behaviour and dress, to newspaper articles, to personal interviews of musicians as diverse as Willie Nelson, Jerry Jeff Walker, and Doug Sahm.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199747474.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780199747474.001.0001
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  • 83
    Online Resource
    Online Resource
    Musical renderings of the Philippine nation (2011)
    New York ; : Oxford University Press
    Details
    ISBN: 9780199894758
    Language: English
    Pages: 1 online resource.
    Series Statement: New cultural history of music
    Parallel Title: Erscheint auch als
    DDC: 781.59909599
    RVK:
    LS 44800
    Keywords: Music Political aspects 20th century ; History ; Nationalism in music ; Music and state ; Music History and criticism 20th century ; Philippinen ; Musik ; Nationalbewusstsein ; Politik
    Abstract: A cultural history of the Philippines during the 20th century this title focuses on the relationships between music performance, and ideologies of the nation. Christi-Anne Castro reveals how individuals and groups negotiate with and contest the power of the Philippine state to define the nation as a modern and hybrid entity.
    Note: Includes bibliographical references and index. - Description based on online resource; title from PDF title page (viewed on May 11, 2011)
    DOI: 10.1093/acprof:oso/9780199746408.001.0001
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  • 84
    Online Resource
    Online Resource
    Alternative Chinese opera in the age of globalization : performing zero (2011)
    Basingstoke [u.a.] : Palgrave Macmillan
    Details
    ISBN: 9780230245655 , 9780230300422 , 9780230312036
    Language: English
    Pages: XII, 232 S. , Ill.
    Edition: 1. publ.
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Studies in International Performance
    Series Statement: Studies in International Performance Ser.
    Parallel Title: Print version Alternative Chinese Opera in the Age of Globalization
    DDC: 792.5089/951
    RVK:
    LS 41400
    Keywords: Chinese Ethnic identity ; Operas, Chinese History and criticism ; Operas, Chinese Performances ; Theater ; Electronic books
    Abstract: "Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese "opera" in locations around the Pacific Rim, including Hong Kong, Taiwan and California"--
    Description / Table of Contents: Cover; Contents; List of Figures; Acknowledgements; Series Editors' Preface; Introduction: Performing Zero; 1 Femininity Comes to the Rescue: Innovative Jingju in Taiwan; 2 Pacification and Silent Resistance: Performing Hong Kong in The Flower Princess; 3 The Blossoming of the Transnational Peony: Performing Alternative China in California; 4 Waiting for Meaning: The Joint Venture of Robert Wilson, Jingju, and Taiwan; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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  • 85
    Online Resource
    Online Resource
    Prince : the making of a pop music phenomenon (2011)
    Farnham, Surrey : Ashgate
    Details
    ISBN: 9781283297479 , 9781315602134
    Language: English
    Pages: 1 Online-Ressource (xii, 195 Seiten)
    Parallel Title: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    LS 48040
    Keywords: Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 86
    Online Resource
    Online Resource
    Thema Nr. 1 : Sex und populäre Musik ; [20. Arbeitstagung des Arbeitskreises Studium Populärer Musik (ASPM) vom 25. bis 27. September 2009 in Halle an der Saale] (2011)
    Bielefeld : Transcript-Verl.
    Details
    Language: German , English
    Pages: Online-Ressource
    Series Statement: Beiträge zur Popularmusikforschung 37
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Druckausg. Thema Nr. 1
    DDC: 306.48424
    RVK:
    LR 54600
    Keywords: Konferenzschrift 2009 ; Unterhaltungsmusik ; Popmusik ; Sexualität ; Unterhaltungsmusik ; Sexualität
    Note: Literaturangaben , Beitr. überw. dt., teilw. engl.
    URN: urn:nbn:de:hebis:26-opus-89498
    URL: Volltext  (kostenfrei)
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  • 87
    Online Resource
    Online Resource
    Music in ancient Judaism and early Christianity (2011)
    Farnham [u.a.] : Ashgate
    Details
    ISBN: 1409409074 , 9781409409076
    Language: English
    Pages: XXII, 271 S.
    Edition: Ipswich EBSCO Online-Ressource [Online-Ausg.]
