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  • 1
    ISBN: 9781478093718
    Sprache: Englisch
    Seiten: 1 Online-Ressource (568 p.)
    Paralleltitel: Erscheint auch als Future/present
    RVK:
    Schlagwort(e): Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Anmerkung: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 2
    ISBN: 9781478025160 , 9781478020271
    Sprache: Englisch
    Seiten: 554 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Alvarez, Daniela Future/present
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    Paralleltitel: Erscheint auch als FUTURE/PRESENT
    RVK:
    Schlagwort(e): Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Beschreibung / Inhaltsverzeichnis: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Anmerkung: Includes bibliographical references
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  • 3
    ISBN: 9781478027256
    Sprache: Englisch
    Seiten: 1 online resource (569 pages)
    Ausgabe: 1st ed.
    Paralleltitel: Erscheint auch als Future/present
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): ART / American / General ; ART / American / Asian American & Pacific Islander ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Kurzfassung: Building on five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism in the art world, FUTURE/PRESENT includes a range of poetry, essays and criticism, visual and performance art, artist manifestos, interviews, and reflections on community practice.
    Kurzfassung: Cover -- Contents -- Introduction / Roberta Uno -- The Call / Jeff Chang -- vestibular mantra (or radical virtuosities for a brave new dance) / taisha paggett -- Part 1 / Cultural Presence: Placekeeping and Belonging -- Introduction / Daniela Alvarez -- Aqui Estoy / Jose Ramirez -- Beauty, Justice, and the Ritual of Performance / Patricia Berne and Nomy Lamm -- An Accumulation of Things That Refuse to Be Discarded / Kiyan Williams -- Counting Coup on the Compartmentalization of Indigenous-Made Rap Music / Talon Bazille Ducheneaux -- Cultural Resiliency in the Face of Crisis: Learning from New Orleans / Carol Bebelle and Carol Zou -- Collectively Directing the Current / Halima Afi Cassells -- The New Eagle Creek Saloon / Sadie Barnette -- Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012-2016 / Guillermo Gómez-Peña -- Building Temples for Tomorrow": Cultural Workers as Construction Crews / Alesia Montgomery -- Invasive Species / Aaron McIntosh -- Sunny and 150 Years of Placekeeping in Little Tokyo / Scott Oshima -- Local Fruit Still Life / Daniel Andres Alcazar -- Stage One: Establishing Community / Garrett McQueen -- Red 40 / Jazmín Urrea -- More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next / Devin Kenny -- Part 2 / Dismantling Borders, Building Bridges: Migration and Diasporas -- Introduction / Sarah Sophia Yanni -- Mano Poderosa / Rosalie López -- A Cosmos of Dis/Joints / Vinhay Keo -- Cross-Border Citizens / Teddy Cruz and Fonna Forman -- Indian Alley, Where Art Is Healing / Pamela J. Peters -- Vessels: A Conversation / Chanice Holmes, Mykia Jovan, Rebecca Mwase, and Mahalia Abéo Tibbs -- Fence / Belise Nishimwe -- A Touch of Otherness / Hayv Kahraman -- Harmattan Haze / Njideka Akunyili Crosby -- Who Is the #EmergingUS? / Jose Antonio Vargas.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 4
    ISBN: 9780300272963
    Sprache: Englisch
    Seiten: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Schlagwort(e): African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Kurzfassung: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Beschreibung / Inhaltsverzeichnis: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Anmerkung: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 5
    Bild
    Bild
    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Sprache: Englisch
    Seiten: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Schlagwort(e): Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Kurzfassung: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Beschreibung / Inhaltsverzeichnis: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Anmerkung: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 6
    ISBN: 9781478019633 , 9781478016991
    Sprache: Englisch
    Seiten: xi, 186 Seiten , Illustrationen
    Suppl.: Rezensiert in Moreira de Andrade, Thaís [Rezension von: Castañeda, Michelle, 1987-, Disappearing rooms] 2024
    Serie: Dissident acts
    Paralleltitel: Erscheint auch als Castañeda, Michelle, 1987- Disappearing rooms
    Paralleltitel: Erscheint auch als Castañeda, Michelle, - 1987- Disappearing rooms
    Schlagwort(e): Emigration and immigration law ; Hispanic Americans Legal status, laws, etc ; Discrimination in justice administration ; Performative (Philosophy) ; SOCIAL SCIENCE / Ethnic Studies / American / Hispanic American Studies ; SOCIAL SCIENCE / Sociology / General ; USA ; Einwanderung ; Zuwanderungsrecht ; Abschiebungshaft ; Kriminalisierung ; Rassismus
    Kurzfassung: "In Disappearing Rooms Michelle Castañeda lays bare the criminalization of race enacted every day in U.S. immigration courts and detention centers. She uses a performance studies perspective to show how the theatrical concept of mise-en-scéne offers new insights about immigration law and the absurdist dynamics of carceral space. Castañeda draws upon her experiences in immigration trials as an interpreter and courtroom companion to analyze the scenography-lighting, staging, framing, gesture, speech, and choreography-of specific rooms within the immigration enforcement system. Castañeda's ethnographies of proceedings in a "removal" office in New York City, a detention center courtroom in Texas, and an asylum office in the Northeast reveal the depersonalizing violence enacted in immigration law through its embodied, ritualistic, and affective components. She shows how the creative practices of detained and disappeared peoples living under acute duress imagine the abolition of detention and borders. Featuring original illustrations by artist-journalist, Molly Crabapple, Disappearing Rooms shines a light into otherwise hidden spaces of law within the contemporary deportation regime. Duke University of Press Scholars of Color First Book Award Recipient"--
    Beschreibung / Inhaltsverzeichnis: Removal room : disappearance and the practice of accompaniment -- The prison-courtroom : no-show justice in family detention -- Bring me the room : tragic recognition and the right not to tell your story.
    Anmerkung: Includes bibliographical references (159-176) and index
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  • 7
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Sprache: Englisch
    Seiten: 226 Seiten
    DDC: 770
    RVK:
    RVK:
    Schlagwort(e): Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Anmerkung: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 8
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press
    ISBN: 9780300271249
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 596 Seiten) , Karten
    Serie: The Henry Roe Cloud series on American Indians and modernity
    Paralleltitel: Erscheint auch als Blackhawk, Ned, 1970 - The rediscovery of America
    DDC: 973
    RVK:
    Schlagwort(e): Electronic books ; USA ; Indigenes Volk ; Indianer ; Geschichte 1500-1990
    Kurzfassung: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- List of Maps -- Introduction: Toward a New American History -- Part I Indians and Empires -- 1. American Genesis: Indians and the Spanish Borderlands -- 2. The Native Northeast and the Rise of British North America -- 3. The Unpredictability of Violence: Iroquoia and New France to 1701 -- 4. The Native Inland Sea: The Struggle for the Heart of the Continent, 1701-55 -- 5. Settler Uprising: The Indigenous Origins of the American Revolution -- 6. Colonialism's Constitution: The Origins of Federal Indian Policy -- Part II Struggles for Sovereignty -- 7. The Deluge of Settler Colonialism: Democracy and Dispossession in the Early Republic -- 8. Foreign Policy Formations: California, the Pacific, and the Borderlands Origins of the Monroe Doctrine -- 9. Collapse and Total War: The Indigenous West and the U.S. Civil War -- 10. Taking Children and Treaty Lands: Laws and Federal Power during the Reservation Era -- 11. Indigenous Twilight at the Dawn of the Century: Native Activists and the Myth of Indian Disappearance -- 12. From Termination to Self-Determination: Native American Sovereignty in the Cold War Era -- Notes -- Acknowledgments -- Index -- A -- Z.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 9
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press
    ISBN: 9780300271553 , 0300271557
    Sprache: Englisch
    Seiten: 1 Online-Ressource (496 Seiten)
    Paralleltitel: Erscheint auch als Kelley, Sean M American Slavers
    DDC: 306.3620973
    Schlagwort(e): Slave trade History ; Transatlantic slave trade ; Slavery History ; Electronic books ; USA ; Sklavenhandel
    Kurzfassung: "A total of 305,000 enslaved Africans arrived in the New World aboard American vessels over a span of two hundred years as American merchants and mariners sailed to Africa and to the Caribbean to acquire and sell captives. Using exhaustive archival research, including many collections that have never been used before, historian Sean M. Kelley argues that slave trading needs to be seen as integral to the larger story of American slavery."--Dust jacket
    Anmerkung: Description based upon print version of record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    ISBN: 9780300263596
    Sprache: Englisch
    Seiten: viii, 479 Seiten , Karten
    Paralleltitel: Erscheint auch als Kelley, Sean M., 1966 - American slavers
    DDC: 306.3620973
    Schlagwort(e): Geschichte 1644-1865 ; Amerikanische Geschichte ; HISTORY / Social History ; HISTORY / United States / General ; History ; SOCIAL SCIENCE / Slavery ; Sklaverei und Abschaffung der Sklaverei ; Sozial- und Kulturgeschichte ; Vereinigte Staaten von Amerika, USA ; Sklavenhandel ; Geschichte ; USA ; Sklave ; Außenhandel
    Kurzfassung: The first telling of the unknown story of America s two-hundred-year history as a slave-trading nation
    URL: Cover  (lizenzpflichtig)
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  • 11
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780300274998
    Sprache: Englisch
    Seiten: 1 Online-Ressource (317 pages)
    Ausgabe: 1st ed.
    DDC: 305.8924
    RVK:
    RVK:
    RVK:
    Schlagwort(e): American Jewish Committee ; Geschichte 1948-1978 ; Juden ; Politik ; Nahostkonflikt ; Palästinenser ; Dissens ; Zionismus ; Kritik ; American Jewish Committee ; Israel and the diaspora ; Jews-United States-Politics and government-20th century ; Jews-United States-Attitudes toward Israel ; Palestinian Arabs-Politics and government-20th century ; Arab-Israeli conflict-Foreign public opinion, American ; Human rights-Palestine-Foreign public opinion, American ; USA ; Electronic books
    Kurzfassung: No detailed description available for "Our Palestine Question".
