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  • 1
    Language: German
    Pages: 300 mm x 300 mm, 1450 g
    DDC: 780
    RVK:
    Keywords: Bildband ; Gespräch ; Reimer, Arne 1972- ; USA ; Jazzmusiker ; Gespräch ; Reimer, Arne 1972- ; Porträtfotografie ; Jazzmusiker ; USA
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  • 2
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 3
    ISBN: 9781643363202 , 9781643363219
    Language: English
    Pages: xviii, 209 Seiten
    Parallel Title: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Keywords: ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Abstract: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 4
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 5
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
    RVK:
    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 6
    ISBN: 9781636810164 , 1636810160
    Language: English
    Pages: 222 Seiten , 32 x 24 cm
    DDC: 704.0396073
    RVK:
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    Keywords: Los Angeles County Museum of Art Catalogs ; Los Angeles County Museum of Art ; African Americans Portraits ; Exhibitions ; Portrait photography Exhibitions ; African Americans in art Exhibitions ; Art, American Exhibitions ; Art Catalogs ; African Americans ; African Americans in art ; Art ; Art, American ; Portrait photography ; Catalogs ; Exhibition catalogs ; California - Los Angeles ; Ausstellungskatalog Los Angeles County Museum of Art 2021-2022 ; Ausstellungskatalog Spelman College 2023 ; Ausstellungskatalog Memphis Brooks Museum of Art 2023-2024 ; Bildband ; Los Angeles County Museum of Art ; Sammlung ; Porträtfotografie ; Person of Color ; USA ; Schwarze ; Kunst ; Bildnis ; Schwarze
    Abstract: Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.0Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.00Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022)
    Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /
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  • 7
    ISBN: 9781984859433
    Language: English
    Pages: 283 Seiten , 27 cm
    Edition: First graphic edition
    Parallel Title: Erscheint auch als
    DDC: 741.5973
    Keywords: Rassismus ; Ethnische Beziehungen ; Soziale Gerechtigkeit ; Rassendiskriminierung ; Schwarze ; USA ; Racism / United States / History / Comic books, strips, etc ; United States / Race relations / Comic books, strips, etc ; Race discrimination / Political aspects / United States / Comic books, strips, etc ; Race discrimination / Economic aspects / United States / Comic books, strips, etc ; African Americans / Social conditions / History / Comic books, strips, etc ; African Americans / Social conditions / Comic books, strips, etc ; Racism against Black people / United States / Comic books, strips, etc ; Anti-racism / Comic books, strips, etc ; Social justice / Comic books, strips, etc ; Race Relations / history ; Black or African American ; Social Conditions / history ; Educational comics ; Graphic novel adaptations ; Comic ; Comic ; Comic ; USA ; Schwarze ; Rassismus ; Rassendiskriminierung ; Soziale Gerechtigkeit ; Ethnische Beziehungen
    Abstract: "A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists."--
    Note: Includes index , Cotton Mather -- , Thomas Jefferson -- , William Lloyd Garrison -- , W.E.B. Du Bois -- , Angela Davis
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  • 8
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 9
    ISBN: 9789492852885 , 9492852888
    Language: Dutch
    Pages: 507 Seiten , Illustrationen
    Parallel Title: Parallele Sprachausgabe Perrée, Rob, 1947 - A black collage
    DDC: 700.411
    Keywords: USA ; Schwarze ; Kunst ; Museum ; Ausstellung ; Kunstbetrieb ; Geschichte 1990-2023
    Abstract: In dit boek vertelt Rob Perrée zijn geschiedenis met Afrikaans-Amerikaanse kunst. Van 1990 tot 2023. Hij doet dat door middel van een chronologische collage van nieuwe teksten, verbindende teksten, eerder gepubliceerde artikelen, essays, interviews, recensies, columns en korte verhalen. De nieuwe teksten plaatsen de andere in context. Tezamen geven ze de ontwikkeling van de Afrikaans Amerikaanse kunst weer en laten ze zien hoe de appreciatie ervoor en de perceptie ervan in de loop van de tijd is veranderd, in de VS, maar vooral ook in Nederland, bij het publiek, maar ook bij de instituties. Het is een blik achter de schermen die zijn passie voor deze kunst zichtbaar maakt.00Rob Perrée is kunsthistoricus, onafhankelijk schrijver en curator, oprichter van het online tijdschrift Africanah.org. Zijn artikelen zijn verschenen in diverse (kunst)tijdschriften, kranten en catalogi. Hij woont en werkt in Amsterdam en Brooklyn
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  • 10
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
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    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 11
    ISBN: 1642832618 , 9781642832617
    Language: English
    Pages: xiv, 239 Seiten , Illustrationen, Karten , 23 cm
    DDC: 303.48320973
    Keywords: Express highways Social aspects ; Roads Design and construction ; Social aspects ; City planning ; City planning ; Express highways - Social aspects ; United States ; USA ; Städtebaupolitik ; Autobahnbau ; Auswirkung ; Rassismus
    Abstract: Justice and the Interstates examines the toll that the construction of the U.S. Interstate Highway System has taken on vulnerable communities over the past seven decades, details efforts to restore these often- segregated communities, and makes recommendations for moving forward. It opens up new areas for historical inquiry, while also calling on engineers, urban planners, transportation professionals, and policymakers to account for the legacies of their practices
    Note: Includes bibliographical references and index , Introduction: How Can a Highway be Racist? , The Myth and the Truth about Interstate Highways / , The Interstates, Racism, and the Need for Truth and Reconciliation: The Case of Highway Routing in Alabama / , Overton Park: The Race and Class Politics of Environmentalism, Historic Preservation, and Highway Construction / , Milwaukee's Freeway Fights: Lessons from Building and Rebuilding / , The Perils of Civic Participation: Community Engagement and Interstate Planning in Baltimore / , Right in the Way: Generations of Highway Impacts in Houston / , Latino Interchanges: Greater East Los Angeles in the Freeway Era / , A Contemporary Path to Transportation Justice in Rondo / , Guerrilla in the Room / , Conclusion: Never Again Is Now: The Transportation Professions' Responsibility to Work Toward Justice /
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  • 12
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404 , 9781588347718
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index. - Hier auch später erschienene, unveränderte Nachdrucke
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  • 13
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    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    ISBN: 9780520393301
    Language: English
    Pages: 139 Seiten
    DDC: 730.973
    Keywords: ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Abstract: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 14
    ISBN: 9780271094939
    Language: English
    Pages: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Additional Information: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Keywords: 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Abstract: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Abstract: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Description / Table of Contents: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 15
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
    RVK:
    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 16
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
    RVK:
    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 17
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 18
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    Memphis, Tennessee : Dixon Gallery and Gardens | New Haven : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten , Illustrationen , 29 cm
    RVK:
    Keywords: Porter, James A Exhibitions ; Simpson, Merton D Exhibitions ; African American art Exhibitions 20th century ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Kunst ; Schwarze ; Geschichte 1950-1980
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone.
    Note: Seite [144]: This publication was produced in conjuntion with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023-January 14, 2024, and the Crocker Art Museum, Sacramento, February 4-May 19, 2024 , Includes bibliographical references and index
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  • 19
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    New York, NY, United States of America : Oxford University Press
    ISBN: 0197600441 , 9780197600443 , 0197600433 , 9780197600436
    Language: English
    Pages: ix, 319 pages , color illustrations, map , 24 cm
    Parallel Title: Erscheint auch als Rosenfeld, Michael J., 1966 - The rainbow after the storm
    DDC: 306.84/80973
    Keywords: Same-sex marriage Social aspects ; Same-sex marriage Public opinion ; Social sciences ; Homosexuels - Mariage - Aspect social - États-Unis ; Homosexuels - Mariage - États-Unis - Opinion publique ; Social sciences ; United States ; USA ; Ehe ; Eheschließung ; Homosexualität ; Gleichberechtigung ; Sozialer Wandel
    Note: Includes bibliographical references (pages 287-309) and index
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  • 20
    ISBN: 9783631864067
    Language: English
    Pages: 311 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Digital Challenges and Strategies in a Post-Pandemic World
    DDC: 658.05
    Keywords: Technology Congresses Social aspects ; Industrial management Congresses Data processing ; Finance Congresses Data processing ; Blockchains (Databases) Congresses Economic aspects ; COVID-19 Pandemic, 2020- Congresses Social aspects ; Konferenzschrift ; Unternehmen ; Digitalisierung
    Abstract: The impact of blockchain on the marketing mix elements : a literature review / Ela Sibel Bayrak Meydanoglu, Margareta Teodorescu, Müge Klein -- Video-on-demand platforms : a preliminary study on preferences and prospective binge behaviour / Isil Ketan, Alexander Dreyer, Dilek Zamantili Nayir -- Digital marketing trends during the Covid 19 outbreak : entrepreneurship perspectives and Turkish SME cases from the Young Businessmen Association of Turkey (TUGIAD) as evidence from an emerging economy / Ilke Kocamaz, Bilal Dede -- Blockchain technology as a solution to the bullwhip effect / Elif Ceren Yildiz, Taskin Dirsehan -- Investigating the effects of digital challenges and strategies in post-pandemic era on supply chain management / Mehmet Ali Tas, Batin Latif Aylak, Damla Durak Usar -- Understanding artificial intelligence in service during the post pandemic period / Ahmet Tugrul Tuger -- Factors affecting work-family conflict in the digital work environment / Müge Klein, Sevgin Batuk Ünlü, Selin Karaca Varinlioglu, Merve Ahter Dede -- Family-work conflict and job performance during remote working : does technostress mediate this relationship? / Alev Özer Torgalöz, Pinar Yozgatli Özbilen, Deniz Mat Artun -- Transformation of home into workspace for women during Covid-19 pandemic : expression of work and non-work life balance on social media / Çigdem Vatansever, Meltem Sezer Özata, Ayça Ünsever -- Significance of the governance of blockchain systems / Ulrich Tamm, Rainer Lenz -- Digital challenges in the governance of business networks in the post-pandemic era / Hüseyin Hayri Nuroglu -- Cryptocurrencies and blockchain technology : investigating the relationship between bitcoin and financial markets / Hüseyin Hayri Nuroglu -- The asset allocation preferences of mutual fund managers in the pre-pandemic and post-pandemic periods / Mehmet Hakan Özdemir, Tolga Tuzcuoglu, Erencan Yavrucu -- Mind the gap : why Germany should invest more in its future / Kersten Kellermann -- Digitalizing family : digital parenting during the Covid-19 pandemic / Elif Posos Devrani -- Research-based learning during a pandemic - findings from a course on business informatics conducting research on barriers to digital transformation / Sven Packmohr, Henning Brink -- Legal challenges due to the pandemic impacts / Axel Benning, Abdulmuttalip Erduran.