    DDC: 781.710091822
    RVK:
    NY 1800
    RVK:
    LP 20500
    RVK:
    LP 21500
    RVK:
    LQ 80001
    RVK:
    LQ 80002
    RVK:
    LS 33120
    RVK:
    LS 33200
    RVK:
    NH 9450
    Keywords: Geschichte ; Geschichte Anfänge-70 ; Geschichte Anfänge-400 ; Judentum ; Frühchristentum ; Musik ; Judentum ; Frühchristentum ; Musik
    URL: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=398091&site=ehost-live&ebv=EB&ppid=pp_Cover
    URL: Inhaltsverzeichnis
    URL: Kurzbeschreibung
    URL: Ausführliche Beschreibung
    URL: Autorenbiografie
    URL: Volltext
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  • 88
    Online Resource
    Online Resource
    Thema Nr. 1 : Sex und populäre Musik (2011)
    Bielefeld : transcript
    Details
    ISBN: 9783839415719
    Language: German , English
    Pages: 1 Online-Ressource (231 Seiten) , Illustrationen, Diagramme
    Edition: 2014
    Series Statement: Beiträge zur Popularmusikforschung 37
    Series Statement: Beiträge zur Popularmusikforschung
    Parallel Title: Erscheint auch als Thema Nr. 1
    DDC: 781.64003067
    RVK:
    LR 54608
    RVK:
    LR 56608
    RVK:
    LS 48010
    Keywords: Sexuality ; Music ; sexuality ; music ; Sexualität ; Sex ; Musik ; Popkultur ; Erotik ; Geschlechterverhältnisse ; Musikwissenschaft ; Popmusik ; Jazz ; Gender ; Popular Culture ; Musicology ; Pop Music ; Populäre Musik; Jazz; Sexualität; Sex; Erotik; Geschlechterverhältnisse; Musik; Popkultur; Gender; Popmusik; Musikwissenschaft; Sexuality; Music; Popular Culture; Pop Music; Musicology; ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Konferenzschrift 2009 ; Unterhaltungsmusik ; Popmusik ; Sexualität
    Abstract: Sex ist Ekstase – und auch Musik kann Ekstase sein. Sex provoziert – und schafft durch Skandale Öffentlichkeit für die Ware Musik. Sex polarisiert – und ist daher Mittel der Distinktion für die Musik von sozialen Gruppen und Generationen. Populäre Musik ist ein Kulturprodukt, das in besonderem Maße jugendliche Lebenswelten repräsentiert. Wie kaum ein anderes Medium gibt sie Aufschluss über männliche und weibliche Identitätsmodelle und damit verbundene Machtstrukturen, über Moralvorstellungen, über intime Wünsche, Sehnsüchte, Hoffnungen und Idealvorstellungen in der Gesellschaft. So umfassend wie in diesem Band wurde das intime Verhältnis von Sex und Musik bisher noch nicht aufgearbeitet
    Note: Beitr. teilw. dt., teilw. engl. - Abstracts in engl
    URL: lizenzpflichtig
    URL: https://elibrary.utb.de/doi/book/10.5555/9783839415719
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
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  • 89
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    Online Resource
    Stare in the darkness : the limits of hip-hop and black politics (2011)
    Minneapolis : University of Minnesota Press
    Details
    ISBN: 9780816669875 , 9780816669882
    Language: English
    Pages: Online-Ressource (245 p) , ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Stare in the Darkness : The Limits of Hip-hop and Black Politics
    DDC: 305.896/073
    RVK:
    HD 475
    RVK:
    LS 48650
    Keywords: Hip-hop Social aspects ; African Americans Politics and government ; Hip-hop Political aspects ; African Americans Social life and customs ; Plumbing -- Handbooks, manuals, etc ; Plumbing -- Standards -- Handbooks, manuals, etc ; African Americans ; Politics and government ; African Americans ; Social life and customs ; Hip-hop ; Political aspects ; Hip-hop ; Social aspects ; Electronic books
    Abstract: Rap's critique of police brutality in the 1980s. The Hip Hop Political Convention. The rise (and fall) of Kwame Kilpatrick, the "hip-hop mayor" of Detroit. Barack Obama echoing the body language of Jay-Z on the campaign trail. A growing number of black activists and artists claim that rap and hip-hop are the basis of an influential new urban social movement. Simultaneously, black citizens evince concern with the effect that rap and hip-hop culture exerts on African American communities. According to a recent Pew survey conducted on the opinions of Black Americans, 71 percent of black
    Description / Table of Contents: Cover; Contents; Introduction: Follow Me into a Solo; 1. In This Journey, You're the Journalist: Rap Lyrics, Neoliberalism, and the Black Parallel Public; 2. A Little Knowledge Is Dangerous: Consuming Rap and Political Attitudes; 3. Follow the Leader: Hip-hop Activism and the Circulation of Black Politics; 4. Put Here to Be Much More Than That: The Rise and Fall of Kwame Kilpatrick; Conclusion: Obama and the Future of Hip-hop Politics; Acknowledgments; Appendix A: Political Platforms for the Hip-hop Social Action Network and the Black Panther Party
    Description / Table of Contents: Appendix B: National Hip-hop Convention Agenda, 2004Appendix C: Top Hip-hop Albums for the Week of December 1, 2006; Appendix D: Ownership of Top Market Urban-Urban Adult Contemporary Radio Stations; Notes; Bibliography; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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    URL: http://dx.doi.org/10.5749/minnesota/9780816669875.001.0001
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  • 90
