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  • Weltkulturen Museum
  • Online Resource  (17)
  • USA  (17)
  • Art History  (10)
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  • 1
    ISBN: 9781478027256
    Language: English
    Pages: 1 online resource (569 pages)
    Edition: 1st ed.
    Parallel Title: Erscheint auch als Future/present
    Parallel Title: Erscheint auch als
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    Keywords: ART / American / General ; ART / American / Asian American & Pacific Islander ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: Building on five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism in the art world, FUTURE/PRESENT includes a range of poetry, essays and criticism, visual and performance art, artist manifestos, interviews, and reflections on community practice.
    Abstract: Cover -- Contents -- Introduction / Roberta Uno -- The Call / Jeff Chang -- vestibular mantra (or radical virtuosities for a brave new dance) / taisha paggett -- Part 1 / Cultural Presence: Placekeeping and Belonging -- Introduction / Daniela Alvarez -- Aqui Estoy / Jose Ramirez -- Beauty, Justice, and the Ritual of Performance / Patricia Berne and Nomy Lamm -- An Accumulation of Things That Refuse to Be Discarded / Kiyan Williams -- Counting Coup on the Compartmentalization of Indigenous-Made Rap Music / Talon Bazille Ducheneaux -- Cultural Resiliency in the Face of Crisis: Learning from New Orleans / Carol Bebelle and Carol Zou -- Collectively Directing the Current / Halima Afi Cassells -- The New Eagle Creek Saloon / Sadie Barnette -- Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012-2016 / Guillermo Gómez-Peña -- Building Temples for Tomorrow": Cultural Workers as Construction Crews / Alesia Montgomery -- Invasive Species / Aaron McIntosh -- Sunny and 150 Years of Placekeeping in Little Tokyo / Scott Oshima -- Local Fruit Still Life / Daniel Andres Alcazar -- Stage One: Establishing Community / Garrett McQueen -- Red 40 / Jazmín Urrea -- More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next / Devin Kenny -- Part 2 / Dismantling Borders, Building Bridges: Migration and Diasporas -- Introduction / Sarah Sophia Yanni -- Mano Poderosa / Rosalie López -- A Cosmos of Dis/Joints / Vinhay Keo -- Cross-Border Citizens / Teddy Cruz and Fonna Forman -- Indian Alley, Where Art Is Healing / Pamela J. Peters -- Vessels: A Conversation / Chanice Holmes, Mykia Jovan, Rebecca Mwase, and Mahalia Abéo Tibbs -- Fence / Belise Nishimwe -- A Touch of Otherness / Hayv Kahraman -- Harmattan Haze / Njideka Akunyili Crosby -- Who Is the #EmergingUS? / Jose Antonio Vargas.
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    ISBN: 9781478093718
    Language: English
    Pages: 1 Online-Ressource (568 p.)
    Parallel Title: Erscheint auch als Future/present
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    Keywords: Anti-racism History 21st century ; Arts and society History 21st century ; Arts Political aspects 21st century ; History ; ART / American / General ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu
    Note: Frontmatter , CONTENTS , INTRODUCTION , The Call , vestibular mantra (or radical virtuosities for a brave new dance) , PART 1 / CULTURAL PRESENCE: PLACEKEEPING AND BELONGING , Introduction , Aqui Estoy , Beauty, Justice, and the Ritual of Performance , An Accumulation of Things That Refuse to Be Discarded , Counting Coup on the Compartmentalization of Indigenous-Made Rap Music , Cultural Resiliency in the Face of Crisis: Learning from New Orleans , Collectively Directing the Current , The New Eagle Creek Saloon , Notes from Technotopia 3.0: On the "Creative City" Gone Wrong-an Antigentrification Philosophical Tantrum, 2012 - 2016 , "Building Temples for Tomorrow": Cultural Workers as Construction Crews , Invasive Species , Sunny and 150 Years of Placekeeping in Little Tokyo , Local Fruit Still Life , Stage One: Establishing Community , Red 40 , More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next , PART 2 / DISMANTLING BORDERS, BUILDING BRIDGES: MIGRATION AND DIASPORAS , Introduction , Mano Poderosa , A Cosmos of Dis/Joints , Cross-Border Citizens , Indian Alley, Where Art Is Healing , Vessels: A Conversation , Fence , A Touch of Otherness , Harmattan Haze , Who Is the #EmergingUS? , Justice and Equity: We're Coming for It All , building bricks for communal healing , We Never Needed Documents to Thrive , prop·er , Alongside: On Chinese Students in the United States and the Fight for Black Lives , Love Spirals: Notes on Brown Feelings , PART 3 / CREATING A WORLD WITHOUT PRISONS: CULTURE AND THE CARCERAL STATE , Introduction , To Create in Prison , A Measure of Joy , There Is No Abolition or Liberation without Disability Justice , HOGAR , I Remember , Coming Home , Singing Our Way to Abolition , Standing in the Gap: Music as First Responder , Locked in a Dark Calm , As Crazy as the World Is, I Do Believe , Jumpsuit Project , The Bonds of Aloha: Connecting to Culture Can Free Us , The Nail That Sticks Out , Art Is a Trojan Horse: Reclaiming Our Narratives , Try/Step/Trip (Excerpt) , The Evanesced Series (2016 - ) , PART 4 / EMBODIED CARTOGRAPHIES: RENEGOTIATING RELATIONSHIPS WITH LAND , Introduction , Kiksuya , America Doesn't Exist , Between the Real and the Imagined: A Conversation with Lyla June and Tanaya Winder , Sopa de Ostión , Island Earth: Water, Wayfinding, and the Currents That Connect Us , ACCESS DENIED: Creating New Spatial Understandings , Essential Economy , Earth Mama II , We Are Part of This Land , Mauka House , Withholding an Image: Disciplinary Disobedience and Reciprocity in the Field , Thinking through Fragments: Speculative Archives, Contested Histories, and a Tale of the Palestine Archaeological Museum , Secrets That the Wind Carries Away , Ohiŋniyaŋ ded wati kte: This Place Will Always Be Home , Ballers , PART 5 / LIVING OUR LEGACY: ANCESTRAL KNOWLEDGE AS RADICAL FUTURITY , Introduction , These Roots Run Deep , The Future Is Ancient , Being in Oneness: Conversations with Nobuko Miyamoto, Kamau Ayubbi, and Asiyah Ayubbi , 1619 , Encircling the Circle: Blood Memory and Making the Village-a Conversation between Cleo Parker Robinson and Malik Robinson , Culture and Tradition: A Monument to Our Resilience , Español , Apsáalooke Feminist #4 , Mother's Words and Grandmother's Thoughts: Living the Right Way (a Conversation) , The AIM Song , Gullah/Geechee Sea Island Reflections of Futurity , For Paradise , What Is the New Basket That We're Going to Weave? , I ka wā ma mua, i ka wā ma hope: 'Ōiwi Orientations toward a Radical Futurity , The Art of Peer Pressure: Black Fire UVA! , PART 6 / CURRENTS BEYOND: ARTISTS SHIFTING PARADIGMS OF INEQUITY , Introduction , Bang Bang , The Cultural New Deal for Cultural and Racial Justice , We Begin by Listening , EMERGENYC: An Artistic Home for Emerging Artists , Listening through Dance , Scenes & Takes , Feminist Coalition and Queer Movements across Time: A Conversation between Alok Vaid-Menon and Urvashi Vaid , What Would Upski Think? , all organizing is science fiction , Rebirth Garments , A Call to Action , Huliau , SOVEREIGN , Flexing Hope Is a Practice , Azadi , AFTERWORD , emergence (after adrienne maree brown) , Acknowledgments , In English
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9780262377249 , 0262377241 , 9780262377256 , 026237725X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: The MIT Press
    Parallel Title: Erscheint auch als An anthology of blackness
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    Keywords: Graphic arts Social aspects ; Commercial art Social aspects ; African American graphic artists ; White privilege (Social structure) ; USA ; Schwarze ; Gebrauchsgrafik ; Intersektionalität
    Abstract: "Shows why the design field has consistently failed to attract Black professionals, how Eurocentric hegemony impacts Black designers & how to create an antiracist, pro-Black design industry instead"--
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  • 4
    ISBN: 9783161611384
    Language: German
    Pages: 1 Online-Ressource (VI, 240 Seiten) , Karten