    Abstract: "The Covid-19 pandemic has not only affected the health and life of people around the world, but also many areas such as the economy, the way of doing business, working life, the education sector, the urban life, and consumer consumption habits. Digital technologies and solutions also played an important role in the changes brought about by the pandemic. Digitization has brought its own challenges in this context. Being aware of this issue, Turkish-German University (TGU) hosted a conference on "Digital Challenges and Strategies in a Post-Pandemic World" in cooperation with Bielefeld University of Applied Sciences in Istanbul. The conference offered a platform for academicians as well as practitioners to discuss the current issues related to new digital applications, the impact of digitization, digital challenges, and necessary measures, as well as strategies to overcome these challenges in a post-pandemic world. The academic papers presented in the conference constitute the chapters of this book"--
    Note: "Turkish German University (TGU) held a conference entitled "2. Annual Business Administration (ABAC) on Digital Challenges and Strategies in a Post-Pandemic World" from November 18th to 19th, 2021 in Istanbul in cooperation with Bielefeld University of Applied Sciences" - Preface , Includes bibliographical references
    URL: Inhaltstext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 21
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 22
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
    RVK:
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    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 23
    ISBN: 9788862087742
    Language: English
    Pages: 159 Seiten , illustrations , 31 cm
    DDC: 779
    Keywords: Bildband ; Bildband ; Verger, Pierre 1902-1996 ; USA ; Fotografie ; Alltag ; Geschichte 1934-1937
    Note: Pierre Verger (1902-1996), known also as Fatumbi, French photographer
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  • 24
    ISBN: 9781328900241 , 132890024X
    Language: English
    Pages: xviii, 330 Seiten , Illustrationen , 24 cm
    DDC: 973.7/1140922
    Keywords: Douglass, Frederick ; Garrison, William Lloyd ; Chapman, Maria Weston ; Douglass, Frederick ; Antislavery movements 19th century ; Antislavery movements History ; African American abolitionists ; Abolitionists History 19th century ; Racism Political aspects 19th century ; History ; HISTORY / United States / 19th Century ; BIOGRAPHY & AUTOBIOGRAPHY / Social Activists ; BIOGRAPHY & AUTOBIOGRAPHY / Historical ; Antislavery movements ; Racism ; Political aspects ; Slavery ; United States ; African American abolitionists ; Abolitionists ; History ; Massachusetts ; Boston ; United States ; Douglass, Frederick 1818-1895 ; Garrison, William Lloyd 1805-1879 ; Chapman, Maria Weston 1806-1885 ; USA ; Abolitionismus ; Geschichte
    Abstract: Introduction: Meeting on Nantucket --Part I: Allies Arise --Printer Garrison Learns His Trade --Manager Weston Chapman Comes of Age --Garrison Will Be Heard --The Enslaved Write Their History --Frederick Douglass's History in Slavery --Frederick Douglass's Escape --Part II: Abolition Takes Root --David Walker Appeals and Garrison Hears --Starting the Black and White Antislavery Societies --A National Movement Emerges --The Liberator Will Be Read --Maria Weston Chapman Takes the Reins --Antislavery on the March --Moral Garrison Splits with the Politicos --Part III: The Grand Alliance at Work --Douglas Joins Garrison --The Façade and the Cracks in the Alliance --Political Abolition Pulls on Garrisonians --The Cracks Widen --Douglass Writes and Garrison Publishes --Frederick Douglass, International Superstar and Publisher --Part IV: Douglass to the Political Side --Slave Power Rises and Abolition Power Rises --The Private Lives of Public Activists --Compromise Makes Conflict Worse --Douglass Recruits the Constitution --Part V: Douglass and Garrison Divide --The Political Divorce --The Personal Divorce --Epilogue: Three Meetings and a Funeral.
    Abstract: "The story of the fascinating, fraught alliance among Frederick Douglass, William Lloyd Garrison, and Maria Weston Chapman -- and how its breakup led to the success of America's most important social movement. In the crucial early years of the Abolition movement, the Boston branch of the cause seized upon the star power of the eloquent ex-slave Frederick Douglass to make its case for slaves' freedom. Journalist William Lloyd Garrison promoted emancipation while Garrison loyalist Maria Weston Chapman, known as "the Contessa," raised money and managed Douglass's speaking tour from her Boston townhouse. Conventional histories have seen Douglass's departure for the New York wing of the Abolition party as a result of a rift between Douglass and Garrison. But, as acclaimed historian Linda Hirshman reveals, this completely misses the woman in power. Weston Chapman wrote cutting letters to Douglass, doubting his loyalty; the Bostonian abolitionists were shot through with racist prejudice, even aiming the N-word at Douglass among themselves. Through incisive, original analysis, Hirshman convinces that the inevitable breakup was in fact a successful failure. Eventually, as the most sought-after Black activist in America, Douglass was able to dangle the prize of his endorsement over the Republican Party's candidate for President, Abraham Lincoln. Two years later the abolition of slavery -- if not the abolition of racism -- became immutable law." --
    Note: Includes bibliographical references (pages 279-314) and index , Text in American English
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  • 25
    ISBN: 9781597115308 , 1597115304
    Language: English
    Pages: 223 Seiten , 24 cm
    Edition: First edition
    DDC: 306.76/6208996073
    RVK:
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    Keywords: Gay liberation movement Pictorial works ; African American transgender people Pictorial works ; Transgender people Pictorial works ; Protest movements Pictorial works ; Documentary photography ; Protest literature, American ; Photographers ; Photography, Artistic ; African American transgender people ; Gay liberation movement ; Photography, Artistic ; Transgender people ; Black transgender people ; Black queer people ; Queer rights ; Pictorial works ; New York (N.Y.) Social conditions ; United States ; Bildband ; Bildband ; USA ; Dokumentarfotografie ; LGBT ; Transgender ; Geschichte 2020-2021
    Abstract: "'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in actisim, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper
    Note: Qween Jean and Raquel Willis in conversation , Images and voices , An ongoing revolution: writing a new history at Stonewall /
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  • 26
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
    RVK:
    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 27
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    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674278394 , 0674278399
    Language: English
    Pages: vii, 440 Seiten , Illustrationen, Diagramme , 23 cm
    Series Statement: Publications of the Milman Parry Collection of Oral Literature No. 6
    DDC: 302.2
    Keywords: Oral-formulaic analysis ; Sociolinguistics ; sociolinguistics ; Oral-formulaic analysis ; Sociolinguistics ; Konferenzschrift ; Konferenzschrift ; Textlinguistik ; Diskurs
    Note: Includes bibliographical references and indexes , "The concept of this volume and several of its chapters grew out of an international seminar-workshop held on 17-19 May 2017 in Helsinki, inland: "Formular: Units of Speech-'Words' of verbal Art," organized by Folklore Studies, University of Helsinki, and the Finnish Literature Society (SKS)." - Acknowledgements
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  • 28
    ISBN: 9781588347244
    Language: English
    Pages: 271 Seiten
    DDC: 306.0973/074
    Keywords: National Museum of American History (U.S.) Catalogs ; Americana Catalogs ; Arts and society Catalogs ; Popular culture Catalogs History ; Bildband ; Bildband ; Smithsonian Institution ; Pop-Kultur ; Identität ; Ausstellung ; USA
    Abstract: Harmony and discord -- Broadening and narrowing the signal -- Comedy and tragedy -- Gaining and losing ground -- Heroes and villians.
    Abstract: "U.S. history gets the star treatment with this essential guide to the Smithsonian's first permanent exhibition on pop culture"--
    Note: Literaturverzeichnis: Seite 259-261 , Catalog of an ever-changing selection from its collection of theater, music, sports, movie and television objects held by the National Museum of American History under the banner of "Entertaiment Nation" exhibited since December 2022
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  • 29
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 30
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    Osaka : National Museum of Ethnology
    ISBN: 9784910055046 , 4910055045
    Language: Spanish
    Pages: II, 261 Seiten , Illustrationen, Karten , 26 cm
    Series Statement: Senri ethnological studies 111
    Series Statement: Senri ethnological studies
    Keywords: Ethnology / Andes Region / Congresses ; Ethnology ; Andes Region ; Conference papers and proceedings ; Konferenzschrift ; Konferenzschrift
    Note: "Los trabajos incluidos en este volumen han sido presentados en el simposio internacional titulado "50 años de Antropología Japonesa en el Sur de los Andes: Recorridos, Etnografías y Valoración Cultural", evento que se llevó a cabo en noviembre de 2019 en el Museo Histórico Regional del Cusco, Casa Inca Garcilaso de la Vega." (Seite I) , 〈〈El〉〉 mito y el ritual andino , 〈〈La〉〉 antropología japonesa en contextos subnacionales de los Andes : una hipótesis para Ayacucho-Perú , Diversidad y estructura de las socieades rurales cusqueñas en la época de la Reforma Agraria de Velasco Alvarado, y sus condicionantes ecológicos, históricos e institucionales , 〈〈Las〉〉 características del pastoreo altoandino en comparación con los pastoreos asiáticos , 〈〈La〉〉 representación histórica plasmada en el arte popular peruano : Retablos basados en la crónica de Guamán Poma
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  • 31
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    New Heaven : Yale University Press
    ISBN: 0300257635 , 9780300257632
    Language: English
    Pages: x, 331 Seiten , Illustrationen , 26 cm
    DDC: 757.0973
    Keywords: Portrait painting, American ; Portraits, American ; Slaves Portraits ; Slavery in art ; Black people in art ; Portraits (peinture) - États-Unis ; Esclaves - États-Unis - Portraits ; Esclaves - Dans l'art ; Noirs - Dans l'art ; USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012
    Abstract: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Note: Notes bibliographiques. Index
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  • 32
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    Göttingen : Steidl
    ISBN: 9783958298828 , 3958298826
    Language: English
    Pages: 214 Seiten , 30.5 cm x 24.8 cm
    DDC: 779.997000497
    Keywords: Bildband ; Ausstellungskatalog Ryerson Image Centre 28.04.2021-07.08.2021 ; Claxton, Dana 1959- ; Inszenierte Fotografie ; USA ; Indigenes Volk ; Geschichte 1993-2021
    Note: Literaturverzeichnis: Seiten 203-213 , Scotiabank Photography Award
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  • 33
    ISBN: 9783969000106 , 3969000106
    Language: English
    Pages: 172 ungezählte Seiten , 24 cm x 30 cm
    DDC: 779.9920350973
    Keywords: Landschaftsfotografie ; Indianer ; Stätte ; USA ; Bildband ; Sherwin, Michael ; Landschaftsfotografie ; USA ; Indigenes Volk ; Heiligtum ; Kultstätte ; Gedenkstätte ; Historische Stätte
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  • 34
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    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 35
    ISBN: 9783868218978 , 3868218971