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 12
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478027249
    Sprache: Englisch
    Seiten: 1 Online-Ressource (352 Seiten)
    Paralleltitel: Erscheint auch als
    DDC: 305.8960071
    RVK:
    Schlagwort(e): SOCIAL SCIENCE / Black Studies (Global) ; African diaspora ; Black people Race identity ; Black people Study and teaching ; Human geography ; Ethnologie ; Schwarze ; Schwarze ; Ethnologie
    Kurzfassung: The contributors to The Black Geographic explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to show how understanding the spatial dimensions of Black life contributes to a broader understanding of race and space. They examine key sites of inquiry: Black spatial imaginaries, resistance to racial violence, the geographies of racial capitalism, and struggles over urban space. Throughout, the contributors demonstrate that Blackness is itself a situating and place-making force, even as it is shaped by spatial processes and diasporic routes. Whether discussing eighteenth- and nineteenth-century abolitionist print records or migration and surveillance in Niger, this volume demonstrates that Black Geographies is a mode of analyzing Blackness that fundamentally challenges the very foundations of the field of geography and its historical entwinement with colonialism, enslavement, and imperialism. In short, it marks a new step in the evolution of the field.Contributors. Anna Livia Brand, C.N.E. Corbin, Lindsey Dillon, Chiyuma Elliott, Ampson Hagan, Camilla Hawthorne, Matthew Jordan-Miller Kenyatta, Jovan Scott Lewis, Judith Madera, Jordanna Matlon, Solange Muñoz, Diana Negrín, Danielle Purifoy, Sharita Towne
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 13
    ISBN: 9780300257618
    Sprache: Englisch
    Seiten: xii, 341 Seiten , Illustrationen, Karten , 25 cm
    Paralleltitel: Erscheint auch als Radburn, Nicholas Traders in men
    Paralleltitel: Erscheint auch als Radburn, Nicholas Traders in men
    DDC: 382.4409
    Schlagwort(e): 1714-1837 (georgische Periode) ; 18. Jahrhundert (1700 bis 1799 n. Chr.) ; 1700-1799 ; Transatlantic slave trade History 18th century ; Slave ships History 18th century ; Slave ships History 18th century ; Slave traders ; Slave traders ; Slave traders History ; Slave traders History ; Slave trade History 18th century ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HIS015050 ; HISTORY / Modern / 18th Century ; Sklaverei und Abschaffung der Sklaverei ; Négriers (Navires) - Grande-Bretagne - Histoire - 18e siècle ; Négriers (Navires) - États-Unis - Histoire - 18e siècle ; Marchands d'esclaves - Afrique ; Marchands d'esclaves - Grande-Bretagne ; Marchands d'esclaves - Amérique - Histoire ; Marchands d'esclaves - États-Unis - Histoire ; Esclaves - Commerce - Histoire - 18e siècle ; SOCIAL SCIENCE / Slavery ; Slave ships ; Slave trade ; Slave traders ; Transatlantic slave trade ; History ; Vereinigtes Königreich, Großbritannien ; Africa ; America ; Great Britain ; United States ; Großbritannien ; USA ; Afrika ; Sklavenhandel ; Geschichte 1700-1800
    Kurzfassung: A sweeping new history that reveals how British, African, and American merchants developed the transatlantic slave trade This is a landmark study given its clear status as easily the best researched and most comprehensive book on the British slave trade to date. -David Eltis, coauthor of Atlas of the Transatlantic Slave Trade A masterful account of one of the most brutal moments in the history of capitalist modernity. Radburn brilliantly details all aspects of the process of commodification of human beings in the Liverpool slave trade, vividly depicting the long journeys endured by Africans in Africa, across the Atlantic, and in the Americas. -Leonardo Marques, Universidade Federal Fluminense During the eighteenth century, Britain s slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into a transatlantic system through which fifty thousand men, women, and children were enslaved every year. In this wide-ranging history, Nicholas Radburn explains how thousands of merchants collectively transformed the slave trade by devising highly efficient but violent new business methods. African brokers developed commercial infrastructure that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people s constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade dragged millions of people into its terrible vortex and became one of the most important phenomena in world history
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  • 14
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press
    ISBN: 9780300271768
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xii, 341 Seiten) , Karten, Illustrationen
    Paralleltitel: Erscheint auch als Radburn, Nicholas Traders in men
    DDC: 382.4409
    Schlagwort(e): 1714-1837 (georgische Periode) ; 18. Jahrhundert (1700 bis 1799 n. Chr.) ; 1700-1799 ; Slave ships History 18th century ; Slave ships History 18th century ; Slave trade History 18th century ; Slave traders ; Slave traders History ; Slave traders ; Slave traders History ; Transatlantic slave trade History 18th century ; Transatlantic slave trade History 18th century ; Slave ships History 18th century ; Slave ships History 18th century ; Slave traders ; Slave traders ; Slave traders History ; Slave traders History ; Slave trade History 18th century ; Europäische Geschichte ; Geschichte allgemein und Weltgeschichte ; HIS015050 ; HISTORY / Modern / 18th Century ; History ; SOCIAL SCIENCE / Slavery ; Sklaverei und Abschaffung der Sklaverei ; Négriers (Navires) - Grande-Bretagne - Histoire - 18e siècle ; Négriers (Navires) - États-Unis - Histoire - 18e siècle ; Marchands d'esclaves - Afrique ; Marchands d'esclaves - Grande-Bretagne ; Marchands d'esclaves - Amérique - Histoire ; Marchands d'esclaves - États-Unis - Histoire ; Esclaves - Commerce - Histoire - 18e siècle ; SOCIAL SCIENCE / Slavery ; Slave ships ; Slave trade ; Slave traders ; Transatlantic slave trade ; History ; Vereinigtes Königreich, Großbritannien ; Africa ; America ; Great Britain ; United States ; Großbritannien ; USA ; Afrika ; Sklavenhandel ; Geschichte 1700-1800
    Kurzfassung: 1. Connecting the Frontiers: British Merchants, African Middlemen, and the Making of Atlantic Slaving Ports -- 2. Cross-Cultural Trade and the Sale of Enslaved People in Atlantic Africa -- 3. Merchants and the Creation of the Floating Dungeon -- 4. Guinea Factors and the Forced Migrations of Enslaved People within the Americas -- 5. Many Middle Passages: Merchants, Planters, and the American Slave Trade -- EPILOGUE: Traders in Men during the Age of Revolutions, circa 1775-1808
    Kurzfassung: During the eighteenth century, Britain's slave trade exploded in size. Formerly a small and geographically constricted business, the trade had, by the eve of the American Revolution, grown into an Atlantic-wide system through which fifty thousand men, women, and children were enslaved every year. In this sweeping new history, Nicholas Radburn explains how thousands of slaving merchants in Africa, Britain, and the British Americas collectively created this cancerous system by devising highly efficient, but also violent, new business methods. African brokers developed commercial techniques that facilitated the enslavement and sale of millions of people. Britons invented shipping methods that quelled enslaved people's constant resistance on the Middle Passage. And American slave traders formulated brutal techniques through which shiploads of people could be quickly sold to a variety of colonial buyers. Truly Atlantic-wide in its vision, this study shows how the slave trade became one of the most important phenomena in world history and dragged millions of people into the trade's terrible vortex
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  • 15
    ISBN: 9781478017943 , 9781478015321
    Sprache: Englisch
    Seiten: xv, 207 Seiten , Illustrationen
    Serie: Dissident acts
    Paralleltitel: Erscheint auch als Schaeffer, Felicity Amaya Unsettled borders
    DDC: 304.8/721
    Schlagwort(e): Border crossing Social aspects ; Border security ; Indigenous peoples Social conditions ; Traditional ecological knowledge ; Indian activists ; SOCIAL SCIENCE / Emigration & Immigration ; SOCIAL SCIENCE / Indigenous Studies ; SCIENCE / Philosophy & Social Aspects ; Mexican-American Border Region Emigration and immigration ; Social aspects ; USA ; Staatsgrenze ; Mexiko ; Indianer ; Militär ; Überwachung ; Grundeigentum
    Kurzfassung: "The story of how the U.S.-Mexico border has become more dangerous for migrant crossing has preoccupied scholars across a range of fields. As necessary as this has been, the overwhelming focus on border crossers has eclipsed the consequences of military occupation on Native tribes whose land and bodies spill across the border, including mounting numbers of Maya refugees. Unsettled Borders follows the science and technological development of border surveillance back to military innovations tasked with seeing the invisible movements of Apache and Chiricahua warriors across the rugged terrain of the western frontier. Felicity Amaya Schaeffer follows a range of militarized surveillance innovations across time and space, recalling the Spanish lookout points erected to monitor Maya in the Yucatan, the superior eyes of Indian scouts, automated border avatars, and swarming bee drones. From the perspective of Native border inhabitants, a broader story emerges about how mechanized seeing attempts to eradicate Native sacred and animate relation with land. With an eye on the more-than-human world, Apache, O'odham and Maya teach us about the impossibility of borders in their sacred scientific worldviews that see relation where westerners impose segregated seeing and knowing. Unsettled Borders returns to ancestral practices-from beekeepers caring for the Melipona bees who bring back their forests to O'odham relations with saguaro peoplehood amputated by border walls. The border comes alive with a resurgent force of Native land defenders who refuse extraction, occupation, and surveillance by the futile attempts to build virtual and iron-cast walls that will ultimately fail to contain life and erect borders around the world"--
    Anmerkung: Literaturverzeichnis: Seiten 185-200
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  • 16
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478022459
    Sprache: Englisch
    Seiten: 1 Online-Ressource (450 p.)
