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  • Ethn. Museum Berlin  (16)
  • München UB  (2)
  • 2020-2024  (18)
  • 1970-1974
  • New York : Oxford University Press  (11)
  • Durham : Duke University Press  (7)
  • Ethnologie  (18)
  • Rechtswissenschaft  (1)
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  • 1
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190235864
    Sprache: Englisch
    Seiten: 358 Seiten
    Paralleltitel: Erscheint auch als Williams, Sean, 1959- Musics of the world
    DDC: 780.9
    RVK:
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    Schlagwort(e): World music Analysis, appreciation ; Music appreciation
    Kurzfassung: "Musics of the World offers a rich introduction to world music"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    ISBN: 9780197600962 , 0197600964 , 0197611907 , 9780197611906
    Sprache: Englisch
    Seiten: xx, 259 Seiten , Illustrationen , 24 cm
    DDC: 780.71
    RVK:
    Schlagwort(e): Music Instruction and study ; Social aspects ; Postcolonialism and music ; Musique - Étude et enseignement - Aspect social ; Postcolonialisme et musique ; Postcolonialism and music ; Aufgabensammlung
    Kurzfassung: "Sociological Thinking in Music Education presents new ideas about music teaching and learning as important social, political, economic, ecological, and cultural ways of being. At the book's heart is the intersection between theory and practice where readers gain glimpses of intriguing social phenomena as lived through music learning and teaching. Pivotal intersections between music education and sociology -- issues of community, schooling, decolonization -- illustrate the vital roles played by music and music education in various societies around the world. In this book, emerging and established scholars mobilize links between applied sociology, music, education, and music education in ways that intersect the scholarly and the personal. Interdisciplinary vantage points fulfil the book's overarching aim to move beyond mere descriptions of what is by analyzing how social inequalities and inequities, conflict, control, and power can be understood in and through music teaching and learning at both individual and collective levels. As a result, the reader encounters new ideas regarding the social construction of music education practices in specific places, and also sees and hears familiar ones in fresh ways. Digital assets enable readers to meet the authors and the crucial points of their inquiry via various audiovisual media, including videos, a documentary music film, and multilingual video précis for each chapter, in English as well as in each author's language of origin." -- Jacket flap
    Anmerkung: Includes bibliographical references (pages [225]-249) and index , Foreword / , Sociological thinking about music education: international intersections / , Strong voices for sociology in music education in mid- and late-twentieth century America: a milestone in the making / , Sociological thinking about music education in community settings , Learning from sociology? Revisiting the notion of community in music education / , Music, everyday life, and music education: dimensions of a local musical field in Brazil / , Singing the revo: memories of music-in-revolution and music-as-revolution in Grenada, West Indies / , Toward "little victories" in music education: troubling ableism through signed-singing and d/Deaf musicking / , Sociological thinking about music education in school settings , Placing the music teacher in an era of reform: synthesizing research on music teacher networks and isolation / , "A perfect mix?" Navigating choice and scarcity in a New York City music program / , Marching on an uneven field: a Bourdieusian analysis of competitive high school marching band in the United States / , Facing both ways: knowers, knowledge, and Bernstein's pedagogic rights in music education / , A sociological travelogue of music education in Palestine / , Sociological thinking about issues of colonization in music education , Toward a decolonial sociology for music learners / , The Venezuelan Cuatro paradox: an eco-political perspective / , Making the shift: music education research as (antiracist) racial projects / , Decolonizing and indigenizing music education through self-reflexive sociological research and practice / , Afterword /
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  • 3
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780197558249 , 9780197558232
    Sprache: Englisch
    Seiten: xi, 205 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als Ó Briain, Lonán, 1983 - Voices of Vietnam
    DDC: 780.9597
    RVK:
    Schlagwort(e): Đài Tiếng nói Việt Nam ; Radio and music ; Music Political aspects ; Vietnam ; Hörfunk ; Musik ; Revolution ; Propaganda ; Geschichte
    Kurzfassung: Introduction. On Radio, Red Music, and Revolution -- Sound, Technology, and Culture in French Indochina -- Battle of the Airwaves during the First Indochina War -- Songs of the Golden Age in the Democratic Republic -- National Radio in the Reform Era -- Studio Production in Contemporary Vietnam -- Conclusion. Nostalgia for the Past, Hope for the Future.