    Language: English
    Pages: vii, 209 Seiten , Illustrationen , 22.5 cm x 15.5 cm, 410 g
    Series Statement: Cultures in America in transition 11
    Series Statement: Cultures in America in transition
    Dissertation note: Dissertation Justus-Liebig-Universität Gießen 2019
    DDC: 306.484260973
    Keywords: Hochschulschrift ; USA ; Hardcore ; Subkultur ; Männlichkeit ; Weißsein ; Lebensstil ; Neoliberalismus ; Geschichte 1979-1999
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  • 36
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
    RVK:
    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 37
    ISBN: 9781633451148 , 1633451143
    Language: English
    Pages: 173 Seiten , Pläne, Karten, Diagramme , 26 cm
    DDC: 720.8996073
    RVK:
    Keywords: Museum of Modern Art (New York, N.Y.) ; Museum of Modern Art (New York, N.Y.) ; Architecture and race Exhibitions ; Racism Exhibitions History ; African American architects Exhibitions ; African American architects ; Architecture and race ; Racism ; History ; United States ; Ausstellungskatalog The Museum of Modern Art 20.02.2021-31.05.2021 ; Bildband ; USA ; Schwarze ; Architektur ; Geschichte ; USA ; Architekturgeschichtsschreibung ; Rassismus
    Abstract: Foreword / Glenn D. Lowry -- Preface / Robin D. G. Kelley -- Introduction / Sean Anderson and Mabel O. Wilson -- Refusal. Black gathering: An assembly in three parts / Christina Sharpe -- Immeasurability (Atlanta, GA) / Emanuel Admassu -- Visible by design / Michelle Joan Wilkinson -- The refusal of space (Nashville, TN) / Mario Gooden -- Moving beyond repair: Constructing a revisionist history of architectural modernity at MoMA / Charles L. Davis II -- Liberation. Designing for social justice / Roberta Washington -- Fabricating networks: Transmissions and receptions from Pittsburgh's Hill district (Pittsburgh, PA) / Felecia Davis -- Reconstruction's breadth / Adrienne Brown -- Black towers / Black power (Oakland, CA) / Walter J. Hood -- At the YMCA swimming pool / Arièle Dionne-Krosnick -- Supply-side criminomics / Carla Shedd -- On exactitude in science (Watts) / David Hartt -- Imagination. Time, memory, and living in shotgun houses in the south of the South City of New Orleans / Tonya M. Foster -- A spectrum of Blackness: The search for sedimentation in Miami, FL / Germane Barnes -- Shack stories / Aruna D'Souza -- R:R (New Orleans, LA) / V. Mitch McEwen -- Entanglements of slavery, segregation, and mass incarceration in the United States / Dianne Harris -- Care. We had a garden / Audry Petty -- We outchea: HIp-hop fabrications and public space (Syracuse, NY) / Sekou Cooke -- Housing as insertion point for creative urban alchemy / Ifeoma Ebo -- Environmental racism and its afterlives in the prison system / David Naguib Pellow -- Directions to Black space (after Mutabaruka) (Kinloch, MO) / Amanda Williams -- Knowledge. A refusal of border / Jennifer Newsom -- black city: the los angeles edition (Los Angeles, CA) / J. Yolande Daniels -- Reconstructing difference: Design for all of the above / Justin Garrett Moore -- The frozen neighborhoods (Brooklyn, NY) / Olalekan Jeyifous -- Toward an architecture race theory / Milton S. F. Curry -- Manifesting statement: the Black Reconstruction Collective -- Project teams -- Acknowledgments -- Trustees of The Museum of Modern Art.
    Abstract: "Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition."--Back cover
    Abstract: "The Museum of Modern Art announces the fourth installment of the Issues in Contemporary Architecture series, Reconstructions: Architecture and Blackness in America, an investigation into the intersections of architecture, Blackness and anti-Black racism in the American context. On view from February 20 through May 31, 2021, the exhibition and accompanying publication will examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States. Such conditions have structured and continue to inform the built environment of American cities through public policies, municipal planning, and architecture, with specific repercussions for African American and African diaspora communities. Projects will explore how people have mobilized Black cultural spaces, forms, and practices as sites of imagination, liberation, resistance, and refusal."--City Life Org website (viewed on February 18, 2021)
    Note: Impressum: Published in conjunction with the exhibition "Reconstructions: Architecture and Blackness in America", at The Museum of Modern Art, New York, February 20-May 31, 2021 , Includes bibliographical references
    URL: Exhibit website  (Exhibit website)
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  • 38
    ISBN: 9783777435961 , 3777435961
    Language: English
    Pages: 128 Seiten , 25 cm x 20 cm
    DDC: 704.03960730905207479473
    RVK:
    Keywords: Schwarze ; Selbstbild ; Fremdbild ; Amerika ; Bildband ; Ausstellungskatalog Hunter College Art Galleries 27.01.2021-03.04.2021 ; Bildband ; Ausstellungskatalog Hunter College Art Galleries 27.01.2021-03.04.2021 ; USA ; Schwarze ; Kunst ; Selbstdarstellung ; Geschichte 2015-2020 ; USA ; Schwarze ; Kunst ; Selbstbild ; Rassismus ; Gewalt ; Delgado, Dennis ; Henry, Alicia 1966- ; Hinkle, Kenyatta A. C. 1987- ; Kaphar, Titus 1976- ; Lovell, Whitfield 1959- ; Thomas, Lava 1958-
    Note: Impressum: "Published on the occasion of the exhibition 'The Black Index' , Tour Dates: University Art Galleries at UCI: January 9, 2021 - March 20, 2021 (online only), Palo Alto Art Center: May 1 - August 22, 2021, Art Galleries at Black Studies, University of Texas at Austin: Fall 2021, Hunter College Art Galleries, Leubsdorf Gallery: January 27 - April 3, 2022 - Angaben ermittelt
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  • 39
    ISBN: 9780226786483
    Language: English
    Pages: 105 Seiten
    Uniform Title: Visages de la Silicon Valley
    Parallel Title: Erscheint auch als Meehan, Mary Beth Seeing Silicon Valley
    DDC: 305.5/60979473
    RVK:
    Keywords: Bildband ; Meehan, Mary Beth ; Fotografie ; USA ; Mensch ; Silicon Valley
    Abstract: The valley on the hill /Fred Turner --Photographs and stories /Mary Beth Meehan.
    Abstract: "Silicon Valley culture expert, Fred Turner, has partnered with photographer, Mary Beth Meehan, to present an unseen view from the center of the tech world. This photography book does not celebrate the success of young entrepreneurs striving for efficiency in minimalist corporate campuses. Instead, we see portraits of those who struggle to survive -families displaced by an impossible real estate market or injured by environmental degradation. Their stories of stress, poverty, and pollution encourage reflection on the sacrifices of the community living in the same economic zone as thirty-something billionaires and a call for responsibility to the people of the real Silicon Valley"--
    Note: First published in French as Visages de la Silicon Valley by C&F Éditions, 2018 , Includes bibliographical references
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  • 40
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
    RVK:
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 41
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
    RVK:
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 42
    ISBN: 9781942884767 , 1942884761
    Language: English
    Pages: 187 Seiten
    DDC: 700.411
    Keywords: Ausstellungskatalog Hammer Museum 2021-2022 ; Bildband ; Ausstellungskatalog Hammer Museum 2021-2022 ; Bildband ; USA ; Soziale Ungleichheit ; Ungerechtigkeit ; Rassismus ; Engagierte Kunst ; Geschichte 2017-2021
    Abstract: The term ?no humans involved? emerged shortly after the 1991 beating of Rodney King, when it was discovered that the Los Angeles Police Department was using the term as a shorthand for casework that involved Black and Latino men and sex workers. In 1994, Jamaican scholar and theorist Sylvia Wynter challenged her academic colleagues to consider how they themselves might be contributing to the cultural mindset that gave rise to this exclusionary definition of human. In particular, Wynter highlighted the strong influence the notion of race has on the definition of the human and the social hierarchies and injustices that result from this link.0No Humans Involved collects works by contemporary artists that serve as a response to Wynter?s prompt. Among the artists featured are Eddie Aparicio, who uses large-scale, rubber casts of trees to document social and economic relationships between Latin America and the United States; Tau Lewis, a multidisciplinary artist who creates portraits out of culturally relevant found objects and recycled materials; and Wilmer Wilson IV, who investigates the marginalization of Black bodies in social relations through performance, sculpture, photography and other mediums. This collection of artworks from a diverse group of artists provides a contemporary response to Wynter?s call to action, addressing the social divisions present today and exploring opportunities for social unity.00Exhibition: Hammer Museum, Los Angeles, USA (10.10.2021-09.01.2022)
    Note: Impressum: This book was published on the occasion of the exhibition "No humans involved", organized and presented by the Hammer Museum, Los Angeles, October 10, 2021- January 9, 2022
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  • 43
    ISBN: 9780367445027 , 9780367682002
    Language: English
    Pages: 177 Seiten , illustrations (black and white, and colour) , 24 cm
    Series Statement: The lines of the symbolic in psychoanalysis series
    DDC: 306.47
    Keywords: Lacan, J ; Arts and society ; Dolls in art ; Dolls Symbolic aspects ; Europa ; USA ; Visuelle Kunst ; Puppe ; Doppelgänger
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  • 44
    ISBN: 9781737292807
    Language: English
    Pages: 164 pages , chiefly color illustrations , 34 cm
    DDC: 305.800974811
    Keywords: 1900-1999 ; African Americans Comic books, strips, etc History 20th century ; African Americans Biography ; Comic books, strips, etc ; Noirs américains - Pennsylvanie - Philadelphie - Histoire - 20e siècle - Bandes dessinées ; Noirs américains - Pennsylvanie - Philadelphie - Biographies - Bandes dessinées ; African Americans ; Race relations ; Social conditions ; Biographies ; Comics (Graphic works) ; Graphic novels ; History ; Graphic novels ; Biographies ; Biographies ; Philadelphia (Pa.) Comic books, strips, etc Race relations 20th century ; Philadelphia (Pa.) Comic books, strips, etc Social conditions 20th century ; Pennsylvania - Philadelphia ; Biography ; Bildband ; Comic ; Biography ; Bildband ; Comic ; USA ; Philadelphia, Pa. ; Schwarze ; Emanzipation ; Bürgerrechtsbewegung ; Ethnische Beziehungen ; Geschichte 1850-2000
    Abstract: "Black Lives Always Mattered! represents a powerful project, documenting in a graphic novel genre African American Philadelphians who over the last century have both achieved individually while simultaneously fighting against the structures of racism. These stories demonstrate the long-distance race of Black empowerment across generations. Each story demonstrates the power of resilience in the face of challenge, and how building strong social networks and drawing on the cultural resources that have sustained peoples of African descent from the beginning of our presence in this country create success not only for our individual efforts but our collective well-being. "--Back cover
    Description / Table of Contents: Foreword -- Introduction -- Charles L. Blockson Afro-American Collection -- Art Director's statement -- Writer's statement -- Hidden heroes -- Julian F. Abele -- Ethel D. Allen -- Marian Anderson -- W.E.B Du Bois -- Crystal Bird Fauset -- Ruth Wright Hayre -- Alain Locke -- Walter P. Lomax -- Frederick Massiah -- Cecil B. Moore -- John W. Mosley -- Christopher J. Perry -- Reverend Leon H. Sullivan -- Father Paul M. Washington -- Assignments/activities for students -- BLAM! Noisemakers bios -- Noisemakers sketchbook -- Photo credits -- Further reading.