    Series Statement: Beiträge zu normativen Grundlagen der Gesellschaft 7
    Series Statement: Beiträge zu normativen Grundlagen der Gesellschaft
    Parallel Title: Erscheint auch als
    DDC: 303.483
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    Keywords: Politik ; Wirtschaft ; Ideologie ; Verfassungsrecht ; Marktwirtschaft ; Recht ; Facebook ; Künstliche Intelligenz ; Staatsrecht ; Demokratie ; Technologieunternehmen ; Digitale Revolution ; Deutschland ; Silicon Valley ; Digitalisierung ; Staatsverständnis ; Beiträge zu normativen Grundlagen der Gesellschaft ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Deutschland ; Künstliche Intelligenz ; Verfassungsrecht ; Staatsrecht ; Demokratie ; Marktwirtschaft ; Silicon Valley ; Künstliche Intelligenz ; Facebook ; Ideologie ; Silicon Valley ; Technologieunternehmen ; Ideologie ; Digitale Revolution ; Politik ; Wirtschaft ; Recht
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 9781000627084
    Language: English
    Pages: 1 Online-Ressource (xiv, 152 Seiten) , Illustrationen
    Series Statement: Routledge research in art and race
    Parallel Title: Erscheint auch als Hamilton, Elizabeth Carmel Charting the Afrofuturist imaginary in African American art
    DDC: 700.89/96073
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    Keywords: Electronic books ; USA ; Kunst ; Künstlerin ; Afrofuturismus
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  • 6
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469664668 , 9781469664651
    Language: English
    Pages: 1 Online-Ressource (xiii, 231 pages) , Illustrations (black and white).
    Series Statement: North Carolina scholarship online
    DDC: 302.23082
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    Keywords: Künste ; Frau ; Sklaverei ; Gewalt ; Violence in literature ; Violence in motion pictures ; Violence on television ; Violence in women in literature ; Women in popular culture ; Women in popular culture ; Violence in women in popular culture ; Violence in women in popular culture ; Slavery History ; Literature ; Literature: history & criticism ; USA ; Karibik
    Abstract: This text examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Amy King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in US and Caribbean depictions of violence between women in the wake of slavery.
    Note: Also issued in print: 2021 , Includes bibliographical references and index
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  • 7
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469663067
    Language: English
    Pages: 1 online resource (245 pages)
    Series Statement: The John Hope Franklin Series in African American History and Culture Ser.
    Parallel Title: Erscheint auch als Smethurst, James Edward Behold the land
    DDC: 810.9896073
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    Keywords: Black Arts movement--Southern States ; American literature--African American authors--History and criticism ; African Americans in literature ; Electronic books ; Geschichte 1960-1985 ; USA ; Black power ; Kunst ; Geschichte 1960-1985 ; Geschichte 1960-1985 ; USA ; Black arts movement
    Note: Description based on publisher supplied metadata and other sources
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  • 8
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839452943
    Language: English
    Pages: 1 Online-Ressource (215 Seiten) , Illustrationen
    Series Statement: Image volume 180
    Series Statement: Image
    Parallel Title: Erscheint auch als Adusei-Poku, Nana Taking stakes in the unknown
    DDC: 700.411
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    Keywords: Art, Black ; Blacks in art ; Blacks--Race identity ; Electronic books ; Bradford, Mark 1961- ; Hewitt, Leslie 1977- ; Thomas, Mickalene 1971- ; Thomas, Hank Willis 1976- ; Metz, Philip 1971- ; Engagierte Kunst ; Schwarze ; Postkolonialismus ; Kunst ; Afroamerikanismus ; Bradford, Mark 1961- ; USA ; Schwarze ; Kunst ; Identität ; Geschichte 2000-2020