    Online Resource
    Online Resource
    Music video and the politics of representation (2011)
    Edinburgh : Edinburgh University Press
    Details
    ISBN: 9780748633241
    Language: English
    Pages: 1 online resource (vii, 176 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 302.234
    RVK:
    AP 47500
    RVK:
    EC 2440
    RVK:
    LR 57255
    Keywords: Gesellschaft ; Music videos / Social aspects ; Music videos / History and criticism ; Feminism and music ; Musikvideo ; Repräsentation ; Videoclip ; Online-Publikation ; Videoclip ; Musikvideo ; Repräsentation
    Abstract: How can we engage critically with music video and its role in popular culture? What do contemporary music videos have to tell us about patterns of cultural identity today? Based around an eclectic series of vivid case studies, this fresh and timely examination is an entertaining and enlightening analysis of the forms, pleasures, and politics that music videos offer. In rethinking some classic approaches from film studies and popular music studies and connecting them with new debates about the current 'state' of feminism and feminist theory, Railton and Watson show why and how we should be studying music videos in the twenty-first century. Through its thorough overview of the music video as a visual medium, this is an ideal textbook for Media Studies students and all those with an interest in popular music and cultural studies. Key Features * Provides a framework for how to describe and analyse a music video. * Uses case studies from internationally well-know artists, such as Kylie, Shakira and Beyoncé to explore issues of representation of gender, sexuality and ethnicity. * Draws on classic and contemporary videos from a range of musical styles, from Lady Gaga and Christina Aguilera to Gorillaz and Metallica
    Description / Table of Contents: Situating music video: between feminism and popular culture -- Genre and music video: configurations and functions -- Making it real: authorship and authenticity -- Music video in black and white: race and femininity -- That Latin(a) look: performing ethnicity -- Masculinity and the absent presence of the male body -- Afterword: music video goes Gaga
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 91
    Online Resource
    Online Resource
    Audiobooks, literature, and sound studies (2011)
    New York : Routledge
    Details
    ISBN: 9780415883528 , 9780203818039
    Language: English
    Pages: 1 Online-Ressource (XVII, 247 S.) , Ill.
    Edition: 1. publ.
    Series Statement: Routledge research in cultural and media studies 31
    Series Statement: Routledge research in cultural and media studies
    DDC: 302.23
    RVK:
    AP 15860
    RVK:
    LR 57790
    RVK:
    MS 7965
    Keywords: Geschichte 1900-2000 ; Geschichte ; Literatur ; Literature and technology History ; Mass media and literature History ; Audiobooks ; Sound in literature ; Literature Appreciation ; Books and reading History 20th century ; Literatur ; Hörbuch ; Aufsatzsammlung ; Literatur ; Hörbuch
    URL: lizenzpflichtig
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  • 92
    Online Resource
    Online Resource
    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9781139058483
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 93
    Online Resource
    Online Resource
    The studio recordings of the Miles Davis Quintet : 1965-68 (2011)
    Oxford : Oxford University Press
    Details
    ISBN: 9780190268046
    Language: English
    Pages: 1 Online-Ressource (XVI, 302 Seiten) , Notenbeispiele
    Series Statement: Oxford studies in recorded jazz
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 785.35195165
    RVK:
    LS 48040
    Keywords: Davis, Miles Criticism and interpretation ; Miles Davis Quintet Discography ; Miles Davis Quintet ; Geschichte 1965-1968 ; Jazz History and criticism 1961-1970 ; Tonträger ; Schallaufzeichnung ; Tonstudio ; Verzeichnis ; Verzeichnis ; Verzeichnis ; Verzeichnis ; Verzeichnis ; Miles Davis Quintet ; Tonträger ; Tonstudio ; Schallaufzeichnung ; Geschichte 1965-1968 ; Miles Davis Quintet ; Tonträger
    Abstract: The influence of Miles Davis's 'second great quintet', consisting of Davis, Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams continues to resonate. Jazz musicians, historians, and critics have celebrated the group for its improvisational communication, openness, and its transitional status between hard bop and the emerging free jazz of the 1960s. The book provides a critical analytical study of the Davis quintet studio recordings released between 1965 and 1968, including 'E.S.P.', 'Miles Smiles', 'Sorcerer', 'Nefertiti', 'Miles in the Sky', and 'Filles de Kilimanjaro'.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780195393835.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 94
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    Online Resource
    The Cambridge companion to the Beatles (2011)
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; S˜ao Paulo ; Delhi ; Dubai ; Tokyo ; Mexico City : Cambridge University Press
    Details
    ISBN: 9781139002745
    Language: English
    Pages: 1 Online-Ressource (XXIII, 316 S.) , Notenbeisp.