    Note: Produced by the Charles L. Blockson Afro-American Collection with the support of the Pew Center for Arts & Heritage , "Printed by: Neibauer Press"--Page 1
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  • 45
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    Durham ; London : Duke University Press
    ISBN: 9781478011897 , 1478011890 , 9781478014034 , 1478014032
    Language: English
    Pages: 319 Seiten
    Parallel Title: Erscheint auch als
    DDC: 301.092
    RVK:
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    Keywords: Genealogie ; Anthropologin ; Oberitalien ; USA ; Povinelli, Elizabeth A. ; Povinelli, Elizabeth A. / Family ; Women anthropologists / United States / Biography ; Women anthropologists / United States / Pictorial works ; Families ; Women anthropologists ; United States ; Autobiographies ; Biographies ; Pictorial works ; Autobiographies ; Bildband ; Autobiografie ; Comic ; Autobiografie ; Comic ; Bildband ; Autobiografie ; Comic ; USA ; Oberitalien ; Anthropologin ; Genealogie
    Abstract: "The Inheritance is anthropologist Elizabeth A. Povinelli's graphic memoir in which she explores her family's history and the events, traumas, and social structures that define our individual and collective pasts and futures"--
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  • 46
    ISBN: 9783422985469 , 9783422985674 , 3422985468
    Language: German , Italian
    Pages: 214 Seiten , 22.5 cm x 24.5 cm
    DDC: 745.58209
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    Keywords: Bildband ; Bildband ; Bildband ; Europa ; USA ; Grabschmuck ; Glasperle ; Blume ; Geschichte ; Venedig ; Volkskunst ; Perlenarbeit ; Blume ; Geschichte ; USA ; Europa ; Grabschmuck ; Glasperle ; Blume ; Venedig ; Böhmen ; Frankreich ; Glasperlenindustrie ; Glasperle ; Herstellung ; Geschichte
    Note: Text deutsch und italienisch
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  • 47
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    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 48
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    New York : Whitney Museum of American Art | New Haven : Yale University Press
    ISBN: 9780300246698
    Language: English
    Pages: 255 Seiten , Illustrationen
    DDC: 751.7/30972
    Keywords: Mural painting and decoration, Mexican Exhibitions ; Mural painting and decoration, Mexican Exhibitions Influence ; Art, American Exhibitions Mexican influences 20th century ; ART / Caribbean & Latin American ; ART / Collections, Catalogs, Exhibitions / Group Shows ; Ausstellungskatalog Whitney Museum of American Art 17.02.2020-17.05.2020 ; Ausstellungskatalog McNay Art Museum 25.06.2020-04.10.2020 ; Mexiko ; Lateinamerika ; USA ; Kulturaustausch ; Wandmalerei ; Geschichte 1925-1945
    Abstract: The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries’ shared border in both directions. For U.S. artists, Mexico’s monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.
    URL: Cover
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  • 49
    ISBN: 9781526145710 , 1526145715
    Language: English
    Pages: xvi, 200 Seiten , Illustrationen , 23 cm
    Edition: First published
    Series Statement: Disability history
    DDC: 362.40941
    Keywords: Disabilities History 19th century ; People with disabilities Public opinion 19th century ; History ; Disabilities ; People with disabilities ; Public opinion ; History ; Great Britain ; Konferenzschrift ; Konferenzschrift ; Großbritannien ; Behinderter Mensch ; Medizinische Versorgung ; Gesundheitswesen ; Geschichte 1800-1900
    Note: Includes bibliographical references and index
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  • 50
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    London : Routledge Taylor & Francis Group
    ISBN: 0367478870 , 9780367478872
    Language: English
    Pages: ix, 174 Seiten , Illustrationen , 24 cm
    Series Statement: Morality, society and culture
    DDC: 305.550973
    Keywords: Middle class History ; Middle class History ; Manners and customs ; Middle class ; History ; United States Social life and customs ; Germany Social life and customs ; Germany ; United States ; Deutschland ; Bürgertum ; Geschichte 1850-1910 ; USA ; Mittelstand ; Geschichte 1950-1960 ; USA ; Deutschland ; Mittelstand ; Erzählung ; Kulturvergleich ; Geschichte 1850-2015
    Note: Literaturverzeichnis Seite 153-170
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  • 51
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
    RVK:
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 52
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    [Hannover] : [Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste]
    Language: German
    Pages: 52 Seiten , Illustrationen
    Additional Information: Ergänzung zu Martin Luther King on stage Hannover : Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste, 2020
    Keywords: Lehrmittel ; Unterrichtseinheit ; King, Martin Luther 1929-1968 ; Biografie ; Gewaltloser Widerstand ; Glaube ; Religionspädagogik ; USA ; Rassismus ; Bürgerrechtsbewegung ; Schwarze
    Note: Auch als Online-Ressource zum Download abrufbar
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  • 53
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    Hannover : Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste
    Language: German
    Pages: 63 Seiten , Illustrationen
    Additional Information: Ergänzung Martin Luther King on stage [Hannover] : [Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste], 2020
    Keywords: Lehrmittel ; Unterrichtseinheit ; King, Martin Luther 1929-1968 ; Biografie ; Gewaltloser Widerstand ; Glaube ; Religionspädagogik ; USA ; Rassismus ; Bürgerrechtsbewegung ; Schwarze
    Note: Auch als Online-Ressource zum Download abrufbar , Erscheinungsjahr geschätzt nach Datierung des Vorworts
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  • 54
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
    RVK:
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 55
    ISBN: 9783897905979
    Language: English
    Pages: 182 Seiten , Illustrationen , 25 cm x 17 cm
    DDC: 739.27097309046
    Keywords: USA ; Schmuck ; Gegenkultur ; Geschichte 1960-1980 ; USA ; Schmuckherstellung ; Design ; Gegenkultur ; Geschichte 1960-1980
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  • 56
    ISBN: 9781454936558 , 145493655X
    Language: English
    Pages: 168 Seiten , Illustrationen , 27 cm
    DDC: 306.766
    RVK:
    Keywords: Gay pride celebrations ; Gay rights History ; Images, Photographic ; Gay liberation movement History ; Gays History ; Stonewall Riots, New York, N.Y., 1969 ; Homophobia History ; Stonewall Riots (New York, New York : 1969) ; Gay liberation movement ; Gay pride celebrations ; Gay rights ; Gays ; Homophobia ; Images, Photographic ; New York (State) ; New York ; United States ; History ; Illustrated works ; USA ; Fotografie ; Homosexuellenbewegung ; Homophobie ; Geschichte 1920-2018
    Abstract: Introduction -- We're here... The world of night (1920-1930) ; Home ties broken (WWII) ; Back in the closet (The 1950s) -- We're queer... Road to rebellion (The 1960s) ; We're out! Sexual freedom for all (The 1970s) -- ...Get used to it! A crisis brings everybody out (The 1980s) ; Two steps forward (The 1990s) ; Real change (The 21st century).
    Abstract: This lavishly illustrated book commemorates the 50th anniversary of the Stonewall Uprising and is an inspiring photographic journey through the LGBTQ+ Pride movement over the last century
    Abstract: Starting in the bohemian subculture of post-World War I American cities, Measom covers the influence of World War II, which relocated millions of people to single-sex barracks and factories and helped spark the formation of gay communities after the war. The repressive ’50s era saw the launch of important rights organizations that led to the rebellions of the 1960s, culminating in the game-changing Stonewall Uprising of June 1969. Measom explores the devastation of the AIDS crisis, its impact on gay culture, and the fight to bring awareness to the disease. The modern period includes coverage of the struggles for equality in marriage, the military, and the push for gender rights. A groundbreaking homage to a historic movement and its milestone achievements and hurdles. -- adapted from jacket
    Note: Includes bibliographical references (pages 164-167)
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  • 57
    ISBN: 9781588346650
    Language: English
    Pages: 248 Seiten , Illustrationen , 29 cm
    DDC: 305.40973
    Keywords: Smithsonian Institution Exhibitions ; Women Sources History ; Women Exhibitions History ; USA ; Frau ; Sachkultur ; Statussymbol ; Geschichte
    Note: Includes index
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  • 58
    ISBN: 1683962206 , 9781683962205 , 9781683962212 , 1683962214
    Language: English
    Pages: 38 ungezählte Seiten , zahlreiche Illustrationen , 22 cm
    Edition: First F.U. Press edition
    Uniform Title: Cicatrice : sul confine tra Messico e Stati Uniti
    DDC: 304.873
    Keywords: Latin Americans Comic books, strips, etc ; Latin Americans Comic books, strips, etc Social conditions ; Social conditions ; Latin Americans ; Social conditions ; Latin Americans ; North America ; Mexican-American Border Region ; Comic books, strips, etc ; Comics (Graphic works) ; Comics (Graphic works) ; Mexican-American Border Region Comic books, strips, etc ; Mexican-American Border Region Comic books, strips, etc Social conditions ; Comic ; Mexiko ; USA ; Landesgrenze ; Grenzgebiet ; Migration ; Sozialer Konflikt
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  • 59
    ISBN: 9781603094504 , 1603094504
    Language: English
    Pages: 204 Seiten
    Additional Information: Rezensiert in Redwood, Henry, 1988 - Youth, comics and trauma in transitional justice 2022
    RVK:
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    Keywords: Comic ; USA ; Japaner ; Internierung ; Internierungslager ; Identität ; Pazifikkrieg ; Zweiter Weltkrieg
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  • 60
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    Paris : Musée D'Orsay | Paris : Flammarion
    ISBN: 9782081480964 , 9782354332815
    Language: French
    Pages: 381 Seiten , 31 cm
    Additional Information: In Beziehung stehendes Werk Posing modernity New Haven : Yale University Press, 2018 9780300229066
    Additional Information: Rezensiert in Childs, Adrienne L. Le modèle noir de Géricault à Matisse 2019
    DDC: 709
    Keywords: African American models ; Art ; Artists and models in art ; Artists' models ; Blacks ; Modernism (Art) ; Modernism (Art) ; Bildband ; Ausstellungskatalog Musée d'Orsay 26.03.2019-21.07.2019 ; Ausstellungskatalog Mémorial ACTe 13.09.2019-29.12.2019 ; Bildband ; Ausstellungskatalog Musée d'Orsay 26.03.2019-21.07.2019 ; Ausstellungskatalog Mémorial ACTe 13.09.2019-29.12.2019 ; Europa ; USA ; Schwarze ; Kunst ; Geschichte 1800-2018 ; Europa ; USA ; Schwarze ; Modell ; Geschichte 1800-2018
    Abstract: « « Le modèle noir de Géricault à Matisse »; est né d'une collaboration fructueuse de part et d'autre de l'Atlantique. Il nous faut remercier d'emblée Denise Murrell, PhD, chercheuse postdoctorante de la Fondation Ford à la Wallach Art Gallery de New York, pour sa contribution essentielle au projet. C' est à partir de la thèse qu'elle soutint en 2013 à l'université Columbia, Seeing Laure : Race and Modernity from Manet's « Olympia »; to Matisse, Bearden and Beyond, que s'élabora toute notre réflexion et que furent posées les prémices d'un projet à l'ambition inégalée.