    DDC: 305.3
    RVK:
    Schlagwort(e): Geschlechterrolle ; Männlichkeit ; USA ; Electronic books
    Kurzfassung: In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington's practice of cleaning as an iteration of sissiness, Baldwin's self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
    URL: Cover
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  • 17
    Buch
    Buch
    New Haven : Yale University Press | Cambridge, Mass. : Hutchins Center for African & African American Research, Harvard University
    ISBN: 9780300247268
    Sprache: Englisch
    Seiten: ix, 227 Seiten , Illustrationen , 26 cm
    Serie: Richard D. Cohen lectures on African & African American art
    DDC: 709.2
    Schlagwort(e): Locke, Alain ; Harlem Renaissance ; Art, Modern History and criticism ; Locke, Alain LeRoy 1886-1954 ; Harlem renaissance ; Kunst ; Ästhetik ; USA ; Schwarze ; Kunst ; Schwarze
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  • 18
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478022466
    Sprache: Englisch
    Seiten: 1 Online-Ressource (281 Seiten)
    Serie: ANIMA: critical race studies otherwise
    Paralleltitel: Erscheint auch als Bow, Leslie, 1962 - Racist love
    DDC: 305.895073
    Schlagwort(e): Electronic books ; USA ; Asiaten ; Ethnische Beziehungen ; Rassismus
    Kurzfassung: Leslie Bow traces the ways in which Asian Americans become objects of anxiety and desire, showing how attraction to Asianized objects and images functions as a source of anti-Asian bias and violence.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478022800
    Sprache: Englisch
    Seiten: 1 Online-Ressource (481 Seiten)
    Paralleltitel: Erscheint auch als Davis, Thulani The emancipation circuit
    DDC: 973/.0496073009034
    Schlagwort(e): Electronic books ; USA ; Schwarze ; Politische Betätigung ; Politische Publizistik ; Politische Organisation ; Geschichte 1865-1900
    Kurzfassung: Thulani Davis provides a sweeping rethinking of Reconstruction by tracing how the four million people newly freed from bondage created political organizations and connections that mobilized communities across the South.
    Kurzfassung: Cover -- Contents -- List of Maps -- List of Tables -- Acknowledgments -- Gallery -- Introduction: Black Political Thought as Shaped in the South -- 1. Flight: Movement Matters -- 2. The Emancipation Circuit: A Road Map -- 3. Virginia: Assembly -- 4. North Carolina: Custody -- 5. South Carolina: Majority -- 6. Georgia: Mobilization -- 7. Florida: Faction -- 8. Alabama: Redemption -- 9. Louisiana: Societies -- 10. Mississippi: Bulldoze -- 11. Arkansas: Minority -- Conclusion: What Lives On Is Black Political Thought -- Notes -- Bibliography -- Table Source Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    ISBN: 9780300264463 , 0300264461
    Sprache: Englisch
    Seiten: 319 Seiten , Illustrationen , 27 cm
    DDC: 305.896073075
    Schlagwort(e): Great Migration, ca. 1914-ca. 1970 ; Great Migration, ca. 1914-ca. 1970 Pictorial works ; Great Migration, ca. 1914-ca. 1970 Exhibitions ; History ; Pictorial works ; United States Race relations 20th century ; History ; Ausstellungskatalog ; Ausstellungskatalog ; Ausstellungskatalog ; USA ; Schwarze ; Ethnische Beziehungen ; Binnenwanderung ; Migration ; Geschichte 1915-1970
    Kurzfassung: Directors' Foreword / Christopher Bedford and Betsy Bradley -- Introduction / Jessica Bell Brown and Ryan N. Dennis -- I. Between Town and Metropolis : The Great Migration and the American City. "A Review of the Year of 1918," 1918 ; Blyden Jackson, introduction to Black Exodus : The Great Migration from the American South, 1991 ; "Race Labor Leaving," 1916 ; "Big Exodus of Negroes," 1916 ; Philip Dray, excerpts from Capitol Men : The Epic Story of Reconstruction through the Lives of the First Black Congressmen, 2008 ; "The Negro in Local Politics," 1903 ; "The Negro and Politics," 1899 ; Ralph W. Tyler, "Jackson an Oasis in the Desert of the South," 1914 ; "Negro Doctors in Miss. Since Reconstruction," and "Negro Lawyers in Mississippi Since Reconstuction," 1963 ; "Escaping Slaves," 1916 ; Letter from H.L. Remmel to Henry C. Wallace, 1923 ; "Some Problems of Migration," 1923 ; William O. Scroggs, "Interstate Migration of Negro Population," 1917 ; "Bricks Hurled Through Church Window in Md.," 1925 ; "The Tulsa Riots," 1921 ; "Negro Land-Owners," 1884 ; "Churches Lead Hate Crusade," 1945 ; '"Hundreds Buy Own Homes Under Plan," 1950 ; Thomas H. Ringgold, "Ringgold's Store a Mecca for Many Maryland Notables," 1932 ; "Checking Migration," 1919 ; Vann R. Newkirk II, "The Great Land Robbery," 2019 ; Mississippi Power Company, "The More Abundant Life : Open Letter to Mississippians," 1958 ; W.O. Saunders, "Why Jim Crow is Flying North," 1923 ; Lue Ella Pennington, excerpt from "The Outer Pocket," 1924 ; David Ward Howe, "The Observation Post : White Southerners Now Moving North," 1939 ; "White House, Biddle Deny Plan To Restrict Migration," 1943 ; Edward L. Ayers, excerpts from Southern Journey : The Migrations of the American South 1790-2020, 2020 ; W E.B. Du Bois, excerpts from The Philadelphia Negro : A Social Study, 1889 ; Gene Reid, "Study Finds Lung Cancer High in Black Migrants," 1975 ; "Lost in Migration," 1924 ; "When You Come North," 1925 ; "South Now Trying to Stop Migration by Legislation," 1927 ; "40,000 to Baltimore," 1963 ; "Migration Costs State Over 400,000," 1961 ; "Plants Must Hire Negroes, Manpower Chief Says," 1942 ; "South Hurt by Labor Shortage," 1923 ; "Most Negroes Per Sq. Mile in D.C.," 1926 ; "Basically Colored Counties Drop to 180 with Migration," 1945 ; St. Clair Drake and Horace R. Clayton, excerpts from Black Metropolis : A Study of Negro Life in a Northern, 1945 ; "3rd of Negoes Going to Chicago Are from State," 1962 ; Charles Leavelle, "Green Pastures of WPA Entice Negroes to City," 1938 ; Bernadette Pruitt, "In Search of Freedom : Black Migration to Houston, 1914-1945," 2005 ; "The Year 1943," 1944 ; "Exodus : 1960 Style," 1962 ; Dennis Wrong, "Portrait of a Decade : what the census will show about us in the turbulent sixties," 1970 ; Isabel Wilkerson, "The Long-Lasting Legacy of the Great Migration," 2016
    Kurzfassung: II. A Morsel, A Memory, A Feast : Lasting Legacies of Black Southern Foodways. Frederick Douglass Opie, excerpt from Hog and Hominy : Soul Food from Africa to America, 2008 ; Francis Lam, "Edna Lewis and the Black Roots of American Cooking," 2015 ; Jennifer Jensen Wallach, excerpt from Every Nation Has lts Dish : Black Bodies and Black Food in Twentieth-Centum America, 2019 ; Toni Tipton-Martin, excerpt from The Jemima Code : Two Centuries of African American Cookbooks, 2015 ; Jessica B. Harris, "Migration Meals : How African American Food Transformed the Taste of America," 2021 ; Shakti Baum, Miss Mary, Sweet Honey, and the Cornbread / Griddled Sweet Com Cake with Tarragon and Honey Butter ; Nick Wallace, Braised Pig Cheek with Fresh Micro Carrots, Morel Mushrooms, and Peewee Potatoes ; Enrika Williams, Ham, the Way Aunt Tina Told Me ; Krystal C. Mack, Not My Mama's Potato Salad
    Kurzfassung: III. Finding Sanctuary in Ourselves : Cultural Expressions of the Great Migration. Judith Weisenfeld, excerpts from New World A-Coming : Black Religion and Racial Identity during the Great Migration, 2018 ; Jean Toomer, selected poems from Cane, 1923 ; Rudolph P. Byrd and Henry Louis Gates, Jr., excerpt from the afterword to Cane by Jean Toomer, 2011 ; Langston Hughes, "Afraid," 1924 ; S.W. Henry, "Black Satin," 1926 ; Georgia Douglas Johnson, "My Son," 1924 ; Langston Hughes, "A Song to a Negro Wash-Woman," 1925 ; Leslie King-Hammond, excerpt from Over the Line, the Art and Life of Jacob Lawrence, 2001 ; Lowery Stokes Sims, excerpt from Challenge of the Modern : African-American Artists, 1925-1945, 2003 ; Farah Jasmine Griffin, excerpt from "Who Set You Flowin'?" : The Great Migration Narrative, 1996 ; Sandra G. Shannon, "A Transplant That Did Not Take : August Wilson's Views on the Great Migration," 1997 ; Nicole R. Fleetwood, excerpt from Troubling Vision : Performance, Visuality, and Blackness, 2010 ; LeRoi Jones, excerpts from Blues People : The Negro Experience in White America and the Music that Developed From It, 1963 ; Bernice White, "It's NOT a Man's World," 1970 -- Roundtable.
    Kurzfassung: This thoughtful interweaving of text and imagery presents a variety of perspectives on the Great Migration (1915-70), the mass exodus and dispersion of millions of African Americans out of the South. Through archival photography, newspaper clippings, maps, journal articles, book excerpts, and ephemera such as family recipes, the book immerses readers in Black history, the Great Migration, and its legacy. The book includes texts by authors ranging from W.E.B. Du Bois and Jean Toomer to Toni Tipton-Martin and culminates in a candid roundtable discussion about familial migration stories among some of the most respected Black artists, writers, and scholars working today: Theaster Gates, Kiese Laymon, Carrie Mae Weems, and others. The material is presented in three unique, thematic sections that explore the Great Migration's impact on the American city, Black Southern foodways, and cultural expression. Taken as a whole, this important volume provides powerful testimony to the systemic challenges such as social segregation, racism, and discrimination that Black communities have faced from the post-Emancipation period to the present moment
    Anmerkung: "This book is published in conjunction with the exhibition A Movement in Every Direction: Legacies of the Great migration, presented at the Mississippi Museum of Art, April 9-September 11, 2022, and at the Baltimore Museum of Art, October 30, 2022-January 29, 2023." - Impressum , Includes bibliographical references
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  • 21
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478022947
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 234 Seiten)
    Paralleltitel: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.8292
    Schlagwort(e): Electronic books ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Kurzfassung: Kelli Moore traces the political origins of the concept of domestic violence through visual culture in the United States, showing how it is rooted in the archive of slavery.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 22
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478022893
    Sprache: Englisch
    Seiten: 1 Online-Ressource (329 Seiten)
    Paralleltitel: Erscheint auch als Spigel, Lynn, 1955 - TV snapshots
    DDC: 302.23/45
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    Schlagwort(e): Electronic books ; USA ; Fotografie ; Fernsehen ; Geschichte 1950-1970
    Kurzfassung: Lynn Spigel explores historical snapshots of people posing in front of their television sets in the 1950s through the early 1970s, showing how TV snapshots were a popular photographic practice through which people visualized their lives in an increasingly mediated culture.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478015703 , 9781478018346
    Sprache: Englisch
    Seiten: ix, 234 Seiten , Illustrationen, Diagramme
    Paralleltitel: Erscheint auch als Moore, Kelli, 1976 - Legal spectatorship
    DDC: 362.82/92
    Schlagwort(e): Family violence Law and legislation ; Victims of family violence Legal status, laws, etc ; Slavery Social aspects ; African Americans Social conditions 19th century ; Discrimination in justice administration History 19th century ; Photography Social aspects ; Legal photography ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; SOCIAL SCIENCE / Media Studies ; USA ; Häusliche Gewalt ; Unterdrückung ; Sklaverei ; Rassismus ; Intersektionalität ; Gerichtssaal ; Visuelle Medien ; Fotografie ; Beweis
    Kurzfassung: Authenticating domestic violence : image and feeling in abolitionist media -- Battered women in a cybernetic milieu -- Authenticating testimony in the domestic violence courtroom -- Incorporating camp in criminal justice.