    Edition: 3rd printing
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge companions online
    Parallel Title: Erscheint auch als The Cambridge companion to the Beatles
    Parallel Title: Erscheint auch als The Cambridge companion to the Beatles
    DDC: 782.42166092/2
    RVK:
    LS 48600
    Keywords: Beatles ; The Beatles ; Beatles ; Rock musicians ; Rock music History and criticism ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; The Beatles
    Note: Druckangabe/Erscheinungsjahr aus dem Front Matter des PDF, letzteres am Fuß der Seite
    DOI: 10.1017/CCOL9780521869652
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  • 95
    Online Resource
    Online Resource
    Divine inspirations : music and Islam in Indonesia (2011)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199896974
    Language: English
    Pages: 1 Online-Ressource (xxiii, 383 p.) , Ill., maps.
    DDC: 780.9598
    RVK:
    LS 45000
    Keywords: Music History and criticism ; Music Islamic influences ; Islamic music History and criticism ; Music Religious aspects ; Islam ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: From the rhythmic grooves of dang dut, the archipelago's tenacious pop music, to the oft-quoted image of the wayang shadow puppet-theater, this book investigates the expression of the Muslim religion through a diversity of art forms in this region.
    Note: Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780195385410.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195385410.001.0001
    URL: Volltext
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  • 96
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    Online Resource
    School music education and social change in mainland China, Hong Kong, and Taiwan (2011)
    Leiden : Brill
    Details
    ISBN: 9789004191471
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Brill eBook titles
    Series Statement: Social sciences in Asia v. 30
    Parallel Title: Erscheint auch als Ho, Wai-Chung School music education and social change in mainland China, Hong Kong and Taiwan
    DDC: 780.71/051
    RVK:
    LR 56900
    RVK:
    LS 41000
    Keywords: School music Instruction and study ; School music Instruction and study ; School music Instruction and study ; Music ; Instruction and study ; China ; Shanghai ; Music ; Instruction and study ; China ; Hong Kong ; Music ; Instruction and study ; Taiwan ; Taipei ; Educational change ; China ; Shanghai ; Educational change ; China ; Hong Kong ; Educational change ; Taiwan ; Taipei ; Social change ; China ; Shanghai ; Social change ; China ; Hong Kong ; Social change ; Taiwan ; Taipei ; Education and globalization ; Hongkong ; Taiwan ; China ; Schulmusik ; Musikerziehung
    Abstract: Preliminary Material -- Chapter One Introduction -- Chapter Two Music Education in Mainland China -- Chapter Three Music Education in Hong Kong -- Chapter Four Music Education in Taiwan -- Chapter Five The Challenges to Music Education in Shanghai, Hong Kong and Taipei in the Global Age -- Chapter Six Rethinking the Transmission of Musical Cultures in Education in the Globalized World: Summary and Implications -- Chapter Seven Afterword: Music Education, Culture and Society for Dynamic Change -- Appendix One Student Questionnaire on Music Learning -- Bibliography -- Index.
    Note: Includes bibliographical references (p. [213]-247) and index
    DOI: 10.1163/9789004191471
    URL: DOI
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  • 97
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    Analytical and cross-cultural studies in world music (2011)
    New York ; : Oxford University Press
    Details
    ISBN: 9780199918331
    Language: English
    Pages: 1 online resource (viii, 461 p.) , ill., music.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Analytical and cross-cultural studies in world music
    DDC: 780.9
    RVK:
    LS 48605
    Keywords: World music History and criticism ; World music Analysis, appreciation ; World music ; History and criticism ; World music ; Analysis, appreciation ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik
    Abstract: This text presents intriguing explanations of extraordinary musical creations from diverse cultures across the world. It recounts the contexts in which the music is created and performed and then hones in on elucidating how the music works as sound in process.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195384581.001.0001
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  • 98
    Online Resource
    Online Resource
    Preachin' the blues : the life and times of Son House (2011)
    New York : Oxford University Press
    Details
    ISBN: 9780190268060
    Language: English
    Pages: 1 Online-Ressource (VIII, 206 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 782.421643092
    RVK:
    LS 48040
    Keywords: House, Son ; House, Son ; Blues musicians Biography ; USA ; Biografie ; Biografie ; Biografie ; Biografie ; House, Son 1902-1988
    Abstract: This is a biography of American blues singer and guitarist Eddie James 'Son' House, Jr. (1902-1988), who pioneered an innovative style, incorporating strong repetitive rhythms with elements of southern gospel and spiritual vocals. A seminal figure in the history of the Delta blues, he influenced such figures as Muddy Waters and Robert Johnson. The landscape of Son House's life and the vicissitudes he endured make for an absorbing narrative, threaded through with a tension between House's religious beliefs and his spells of commitment to a lifestyle that implicitly rejected it.