    Kurzfassung: "On September 2, 1945, Ho Chi Minh read the Declaration of Independence via a makeshift wired loudspeaker system to thousands of listeners in Hanoi. Five days later, Ho's Viet Minh forces set up a clandestine radio station using equipment brought to Southeast Asia by colonial traders. The revolutionaries garnered support for their coalition on air by interspersing political narratives with red music (nhạc đỏ). Voice of Vietnam Radio (VOV) grew from these communist and colonial foundations to become contemporary Vietnam's largest producer of music. In the first comprehensive English-language study on the history of radio music in mainland Southeast Asia, Lonán Ó Briain examines the broadcast voices that reconfigured Vietnam's cultural, social, and political landscape over a century. Ó Briain draws on a year of ethnographic fieldwork at the VOV studios (2016-17), interviews with radio employees and listeners, historical recordings and broadcasts, and archival research in Vietnam, France, and the United States. From the Indochinese radio clubs of the 1920s to the 75th anniversary celebrations of the VOV in 2020, Voices of Vietnam offers a fresh perspective on this turbulent period by demonstrating how music production and sound reproduction are integral to the unyielding process of state formation"--
    Anmerkung: Includes bibliographical references and index
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  • 4
    ISBN: 9781478013525 , 9781478014454
    Sprache: Englisch
    Seiten: viii, 211 Seiten , Karten
    Paralleltitel: Erscheint auch als Healing at the periphery
    Paralleltitel: Erscheint auch als Healing at the periphery
    DDC: 610.954
    RVK:
    Schlagwort(e): Medicine, Tibetan ; Traditional medicine ; Traditional medicine ; Medical anthropology ; Medical anthropology ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; HISTORY / Asia / General ; Aufsatzsammlung ; Ladakh ; Volksmedizin ; Heiler
    Kurzfassung: Introduction: The Indian face of Sowa Rigpa / Stephan Kloos and Laurent Pordié -- The amchi as villager : status and its refusal in Ladakh / Fernanda Pirie -- Good medicines, bad hearts : the social role of the amchi in a Buddhist Dard community /Stephan Kloos -- Where there is no amchi : Tibetan medicine and rural-urban migration among nomadic pastoralists in Ladakh / Calum Blaikie -- The monetarization of Tibetan medicine : an ethnography of village-based development activities in Lingshed / Florian Besch and Isabelle Guérin -- The amchi at the margins : notes on childbirth practices in Ladakh / Laurent Pordié and Pascale Hancart Petitet -- A case of wind disorder : the interplay of amchi medicine and ritual treatments in Zangskar / Kim Gutschow -- Allegiance to whose community? effects of Men-Tsee-Khang policies on the role of amchi in the Darjeeling hills / Barbara Gerke -- Afterword: When "periphery" becomes central / Sienna R. Craig.
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 5
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018247 , 9781478015611
    Sprache: Englisch
    Seiten: x, 321 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als Chao, Sophie In the shadow of the palms
    DDC: 331.7/63385109951
    RVK:
    Schlagwort(e): Palmöl ; Umweltbelastung ; Soziale Lage ; Ländliche Entwicklung ; Entwaldung ; Indonesien ; Palm oil industry Social aspects ; Palm oil industry Environmental aspects ; Palm oil industry ; Plantation workers Social conditions ; Sustainable development ; Rural development ; Deforestation ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; SCIENCE / Environmental Science (see also Chemistry / Environmental) ; Indonesien ; Provinz Papua ; Palmölindustrie ; Entwaldung
    Anmerkung: Enthält Bibliografie, Seite 269-310 und Index, Seite 311-321
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  • 6
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478018964 , 9781478016328
    Sprache: Englisch
    Seiten: xii, 386 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Erlmann, Veit Lion's share
    RVK:
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    Schlagwort(e): Linda, Solomon ; Music Law and legislation ; History ; Copyright Music ; History ; Music and race ; MUSIC / Ethnomusicology ; HISTORY / Africa / South / Republic of South Africa ; Südafrika ; Musikwirtschaft ; Geistiges Eigentum
    Kurzfassung: "In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion's Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its post-apartheid agenda of redistributive justice and a turn to a post-industrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from anti-piracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda's song "The Lion Sleeps Tonight" for The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society"--
    Beschreibung / Inhaltsverzeichnis: Aspirations and Apprehensions : Toward an Anthropology in Law -- The Past in the Present : Copyright, Colonialism, and "The Lion Sleeps Tonight" -- Assembling Tradition, Representing Indigeneity : The Making of the Intellectual Property Laws Amendment Act 28 of 2013 -- Circulating Evidence : The Truth about Piracy -- Which Collective? The Infrastructure of Royalties -- Southern African Copyright : The Basics.
