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  • HeBIS  (3)
  • Würzburg UB
  • Regensburg UB
  • English  (3)
  • Polish
  • Ukrainian
  • Amsterdam : Amsterdam University Press  (3)
  • Film  (3)
  • General works  (3)
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  • English  (3)
  • Polish
  • Ukrainian
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  • 1
    Online Resource
    Online Resource
    Audiences : defining and researching screen entertainment reception (2012)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 9789048515059 , 904851505X
    Language: English
    Pages: 1 Online-Ressource (332 Seiten) , Illustrations
    Series Statement: The key debates ; 3
    DDC: 302.2343
    RVK:
    AP 17000
    Keywords: Motion picture audiences ; PSYCHOLOGY Social Psychology ; PERFORMING ARTS Film & Video ; General ; The arts ; Film, TV and radio ; Films, cinema ; Film theory and criticism ; Motion picture audiences ; Motion pictures ; Film
    Abstract: "This timely volume engages with one of the most important shifts in recent film studies: the turn away from text-based analysis towards the viewer. Historically, this marks a return to early interest in the effect of film on the audience by psychoanalysts and psychologists, which was overtaken by concern with the 'effects' of film, linked to calls for censorship and moral panics rather than to understanding the mental and behavioral world of the spectator. Early cinema history has revealed the diversity of film-viewing habits, while traditional 'box office' studies, which treated the audience initially as a homogeneous market, have been replaced by the study of individual consumers and their motivations. Latterly, there has been a marked turn towards more sophisticated economic and sociological analysis of attendance data. And as the film experience fragments across multiple formats, the perceptual and cognitive experience of the individual viewer (who is also an auditor) has become increasingly accessible. With contributions from Gregory Waller, John Sedgwick and Martin Barker, this work spans the spectrum of contemporary audience studies, revealing work being done on local, non-theatrical and live digital transmission audiences, and on the relative attraction of large-scale, domestic and mobile platforms."--Publisher's website.
    Note: Includes bibliographical references (pages 279-298) and indexes
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    URL: Volltext
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    URL: https://www.cambridge.org/core/product/identifier/9789048515059/type/BOOK
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    URL: kostenfrei
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    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
    HeBIS
    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Film Remakes as Ritual and Disguise : From Carmen to Ripley (2006)
    Amsterdam : Amsterdam University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9789048509706
    Language: English
    Pages: 1 Online-Ressource (171 pages)
    Series Statement: Film Culture in Transition
    DDC: 305.407
    RVK:
    AP 46600
    RVK:
    AP 50300
    Keywords: Remake ; Film
    Abstract: The first book-length account of the symbolic chains that link remakes such as Psycho and Carmen and explain their disguises.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    HeBIS
  • 3
    Online Resource
    Online Resource
    Cinephilia : movies, love and memory (2005)
    Amsterdam : Amsterdam University Press
    Details
    ISBN: 1280958146 , 1423709640 , 9048505445 , 9053567690 , 9781280958144 , 9781423709640 , 9789048505449 , 9789053567685 , 9789053567692
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Film culture in transition
    Parallel Title: Erscheint auch als
    DDC: 302.2343
    RVK:
    AP 42200
    Keywords: SOCIAL SCIENCE / Media Studies ; The arts ; Film, TV and radio ; Films, cinema ; PERFORMING ARTS / Film & Video / General ; Motion picture audiences ; Motion pictures ; Motion pictures / Social aspects ; Filmkunst ; Filmliefhebbers ; Sociale aspecten ; Konzeption ; Film ; Kulturwandel ; Film ; Geschichte ; Gesellschaft ; Motion pictures Social aspects ; Motion pictures History ; Motion picture audiences ; Konzeption ; Film ; Kulturwandel ; USA ; Konferenzschrift 2002 ; Konferenzschrift 2002 ; History ; Motion pictures ; Motion pictures ; USA ; Film ; Kulturwandel ; Konzeption
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references and indexes , I. - The Ramifications of Cinephilia: Theory and History - Cinephilia or the Uses of Disenchantment -- - Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci's The Dreamers -- - Mass Memories of Movies: Cinephilia as Norm and Narrative in Blockbuster Culture -- - Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill -- - II. - Technologies of Cinephilia: Production and Consumption - Remastering Hong Kong Cinema -- - Drowning in Popcorn at the International Film Festival Rotterdam?: The Festival as a Multiplex of Cinephilia -- - Ravenous Cinephiles: Cinephilia, Internet, and Online Film Communities -- - Re-disciplining the Audience: Godard's Rube-Carabinier -- - The Original Is Always Lost: Film History, Copyright Industries and the Problem of Reconstruction -- - III. - Techniques of Cinephilia: Bootlegging and Sampling - The Future of Anachronism: Todd Haynes and the Magnificent Andersons -- - Conceptual Cinephilia: On Jon Routson's Bootlegs -- - Playing the Waves: The Name of the Game is Dogme95 -- - The Parenthesis and the Standard: On a Film by Morgan Fisher -- - The Secret Passion of the Cinephile: Peter Greenaway's A Zed and Two Noughts Meets Adriaan Ditvoorst's De Witte Waan , Documents the latest generation of cinephiles and their use of new technologies
    URL: Volltext
    URL: kostenfrei
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    HeBIS
    BVB
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