    Kurzfassung: "Legal Spectatorship examines the visual culture surrounding domestic violence, or DV, focusing on the ways that photographs are marshaled as a form of spectacular evidence rooted in slavery and antiblackness. Historically, slaves were not able to testify in person in court although they were often silent witnesses to white domestic conflicts. Today, these histories of racism are embedded into domestic violence prosecution as photographs documenting evidence of DV stand in for women's testimony, and an extensive web of surveillance and administrative tactics criminalize female victims. Kelli Moore reads the legislative, juridical, and media structures that have developed around domestic violence as an extension of the logics of slavery that points to a broader form of US "domestic violence" in the form of slavery and racism. The chapters take up slave witnessing and black subjectivity; the psychological theories that developed around DV in the context of the Civil Rights movement; "artivism" around domestic violence imagery and anti-DV campaigns; and Moore's own ethnographic work in the courtroom observing domestic violence cases"--
    Anmerkung: Includes bibliographical references and index
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  • 24
    ISBN: 9780300246704 , 0300246706
    Sprache: Englisch
    Seiten: xxii, 297 pages , 25 cm
    DDC: 323.092
    Schlagwort(e): Alexander, Sadie Tanner Mossell ; Alexander, Sadie Tanner Mossell ; Democracy ; Racism ; Justice ; Minority economists Biography ; African American women civil rights workers Correspondence ; African American women civil rights workers History 20th century ; African American women civil rights workers ; Democracy ; Justice ; Minority economists ; Racism ; Biographies ; History ; Personal correspondence ; United States ; Quelle 1920-1975 ; Alexander, Sadie Tanner Mossell 1898-1989 ; USA ; Schwarze ; Bürgerrechtsbewegung ; Politisches Denken
    Anmerkung: Includes bibliographical references (pages 265-267) and index
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  • 25
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478014089 , 9781478011941
    Sprache: Englisch
    Seiten: xxii, 552 Seiten , Illustrationen
    Serie: Refiguring American music
    DDC: 782.421640973
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    Schlagwort(e): Volksmusik ; Popmusik ; USA
    Anmerkung: Literaturverzeichnis Seite 446-512
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  • 26
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press
    ISBN: 9780300263060
    Sprache: Englisch
    Seiten: 1 online resource (xix, 264 pages)
    Paralleltitel: Erscheint auch als Henkin, David M. The week
    DDC: 306.4
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    Schlagwort(e): Week-History ; Time measurements ; Time measurements-History ; Electronic books ; Electronic books ; USA ; Woche ; Zeiteinteilung ; Zeitwahrnehmung ; Organisationsprinzip ; Geschichte 1800-2020
    Kurzfassung: An investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live.
    Anmerkung: Description based on publisher supplied metadata and other sources
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  • 27
    ISBN: 9781478014225 , 9781478013310
    Sprache: Englisch
    Seiten: x, 443 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 972.9
    RVK:
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    Schlagwort(e): Ethnologie ; Geschichte ; Postkolonialismus ; Politik ; Karibik ; Anthropology / Philosophy ; Ethnology / Philosophy ; Political science / Anthropological aspects ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; HISTORY / Caribbean & West Indies / General ; Caribbean Area / History ; Caribbean Area / Politics and government ; Caribbean Area / Civilization
    Kurzfassung: "Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing. Trouillot Remixed offers a representative cross-section of his work that includes his most famous writings as well as lesser-known and harder to find pieces essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly
    Anmerkung: Anthropology and the savage slot : the poetics and politics of otherness -- The odd and the ordinary : Haiti, the Caribbean, and the world -- The vulgarity of power -- Good day Columbus : silences, power, and public history (1492-1892) -- The otherwise modern : Caribbean lessons from the savage slot -- The Caribbean region : an open frontier in anthropological theory -- Culture on the edges : creolization in the plantation context -- The perspective of the world : globalization then and now -- Making sense : the fields in which we work -- Caribbean peasantries and world capitalism : an approach to micro-level studies -- The anthropology of the state : close encounters of a deceptive kind -- From planters' journals to academia : the Haitian Revolution as unthinkable history -- Adieu, culture : a new duty arises -- The presence in the past -- Abortive rituals : historical apologies in the global era -- The interrupted march to democracy
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  • 28
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478021896
    Sprache: Englisch
    Seiten: 1 Online-Ressource (435 p.)
    DDC: 306.76608996
    RVK:
    Schlagwort(e): Schwarze ; Homosexualität ; Queer-Theorie ; Theoriebildung ; Ethnologie
    Kurzfassung: In There's a Disco Ball Between Us, Jafari S. Allen offers a sweeping and lively ethnographic and intellectual history of what he calls "Black gay habits of mind." In conversational and lyrical language, Allen locates this sensibility as it emerged from radical Black lesbian activism and writing during the long 1980s. He traverses multiple temporalities and locations, drawing on research and fieldwork conducted across the globe, from Nairobi, London, and Paris to Toronto, Miami, and Trinidad and Tobago. In these locations and archives, Allen traces the genealogies of Black gay politics and cultures in the visual art, poetry, film, Black feminist theory, historiography, and activism of thinkers and artists such as Audre Lorde, Marsha P. Johnson, Essex Hemphill, Colin Robinson, Marlon Riggs, Pat Parker, and Joseph Beam. Throughout, Allen renarrates Black queer history while cultivating a Black gay method of thinking and writing. In so doing, he speaks to the urgent contemporary struggles for social justice while calling on Black studies to pursue scholarship, art, and policy derived from the lived experience and fantasies of Black people throughout the world.
    URL: Cover
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  • 29
    ISBN: 9781478014140 , 9781478013235
    Sprache: Englisch
    Seiten: xvi, 296 Seiten , Illustrationen, Diagramme, Faksimiles , 23 cm
    Paralleltitel: Erscheint auch als Morgan, Jennifer L. Reckoning with slavery
    DDC: 306.3/62
    Schlagwort(e): Slavery Political aspects ; Slavery Economic aspects ; Women slaves ; Women slaves ; Slave trade History ; Slave trade History ; Sklaverei ; USA ; Atlantischer Raum
    Kurzfassung: "The history of the trans-Atlantic slave trade is deeply embedded in the emergence of early modern economic and political institutions. Reckoning with Slavery resituates the early modern as the space out of which race, racial hierarchies, notions of value and trade, and ideas of gender and reproduction are mutually constituted. Through a study of numeracy, trade, counting, and commerce, the lives and experiences of enslaved women in the sixteenth and seventeenth century English Atlantic world come into focus. Rather than treating economy and culture as distinct aspects of social history, Reckoning with Slavery asks what we can come to know about kinship, family, and race through the archives of trade and commerce"--
    Kurzfassung: Inhaltsverzeichnis: Producing numbers: reckoning with the sex ratio in the transatlantic slave trade, 1500-1700 -- "Unfit subjects of trade": demographic logics and colonial encounters -- "To their great commoditie": numeracy and the production of African difference -- Accounting for the "most excruciating torment": transatlantic passages -- "The division of the captives": commerce and kinship in the English Americas -- "Treacherous rogues": locating women in resistance and revolt.
    Anmerkung: Literaturverzeichnis: Seite 257-281
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  • 30
    ISBN: 9781478011996 , 9781478010746
    Sprache: Englisch
    Seiten: xi, 301 Seiten , Illustrationen
    Serie: Experimental futures : technological lives, scientific arts, anthropological voices / a series edited by Michael M.J. Fischer and Joseph Dumit
    RVK:
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    Schlagwort(e): Ethnologie ; Forschungsmethode ; Ethnomethodologie ; Feldforschung ; Experiment ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Anmerkung: Literaturverzeichnis: Seite 267-285
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  • 31
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478022206
    Sprache: Englisch
    Seiten: 1 Online-Resource (273 Seiten)
    Paralleltitel: Erscheint auch als Sunder Rajan, Kaushik, 1974 - Multisituated
    DDC: 305.800711
    RVK:
    Schlagwort(e): Electronic books ; Ethnologie ; Forschungsmethode
    Kurzfassung: Kaushik Sunder Rajan proposes a reconceptualization of ethnography as a multisituated practice that speaks to the myriad communities of accountability and the demands of doing and teaching anthropology in the twenty-first century.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover  (lizenzpflichtig)
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  • 32
    ISBN: 9781478021391
    Sprache: Englisch
    Seiten: 1 Online-Ressource (552 p.)