    Anmerkung: Includes index
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  • 7
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 147801413X , 9781478014133 , 1478013222 , 9781478013228
    Sprache: Englisch
    Seiten: xiii, 197 Seiten , Illustrationen, Diagramme
    Paralleltitel: Erscheint auch als Liboiron, Max, 1980- Pollution is colonialism
    DDC: 304.2/8
    RVK:
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    Schlagwort(e): Antikolonialismus ; Indigenes Volk ; Umweltverschmutzung ; Kolonialismus ; Umweltschutz ; Umweltpolitik ; Umweltforschung ; Indianer ; Landnutzung
    Anmerkung: Literaturverzeichnis: Seite [157]-186
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  • 8
    ISBN: 9780197543122 , 019754312X
    Sprache: Englisch
    Seiten: 261 Seiten , Illustrationen
    DDC: 780.874
    RVK:
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  • 9
    Online-Ressource
    Online-Ressource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781478012924
    Sprache: Englisch
    Seiten: 1 Online-Ressource (208 p.)
    Serie: Experimental futures : technological lives, scientific arts, anthropological voices : 20
    DDC: 394.12
    RVK:
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    Schlagwort(e): Mensch ; Nahrungsaufnahme ; Ess- und Trinksitte ; Philosophie ; Feldforschung
    Kurzfassung: As we taste, chew, swallow, digest, and excrete, our foods transform us, while our eating, in its turn, affects the wider earthly environment. In Eating in Theory Annemarie Mol takes inspiration from these transformative entanglements to rethink what it is to be human. Drawing on fieldwork at food conferences, research labs, health care facilities, restaurants, and her own kitchen table, Mol reassesses the work of authors such as Hannah Arendt, Maurice Merleau-Ponty, Hans Jonas, and Emmanuel Levinas. They celebrated the allegedly unique capability of humans to rise above their immediate bodily needs. Mol, by contrast, appreciates that as humans we share our fleshy substance with other living beings, whom we cultivate, cut into pieces, transport, prepare, and incorporate-and to whom we leave our excesses. This has far-reaching philosophical consequences. Taking human eating seriously suggests a reappraisal of being as transformative, knowing as entangling, doing as dispersed, and relating as a matter of inescapable dependence.
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 10
    Buch
    Buch
    Durham : Duke University Press
    ISBN: 9781478013686 , 9781478014614 , 9781478021919 , 9781478091813
    Sprache: Englisch
    Seiten: XI, 299 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Schwartz, Jessica Radiation sounds
    DDC: 780.9968/3
    RVK:
    Schlagwort(e): Music Political aspects 20th century ; History ; Music History and criticism ; Marshallese Music ; History and criticism ; Music History and criticism ; Radiation Health aspects ; Nuclear weapons Testing ; Marshall Islands Foreign relations ; United States Foreign relations ; MUSIC / Ethnomusicology ; HISTORY / Oceania
    Kurzfassung: Radioactive Citizenship -- Precarious Harmonies -- MORIBA -- Uwaañañ (Spirited Noise) -- Anemkwōj.
    Kurzfassung: "On March 1, 1954, the US military detonated "Castle Bravo," its most powerful nuclear bomb, at Bikini Atoll in the Marshall Islands. Two days later, the US military evacuated the Marshallese to a nearby atoll where they became part of a classified study, without their consent, on the effects of radiation on humans. In Radiation Sounds Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to US nuclear militarism on their homeland. Schwartz shows how Marshallese singing draws on religious, cultural, and political practices to make heard the deleterious effects of US nuclear violence. Schwartz also points to the literal silencing of Marshallese voices and throats compromised by radiation as well as the United States' silencing of information about the human radiation study. In foregrounding the centrality of the aural and sensorial in understanding nuclear testing's long-term effects, Schwartz offers new modes of understanding the relationships between the voice, sound, militarism, indigeneity, and geopolitics"--
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 11
    ISBN: 9780190086725 , 9780190086718
    Sprache: Englisch
    Seiten: xiii, 310 Seiten , Illustrationen , 24 cm
    DDC: 294.53509542
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    Schlagwort(e): Kult ; Govardhana ; Hinduism / India / Mathura (District) / Customs and practices ; Worship (Hinduism) ; Anthropomorphism ; Mathura (India : District) / Religious life and customs ; Girirāja (India) ; Govardhana ; Kult
    Anmerkung: Includes bibliographical references
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  • 12
    ISBN: 9780190928056 , 9780190928063
    Sprache: Englisch
    Seiten: xix, 441 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Dirksen, Rebecca After the dance, the drum is heavy
    DDC: 306.4/8424097294
    RVK:
    Schlagwort(e): Music Political aspects ; Carnival ; Haiti ; Musizieren ; Karneval
    Kurzfassung: Sounding Carnival -- Mixed Modes and Performance Codes of Political Demonstrations and Carnival -- Wyclef's Score: Popular Motion, Emotion, and Commotion -- Sweet Micky's Allure : Vagabonds, Vulgarities, and Street Politics -- The Konpa President's Government on Parade -- Ti Lili and Nèg Bannann nan (the Banana Man) -- The Population's Bacchanalia -- Response from the Roots: Still Not Afraid -- Re-Sounding Mizik Angaje.