    Abstract: Cover -- Contents -- Acknowledgement -- I. Introduction -- II. Destabilizing Meaning -- 1. The Textures of History -- 2. What is the script of your time? -- 2.1 I am everything and now what? -- 3. Economies of the Double-bind -- 3.1 ADS IMITATE ART, ART IMITATES LIFE, and LIFE IMITATES ADS. -- 3.2 The Economy of Blackness in Unbranded -- III. Historical Entanglements of Black Revolutionary Women -- 1. De-Interpellating Interpellation-Visual Disobediences -- 2. How do I look? (Very good, I must say I am amazed!) -- 3. O my Body, will always remain in question!- Reviewing the Fanonian Moment -- 3.1 The Colonial Gaze -- 3.2 Entanglements -- IV. Heterotemporality as a Way of Understanding the Contemporary -- 1. Reclaiming our time -- 2. Riffs on Real Time and the present that is fleeting though captured -- 2.1 Possible Presents -- 3. Rewind Selecta -- 4. Hetero-temporality -- V. Paradox Synchronicities -- 1. Contextualization -- 2. IWHISHIWAS or WISHIWASHI ? -- 2.1 Taking a Closer Look -- 2.2 Disposed Desires -- 2.3 Retrospective Introspectives -- 2.4 Visual and Temporal Polyphonies -- 3. From Leitkultur to Leightkultur -- VI. Abstract Facts -- 1. Enter and Exit the New Negro -- 1.1 Quare-"Built in History" -- 2. Enter and Exit the New Negro-From Invisible Visibilities -- 2.1 (Qu-)hair Politics and Material Connections -- 3. Enter the New Negro -- 3.1 Exit the New Negro -- 4. Ambiguity as Chance-Abstraction as Means of Identity -- 4.1 hidin' like thieves in the night from life, Illusions of osasis makin' you look twice -- 4.2 Norman Lewis-the not quite "invisible man" of abstract expressionism -- 4.3 Playing by the Rules-Turn off the light! -- VII. Post-Post-black -- VIII. Bibliography.
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  • 9
    ISBN: 9780429467851 , 9780429885877 , 9780429885884 , 9780429885860 , 9780429467851
    Language: English
    Pages: 1 online resource (232 pages) , 86 illustrations, text file, PDF.
    Edition: First edition.
    Series Statement: Routledge Research in Art and Race
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Morgan, Jo-Ann The Black Arts movement and the Black Panther Party in American visual culture
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    Keywords: Black Panther Party History ; Arts and society History 20th century ; Black Arts movement ; Black Arts movement Case studies ; Arts Political aspects ; African Americans Race identity ; African Americans Intellectual life 20th century ; African American arts 20th century ; Black Arts movement ; African American arts ; 20th century ; African Americans ; Race identity ; African Americans ; Intellectual life ; 20th century ; Arts ; Political aspects ; United States ; History ; 20th century ; Electronic books ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; ART / Art & Politics ; AfriCOBRA ; African American art ; African American history ; African American studies ; American art ; Angela Davis ; art history ; Berkeley ; Black Panthers ; black power ; California ; civil rights ; desegregation ; Eldridge Cleaver ; Emory Douglas ; Huey P. Newton ; identity ; Kathleen Cleaver ; Malcolm X ; newspaper ; Oakland ; Oakland Museum ; paintings ; photography ; politics ; posters ; prints ; visual culture ; Electronic books ; Electronic books ; USA ; Schwarze ; Kunst ; Kultur ; Black Panther Party
    Abstract: Part I. Black arts we make : aesthetics, collaboration, and social identity in the visual art of Black Power -- Introduction to Part I -- Pedigree of the Black arts movement : the march on Washington, death of Malcolm X, and free jazz -- Organization of Black American culture : a show of respect -- African commune of bad relevant artists : forging a Black aesthetic -- New perspectives in Black art : an Oakland class of '68 Says Black Lives Matter. -- Part II. The Black Panther Party in photography and print ephemera. Introduction to Part II -- Huey P. Newton enthroned : iconic image of Black Power -- Eldridge Cleaver's visual acumen and the coalition of Black Power with White resistance -- Emory Douglas : revolutionary artist and visual theorist -- Picturing the female revolutionary.