    Serie: Refiguring American Music : 25
    DDC: 782.421640973
    RVK:
    Schlagwort(e): Volksmusik ; Popmusik ; USA ; Electronic books
    Kurzfassung: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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    URL: Volltext  (lizenzpflichtig)
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  • 33
    Online-Ressource
    Online-Ressource
    New Haven : Yale University Press
    ISBN: 9780300263350
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIII, 550 Seiten) , Karten
    Serie: The Henry L. Stimson lectures series
    Serie: ProQuest Ebook Central
    Paralleltitel: Erscheint auch als Sarotte, Mary Elise, 1968 - Not one inch
    DDC: 327.73047
    RVK:
    Schlagwort(e): North Atlantic Treaty Organization History 20th century ; Geopolitics History 20th century ; Electronic books ; United States Foreign relations ; Russia (Federation) Foreign relations ; United States Foreign relations ; Soviet Union Foreign relations ; Electronic books ; Electronic books ; USA ; Russland ; Osteuropa ; NATO ; Sicherheitspolitik ; Einflusssphäre ; Geschichte 1990-2020
    Kurzfassung: Not one inch. With these words, Secretary of State James Baker proposed a hypothetical bargain to Soviet leader Mikhail Gorbachev after the fall of the Berlin Wall: if you let your part of Germany go, we will move NATO not one inch eastward. Controversy erupted almost immediately over this 1990 exchange-but more important was the decade to come, when the words took on new meaning. Gorbachev let his Germany go, but Washington rethought the bargain, not least after the Soviet Union's own collapse in December 1991. Washington realized it could not just win big but win bigger. Not one inch of territory needed to be off limits to NATO.0 On the thirtieth anniversary of the Soviet collapse, this book uses new evidence and interviews to show how, in the decade that culminated in Vladimir Putin's rise to power, the United States and Russia undermined a potentially lasting partnership. Prize-winning historian M. E. Sarotte shows what went wrong
    Kurzfassung: Thirty years after the Soviet Union's collapse, this book reveals how tensions between America, NATO, and Russia transformed geopolitics between the Cold War and COVID
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 34
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478014928 , 9781478013983
    Sprache: Englisch
    Seiten: xiii, 253 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 305.80071/1
    RVK:
    Schlagwort(e): Ethnologie ; Forschungsmethode ; Kulturanthropologie ; Ethnology Study and teaching (Higher) ; Anthropology Methodology ; Decolonization Study and teaching (Higher) ; Critical pedagogy ; Racism in higher education ; Education and globalization ; Culture and globalization ; SOCIAL SCIENCE / Anthropology / Cultural & Social
    Kurzfassung: Scale -- Comparison -- Encounter -- Dialogue
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  • 35
    Buch
    Buch
    New Haven : Yale University Press
    ISBN: 9780300259933 , 9780300268034 , 030025993X
    Sprache: Englisch
    Seiten: 550 Seiten , Illustrationen
    Serie: The Henry L. Stimson lectures series
    Paralleltitel: Erscheint auch als Sarotte, Mary Elise, 1968 - Not one inch
    DDC: 327.73047
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Internationaler Konflikt ; Gleichgewicht ; Internationale Politik ; Ost-West-Konflikt ; Geschichte ; USA ; USA ; Russland ; Osteuropa ; NATO ; Sicherheitspolitik ; Einflusssphäre ; Geschichte 1990-2020 ; Internationale Politik ; Ost-West-Konflikt ; Geschichte
    Kurzfassung: Verlagsinfo: "Not one inch." With these words, Secretary of State James Baker proposed a hypothetical bargain to Soviet leader Mikhail Gorbachev after the fall of the Berlin Wall: if you let your part of Germany go, we will move NATO not one inch eastward. Controversy erupted almost immediately over this 1990 exchange-but more important was the decade to come, when the words took on new meaning. Gorbachev let his Germany go, but Washington rethought the bargain, not least after the Soviet Union's own collapse in December 1991. Washington realized it could not just win big but win bigger. Not one inch of territory needed to be off limits to NATO. On the thirtieth anniversary of the Soviet collapse, this book uses new evidence and interviews to show how, in the decade that culminated in Vladimir Putin's rise to power, the United States and Russia undermined a potentially lasting partnership. Prize-winning historian M. E. Sarotte shows what went wrong.
    Anmerkung: Literaturverzeichnis: Seiten 509-538. - Register
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  • 36
    Buch
    Buch
    New Haven : Yale University Press
    ISBN: 9780300257328
    Sprache: Englisch
    Seiten: xix, 264 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Henkin, David M. The Week
    DDC: 306.4
    RVK:
    Schlagwort(e): Week-History ; Time measurements ; Time measurements-History ; USA ; Woche ; Zeiteinteilung ; Zeitwahrnehmung ; Organisationsprinzip ; Geschichte 1800-2020 ; Woche ; Zeiteinheit ; Geschichte
    Kurzfassung: "We live by the seven-day week. Yet weeks are dictated not by the natural world but rather by appointment. And in the modern world, these appointments entail more than just the establishment of religious rest days or breaks from work, but a whole host of synchronized activities through which we coordinate our rhythms with others, and especially with strangers. This book approaches weekly time consciousness as a historical development and argues that the modern experience of seven-day rhythms emerged in the United States during the first half of the nineteenth century. Using a wide array of sources - newspapers, pawnshop ledgers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, attendance forms, court testimony, directories, memoirs, novels, letters, and diaries from across the country - the author reconstructs the weekly patterns and schedules of ordinary Americans and explore the habits of mind that grew up around the modern week. He explores how the modern week not only became the dominant organizing cycle of social activity, but also how the passing of weeks came to stand for the swift flight of time itself"--
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  • 37
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478008859
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 234 Seiten) , Illustrationen
    Paralleltitel: Erscheint auch als Dávila, Arlene M., 1965 - Latinx art
    DDC: 700.98
    Schlagwort(e): Art, Latin American-Political aspects ; Electronic books ; USA ; Hispanos ; Künstler ; Kunst ; Kunstmarkt ; Kunsthandel ; Kulturelle Identität ; Rassismus
    Kurzfassung: Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore how and why the contemporary international art market continues to overlook, devalue, and marginalize Latinx art and artists.
    URL: Volltext  (lizenzpflichtig)
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  • 38
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009658 , 9781478008798
    Sprache: Englisch
    Seiten: xxii, 306 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Londoño, Johana Abstract Barrios
    DDC: 305.868/073
    Schlagwort(e): Hispanic American neighborhoods History ; Hispanic Americans Social life and customs ; Hispanic Americans Ethnic identity ; Urban policy History ; City planning Social aspects ; Gentrification History ; United States Ethnic relations ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Anmerkung: Includes bibliographical references and index
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  • 39
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478004684 , 9781478004073
    Sprache: Englisch
    Seiten: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln , Illustrationen
    Paralleltitel: Erscheint auch als Smith, Shawn Michelle, 1965 - Photographic returns
    DDC: 779/.93058
    RVK:
    RVK:
    RVK:
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    Schlagwort(e): Photography in ethnology History ; Documentary photography History ; Art and photography ; Photography in historiography ; Photography Social aspects ; History ; Art and history ; History ; USA ; Dokumentarfotografie ; Ethnologie ; Rasse ; USA ; Rassenfrage ; Fotografie
    Kurzfassung: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project.
    Kurzfassung: "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--
    Anmerkung: Includes bibliographical references and index
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  • 40
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478006817 , 9781478008101
    Sprache: Englisch
    Seiten: xiii, 247 Seiten , Illustrationen
    Serie: A camera obscura book
    Paralleltitel: Erscheint auch als Wallace, Leonelle Mary, 1962- Reattachment theory
    DDC: 306.84/8
    RVK:
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    Schlagwort(e): Same-sex marriage ; Marriage ; Lesbianism in motion pictures ; Homosexuality in motion pictures ; Gleichgeschlechtliche Ehe ; Motiv ; Film ; USA
    Kurzfassung: "REATTACHMENT THEORY eschews dominant queer critiques of same-sex marriage to examine the varied histories of queer influences on marriage. According to the traditional queer critique, the legalization of same-sex marriage signaled a neoliberal and homonormative assimilation into normative structures of heterosexism and reproductive futurism. Countering this argument, queer film scholar Lee Wallace claims that, since the eighteenth century, marriage has allowed for many queer and non-normative plotlines. In this book, Wallace is more interested in marriage as a narrative-both in how marriage is narrativized, as well as the story of the changing meaning of marriage-than she is in marriage as a legal institution. Drawing on historians of marriage, Wallace traces the iterations of love associated with marriage vows: from obligation or duty, to romance, and finally to intimacy. Historicizing the discourse of intimacy, Wallace claims that the valorization of intimacy across the twentieth century led to an idealization of the couple form, regardless of heterosexual or homosexual affiliation. Furthermore, Wallace draws on twentieth-century formulations of sexual reciprocity and sexual satisfaction regardless of marital status-and their links to the discourses of intimacy-to reveal how these concepts proved flexible enough to include homosexuality. Tracking these changing narratives of marriage throughout the twentieth century, Wallace grounds her analyses in an archive of popular culture films. Using Stanley Cavell's notion that, following the "marriage crisis" created by divorce in the early twentieth century, all marriage is remarriage, Wallace argues that after the advent of same-sex marriage, all marriage is gay marriage. Chapter 1, which doubles as the introduction, lays out the stakes of the project. Chapter 2 examines nineteenth-century literature and early twentieth-century popular culture to reveal the changing story of marriage. Chapter 3 situates the 1936 film Craig's Wife as an anticipation of gay and lesbian alternatives to marriage. Chapter 4 reads Tom Ford's film production of Christopher Isherwood's A Single Man as a means to extend homosexual style as a "brand" of cultural and emotional capital. Chapters 6 and 7 engage directly with Cavell's theory of remarriage as an analytic to examine same-sex marriage. This book will be of interest to students and scholars of queer theory, feminist studies, and film studies"--
    Anmerkung: Includes bibliographical references and index
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  • 41
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009597 , 9781478008699
    Sprache: Englisch
    Seiten: x, 217 Seiten
    Serie: Refiguring American music
    DDC: 781.644
    RVK:
    Schlagwort(e): Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
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  • 42
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478008200 , 9781478006824
    Sprache: Englisch
    Seiten: xi, 247 Seiten
    Paralleltitel: Erscheint auch als Brim, Matt Poor queer studies
    Paralleltitel: Erscheint auch als Brim, Matt Poor queer studies
    DDC: 306.76010973
    Schlagwort(e): Gay and lesbian studies ; Elite (Social sciences) Education ; Queer theory ; Educational equalization ; USA ; Queer-Theorie ; Elite ; Hochschulbildung ; Randgruppe ; Prekariat
    Kurzfassung: Introduction: queer dinners -- The College of Staten Island: a poor Queer Studies case study -- "You can write your way out of anywhere": the upward mobility myth of rich Queer Studies -- The queer career: vocational Queer Studies -- Poor Queer Studies mothers -- Counternarratives: a black queer reader -- Epilogue: queer ferrying.