    Note: Rückseite Titelblatt: "Cet ouvrage a été publié à l'occasion de l'exposition 'Le Modèle noir de Géricault à Matisse' Paris, Musée d'Orsay, 26 mars au 21 juillet 2019, Pointe-à-Pitre, Mémorial ACTe, 13 septembre-29 décembre 2019. Précédemment présentée sous la titre 'Posing Modernity: The Black Model from manet and matisse to Today' New York, The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York 24 octobre 2018-10 février 2019"
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  • 61
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    Warwick, England : Helion & Company Limited
    ISBN: 9781912390717 , 191239071X
    Language: English
    Pages: xxvi, 475 pages , illustrations, maps (some color) , 25 cm
    DDC: 979.0049725
    Keywords: Victorio ; United States History ; United States History ; Indians of North America Wars 1866-1895 ; Apache Indians Wars ; United States Politics and government 1865-1883 ; Victorio 1825-1880 ; USA ; Indianerkriege ; Apachen ; Geschichte 1880
    Note: Includes bibliographical references (pages 433-465) and indexes
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  • 62
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    New York : Little, Brown and Company
    ISBN: 9780316286541 , 0316286540
    Language: English
    Pages: vii, 422 pages, 16 unnumbered pages of plates , illustrations , 25 cm
    Edition: First edition
    DDC: 305.26/20973
    Keywords: Older women History ; Older women Social conditions ; Older women Social life and customs ; Older women ; Elderly women ; United States ; History ; USA ; Ältere Frau ; Soziale Situation ; Geschichte 1800-1999
    Abstract: Introduction -- The colonies -- The 1800s arrive -- Before the Civil War -- The mid-1800s -- The nineteenth-century finale -- Turn of the century -- The twentieth century arrives -- The 1920s -- The 1930s -- The War -- The 1950s -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- Into the twenty-first century -- Onward and upward.
    Abstract: Americans have always had a complicated relationship with aging-- and women have been on the front lines of the battle, willingly or not. Collins illustrates the ways in which age is an arbitrary concept that has swung back and forth over the centuries. From Plymouth Rock to the first female nominee for president, she provides a social history of American women and aging-- and gives women a reason to expect the best from what's to come. -- adapted from jacket
    Note: Includes bibliographical references (pages 337-403) and index
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  • 63
    ISBN: 9788446045663
    Language: Spanish
    Pages: 91 Seiten , 25 cm
    Edition: 2.a edición
    Series Statement: La palabra ilustrada 3
    Series Statement: La palabra ilustrada
    Uniform Title: Kleine Geschichte des Feminismus im euro-amerikanischen Kontext
    DDC: 305.4209
    Keywords: Comic ; Comic ; Europa ; USA ; Feminismus ; Frauenbewegung ; Geschichte
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  • 64
    ISBN: 9788521214038
    Language: Portuguese
    Pages: 85 Seiten , 22 cm
    Uniform Title: Kleine Geschichte des Feminismus im euro-amerikanischen Kontext
    DDC: 305.4209
    Keywords: Comic ; Comic ; Europa ; USA ; Feminismus ; Frauenbewegung ; Geschichte
    URL: Cover
    URL: Cover
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  • 65
    ISBN: 9783030187521
    Language: English
    Pages: xi, 226 Seiten , 21 cm
    Parallel Title: Erscheint auch als Critical theory and the humanities in the age of the alt-right
    DDC: 301.01
    Keywords: Critical theory ; Humanities ; Right-wing extremists ; White supremacy movements ; USA ; Neue Rechte ; Rechtspopulismus ; Kritische Theorie
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  • 66
    ISBN: 9781580058711
    Language: English
    Pages: 187 Seiten , Illustrationen
    Edition: First edition
    DDC: 305.420973
    Keywords: Women's rights History ; Feminism History ; Equal rights amendments History ; Women Legal status, laws, etc ; History ; USA ; Frauenbewegung ; Geschichte 1776-2018
    Abstract: Inhaltsverzeichnis: Remember the ladies: 1776-1864 -- Male citizens: 1865-1919 -- Let's misbehave: 1920-1939 -- We can do it!: 1940-1949 -- Tomorrowland: 1950-1959 -- You don't own me: 1960-1964 -- Women in revolt: 1965-1970 -- Hear us roar: 1971-1973 -- Malaise:1974-1979 -- Men don't protect you anymore: 1980-1991 -- Cookies: 1992-2008 -- This is what a feminist looks like: 2009-now.
    Abstract: "A sweeping, smart, and smart-ass graphic history of women's ongoing quest for equality. In March 2017, Nevada surprised the rest of America by suddenly ratifying the Equal Rights Amendment - thirty-five years after the deadline had passed. Hey, better late than never, right? Then, lo and behold, a few months later, Illinois followed suit. Hurrah for the Land of Lincoln! That left the ERA just one state short of the congressional minimum for ratification. One state - and a legacy of shame - are what stand between American women and full equality. She the People takes on the campaign for change by offering a cheekily illustrated, sometimes sarcastic, and all-too-true account of women's evolving rights and citizenship. Divided into twelve historical periods between 1776 and today, journalist, historian, and activist Jen Deaderick takes readers on a walk down the ERA's rocky road to become part of our Constitution by highlighting changes in the legal status of women alongside the significant cultural and social influences of the time, so women's history is revealed as an integral part of U.S. history, and not a tangential sideline"--
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  • 67
    ISBN: 0892075481 , 9780892075485
    Language: English
    Pages: 153 Seiten , 25 cm
    DDC: 759.13
    RVK:
    Keywords: Basquiat, Jean-Michel Exhibitions ; Basquiat, Jean-Michel Political and social views ; Police brutality Art ; Racism Art ; Basquiat, Jean-Michel ; Basquiat, Jean Michel ; Exhibition catalogs ; Exhibition catalogs ; Ausstellungskatalog Solomon R. Guggenheim Museum 2019 ; Basquiat, Jean Michel 1960-1988 ; USA ; Politische Kunst ; Antirassismus
    Abstract: Defacement: moment, history, and memory / Chaédria LaBouvier -- The man nobody killed / Nancy Spector -- The art of Basquiat belongs to the people / J. Faith Almiron -- Black like B. / Greg Tate -- Recollections / compiled by Chaédria LaBouvier.
    Abstract: Jean-Michel Basquiat painted 'Defacement' (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s
    Note: Includes bibliographical references
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  • 68
    ISBN: 9783030217402 , 303021740X
    Language: English
    Pages: xv, 290 pages , illustrations (black and white), maps (black and white) , 24 cm
    Edition: Also issued online
    Series Statement: Lecture notes in computer science 11549
    Series Statement: Lecture notes in computer science
    DDC: 302.30113
    Keywords: Social networks Congresses Data processing ; Social networks Congresses Computer simulation ; Human behavior Congresses Computer simulation ; Human behavior Congresses Mathematical models ; Human behavior ; Computer simulation ; Human behavior ; Mathematical models ; Conference papers and proceedings ; Konferenzschrift ; Soziale Software ; Social Media ; Soziales Netzwerk ; Kollektives Verhalten ; Verteilte künstliche Intelligenz ; Computersimulation
    Note: Includes bibliographical references and index , Also issued online.
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  • 69
    ISBN: 1786997126 , 9781786997128
    Language: English
    Pages: xxix, 216 Seiten , 26 cm
    Additional Information: In Beziehung stehendes Werk McDarrah, Fred W. Gay pride : photographs from Stonewall to today 1994 978-1-55652-214-7
    Uniform Title: Gay pride
    DDC: 306.7660222
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    Keywords: McDarrah, Fred W. ; Geschichte 1959-1995 ; Fotografie ; Homosexualität ; Homosexuellenbewegung ; USA ; Gay Pride Day / United States / Pictorial works ; Gay Pride Day ; United States ; Pictorial works ; Bildband ; Bildband ; Bildband ; McDarrah, Fred W. 1926-2007 ; USA ; Fotografie ; Homosexualität ; Homosexuellenbewegung ; Geschichte 1959-1995
    Note: Originally published in 1994 with the title "Gay pride : photographs from Stonewall to today"
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  • 70
    ISBN: 9781597114431
    Language: English
    Pages: 143 Seiten
    Edition: First edition
    DDC: 770.92
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    Keywords: Brathwaite, Kwame Exhibitions ; Photograhy, Artistic Exhibitions ; African American photographers Biography ; Exhibitions ; Photographers Biography ; Exhibitions ; African Americans Pictorial works ; Exhibitions ; African Americans Exhibitions Intellectual life 20th century ; African American arts Sources History 20th century ; Exhibitions ; Harlem Renaissance Exhibitions ; Bildband ; Ausstellungskatalog Skirball Cultural Center, Los Angeles, Calif. 2019 ; Bildband ; Ausstellungskatalog Skirball Cultural Center, Los Angeles, Calif. 2019 ; Brathwaite, Kwame 1938- ; Porträtfotografie ; Person of Color ; Geschichte 1964-1968 ; Brathwaite, Kwame 1938- ; Porträtfotografie ; USA ; Schwarze ; Jazz ; Black power ; Geschichte 1960-1970
    Abstract: Foreword / by Kwame Brathwaite -- Kwame Brathwaite : black is beautiful / by Tanisha C. Ford -- African Jazz-Art Society -- Think black, buy black -- The Grandassa models -- Afterword, Kwame Brathwaite : black is beautiful, then and now / by Deborah Willis.