    Kurzfassung: "Haitian carnival offers a lens into popular power and politics. Political demonstrations in Haiti often manifest as musical performances. Studying carnival and political protest side by side brings insight to the musical engagement that ordinary citizens and celebrity musicians often cultivate and revere in contemporary Haiti. This book explores how the self-declared president of konpa Sweet Micky (Michel Martelly) rose to the nation's highest office while methodically crafting a political product inherently entangled with his musical product. It offers deep historical perspective on the characteristics of carnivalesque verbal play-and the performative skillset of the artist (Sweet Micky) who dominated carnival for more than a decade-including vulgarities and polemics. It moreover demonstrates that the practice of leveraging the carnivalesque for expedient political function has precedence in Haiti's history. Yet there has been profound resistance to this brand of politics led by many other high-profile artists, including Matyas and Jòj, Brothers Posse, Boukman Eksperyans, and RAM. These groups have each released popular carnival songs that have contributed to the public's discussions on what civic participation and citizenship in Haiti can and should be. Author Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. After the Dance, the Drums Are Heavy centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm"--
    Anmerkung: Includes bibliographical references and index
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  • 13
    ISBN: 9780190077518
    Sprache: Englisch
    Seiten: x, 349 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als Howard, Keith, 1956- Songs for "great leaders"
    DDC: 780.95193
    RVK:
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    Schlagwort(e): Music History and criticism ; Music Political aspects ; Music and state ; Dance History ; Nordkorea ; Musik ; Propaganda ; Politisches Lied ; Lied
    Kurzfassung: Songs for the Great Leader -- Instruments of the People -- Pulling at Harp Strings -- Opera for the Revolution -- Contextualizing Revolutionary Operas -- What Revolutionary Operas Do -- From Spectacles to Dance -- Composing the Nation -- Songs for New Leaders.
    Kurzfassung: "North Korea is often said to be unknown: a reclusive and secretive state. It behaves as if the whole country is a theatre that projects itself through performance. Song, together with other music and dance production, forms the soundtrack to the theater of daily life, embedding messages that tell the official history, the exploits of leaders, and the socialist utopia yet-to-come. Songs form the foundation stones of revolutionary operas, of instrumental and orchestral tone poems, and are rearranged in countless versions for use by children in kindergartens, for 50,000 young people who dance annually in celebration of the Eternal President's birthday, and for the 100,000 participants of mass spectacles such as the Arirang Festival. North Koreans are reminded daily on state-controlled television news how their songs are beamed around the world by satellite, and songs are today routinely uploaded to YouTube and Youku. This is the first book-length account of North Korean music and dance in any language other than Korean. It is based on fieldwork, on interviews, and resources researched in private and public archives and libraries in North Korea, but also in South Korea, China, North America and Europe. It explores revolutionary songs written in the 1940s and pop songs from the 2010s, exploring in a critical but informed way not just songs, but also developments of Korean instruments, the creation of revolutionary operas that embed the state's ideology of juche "self-reliance", mass spectacles, dance and dance notation, and composers and compositions"--
    Anmerkung: Includes index
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  • 14
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190877538
    Sprache: Englisch
    Seiten: xvii, 204 Seiten , Illustrationen
    Serie: Currents in Latin American and Iberian music
    Paralleltitel: Erscheint auch als Herrera, Eduardo, 1977 - Elite art worlds
    DDC: 780.98/0904
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    Schlagwort(e): Centro Latinoamericano de Altos Estudios Musicales (Instituto Torcuato Di Tella) ; Avant-garde (Music) History 20th century ; Music and diplomacy History 20th century ; Argentinien ; Experimentelle Musik ; Centro Latinoamericano de Altos Estudios Musicales
    Kurzfassung: Introduction. Elite Art Worlds -- CLAEM : 1962- -- John Harrison, Alberto Ginastera, and the Creation of CLAEM -- The Rockefeller Foundation and Latin American Music in the 1950s and 1960s -- The Di Tella Family, Art Philanthropy, and the Legitimation of Elite Status -- Embodied Avant-garde(s) : A Way of Being in the World -- From Musical Pan Americanism to Latin Americanism -- The Closing and Lasting Impact of CLAEM.