    Kurzfassung: "POOR QUEER STUDIES contextualizes the material conditions under which Queer Theory is produced in the academy. Locating elite universities as the primary loci of Queer Theory, and as producers of and investors in racialized class stratification, Matt Brim interrogates what role Queer Theory has in shoring up class and racial disparities. How, Brim asks, is Queer Theory-a field theoretically dedicated to disrupting structures of power and inequality-implicated in the classed structures of the academy? Brim contends that, in its current formation, Queer Theory-or what he dubs "Rich Queer Theory"-is propelled by universities who refuse to serve poor students and only hire faculty who have graduated from the "prestige pipeline." Moreover, Brim argues that class as an analytic has effectively dropped out of Queer Theory scholarship. To counter these trends, Brim argues for a "Poor Queer Studies" that attends to class differences within the queer academy by examining the material reality through which "subversive" and "antinormative" Rich Queer Theory is produced. For Brim, the "Poor" in Poor Queer Studies allows for two connotations: the lack of material resources at under-resourced and non-elite universities, and the theoretical "holes" around class and racialized class positions in Rich Queer Studies. In chapter 1 Brim offers a case study of his own institution-The College of Staten Island, CUNY-by way of contextualizing the need for a Poor Queer Studies. In chapter 2 Brim expands his introductory argument that the exclusion of low-income students and working-class faculty from Queer Theory is a field-defining feature. In chapter 3 Brim offers a "vocational Queer Studies" that forces academics to consider how Queer Studies prepares students for labor outside of the academy. Chapter 4 is an examination of how students who are mothers have shaped Brim's understanding of Poor Queer Studies. In chapter 5 Brim centers John Keene's 2015 book, Counternarratives, to arrive at a conversation about learning how to read Black queer literature. In the conclusion, Brim proposes a notion of "queer ferrying" by which resources are shared between rich and poor institutions. This book will be of interest to students and scholars of queer studies, black queer studies, American studies, higher education studies, and labor studies"--
    Anmerkung: Includes bibliographical references and index
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  • 43
    ISBN: 9780300234121 , 0300234120 , 9780300261509
    Sprache: Englisch
    Seiten: 418 Seiten , Illustrationen, Karten, genealogische Tafeln , 25 cm
    Paralleltitel: Erscheint auch als Thomas, William G., 1964 - A Question of Freedom
    DDC: 306.3/62092
    Schlagwort(e): Geschichte ; Slaves Emancipation ; Slaves Emancipation ; History ; Slaves Biography ; Slaves Biography ; Slaves Legal status, laws, etc ; Slaves Legal status, laws, etc ; Antislavery movements ; Antislavery movements ; Sklaverei ; Prince George's County (Md.) History ; USA
    Kurzfassung: Prologue: Georgetown, April 2017 -- The planting -- The inheritance.
    Kurzfassung: The story of the longest and most complex legal challenge to slavery in American history, in which a number of enslaved families challenged their bondage in court
    Anmerkung: Literaturangaben
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  • 44
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012436
    Sprache: Englisch
    Seiten: 1 online resource (301 pages)
    Serie: A Camera Obscura Book Ser.
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als Mani, Bakirathi Unseeing empire
    DDC: 909.04914
    RVK:
    RVK:
    RVK:
    Schlagwort(e): South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; South Asian Americans-Ethnic identity ; South Asian Americans-Cultural assimilation-United States ; South Asian Americans-Ethnic identity.. ; South Asian diaspora ; South Asian Americans-Cultural assimilation-United States.. ; Electronic books ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Kurzfassung: Bakirathi Mani examines the visual and affective relationships between South Asian diasporic viewers, artists, and photographic representations of immigrant subjects, showing how empire continues to haunt South Asian American visual cultures.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 45
    ISBN: 9781478005179 , 9781478006787
    Sprache: Englisch
    Seiten: 325 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Are you entertained?
    Paralleltitel: Erscheint auch als Are you entertained?
    Paralleltitel: Erscheint auch als Are You Entertained?
    DDC: 305.896/073
    Schlagwort(e): African Americans in popular culture ; Racism in popular culture ; African American arts ; Popular culture ; Politics and culture ; United States Civilization ; African American influences ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Kurzfassung: Performing Blackness -- "Mutts like me" : mixed-race jokes and post-racial rejection in the Obama era / Ralina L. Joseph -- Black radio : Robert Glasper, Esperanza Spalding, and Janelle Monae? / Emily Lordi -- Camping and vamping across borders : locating cabaret singers in the Black cultural spectrum / Vincent Stephens -- The art of Black popular culture / Ike Okafor-Newsum -- Interview: Lisa B. Thompson -- Politicizing Blackness -- "Refashioning political cartoons : comics of Jackie Ormes, 1938-1958" / Kelly Jo Fulkerson-Dikuua -- Queer kinship and worldmaking in Black queer web series : Drama queenz and No shade / Eric Pritchard -- Styling and profiling : ballers, Blackness, the sartorial Ppolitics of the NBA / David J. Leonard -- Interview: Tracy Whiting-Sharpley -- Owning Blackness -- The subaltern is signifyin(g) : Black Twitter as a site of resistance / Sheneese Thompson -- Authentic Black cool? : branding and trademarks in contemporary African American culture / Richard Schur -- Black culture without Black people : hip hop and dance beyond appropriation discourse / Imani Johnson -- At the corner of chaos & divine : Black ritual theater, performance and politics / Nina Angela Mercer -- Interview: Mark Anthony Neal -- Loving Blackness -- The booty don't lie : pleasure, agency, and resistance in Black popular dance / Takiyah Nur Amin -- He said nothing : sonic space and the production of quietude in Barry Jenkins' Moonlight / Simone Drake -- Black women readers and the uses of urban fiction / Kinohi Nishikawa -- Interview: Patricia Hill Collins.
    Kurzfassung: "ARE YOU ENTERTAINED? re-examines Blackness in popular culture in the digital age. Inspired by Stuart Hall's essay "What is this 'Black' in Black popular culture?" this book contains essays and interviews which explore the complexities of Black popular culture with a focus on the history that has led to this point. Highlighting the challenge Black popular culture must negotiate as it contends with white consumerism and the white gaze, this book emphasizes the cultural changes of the last quarter century and their impacts. ARE YOU ENTERTAINED? covers both new and little known material, bridging the gap between early scholarship on Black popular culture and new scholarship. The collection offers a wide range of perspectives on aspects of popular culture across time period, medium and genre"--
    Anmerkung: Includes bibliographical references and index
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  • 46
    ISBN: 9780300256277
    Sprache: Englisch
    Seiten: 1 online resource (418 pages) , Illustrationen, Karten, genealogische Tafeln
    Paralleltitel: Erscheint auch als Thomas, William G., 1964 - A question of freedom
    DDC: 306.362
    Schlagwort(e): Slaves-Emancipation ; Slavery-Law and legislation-Maryland-Prince George's County-History-18th century ; Electronic books ; USA ; Sklaverei ; Geschichte
    Kurzfassung: The story of the longest and most complex legal challenge to slavery in American history.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Cover
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  • 47
    ISBN: 9781478004424
    Sprache: Englisch
    Seiten: 1 Online-Ressource (281 Seiten)
    Paralleltitel: Erscheint auch als Ethnopornography
    DDC: 306.7
    Schlagwort(e): Sex Anthropological aspects ; Sex Anthropological aspects ; History ; Sex customs ; Ethnology ; Race ; Political science ; Political Science / Colonialism & Post-colonialism ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Ethnologie ; Sexualisierung ; Rassentheorie ; Pornografie
    Kurzfassung: Verlagsinfo: "ETHNOPORNOGRAPHY collects essays that both develop and critique the concept that gives the book its name. Ethnopornography, a term first coined by British anthropologist Walter Roth in the late nineteenth century, refers to the often eroticized observation - for supposedly scientific or academic purposes - of those deemed "other" by the observer. In Roth's case, he was concerned that the descriptions and images he recorded of the bodily and sexual practices of the Aboriginal people he studied were inappropriate for lay readers who might find them vulgar - or worse, titillating. The editors of this collection focus on what it is that creates the slippage between the pornographic and the scientific. In particular, they attend to the importance of race within the colonially created and maintained worlds of both research - ethnography in particular - and pornography. The essays cover time periods ranging from the sixteenth century to the present day, locations from West Africa to the United States, and topics from the literary casting of Islamic culture as sexually excessive and deviant by the Ottomans to a personal account of racially and colonially inflected tensions stemming from an anthropologist's sexual activities while in the field"--
    Anmerkung: Literaturangaben
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  • 48
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478008323 , 9781478007838
    Sprache: Englisch
    Seiten: ix, 254 Seiten , Illustrationen
    Serie: Black studies gender and sexuality
    Paralleltitel: Erscheint auch als Pinto, Samantha Infamous bodies
    DDC: 305.48/896073
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    Schlagwort(e): Wheatley, Phillis ; Hemings, Sally ; Baartman, Sarah ; Seacole, Mary ; Bonetta, Sarah Forbes ; Women, Black, in popular culture ; African American women in popular culture ; Women, Black Legal status, laws, etc ; African American women Legal status, laws, etc ; African American feminists ; Womanism ; Fame Social aspects ; USA ; Schwarze Frau ; Feministin ; Geschichte
    Kurzfassung: "INFAMOUS BODIES portrays ...