    Note: Coincides with a touring exhibition of Brathwaite's work May 2019 , Includes bibliographical references
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  • 71
    ISBN: 9781608011773 , 1608011771
    Language: English
    Pages: 16 ungezählte Seiten, 255 Seiten, 9 ungezählte Seiten , Illustrationen , 29 cm
    DDC: 305.836073
    Keywords: Austrians ; Austrians ; Diplomatic relations ; Emigration and immigration ; Austria ; United States ; Austria Emigration and immigration ; United States Emigration and immigration ; Austria Foreign relations ; United States Foreign relations ; Bildband ; Bildband ; USA ; Österreichischer Einwanderer ; Geschichte ; USA ; Österreichischer Einwanderer ; Geschichte ; USA ; Österreicher ; Österreicherin ; Geschichte 1734-2019
    Abstract: The beginnings of Austrians in America, 1732-1860 -- Growing contacts in an age of mass migration, 1861-1914 -- The age of the World Wars, 1914-1945 -- The American Occupation of Austria and the postwar beginnings of U.S.-Austrian contacts, 1945-1955 -- Quiet invaders: Austrian immigrants to the United States, 1945 to the present -- Austrian-American relations: political, economic, cultural, 1955 to the present.
    Abstract: "The present volume is part of a larger, ongoing investigation dealing with Austrian immigration to the United States against the backdrop of the Austrian-American relationship."--
    Note: Includes bibliographical references (pages 256-261)
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  • 72
    Language: English , German
    Pages: 320 Seiten , Illustrationen, Karten, Diagramme, Pläne , 31 cm
    Series Statement: Tagungen des Landesmuseums für Vorgeschichte Halle Band 21,1
    Angaben zur Quelle: Band 1
    DDC: 900
    RVK:
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    Keywords: Frühmittelalter ; Konferenzschrift ; Bildband ; Konferenzschrift ; Bildband ; Konferenzschrift ; Bildband ; Ring ; Symbol ; Macht ; Geschichte 23000 v. Chr.-1998 ; Gold ; Schmuck ; Halsring ; Europa ; Bronzezeit ; Eisenzeit ; Provinzialrömische Archäologie ; Mittelalter ; Paußnitz
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  • 73
    Language: English , German
    Pages: Seite 322-620 , Illustrationen, Karten, Diagramme, Pläne , 31 cm
    Series Statement: Tagungen des Landesmuseums für Vorgeschichte Halle Band 21,2
    Angaben zur Quelle: Band 2
    DDC: 900
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    Keywords: Konferenzschrift ; Bildband ; Konferenzschrift ; Bildband ; Konferenzschrift ; Bildband ; Ring ; Symbol ; Macht ; Geschichte 1700 v. Chr.-2015 ; Gold ; Schmuck ; Halsring ; Europa ; Bronzezeit ; Eisenzeit ; Provinzialrömische Archäologie ; Mittelalter ; Ikonographie
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  • 74
    ISBN: 3868288546 , 9783868288544
    Language: English
    Pages: 163Seiten , 30 cm x 24 cm
    DDC: 779.2092
    RVK:
    Keywords: Bildband ; Biografie ; Interview ; Dugan, Jess T. 1986- ; Porträtfotografie ; USA ; Älterer Mensch ; Transgender ; Lesbe ; Homosexueller
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  • 75
    ISBN: 3958294014 , 9783958294011
    Language: English
    Pages: 227 Seiten , Illustrationen , 30.5 cm x 24.8 cm
    Edition: First edition
    DDC: 779.997000497
    Keywords: Niro, Shelley ; Fotografie ; Ausstellungskatalog ; Bildband ; Ausstellungskatalog Ryerson Image Centre 27.04.-05.08.2018 ; Niro, Shelley 1954- ; Fotosequenz ; Fotomontage ; USA ; Indianer ; Identität
    Note: Literaturverzeichnis , Impressum: "First published in 2018 on the occasion of the awarding of the 2017 Scotiabank Photography Award to Shelley Niro". - Literaturverzeichnis: Seiten 223-226
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  • 76
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    Baltimore : Johns Hopkins University Press
    ISBN: 9781421425849 , 142142584X
    Language: English
    Pages: x, 234 Seiten , Illustrationen, Pläne
    DDC: 970.980
    Keywords: Clothing and dress History ; 18th century ; United States ; Fashion History ; 18th century ; United States ; Shoemakers History ; 18th century ; Great Britain ; Shoes History ; 18th century ; United States ; Shoes History 18th century ; Shoemakers History 18th century ; Clothing and dress History 18th century ; Fashion History 18th century ; United States History ; Colonial period, ca. 1600-1775 ; United States Social life and customs ; To 1775 ; United States History Colonial period, ca. 1600-1775 ; United States Social life and customs To 1775 ; England ; Nordamerika ; Kolonie ; Schuh ; Geschichte 1660-1775 ; Großbritannien ; USA ; Schuh ; Gesellschaft ; Geschichte 1700-1800
    Abstract: The cordwainers -- Wedding shoes -- The value of a London label -- Coveting Calamancos : from London to Lynn -- The cordwainer's lament : Benjamin Franklin and John Hose testify on the effects of the Stamp act -- "For my use, four pair of neat shoes" : General George Washington & Mr Didsbury, Boot & Shoemaker of London -- Boston's cordwainers greet President Washington, 1789
    Note: Includes bibliographical references and index
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  • 77
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    Oakland, California : University of California Press
    ISBN: 9780520297791
    Language: English
    Pages: xii, 245 Seiten , Illustrationen , 21 cm
    Parallel Title: Online version Beydoun, Khaled A., 1978- author American Islamophobia
    Parallel Title: Erscheint auch als Beydoun, Khaled A., 1978 - American Islamophobia
    DDC: 305.6/970973
    RVK:
    Keywords: Islamophobia ; Islam and politics ; Islamophobia United States ; Islam and politics United States ; USA ; Islamfeindlichkeit ; USA ; Islamfeindlichkeit
    Abstract: "The term 'Islamophobia' may be fairly new, but irrational fear and hatred of Islam and Muslims is anything but. Though many speak of Islamophobia's roots in racism, have we considered how anti-Muslim rhetoric is rooted in our legal system? Using his unique lens as a critical race theorist and law professor, Khaled A. Beydoun captures the many ways in which law, policy, and official state rhetoric have fueled the frightening resurgence of Islamophobia in the United States. Beydoun charts its long and terrible history, from the plight of enslaved African Muslims in the antebellum South and the laws prohibiting Muslim immigrants from becoming citizens to the ways the war on terror assigns blame for any terrorist act to Islam and the myriad trials Muslim Americans face in the Trump era. He passionately argues that by failing to frame Islamophobia as a system of bigotry endorsed and emboldened by law and carried out by government actors, U.S. society ignores the injury it inflicts on both Muslims and non-Muslims. Through the stories of Muslim Americans who have experienced Islamophobia across various racial, ethnic, and socioeconomic lines, Beydoun shares how U.S. laws shatter lives, whether directly or inadvertently. And with an eye toward benefiting society as a whole, he recommends ways for Muslim Americans and their allies to build coalitions with other groups. Like no book before it, American Islamophobia offers a robust and genuine portrait of Muslim America then and now"--Provided by publisher
    Abstract: Introduction : crossroads and intersections -- What is Islamophobia? -- The roots of modern Islamophobia -- A reoriented "clash of civilizations" -- War on terror, war on Muslims -- A "radical" or imagined threat? -- Between anti-black racism and Islamophobia -- The fire next time -- Epilogue : homecomings and goings
    Note: Includes bibliographical references and index
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  • 78
    ISBN: 9781350024458
    Language: English
    Pages: xii, 267 Seiten , Illustrationen , 24 cm
    Series Statement: Islam of the Global West
    Parallel Title: Erscheint auch als Xavier, Merin Shobhana Sacred spaces and transnational networks in American sufism
    DDC: 297.40973
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    Keywords: Muhaiyaddeen, M. R. Bawa ; Muhaiyaddeen, M. R. Bawa ; Islamic shrines ; Sufism United States ; Sufism United States ; Islamic shrines United States ; USA ; Sufismus ; Netzwerk ; Internationale Kommunikation
    Abstract: Charting Bawa's ministries from Jaffna to Pennsylvania -- From the ashram to mankumban: everyday practices amongst Bawa's Sri Lankan followers -- From the masjid to the mazar: rituals and spaces in the American fellowship -- Women in Bawa's ministries from Jaffna to Pennsylvania -- Swami to qutb: Bawa as al-insan al-kamil
    Note: Includes bibliographical references and index
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  • 79
    ISBN: 9783981786149
    Language: German
    Pages: 67 Seiten , Illustrationen
    Series Statement: Kabinett Broschüre Nr. 1
    Series Statement: Kabinett Broschüre
    DDC: 070
    Keywords: Ausstellungskatalog Kabinett des Deutschen Auswandererhauses Bremerhaven 13.04.2014-07.06.2015 ; USA ; Deutscher Einwanderer ; Leseverhalten ; Buchproduktion ; Geschichte 1728-1946 ; Pennsylvania ; Deutscher Einwanderer ; Glaubensflüchtling ; Bibelausgabe ; Erbauungsliteratur ; Geschichte 1728-1793
    Note: "Geht auf eine Sonderausstellung zurück, die vom 13. April 2014 bis zum 7. Juni 2015 im Kabinett des Deutschen Auswandererhauses zu sehen war"
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  • 80
    ISBN: 9783319741970
    Language: English
    Pages: xxi, 366 Seiten , Illustrationen (teils farbige) , 21 cm
    DDC: 307.76
    Keywords: Urbanization ; Urban transportation ; Urban health ; USA ; Stadtforschung ; Stadtplanung ; Öffentlicher Verkehr ; Europa
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  • 81
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    New York : Hunter College Art Galleries
    ISBN: 9781732009929 , 1732009929
    Language: English
    Pages: 103 Seiten , Illustrationen , 23 cm
    DDC: 700.411
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    Keywords: Black Emergency Cultural Coalition ; Black Emergency Cultural Coalition ; Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal (Exhibition) ; African American art Exhibitions 20th century ; African American art Exhibitions 20th century ; African American artists History 20th century ; Exhibitions ; African American artists Exhibitions History 20th century ; Race awareness in art Exhibitions ; Art, American Exhibitions 20th century ; African American art ; African American artists ; Art, American ; Race awareness in art ; History ; Exhibition catalogs ; New York (State) ; New York ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; Ausstellungskatalog Leubsdorf Gallery 04.10.2018-25.11.2018 ; USA ; Künstler ; Person of Color ; Geschichte 1971 ; New York, NY ; Kunstbetrieb ; Schwarze ; Kunst ; Ausstellung ; Protest ; Geschichte 1971