    Note: Published to Oxford Scholarship Online: May 2015
    DOI: 10.1093/acprof:osobl/9780195395570.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/acprof:osobl/9780195395570.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 99
    Online Resource
    Online Resource
    Brazilian popular music and citizenship (2011)
    Durham, NC : Duke University Press
    Details
    ISBN: 0822348845 , 1283265923 , 082234906X , 9781283265928 , 9780822348849 , 9780822349068
    Language: English
    Pages: Online-Ressource (1 online resource (x, 364 p.)) , ill
    Edition: Online-Ausg.
    Parallel Title: Print version Brazilian Popular Music and Citizenship
    DDC: 306.4/84240981
    RVK:
    LS 48800
    Keywords: Popular music Political aspects ; Popular music History and criticism ; Popular music Social aspects ; Popular music -- Social aspects -- Brazil ; Popular music -- Political aspects -- Brazil ; Popular music -- Brazil -- History and criticism ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: Covering more than one hundred years of history, this multidisciplinary collection of essays illuminates the important links between citizenship, national belonging, and popular music in Brazil
    Description / Table of Contents: Contents; Acknowledgments; Introduction. Music as Practice of Citizenship in Brazil - Idelber Avelar and Christopher Dunn; Dissonant Voices under a Regime of Order-Unity: Popular Music and Work in the Estado Novo - Adalberto Paranhos; Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education - Flávio Oliveira; Farewell to MPB - Carlos Sandroni; From Mr. Citizen to Defective Android: Tom Zé and Citizenship in Brazil - Christopher Dunn; Rude Poetics of the 1980s: The Politics and Aesthetics of Os Titãs - Angélica Madeira
    Description / Table of Contents: "We Live Daily in Two Countries": Audiotopias of Postdictatorship Brazil - Frederick MoehnSoundtracking Landlessness: Music and Rurality in the Movimento dos Trabalhadores Rurais Sem Terra - Malcolm K. McNee; Zhen Brasil's Japanese Brazilian Groove - Shanna Lorenz; Embodying the Favela: Representation, Mediation, and Citizenship in the Music of Bezerra da Silva - Aaron Lorenz; Hip-Hop in São Paulo: Identity, Community Formation, and Social Action - Wivian Weller and Marco Aurélio Paz Tella; "Conquistando Espaço": Hip-Hop Occupations of São Paulo - Derek Pardue
    Description / Table of Contents: Funk Music Made in Brazil: Media and Moral Panic - João Freire Filho and Micael HerschmannTechnobrega, Forró, Lambadão: The Parallel Music of Brazil - Hermano Vianna; "Tradition as Adventure": Black Music, New Afro-Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia - Osmundo Pinho; Modernity, Agency, and Sexuality in the Pagode Baiano - Ari Lima; Candeal and Carlinhos Brown: Social and Musical Contexts of an Afro-Brazilian Community - Goli Guerreiro; Of Mud Huts and Modernity: The Performance of Civic Progress at Arcoverde's São João Festival - Daniel Sharp
    Description / Table of Contents: Mangue Beat Music and the Coding of Citizenship in Sound - Idelber AvelarWorks Cited; Contributors; Index
    Note: Description based on print version record , Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603
    URL: https://doi.org/10.1515/9780822393603?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822393603
    URL: Cover
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393603?locatt=mode:legacy
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  • 100
    Online Resource
    Online Resource
    Buena Vista in the club : rap, reggaetón, and revolution in Havana (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822393931 , 082239393X
    Language: English
    Pages: 1 Online-Ressource (xii, 410 Seiten) , ill
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 782.421649097291
    RVK:
    LQ 90000
    RVK:
    LS 48650
    Keywords: Buena Vista Social Club (Musical group) ; Rap (Music) / Cuba / Havana ; Reggaetón / Cuba / Havana ; Music / Political aspects / Cuba ; Rap ; Hip-Hop ; Kuba ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Abstract: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop
    Note: Description based on print version record. - Includes bibliographical references and index
    DOI: 10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822393931?locatt=mode:legacy
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