    Anmerkung: Includes bibliographical references and index
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  • 49
    ISBN: 9780300246735
    Sprache: Englisch
    Seiten: lxi, 308 Seiten , 20 cm
    Ausgabe: Veritas paperback edition
    Serie: A Veritas paperback
    Paralleltitel: Erscheint auch als Riesman, David The lonely crowd
    DDC: 305.813
    RVK:
    Schlagwort(e): National characteristics, American ; Ethnopsychology ; USA ; Nationalcharakter ; Ethnopsychologie
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  • 50
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012733
    Sprache: Englisch
    Seiten: 1 online resource (257 pages)
    Paralleltitel: Erscheint auch als Sheller, Mimi, 1967 - Island futures
    DDC: 304.209792
    RVK:
    Schlagwort(e): Human ecology Sociological aspects ; Sustainable development ; Human ecology Political aspects ; Human ecology-Political aspects-Caribbean Area ; Karibischer Raum Haiti ; naturkatastrophe ; Klimawandel ; Verhältnis Mensch - Natur ; Humanökologie ; Anthropozän ; Postkolonialismus ; Caribbean Haiti ; Climate change ; Human ecology ; Anthropocene ; Postcolonialism ; Electronic books ; Caribbean Area Environmental aspects ; Caribbean Area Climatic factors ; Karibik ; Klimaänderung ; Naturkatastrophe ; Haiti ; USA ; Humanökologie
    Kurzfassung: Mimi Sheller delves into the ecological crises and reconstruction challenges affecting the entire Caribbean region, showing how vulnerability to ecological collapse and the quest for a "just recovery" in the Caribbean emerge from specific transnational political, economic, and cultural dynamics.
    Kurzfassung: Cover -- Contents -- Preface: An Autobiography of My Mother -- Acknowledgments -- Introduction: Im/Mobile Disaster -- 1. Kinopolitical Power -- 2. Water Power -- 3. Aerial Power -- 4. Digital Power -- 5. Bordering Power -- 6. Sexual Power -- Conclusion: Surviving the Anthropocene -- Afterword: This is Not a Requiem -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478008118 , 9781478006831
    Sprache: Englisch
    Seiten: viii, 278 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Harkins, Gillian, 1970- Virtual pedophilia
    DDC: 306.77
    Schlagwort(e): Pedophilia Social aspects ; Pedophilia in mass media Social aspects ; Online sexual predators ; Computer crimes Investigation ; Mass media and crime ; Sex offenders ; Internet and children Social aspects ; USA ; Pädophilie ; Sexualtäter ; Massenmedien
    Kurzfassung: Introduction: Virtual pedophilia -- Monstrous sexuality and vile sovereignty -- Profiling virtuality and pedophilic data -- Informational image and procedural tone -- Capturing the past and the vitality of crime -- Capturing the future and the sexuality of risk -- Conclusion: Exceptional pedophilia and the everyday case.
    Kurzfassung: "VIRTUAL PEDOPHILIA examines the cultural construction of the pedophile in relation to the rise of the carceral state and neoliberal tactics of forensic securitization. The pedophile, according to Gillian Harkins, is everywhere and nowhere: he eludes diagnostic and forensic profiling by slipping into the veneer of everyday normality. But it wasn't always this way; in this book, Harkins investigates the changing discourses of pedophilia over the late twentieth and early twenty-first centuries to ask why and how the pedophile shifted from a social outcast to the image of white male normality, and why the latter image of the pedophile became a cultural fixation. According to Harkins, this shift was also accompanied by new security regimes: now that the pedophile could no longer be easily detected, the point was to detect potential crime through constant vigilance. Drawing on film, television, and popular culture, Harkins explores how the everyday American was inscripted to "hunt" white male pedophiles, arguing that these cultural texts implied the state and science were no longer sufficient to find the pedophile, thereby creating a biopolitics in which everyone must be on the lookout. Drawing on a Deleuzian interpretation of virtuality as potentiality, as well as the contemporary understanding of virtuality as a condition of technologically produced reality, Harkins positions the pedophile as a virtual construction: an always possible potential whose actuality needs to be determined using modern technologies and security apparatuses. In chapters 1 and 2, Harkins outlines a genealogy of the pedophile from Krafft-Ebings's naming of "paedophilia erotica" in 1886 to today's construction of the virtual pedophile. Chapter 3 focuses on the cultural production of the pedophile by examining the television series Law and Order: Special Victims Unit and To Catch a Predator, and how these shows trained audiences to "detect" pedophiles. Chapter 4 examines the pedophile in documentary and narrative film. In the final chapters, Harkins turns towards queer encounters with the security regimes around pedophilia and sex offenders, and considers what's at stake in the calls to dismantle or reduce sex offender management. This book will be of interest to students of gender and sexuality studies, neoliberalism, carceral studies and the security state, cultural studies, and social theory"--
    Anmerkung: Includes bibliographical references and index
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  • 52
    Bild
    Bild
    New York : Whitney Museum of American Art | New Haven : Yale University Press
    ISBN: 9780300246698
    Sprache: Englisch
    Seiten: 255 Seiten , Illustrationen
    DDC: 751.7/30972
    Schlagwort(e): Mural painting and decoration, Mexican Exhibitions ; Mural painting and decoration, Mexican Exhibitions Influence ; Art, American Exhibitions Mexican influences 20th century ; ART / Caribbean & Latin American ; ART / Collections, Catalogs, Exhibitions / Group Shows ; Ausstellungskatalog Whitney Museum of American Art 17.02.2020-17.05.2020 ; Ausstellungskatalog McNay Art Museum 25.06.2020-04.10.2020 ; Mexiko ; Lateinamerika ; USA ; Kulturaustausch ; Wandmalerei ; Geschichte 1925-1945
    Kurzfassung: The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries’ shared border in both directions. For U.S. artists, Mexico’s monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.
    URL: Cover
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  • 53
    ISBN: 9781478012023
    Sprache: Englisch
    Seiten: 1 Online-Ressource (386 Seiten)
    Serie: Black Outdoors: Innovations in the Poetics of Study
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.8
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    Schlagwort(e): SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African Americans Race identity ; African Americans Relations with Indians ; Blacks Study and teaching ; Indians of North America Ethnic identity ; Indians of North America Study and teaching ; Race Political aspects ; Racism ; Interaktion ; Afroamerikanismus ; Identität ; Indigenes Volk ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Afroamerikanismus ; Schwarze ; Indigenes Volk ; Identität ; Interaktion
    Kurzfassung: The contributors to Otherwise Worlds investigate the complex relationships between settler colonialism and anti-Blackness to explore the political possibilities that emerge from such inquiries. Pointing out that presumptions of solidarity, antagonism, or incommensurability between Black and Native communities are insufficient to understand the relationships between the groups, the volume's scholars, artists, and activists look to articulate new modes of living and organizing in the service of creating new futures. Among other topics, they examine the ontological status of Blackness and Indigeneity, possible forms of relationality between Black and Native communities, perspectives on Black and Indigenous sociality, and freeing the flesh from the constraints of violence and settler colonialism. Throughout the volume's essays, art, and interviews, the contributors carefully attend to alternative kinds of relationships between Black and Native communities that can lead toward liberation. In so doing, they critically point to the importance of Black and Indigenous conversations for formulating otherwise worlds.ContributorsMaile Arvin, Marcus Briggs-Cloud, J. Kameron Carter, Ashon Crawley, Denise Ferreira da Silva, Chris Finley, Hotvlkuce Harjo, Sandra Harvey, Chad B. Infante, Tiffany Lethabo King, Jenell Navarro, Lindsay Nixon, Kimberly Robertson, Jared Sexton, Andrea Smith, Cedric Sunray, Se'mana Thompson, Frank B. Wilderson
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 54
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478012276 , 1478012277
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxii, 306 pages) , illustrations
    Paralleltitel: Erscheint auch als
    DDC: 305.868/073
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    Schlagwort(e): Hispanic American neighborhoods / History ; Hispanic Americans / Social life and customs ; Hispanic Americans / Ethnic identity ; Urban policy / History / United States ; City planning / Social aspects / United States ; Gentrification / History / United States ; Stadtteilkultur ; Gentrifizierung ; Hispanos ; Stadt ; Segregation ; USA ; USA ; Stadt ; Segregation ; Gentrifizierung ; Hispanos ; Stadtteilkultur
    Kurzfassung: Design for the "Puerto Rican problem" -- Colors and the "culture of poverty" -- A fiesta for "white flight" -- Barrio affinities and the diversity problem -- Brokering or gentrification by another name
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
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    URL: Cover
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  • 55
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009849 , 9781478010890
    Sprache: Englisch
    Seiten: xv, 271 Seiten, 12 ungezählte Seiten , Illustrationen
    Serie: A camera obscura book
    Paralleltitel: Erscheint auch als Mani, Bakirathi Unseeing Empire
    DDC: 909/.04914
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    Schlagwort(e): South Asian Americans Cultural assimilation ; South Asian Americans Ethnic identity ; South Asian diaspora ; USA ; Diaspora ; Südasiaten ; Kulturelle Identität ; Einwanderung ; Fotografie ; Shah, Seher 1975- ; Matthew, Annu Palakunnathu 1964- ; Gill, Gauri 1970-
    Kurzfassung: "In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in US public culture and to reflect on their desires to be represented"--
    Anmerkung: Literaturverzeichnis: Seiten 245-259
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  • 56
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478005537 , 147800553X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (ix, 236 pages) , illustrations
    Paralleltitel: Erscheint auch als
    DDC: 779.93058
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    Schlagwort(e): Photography in ethnology / History / United States ; Documentary photography / History / United States ; Art and photography / United States ; Photography in historiography ; Photography / Social aspects / History / United States ; Art and history / United States ; Fotografie ; Rassenfrage ; USA ; Electronic books ; USA ; Rassenfrage ; Fotografie
    Kurzfassung: Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 57
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478009344
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 274 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 302
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    Schlagwort(e): SOCIAL SCIENCE / Anthropology / Cultural & Social ; Anthropology Methodology ; English language Discourse analysis ; Ethnology Methodology ; Interpersonal relations and culture ; Interpersonal relations ; Verwandtschaft ; Anthropologie ; Ethnologie ; Electronic books ; Verwandtschaft ; Anthropologie ; Ethnologie
    Kurzfassung: The concept of relation holds a privileged place in how anthropologists think and write about the social and cultural lives they study. In Relations, eminent anthropologist Marilyn Strathern provides a critical account of this key concept and its usage and significance in the English-speaking world. Exploring relation's changing articulations and meanings over the past three centuries, Strathern shows how the historical idiosyncrasy of using an epistemological term for kinspersons ("relatives") was bound up with evolving ideas about knowledge-making and kin-making. She draws on philosophical debates about relation-such as Leibniz's reaction to Locke-and what became its definitive place in anthropological exposition, elucidating the underlying assumptions and conventions of its use. She also calls for scholars in anthropology and beyond to take up the limitations of Western relational thinking, especially against the background of present ecological crises and interest in multispecies relations. In weaving together analyses of kin-making and knowledge-making, Strathern opens up new ways of thinking about the contours of epistemic and relational possibilities while questioning the limits and potential of ethnographic methods
