Note: Includes bibliographical references and index

Note: Includes bibliographical references and index. - Description based on print version record

Note: Text schwed. und engl.

Note: "Die Publikation erscheint anlässlich des Ausstellungs- und Veranstaltungsprogramms "Learning from Detroit" des Kunstverein Wolfsburg und des Instituts für Zeitgeschichte und Stadtpräsentation, 24/05 - 25/08/2013" --- Impressum Seite 95 , Beiträge teilweise deutsch, teilweise englisch

Note: Literaturangaben

Note: Text dt. und engl , Begleitschrift zur gleichnamigen Ausstellung im Museum für Völkerkunde München, 06.06.2014 bis 19.01.2015

Note: Text dt., engl. und chines

Note: Description based on publisher supplied metadata and other sources

Note: Includes bibliographical references and index. , Includes bibliographical references and index

Note: Eine Ausstellung in Zusammenarbeit mit dem Kompetenznetzwerk Dynamiken von Religion in Südostasien (DORISEA) und dem Institut für Ethnologie und Ethnologische Sammlung Georg-August-Universität Göttingen , Text dt. und engl.

Note: NT: Einwanderungsland Deutschland

Note: Beitr. dt. und engl

Note: Description based on publisher supplied metadata and other sources

Note: Literaturverz. S. 536 - 574

Note: Literaturangaben

Note: Description based on publisher supplied metadata and other sources

Note: Biographical note: Burcu Dogramaci (Prof. Dr. phil.) lehrt Kunstgeschichte an der Ludwig-Maximilians-Universität München. Sie forscht zu Exil, Migration und Transfer, Fotografie und Architektur, Mode, Medien und Moderne , Main description: Migration hat als Wechsel des Heimatortes Folgen für die Protagonisten, ihre Herkunfts- und Zielländer: Bewegung und Mobilität können Verlust und Gewinn bedeuten, Heimat(en), Sprachen, Geschichten verändern sich, was sich wiederum sowohl in den Werken künstlerisch arbeitender Migranten niederschlägt als auch Migration selbst zum Gegenstand der Kunst werden lässt. So ist in den vergangenen Jahren ein zunehmendes Interesse von Künstlern an Themen wie Heimat und Fremde, Wanderung und Displacement festzustellen. Die Beiträge des Buches diskutieren aus verschiedenen disziplinären Perspektiven, wie Kunstgeschichte, Literatur- und Medienwissenschaft, Soziologie und Kulturanthropologie, welche Bedeutung Einwanderung für künstlerische Produktion und Praktiken, für neue Ideen, Bilder, Methoden und Theorien hat: Kann Migration ein thematisches wie biografisches Movens für Künstler sein, sie konzeptionell in ihren Arbeiten beeinflussen? , Review text: Besprochen in: http://www.via-bund.de, 10 (2013) www.uni-muenchen.de, 10 (2013)

Note: Text dt., engl. und chines

Note: Literaturverzeichnis: S. 268

Note: Hier auch später erschienene, unveränderte Nachdrucke

Note: Literaturangaben , Beiträge überwiegend deutsch, teilweise englisch

Note: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Note: "Published by the University of Nebraska Press as a Jewish Publication Society book." , The Dreyfus Affair and the birth of the anti-Semitic postcard -- The main stereotypes and canards -- Postcards from Germany -- Postcards from France -- Postcards from Great Britain -- Postcards from the United States -- Postcards from other countries -- The little Cohn: an anti-Semitic hit song -- The spa towns of Karlsbad and Marienbad -- Nazi-era postcards -- Anti-Israel postcards , Includes bibliographical references and index

Note: Literaturangaben

Note: Literaturverzeichnis: Seite [228]-[229]

Note: Literaturangaben

Note: Includes bibliographical references and index

Note: Literaturverz. S. [249] - 252

Note: Literaturverzeichnis: Seite 201-207 , Abstract auf Englisch und Deutsch

Note: Literaturangaben

Note: Literaturangaben , Deutsch

Note: Literaturverz. S. 195 - 230