    Abstract: This exhibition revisits the 1971 exhibition "Rebuttal to the Whitney Museum Exhibition: Black Artists in Rebuttal", which was organized by members of the Black Emergency Cultural Coalition at Acts of Art, a small, artist-run gallery in Greenwich Village. The original exhibition was mounted in response to the Whitney Museum?s refusal to appoint a Black curator for their survey 'Contemporary Black Artists in America'. The exhibition at Hunter presents ten of the 47 artists from the original Rebuttal show, including Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood "Bill" Rivers, and Frank Wimberley. It is a selection intended to represent the stylistic diversity of the original exhibition, with works ranging from sardonic social satire and biting figurative expressionism to Yoruban-inspired symbolism and lyrical abstraction. Through these artists, the exhibition also traces a network of organizations and groups that supported the aspirations of Black artists and the community in the 1960s and early 1970s. Through its survey of the history of the short-lived Acts of Art gallery and the events leading up to the Rebuttalshow, the exhibition and its accompanying catalogue explore the intersections between Black cultural communities and cultural politics in Greenwich Village, the Lower East Side, and Harlem in the late 1960s and early 1970s.00Exhibition: Leubsdorf Gallery, New York, USA (04.10.-25.11.2018)
    Note: "Benny Andrews, Betty Blayton-Taylor, Vivian Browne, James Denmark, Cliff Joseph, Richard Mayhew, Dindga McCannon, Ademola Olugebefola, Haywood Bill Rivers, Frank Wimberley"--Back cover , Catalog of an exhibition at the Hunter College Art Galleries' Bertha and Karl Leubsdorf Gallery in the fall of 2018 , "Edition of 400"--Colophon , Includes bibliographical references
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  • 82
    ISBN: 1632460688 , 9781632460684
    Language: English
    Pages: 287 pages , illustrations , 21 cm
    DDC: 305.897
    Keywords: Indians of North America Government relations ; Indians of North America Suffrage ; Indians of North America Social conditions ; Indians of North America Economic conditions ; USA ; Indianer ; Soziale Situation ; Wirtschaftliche Lage ; Wahlrecht ; Diskriminierung
    Abstract: "... American Apartheid offers the most comprehensive and compelling account of the issues and threats that Native Americans face today, as well as their heroic battle to overcome them. Stephanie Woodard details the ways in which the government curtails Native voting rights, which, in turn, keeps tribal members from participating in policy-making surrounding education, employment, rural transportation, infrastructure projects, and other critical issues affecting their communities"--
    Abstract: Destitute by design -- On the voting-rights frontline -- Gods and monsters -- Rough justice -- Take the children -- The arc from past to future
    Note: Includes bibliographical references (pages 255-287)
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  • 83
    ISBN: 1681774178 , 9781681774176
    Language: English
    Pages: ix, 452 pages, 16 unnumbered pages of plates , illustrations (some color), portraits, genealogical table , 24 cm
    Edition: First Pegasus books cloth edition
    DDC: 306.3/6/20973
    Keywords: Slavery History ; CRAFTS & HOBBIES ; HISTORY ; HISTORY ; Slavery ; Slavery ; Slavery ; United States ; Creative nonfiction ; Creative nonfiction ; History ; Nonfiction ; USA ; Stadt ; Industrie ; Sklaverei ; Geschichte 1798-1861
    Abstract: "Following the trail left by an unfinished quilt, this illuminating saga examines slavery from the cotton fields of the South to the textile mills of New England--and the humanity behind it. When we think of slavery, most of us think of the American South. We think of back-breaking fieldwork on plantations. We don't think of slavery in the North, nor do we think of the grueling labor of urban and domestic slaves. Rachel May's rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era--all through the discovery of a remarkable quilt. While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830s-era fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words 'shuger, ' 'rum, ' 'casks, ' and 'West Indies, ' repeated over and over, along with 'friendship, ' 'kindness, ' 'government, ' and 'incident.' The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba--the enslaved women behind the quilt--and their owner, Susan Crouch. May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past."--Jacket
    Abstract: Following the trail left by an unfinished quilt, May examines slavery from the cotton fields of the South to the textile mills of New England-- and the humanity behind it. In piecing together the story of Minerva, Eliza, Jane, and Juba-- the enslaved women behind a quilt made of 1830s-era fabric-- and their owner, Susan Crouch, May reveals the lives of these urban enslaved women and their world. -- adapted from jacket
    Abstract: Piecing the quilt -- Eliza, Minerva, & Juba -- Warp & weft : agriculture & industry -- Mosaic -- Medicine & its failures -- Hickory root -- The Leonids : a sermon in patchwork -- Even there -- Canuto Matanew -- An abomination -- Living history -- Portraits
    Note: "This is a work of creative nonfiction.... [B]ecause the records of enslaved people in the antebellum era are so scant, I have imagined their lives based on historical and contextual information. I make clear with the text what is known fact and where I'm imagining."--Page ix , Includes bibliographical references (pages 403-444) , Text in English
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  • 84
    ISBN: 9780755601974 , 9781784538583
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen , 22 cm
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Jazz ; Jazz ; Propaganda ; Radio broadcasting ; Radio broadcasting ; Radio broadcasting ; Radio in propaganda ; Radio in propaganda ; World War, 1939-1945 ; Germany ; Great Britain ; World War (1939-1945) ; History ; 1900-1999 ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945 ; Jazz ; Zweiter Weltkrieg ; Kultur ; Geschichte
    Note: Hier auch später erschienene, unveränderte Nachdrucke
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  • 85
    ISBN: 9780872731844 , 0872731847
    Language: English
    Pages: 152 Seiten , Illustrationen , 27 cm
    DDC: 305.48/896073
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    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism and the arts Exhibitions History 20th century ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism and the arts Exhibitions ; History ; 20th century ; United States ; African American feminists ; African American radicals ; African American women authors ; African American women Political activity ; Feminism and the arts ; Feminist literature United States ; African American feminists ; African American feminists ; African American radicals ; African American radicals ; African American women ; African American women ; African American women authors ; African American women authors ; Feminism and the arts ; Feminism and the arts ; Feminist literature ; Feminist literature ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California Afro-American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art 26.06.2018-30.09.2018 ; Bildband ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.2017-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Schwarze ; Frauenkunst ; Geschichte 1965-1985
    Abstract: Illustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page
    Note: Includes bibliographical references , Impressum: "Published on the occasion of the exhibition We Wanted a Revolution: Black Radical Women, 1965-85, organized by the Brooklyn Museum. Itinerary Brooklyn Museum, April 21-September 17, 2017, California African American Museum, Los Angeles, October 13, 2017-January 14, 2018, Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018, The Institute of Contemporary Art/Boston, June 26-September 30, 2018."
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  • 86
    ISBN: 9783897713147 , 3897713144
    Language: German
    Pages: 85 Seiten
    Edition: 4., erw. Auflage
    DDC: 305.4209
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    Keywords: Geschichte ; Frauenbewegung ; Feminismus ; USA ; Europa ; Comic ; Comic ; Comic ; Comic ; Comic ; Europa ; USA ; Feminismus ; Frauenbewegung ; Geschichte
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  • 87
    ISBN: 9781138505599
    Language: English
    Pages: xiv, 257 Seiten , Illustrationen , 22 cm
    DDC: 363.69
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    Keywords: Historic sites ; World Heritage areas ; Historic sites ; Historic sites ; World Heritage areas ; World Heritage areas ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Südasien ; Weltkulturerbe ; Indien ; Weltkulturerbe ; Lumbinī ; Weltkulturerbe ; Bali ; Weltkulturerbe
    Note: Aus dem Vorwort: "The present volume draws on papers from a three-day workshop held at India International Centre from 20 to 22 August 2016 ..."
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  • 88
    ISBN: 9781498553599 , 9781498553612
    Language: English
    Pages: viii, 216 Seiten , Illustrationen , 23 cm
    Series Statement: Critical perspectives on race, crime, and justice
    Parallel Title: Erscheint auch als
    DDC: 363.230973
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    Keywords: Hispanos ; Bürgerinitiative ; Polizei ; Diskriminierung ; Strafverfolgung ; Schwarze ; USA ; Police / United States ; Police-community relations / United States ; Discrimination in law enforcement / United States ; Black lives matter movement ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Bürgerinitiative ; Strafverfolgung ; Polizei ; Diskriminierung ; Schwarze ; Hispanos
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  • 89
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    San Francisco : Fine Arts Museums of San Francisco | Munich : DelMonico books, Prestel
    ISBN: 9783791357171
    Language: English
    Pages: 183 Seiten
    DDC: 704.03/96073075
    Keywords: Fine Arts Museums of San Francisco Exhibitions ; African American art Exhibitions 21st century ; Art Exhibitions ; African American art Exhibitions 20th century ; Ausstellungskatalog De Young Museum 2017-2018 ; Bildband ; USA ; Schwarze ; Kunst ; Geschichte 1970-2005
    Abstract: Revelations : Art from the African American South / by Timothy Anglin Burgard -- Mr. Dial Is a Man Looking for Something / by Thornton Dial -- An Artist Goes Back to the Ocean / by Lonnie Holley -- Peacemaker / by Joe Minter -- Catalogue / by Timothy Anglin Burgard and Lauren Palmor -- Artist Biographies / by Lauren Palmor
    Note: Impressum: on the occasion of the exhibition Revelations: Art from the African American South at the de Young, San Francisco, from June 3, 2017 through April 1,2018 , Includes bibliographical references
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  • 90
    ISBN: 9783939855507 , 3939855502 , 9783939855460
    Language: German , English
    Pages: 240 Seiten , 24 cm x 28 cm, 1435 g
    Series Statement: Editon Völklinger Hütte 2017
    DDC: 751.7307443421
    Keywords: Streetart ; Ausstellungskatalog Weltkulturerbe Völklinger Hütte - Europäisches Zentrum für Kunst und Industriekultur 09.04.2017-05.11.2017 ; Ausstellungskatalog 2017 ; Konferenzschrift ; Bildband ; Ausstellungskatalog Weltkulturerbe Völklinger Hütte 09.04.2017-05.11.2017 ; Hochschule Darmstadt ; Kunst ; Öffentlicher Raum ; Streetart
    Abstract: Die "4. UrbanArt Biennale® 2017" präsentiert 100 Künstler mit 150 Werken aus 17 Ländern und 4 Kontinenten auf einem Parcours von 100.000 Quadratmetern. Im Rahmen der Biennale entstehen 20 ortsfeste Installationen. Sie gibt einen aktuellen Überblick über die UrbanArt-Szene der Welt.