    Note: Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    Chicago : 〈〈The〉〉 University of Chicago Press
    ISBN: 9780226414546
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305
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    Keywords: Equality Social aspects ; Poverty Research ; Race Methodology ; Educational equalization ; Equality ; Social sciences ; Armut ; Soziale Klasse ; Rasse ; Empirische Sozialforschung ; USA ; Aufsatzsammlung ; USA ; Armut ; Rasse ; Soziale Klasse ; Empirische Sozialforschung
    URL: Volltext  (lizenzpflichtig)
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  • 11
    ISBN: 1447154932 , 9781447154938
    Language: English
    Pages: Online-Ressource (vii, 269 pages)
    Edition: Online-Ausg.
    Series Statement: History of computing
    Series Statement: History of Computing Ser.
    Parallel Title: Print version Hacking Europe
    Parallel Title: Druckausg. Hacking Europe
    DDC: 303.48/34
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    Keywords: Microcomputers ; Computers Social aspects ; History ; Computer crimes ; Electronic books ; Fallstudiensammlung ; Aufsatzsammlung ; Fallstudiensammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Europa ; Individuelle Datenverarbeitung ; Computerfreak ; Computer ; Gegenkultur ; Subkultur ; Geschichte 1975-2005
    Abstract: Hacking Europetraces the user practices of chopping games in Warsaw, hacking software in Athens, creating chaos in Hamburg, producing demos in Turku, and partying with computing in Zagreb and Amsterdam. Focusing on several European countries at the end of the Cold War, the book shows the digital development was not an exclusively American affair. Local hacker communities appropriated the computer and forged new cultures around it like the hackers in Yugoslavia, Poland and Finland, who showed off their tricks and creating distinct 'demoscenes.' Together the essays reflect a diverse palette of cultural practices by which European users domesticated computer technologies. Each chapter explores the mediating actors instrumental in introducing and spreading the cultures of computing around Europe. More generally, the 'ludological' element--the role of mischief, humor, and play--discussed here as crucial for analysis of hacker culture, opens new vistas for the study of the history of technology.
    Description / Table of Contents: Preface; Contents; Chapter 1: Introduction: How European Players Captured the Computer and Created the Scenes ; 1.1 The Hacker Phenomenon; 1.2 Appropriating Computers and Making Technology; 1.3 Appropriating America and Making Europe; 1.4 European Diversity and Common Ground; Bibliography; Part I: Appropriating America: Making One's Own; Chapter 2: Transnational (Dis)Connection in Localizing Personal Computing in the Netherlands, 1975-1990; 2.1 Introduction ; 2.2 Personal Computing Pioneers: Bridging the Atlantic; 2.3 Resolving Design Differences: Basicode as Computer Esperanto
    Description / Table of Contents: 2.4 Alienation from Producers: Hobbyist Cracking Software2.5 Protected Educational Market: From Niche to Microsoft Monopoly; 2.6 Multiple American Appropriations; Bibliography; Chapter 3: "Inside a Day You Will Be Talking to It Like an Old Friend": The Making and Remaking of Sinclair Personal Computing in 1980s Britain; 3.1 The Challenge of the Chip; 3.2 The Making of an Educational Home Computer; 3.3 GOTO Education; 3.4 "Serious" Use; 3.5 Just a Toy Computer?; 3.6 Game Over; Bibliography; Chapter 4: Legal Pirates Ltd: Home Computing Cultures in Early 1980s Greece; 4.1 Introduction
    Description / Table of Contents: 4.2 When IBM Provided Nothing4.3 "You Can Make Your Own Version of Software"; 4.4 The Role of Mediators; 4.5 Conclusion; Bibliography; Part II: Bastard Sons of the Cold War: Creating Computer Scences; Chapter 5: Galaxy and the New Wave: Yugoslav Computer Culture in the 1980s; 5.1 Introduction; 5.2 History of Computing in Yugoslavia; 5.3 Research Institutes and Digital Computers; 5.4 Consumer Society; 5.5 "New Tendencies"; 5.6 Culture Shift and Generation Gap; 5.7 Illegal Imports and the Birth of a Scene; 5.8 Galaksija, Computers in Your Home, Revolution; 5.9 Ventilator 202