    Kurzfassung: "Between 1962 and 1971, the Centro Latinoamericano de Altos Estudios Musicales (CLAEM) of the Di Tella Institute in Buenos Aires became the central hub of Latin American avant-garde music. With the support of the Rockefeller Foundation and the wealthy Di Tella family, CLAEM offered two-year fellowships to some of the most recognized young composers of the region to undertake graduate studies in a unique privileged setting under the direction of Alberto Ginastera and with permanent and visiting faculty that included Gerardo Gandini, Francisco Kröpfl, Mario Davidovsky, Iannis Xenakis, Luigi Nono, Aaron Copland, Luigi Dallapiccola, Bruno Maderna, Riccardo Malipiero, Olivier Messiaen, Roger Sessions, and Earle Brown. In Elite Art Worlds, author Eduardo Herrera combines oral histories, ethnographic research, and archival sources to reveal CLAEM as a meeting point of US and Argentine philanthropy, local experiences in transnational currents of artistic experimentation and innovation, and regional discourses of musical Latin Americanism. The story of CLAEM shows how musical avant-gardes were articulated, embodied, resignified, and institutionalized in Latin America, how composers during the 1960s engaged with discourses of Latin Americanism as professional strategy, identification marker, and musical style, and sheds light into the role of art in the legitimation and construction of elite status and identity. By looking at CLAEM as both an artistic and a philanthropic project, Herrera illuminates the relationships between foreign policy, corporate interests, and funding for the arts concerning Latin America and the U.S. in the mid-twentieth century"--
    Anmerkung: Includes index
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  • 15
    ISBN: 9780190692278 , 9780190692285
    Sprache: Englisch
    Seiten: 283 Seiten , Illustrationen
    Serie: Currents in Latin American and Iberian music
    Paralleltitel: Erscheint auch als Rios, Fernando E Panpipes and ponchos
    DDC: 781.62/688408412
    RVK:
    Schlagwort(e): Folk music History and criticism ; Creoles Music ; History and criticism ; Mestizos Music ; History and criticism
    Kurzfassung: "For several decades now, the Andean conjunto has been the preeminent format for 'Andean folk music' groups in the major cities of the world. Easily identified through the musicians' colorful ponchos and indigenous-associated instruments such as the panpipe, these 4-6 member ensembles interpret the music of the Andes in a style that bears little resemblance to traditional indigenous music, notwithstanding the efforts of "world music" labels to market their recordings as if they accurately reproduce indigenous expressions. Developed mainly by criollo and mestizo musicians, the Andean conjunto tradition has taken root in many Latin American countries, from Argentina to Mexico, but it is only in Bolivia that mainstream society has long regarded ensembles in this mold as exemplars of national folkloric music. As this book reveals, Bolivia's adoption of the Andean conjunto as a national musical expression in the late 1960s represents the culmination of over four decades of local folkloric activities that at various points articulated with transnational artistic currents, especially those emanating from Argentina, Chile, France, Mexico, and Peru, as well as with Bolivian state initiatives and nation-building projects. By elucidating these connections through an examination of La Paz city's musical scene from the 1920s to 1960s, this book not only sheds light on the rise of a prominent manifestation of Bolivian national culture, but also also offers the first detailed historical study of the Bolivian folkloric music movement that documents how it developed in dialogue with Bolivian state projects and transnational artistic trends in this period"--
    Anmerkung: Includes bibliographical references and index
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  • 16
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190621476 , 9780190621469
    Sprache: Englisch
    Seiten: x, 253 Seiten , Illustrationen , 24 cm
    DDC: 783
    RVK:
    Schlagwort(e): Singing ; Voice culture ; Identity (Psychology) ; Music and identity politics
    Anmerkung: Literaturangaben: Seite 217-237
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  • 17
    ISBN: 9781478006800 , 9781478008149
    Sprache: Englisch
    Seiten: 336 Seiten , Illustrationen
    Serie: Improvisation, community, and social practice
    Paralleltitel: Erscheint auch als Playing for keeps