    Note: Texte deutsch und englisch
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  • 91
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    New Haven and London : Yale University Press | New Haven : Yale University Press
    ISBN: 9780876332726 , 9780300225891
    Language: English
    Pages: 496 Seiten , Illustrationen
    DDC: 750
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    Keywords: Watercolor painting Exhibitions 20th century ; Watercolor painting, American Exhibitions 19th century ; Watercolor painting, American Exhibitions 20th century ; Watercolor painting Exhibitions 19th century ; Watercolor painting ; Watercolor painting ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; Ausstellungskatalog Philadelphia Museum of Art 2017 ; Ausstellungskatalog Philadelphia Museum of Art 01.03.2017-14.05.2017 ; USA ; Aquarell ; Geschichte 1800-1930 ; USA ; Aquarell ; Geschichte 1800-1930
    Abstract: The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture
    Abstract: The American watercolor movement -- American watercolor before 1866: separate worlds -- Ruskin, Turner, and the English tradition, 1855-1865 -- The formation of the American Watercolor Society -- "Strenuous and persistent efforts": the watercolor movement, 1873-1877 -- Landscape in the 1870s -- The illustrators: from "black and white" to color, 1873-1882 -- Figure painting in the 1870s: Homer and Eakins -- Art for a Decorative Age -- Impressionism from Munich and Rome -- High-water mark: figure painters in the 1880s -- Landscape painting after 1880: tonalism -- Illustration and decoration in the Gilded Age -- Impressionism and post-impressionism: Prendergast, Homer, and Sargent -- The "American medium" and the moderns -- Flash in the pan: a history of manufacturing watercolor paint in America / Rebecca Pollak
    Note: Rückseite der Titelseite: "Published on the occasion of the exhibition American Watercolor in the Age of Homer and Sargent, March 1-May 14, 2017."
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  • 92
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    Hamburg : Verein Saseler Heimatfest e.V
    Language: German
    Pages: 50 Seiten , Illustrationen , 21 cm
    DDC: 390
    Keywords: Konferenzschrift ; Hamburg-Sasel ; Verein ; Einrichtung
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  • 93
    ISBN: 9783496015833 , 3496015837
    Language: German
    Pages: 255 Seiten , Illustrationen , 24 cm
    DDC: 306.4
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    Keywords: Konferenzschrift ; Konferenzschrift 2016 ; Architektur ; Mode ; Journalismus ; Medien ; Politisches Handeln ; Soziale Verantwortung ; Design ; Theorie
    Abstract: Widerspenstige Architektur - Widerspenstige Mode - Widerspenstiger Journalismus und mediale Herausforderungen - Widerspenstigkeit organisieren
    Note: "Im Jahr 2016 haben wir das dritte Kurt-Schwitters-Symposium für Designtheorie 'Widerständige Praktiken - Design als Orientierungsstrategie' [...] konzipiert." - Seite 9 , Literaturangaben
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  • 94
    ISBN: 9780262037112
    Language: English
    Pages: vi, 80 Seiten , Illustrationen , 24 cm
    Uniform Title: Kleine Geschichte des Feminismus
    Parallel Title: Erscheint auch als Schrupp, Antje, 1964 - A brief history of feminism
    DDC: 305.4209
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    Keywords: Feminism History ; Feminism ; Comic ; Europa ; USA ; Feminismus ; Frauenbewegung ; Geschichte
    Note: Illustrated by Patu and written by Antje Schrupp , Englisch
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  • 95
    ISBN: 9783791356549 , 3791356542 , 9783791368115
    Language: German
    Pages: 344 ungezählte Seiten , Illustrationen , 29 cm x 20 cm
    Additional Material: 4 Beilagen: Athens map booklet (inklusive Faltblatt) + Verzeichnis der Künstler + 1 Blatt
    Parallel Title: Parallele Sprachausgabe Documenta (14. : 2017 : Athen; Kassel) documenta 14 - Daybook
    DDC: 709.05074434124
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    Keywords: Documenta ; Künstler ; Ausstellungskatalog 08.04.2017-17.09.2017 ; Ausstellungskatalog 08.04.2017-17.09.2017 ; Konferenzschrift ; Ausstellungskatalog 08.04.2017-17.09.2017 ; Bildband ; Kunst ; Kunst ; Documenta 14. Athen; Kassel 2017 ; Künstler
    Abstract: Kurzführer mit Texten und Informationen zu Künstlern und Orten der documenta 14, der weltweit größten Ausstellung zeitgenössischer Kunst - 2017 in Athen und Kassel - mit einem siebbedruckten und tiefgeprägten Kunststoffeinband. Das Daybook zur documenta 14 orientiert sich in seiner tagebuchartigen Struktur sowohl an den Parallelen und Überschneidungen der 163 Kalendertage währenden Ausstellungen in Athen und Kassel als auch an dem persönlichen, subjektiven Zugang der Besucher zum Geschehen. Texte von verschiedensten Autorinnen und Autoren - Kritikern, Kuratoren, Dichtern, Schriftstellern, Historikern - geben tiefgehende Einblicke in die künstlerische Praxis der teilnehmenden Künstlerinnen und Künstler. Ergänzt wird die Publikation von zwei Broschüren zu den Ausstellungen in Athen und Kassel, die u. a. Informationen zu den Ausstellungsorten und Teilnehmern sowie Karten und Werklisten enthalten. Diese Broschüren, die vor Ort erhältlich sind, sind der Buchhandelsausgabe beigelegt.
    Note: Index auf dem Schutzumschlag , "... Stattdessen haben wir eine polyphone Anthologie aus Texten zusammengestellt, die sich den lebenden Künstler_innen der documenta 14 widmen. Sie richtet sich an Sie, unsere Leser_innen, durch disparate Stimmen, die von radikal persönlichen Standpunkten aus sprechen." - (Vorwort)
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  • 96
    ISBN: 9783944425061
    Language: German
    Pages: 148 Seiten , 79 Illustrationen (darunter 1 Karte und 1 Plan) , 30 cm
    Additional Information: Rezensiert in Landes, Josepha, 1988 - Raster Beton 2018
    Additional Information: Rezensiert in Rubin, Eli, 1975 - [Rezension von: Juliane Richter / Tanja Scheffler / Hannah Sieben (Hrsg.), Raster Beton. Vom Leben in Großwohnsiedlungen zwischen Kunst und Platte] 2018
    DDC: 728.31409432122
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    Keywords: Konferenzschrift ; Aufsatzsammlung ; Bildband ; Konferenzschrift ; Aufsatzsammlung ; Bildband ; Leipzig-Grünau ; Wohnungsbau ; Großtafelbau ; Stadtentwicklung ; Geschichte 1970-1990 ; Städtebau ; Großtafelbau ; Geschichte ; Leipzig ; Stadtviertel ; Wohngebiet ; Wohnungsbau ; Geschichte
    Note: "Die Publikation baut auf das Festival für Kunst und Architektur RASTER:BETON in Leipzig-Grünau auf, das im Jahr 2016 stattfand." - Seite 148
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  • 97
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    Frankfurt : [Verlag nicht ermittelbar] | Darmstadt : Ph. Reinheimer
    Language: German
    Pages: 64 Seiten , Illustrationen, Karten
    Edition: 1. Auflage, Stand Dezember 2017
    Parallel Title: Erscheint auch als Zukunft, die bleibt
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    Keywords: Universitäts- und Landesbibliothek Darmstadt ; Hochschul- und Landesbibliothek Fulda ; Universitätsbibliothek Johann Christian Senckenberg ; Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel ; Universitätsbibliothek Gießen ; Universitätsbibliothek Marburg ; Hochschul- und Landesbibliothek RheinMain ; Landesbibliothek ; Hochschulbibliothek ; Kulturerbe ; Land ; Universitätsbibliothek ; Bibliothek ; Hessen ; Bericht ; Bildband ; Bericht ; Konferenzschrift ; Aufsatzsammlung
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  • 98
    ISBN: 9780262036238
    Language: English
    Pages: xv, 420 Seiten , Illustrationen
    DDC: 306.4/842097309045
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    Keywords: Sound recordings Social aspects 20th century ; History ; Sound recording industry History 20th century ; Bildband ; Bildband ; USA ; Schallplatte ; Cover ; Geschichte 1930-1970
    Note: Includes bibliographical references (pages 391-406) and index
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  • 99
    ISBN: 9780872731837
    Language: English
    Pages: 319 Seiten , Illustrationen
    DDC: 305.48/896073
    RVK:
    RVK:
    Keywords: African American feminists Exhibitions History 20th century ; African American women authors Exhibitions History 20th century ; African American radicals Exhibitions 20th century ; African American women Exhibitions Political activity 20th century ; Feminist literature Exhibitions History 20th century ; Feminism Sources History ; Exhibitions ; African American feminists Exhibitions ; History ; 20th century ; African American women authors Exhibitions ; History ; 20th century ; African American radicals Exhibitions ; 20th century ; African American women Exhibitions ; Political activity ; 20th century ; Feminist literature Exhibitions ; History ; 20th century ; United States ; Feminism Sources ; Exhibitions ; History ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; Aufsatzsammlung ; Quelle ; Ausstellungskatalog Brooklyn Museum 21.04.2017-17.09.2017 ; Ausstellungskatalog California African American Museum 13.10.217-14.01.2018 ; Ausstellungskatalog Albright-Knox Art Gallery 17.02.2018-27.05.2018 ; Ausstellungskatalog Institute of Contemporary Art Boston 26.06.2018-30.09.2018 ; USA ; Black arts movement ; Schwarze Frau ; Frauenkunst ; Engagierte Kunst ; Geschichte 1965-1994
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Published on the occasion of an exhibition organized by the Brooklyn Museum and on view at the museum from April 21-September 17, 2017
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  • 100
    Language: German
    Pages: 83 Seiten
    Series Statement: Das Heidecker Heimatmuseum Band 1
    Series Statement: Band ... der Schriftenreihe das Heidecker Heimatmuseum
    RVK:
    Keywords: Konferenzschrift ; Bildband ; Konferenzschrift ; Bildband ; Konferenzschrift ; Bildband ; Heimatkundliche Sammlung ; Franken ; Volkskunde
    Note: Vortragsdaten - der Einführung entnommen
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