    Description / Table of Contents: 5.10 New Kids on the Block5.11 Conclusion; Bibliography; Chapter 6: Playing and Copying: Social Practices of Home Computer Users in Poland during the 1980s; 6.1 Introduction; 6.2 Private Importers; 6.3 Computer Bazaars; 6.4 Pewex and Baltona Retail Stores; 6.5 Computerization Movement; 6.6 Computer Magazines; 6.7 Communist Sanctioned Computer Clubs; 6.8 Social Networks, Gaming Culture, and Sneakernets ; 6.9 User Groups; 6.10 The Demoscene; 6.11 Conclusion; Bibliography; Chapter 7: Multiple Users, Diverse Users: Appropriation of Personal Computers by Demoscene Hackers; 7.1 Introduction
    Description / Table of Contents: 7.2 Technology Appropriation Within a Scene7.3 Scripting Technology; 7.4 Me and My Scene; The Scene as a Stage; Winners vs. Losers; 7.5 Me and My Computer; 7.6 Conclusions; Bibliography; Part III: Going Public: How to Change the World; Chapter 8: Heroes Yet Criminals of the German Computer Revolution; 8.1 Organizing Chaos Computer Club; 8.2 The Conscience of Hackers; 8.3 Going Public and Acting Up; 8.4 Hacking Germany's Bildschirmtext; 8.5 Revealing the Gaps in Btx; 8.6 Consumer Protection vs. Hacker Ethics; 8.7 Legislation for White-Collar Crimes; 8.8 The Legal Implications for Hacktivism
    Description / Table of Contents: 8.9 Conclusion
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 12
    Online Resource
    Online Resource
    Hoboken : Taylor and Francis
    ISBN: 9780415897617 , 9781135074616 (Sekundärausgabe)
    Language: English
    Pages: 136 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781135074616
    Edition: [Online-Ausg.]
    Series Statement: Routledge Studies in Science, Technology and Society
    DDC: 303.48/330973
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    Keywords: Neue Medien ; Innovation ; Sozialer Wandel ; USA ; Online-Publikation ; Online-Publikation ; Electronic books
    Abstract: The Digital Evolution of an American Identity details how the concept of American individualism is challenged by the digital revolution. As digital media alter our print-dominant culture, assumptions regarding the relationship of the individual to the larger community become increasingly problematic. Current arguments regarding freedom of speech and confusion about what is meant by privacy illustrate the nature of the challenge. C. Waite argues that though the transition from a print-based culture to the digital domain entails a global revolution, American culture will suffer the consequences of that revolution more profoundly than other cultures because the concept of American individualism is foundational to its democratic way of life.
    Note: Description based upon print version of record , Online-Ausg.:
    URL: Volltext  (lizenzpflichtig)
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  • 13
    Online Resource
    Online Resource
    Stanford, California : Stanford Law Books, an imprit of Standford University Press
    ISBN: 9780804752374 , 9780804772891 , 9780804752367
    Language: English
    Pages: Online-Ressource (xiv, 288 Seiten)
    Edition: Online-Ausg. 2010 Electronic reproduction; Available via World Wide Web
    Parallel Title: Erscheint auch als Nissenbaum, Helen, 1954 - Privacy in context
    DDC: 323.44/80973
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    Keywords: Social norms ; Information policy ; Information technology Social aspects ; Privacy, Right of ; USA ; Persönlichkeitsrecht ; Integrität ; Informationstechnik
    Abstract: As use of information technology increases, we worry that our personal information is being shared inappropriately, violating key social norms and irreversibly eroding privacy. This book describes how societies ought to go about deciding when to allow technology to lead change and when to resist it in the name of privacy
    Description / Table of Contents: Contents; Acknowledgments; Introduction; PART I: Information Technology's Power and Threat; 1 Keeping Track and Watching over Us; 2 Knowing Us Better than We Know Ourselves: Massive and Deep Databases; 3 Capacity to Spread and Find Everything, Everywhere; PART II: Critical Survey of Predominant Approaches to Privacy; 4 Locating the Value in Privacy; 5 Privacy in Private; 6 Puzzles, Paradoxes, and Privacy in Public; PART III: The Framework of Contextual Integrity; 7 Contexts, Informational Norms, Actors, Attributes, and Transmission Principles; 8 Breaking Rules for Good
    Description / Table of Contents: 9 Privacy Rights in Context: Applying the FrameworkConclusion; Notes; References; Index