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  • 58
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478008880
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvi, 310 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.5/2
    Schlagwort(e): SOCIAL SCIENCE / Anthropology / Cultural & Social ; Celebrities in mass media ; Fame Social aspects ; Hispanic American mass media ; Hispanic Americans in mass media ; Mass media and culture ; Mass media Political aspects ; Paparazzi ; Popular culture ; Women journalists ; Berühmte Persönlichkeit ; Paparazzo ; Regenbogenpresse ; Diskriminierung ; USA ; Los Angeles- Hollywood ; USA ; Los Angeles- Hollywood ; Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung
    Kurzfassung: In Manufacturing Celebrity Vanessa Díaz traces the complex power dynamics of the reporting and paparazzi work that fuel contemporary Hollywood and American celebrity culture. Drawing on ethnographic fieldwork, her experience reporting for People magazine, and dozens of interviews with photographers, journalists, publicists, magazine editors, and celebrities, Díaz examines the racialized and gendered labor involved in manufacturing and selling relatable celebrity personas. Celebrity reporters, most of whom are white women, are expected to leverage their sexuality to generate coverage, which makes them vulnerable to sexual exploitation and assault. Meanwhile, the predominantly male Latino paparazzi can face life-threatening situations and endure vilification that echoes anti-immigrant rhetoric. In pointing out the precarity of those who hustle to make a living by generating the bulk of celebrity media, Díaz highlights the profound inequities of the systems that provide consumers with 24/7 coverage of their favorite stars
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  • 59
    ISBN: 9781478012344
    Sprache: Englisch
    Seiten: 1 Online-Ressource (357 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 371.829/97
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    Schlagwort(e): Geschichte ; SOCIAL SCIENCE / Ethnic Studies / Native American Studies ; Colonization Social aspects ; Indigenous peoples Books and reading ; Indigenous peoples Colonization ; Indigenous peoples Communication ; Indigenous peoples Education ; Literacy Social aspects ; Postkolonialismus ; Indigenes Volk ; Sprache ; Kulturelle Identität ; Globalisierung ; Literatur ; Konferenzschrift 2014 ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift ; Aufsatzsammlung ; Indigenes Volk ; Kulturelle Identität ; Sprache ; Literatur ; Postkolonialismus ; Globalisierung ; Geschichte
    Kurzfassung: As modern European empires expanded, written language was critical to articulations of imperial authority and justifications of conquest. For imperial administrators and thinkers, the non-literacy of "native" societies demonstrated their primitiveness and inability to change. Yet as the contributors to Indigenous Textual Cultures make clear through cases from the Pacific Islands, Australasia, North America, and Africa, indigenous communities were highly adaptive and created novel, dynamic literary practices that preserved indigenous knowledge traditions. The contributors illustrate how modern literacy operated alongside orality rather than replacing it. Reconstructing multiple traditions of indigenous literacy and textual production, the contributors focus attention on the often hidden, forgotten, neglected, and marginalized cultural innovators who read, wrote, and used texts in endlessly creative ways. This volume demonstrates how the work of these innovators played pivotal roles in reimagining indigenous epistemologies, challenging colonial domination, and envisioning radical new futures.Contributors. Noelani Arista, Tony Ballantyne, Alban Bensa, Keith Thor Carlson, Evelyn Ellerman, Isabel Hofmeyr, Emma Hunter, Arini Loader, Adrian Muckle, Lachy Paterson, Laura Rademaker, Michael Reilly, Bruno Saura, Ivy T. Schweitzer, Angela Wanhalla
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  • 60
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478009139
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 247 Seiten) , Illustrationen
    Serie: A Camera Obscura Book
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 306.84/8
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    Schlagwort(e): Geschichte ; Hollywood marriage plot ; changing narrative of intimacy ; valorization of intimacy ; PERFORMING ARTS / Film & Video / History & Criticism ; Homosexuality in motion pictures ; Lesbianism in motion pictures ; Marriage ; Same-sex marriage ; Homosexualität ; Film ; Ehe ; USA ; USA ; Film ; Homosexualität ; Ehe ; Geschichte
    Kurzfassung: In Reattachment Theory Lee Wallace argues that homosexuality-far from being the threat to "traditional" marriage that same-sex marriage opponents have asserted-is so integral to its reimagining that all marriage is gay marriage. Drawing on the history of marriage, Stanley Cavell's analysis of Hollywood comedies of remarriage, and readings of recent gay and lesbian films, Wallace shows that queer experiments in domesticity have reshaped the affective and erotic horizons of heterosexual marriage and its defining principles: fidelity, exclusivity, and endurance. Wallace analyzes a series of films-Dorothy Arzner's Craig's Wife (1936); Tom Ford's A Single Man (2009); Lisa Cholodenko's High Art (1998), Laurel Canyon (2002), and The Kids Are All Right (2010); and Andrew Haigh's Weekend (2011) and 45 Years (2015)-that, she contends, do not simply reflect social and legal changes; they fundamentally alter our sense of what sexual attachment involves as both a social and a romantic form
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: Cover
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  • 61
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478009436 , 9781478008545
    Sprache: Englisch
    Seiten: xvi, 310 Seiten , Illustrationen
    DDC: 305.52
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    Schlagwort(e): Berühmte Persönlichkeit ; Regenbogenpresse ; Paparazzo ; Diskriminierung ; USA ; Los Angeles- Hollywood
    Anmerkung: Literaturverzeichnis Seite 271-300
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  • 62
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478009009
    Sprache: Englisch
    Seiten: 1 Online-Ressource (325 Seiten)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 305.896/073
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    Schlagwort(e): Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Kurzfassung: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
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  • 63
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press
    ISBN: 9781478009337
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xi, 290 Seiten)
    Serie: Sign, Storage, Transmission
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    DDC: 306.76/63
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    Schlagwort(e): Lesbian Herstory Archives ; Geschichte 1970-2020 ; SOCIAL SCIENCE / Media Studies ; Archival materials Digitization ; Social aspects ; Archives Social aspects ; Digital media Social aspects ; Lesbian feminism Archival resources ; Lesbians Archival resources ; Queer theory ; Medien ; Queer-Theorie ; Soziale Bewegung ; Lesbe ; Kommunikation ; Feminismus ; USA ; Hochschulschrift ; Hochschulschrift ; Aufsatzsammlung ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Kurzfassung: For decades, lesbian feminists across the United States and Canada have created information to build movements and survive in a world that doesn't want them. InInformation Activism Cait McKinney traces how these women developed communication networks, databases, and digital archives that formed the foundation for their work. Often learning on-the-fly and using everything from index cards to computers, these activists brought people and their visions of justice together to organize, store, and provide access to information. Focusing on the transition from paper to digital-based archival techniques from the 1970s to the present, McKinney shows how media technologies animate the collective and unspectacular labor that sustains social movements, including their antiracist and trans-inclusive endeavors. By bringing sexuality studies to bear on media history, McKinney demonstrates how groups with precarious access to control over information create their own innovative and resourceful techniques for generating and sharing knowledge
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 64
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478006848 , 9781478008125 , 9781478009160
    Sprache: Englisch
    Seiten: X, 309 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Writing anthropology
    Paralleltitel: Erscheint auch als Writing anthropology
    Paralleltitel: Erscheint auch als McGranahan, Carole, 1969 - Writing Anthropology
    DDC: 301
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Anthropologists' writings ; Anthropology Authorship ; Ethnologie ; Textproduktion ; Methode
    Kurzfassung: "WRITING ANTHROPOLOGY gathers fifty three essays on writing from leading anthropologists on their approach to writing and its current practice in the field. In the past several decades, as anthropologists have grappled with questions of how to ethically portray their subjects, ethnographic writing styles have also changed from a detached, objective voice to one that is more humanistic and self-reflexive. To explore these changes in writing styles and approaches, Carole McGranahan curated a series for the blog Savage Minds: Notes and Queries in Anthropology on the craft of writing and anthropology. This anthology collects expanded versions of these essays, as well as new additions, and raises wide-ranging questions about what it means to write ethnographically. The book is divided into ten sections: Ruminations, Writing Ideas, Telling Stories, On Responsibility, The Urgency of Now, Writing With, Writing Against, Academic Authors, Ethnographic Genres, Becoming and Belonging, and Writing and Knowing. Essays include Ruth Behar on reading as a writer, Adia Benton on how the passage of time can create fuller ethnographic accounts, and Yarimar Bonilla on the temporality of reading and writing in the digital age. Other contributors include Press authors such as Anand Pandian, Lauren Berlant, Kathleen Stewart, Stuart McLean, and Kristen Ghodsee. This book will be of interest to students and scholars of anthropology and creative writing"--
    Anmerkung: Literaturverzeichnis: Seiten 283-292
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 65
    ISBN: 9781478003151 , 9781478003847
    Sprache: Englisch
    Seiten: ix, 270 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Ethnopornography
    Paralleltitel: Erscheint auch als Ethnopornography
    DDC: 306.7
    Schlagwort(e): Ethnologie ; Sexualisierung ; Rassentheorie ; Pornografie ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: Verlagsinfo: "ETHNOPORNOGRAPHY collects essays that both develop and critique the concept that gives the book its name. Ethnopornography, a term first coined by British anthropologist Walter Roth in the late nineteenth century, refers to the often eroticized observation - for supposedly scientific or academic purposes - of those deemed "other" by the observer. In Roth's case, he was concerned that the descriptions and images he recorded of the bodily and sexual practices of the Aboriginal people he studied were inappropriate for lay readers who might find them vulgar - or worse, titillating. The editors of this collection focus on what it is that creates the slippage between the pornographic and the scientific. In particular, they attend to the importance of race within the colonially created and maintained worlds of both research - ethnography in particular - and pornography. The essays cover time periods ranging from the sixteenth century to the present day, locations from West Africa to the United States, and topics from the literary casting of Islamic culture as sexually excessive and deviant by the Ottomans to a personal account of racially and colonially inflected tensions stemming from an anthropologist's sexual activities while in the field
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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