    DDC: 781.3/6
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    Schlagwort(e): Improvisation (Music) Political aspects ; Improvisation (Music) Social aspects ; Aufsatzsammlung
    Kurzfassung: Manifesto / Matana Roberts -- The Exhibition of Vandalizim : Improvising Healing, Politics, and Film in South Africa / Stephanie Vos -- The Rigors of Afro/Canarian Jazz : Sounding Peripheral Vision with Severed Tongues / Mark Lomanno -- "Opening Up a Space that Maybe Wouldn't Exist Otherwise" / Holding It Down in the Aftermath / Vijay Iyer, in conversation with Daniel Fischlin and Eric Porter -- Experimental and Improvised Norths : The Sonic Geographies of Tanya Tagaq's Collaborations with Derek Charke and the Kronos Quartet / Kate Galloway -- Nina Simone: CIVIL JAZZ! / Randy DuBurke -- Free Improvised Music in Postwar Beirut : Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory / Rana El Kadi -- Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics / Darci Sprengel -- Improvisation, Grounded Humanity, and Witnessing in Palestine : An Interview with Al Mada's Odeh Turjman and Reem Abdul Hadi-Hadi / Daniel Fischlin -- "Silsulim" (Improvised "Curls") in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics / Moshe Morad -- Three Moments in Ki Ho'alu (Hawaiian Slack Key Guitar) : Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy / Kevin Fellezs -- From Pre-Peace to Post-Conflict : The Ethics of (Non-) Listening and Cocreation in a Divided Society / Sara Ramshaw and Paul Stapleton.
    Kurzfassung: "PLAYING FOR KEEPS is an edited volume of essays exploring the global dimensions of musical improvisation. The editors are interested in what they call the "aftermaths" associated with improvisational music practices: the various ways musical improvisation can respond in the aftermath of trauma, and the imagined possibilities that lie in the wake of improvisatory performance. The volume is presented as global case studies, each offering an example of how musical improvisation can foster communal responses to the realities of colonialism, imperialism, and war. By turning its attention to the global scale, this volume seeks to complicate the notion, popular within North American contexts, that improvisation necessarily leads to liberation. Instead, the editors seek to situate improvisation within local contexts, and, by examining how improvisational music practices are enmeshed in local and global power structures, point to improvisation as a site of potentiality. The volume is comprised of twelve chapters, with an introduction by the editors. Chapter One, Matana Roberts's poem "manifesto," stages improvisatory practice on the page in the form of a response to the Preamble of the United States Constitution. In chapter 2, Stephanie Vos examines the communal response to the burglary of the Zimology Institute in South Africa-an institute dedicated to educational programs about musical improvisation-which itself took the form of an improvisational music performance. Chapter 4, an interview with jazz musician and composer Vijay Iyer, examines Iyer's collaborative project Holding it Down, a performance of poetry and music that explores the experiences of US veterans of color. This chapter, in particular, complicates notions of improvisation, as Iyer claims that both oppressed people and their oppressors use improvisatory practices to accomplish their respective goals. In Chapter 8 Darci Sprengel documents the use of Tarab, a practice of "deep listening" that dissolves the distinction between self and other, by Mini Mobile Concerts (MMC), an improvisational concert group active in post-Mubarak Egypt. In particular, Sprengel focuses on how the improvisational practices of MMC addressed the topic of sexual assault, thereby renegotiating the gendered public space of the street. Chapter 9, an interview with Reem Abdul Hadi and Odej Turjman of the Al Mada Association for Art-Based Community, examines how Palestinians in the Occupied West Bank and Palestine use music imp ...
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
  • 18
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780190620134
    Sprache: Englisch
    Seiten: 397 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Cheng, William, 1985 - Loving music till it hurts
    DDC: 781.1/1
    RVK:
    Schlagwort(e): Music Social aspects ; Music Moral and ethical aspects ; Musikleben ; Moral ; Ethik
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
    BibTip Andere fanden auch interessant ...
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