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
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  • 14
    Online Resource
    Online Resource
    Durham : Duke University Press
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
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    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
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  • 15
    ISBN: 9780226817439
    Language: English
    Pages: 1 Online-Ressource (x, 327 Seiten) , Illustrationen , 24 cm
    Edition: Electronic reproduction; Available via World Wide Web
    Parallel Title: Erscheint auch als Turner, Fred, 1961 - From counterculture to cyberculture
    Parallel Title: Erscheint auch als Turner, Fred, 1961 - From counterculture to cyberculture
    DDC: 303.48/33
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    Keywords: Brand, Stewart ; Brand, Stewart ; Brand Stewart ; Whole earth catalog (New York, N.Y.) ; Whole earth catalog ; Technology Social aspects ; Subculture History 20th century ; Computer networks Social aspects ; Information technology History 20th century ; Computers and civilization ; Counterculture History 20th century ; Computer networks Social aspects ; Computers and civilization ; Counterculture United States ; History ; 20th century ; Information technology History ; 20th century ; Subculture California ; San Francisco ; History ; 20th century ; Technology Social aspects ; California, Northern ; Electronic books ; Aufsatzsammlung ; Informationstechnik ; Geschichte ; Gegenkultur ; Informationsgesellschaft ; Brand, Stewart 1938- ; Informationstechnik ; Geschichte ; Subkultur ; Gegenkultur ; Informationsgesellschaft ; Neue Medien ; USA ; Informationsgesellschaft ; Geschichte 1900- ; Brand, Stewart 1938-
    Abstract: In the early 1960s, computers haunted the American popular imagination. Bleak tools of the cold war, they embodied the rigid organization and mechanical conformity that made the military-industrial complex possible. But by the 1990s-and the dawn of the Internet-computers started to represent a very different kind of world: a collaborative and digital utopia modeled on the communal ideals of the hippies who so vehemently rebelled against the cold war establishment in the first place. From Counterculture to Cyberculture is the first book to explore this extraordinary and ironic transformation. F
    Description / Table of Contents: AcknowledgmentsIntroduction1.The shifting politics of the computational metaphor2.Stewart Brand meets the cybernetic counterculture3.The Whole Earth Catalog as information technology4.Taking the whole earth digital5.Virtuality and community on the WELL6.Networking the new economy7.Wired8.The triumph of the network modeNotesBibliographyIndex.
    Description / Table of Contents: Contents; Acknowledgments; Introduction; The Shifting Politics of the Computational Metaphor; Stewart Brand Meets the Cybernetic Counterculture; The Whole Earth Catalog as Information Technology; Taking the Whole Earth Digital; Virtuality and Community on the WELL; Networking the New Economy; Wired; The Triumph of the Network Mode; Notes; Bibliography; Index
    Note: Includes bibliographical references (p. 291-312) and index , Electronic reproduction; Available via World Wide Web
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  • 16
    ISBN: 0262112698
    Language: English
    Pages: xxiv, 460 p
    DDC: 303.48/33/0973
    RVK:
    Keywords: Gesellschaft ; Internet Social aspects ; Digital divide ; Telecommunication Social aspects ; Nutzung ; Internet ; Sozialer Wandel ; USA ; Internet ; Nutzung ; Sozialer Wandel
    Note: Includes bibliographical references (p. [411]-438) and index
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  • 17
    Online Resource
    Online Resource
    New York : Metropolitan Museum of Art [u.a.]
    ISBN: 0870995340
    Language: English
    Pages: 1 Online-Ressource (87 Seiten)
    Parallel Title: Erscheint auch als From Queen to Empress
    DDC: 390/.00941/07401471
    RVK:
    Keywords: Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Ausstellungskatalog Metropolitan Museum of Art New York 15.10.1988-16.04.1989 ; Ausstellungskatalog ; Großbritannien ; Mode ; Geschichte 1837-1877 ; USA ; Mode ; Geschichte 1837-1877
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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