Note: Zusatz wechselt , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Zusatz wechselt , Ungezählte Beil.: Supplement; Sonderedition; 1989,1 - 1990,8: Ausstellungen; 1990,9 - 1992,7: Kulturkalender , Teils ohne Jg.-Zählung; Periodizität: 10x jährl. , Index 1941/91 in: Sonderh. zu 51.1991,601

Note: Literaturangaben

Note: Description based on publisher supplied metadata and other sources

Note: Text englisch und deutsch

Note: "The contributions in this volume are based on papers that were given at the biannual conference of the Swiss Association of University Teachers of English (SAUTE) on nation and identity that took place on 3-4 May 2019 at the University of Basel" (Seite 15)

Note: Title from publisher's bibliographic system (viewed on 14 Dec 2020) , Cover -- Contents -- Introduction -- 1. In search of same-sex sexuality and later medieval English culture -- 2 Primary sources: Discussing the versatile past -- 3. Secondary sources: Discussing medieval sexuality -- I. Framing condemnations: Sodomy, sin against nature, and crime -- 1. Judgement of sodomy -- 2. Sin against nature and fallen flesh -- 3. Disturbing gender boundaries -- 4. A crime lacking law -- II. Silencing the unmentionable vice -- 1. Silence around same-sex sexuality -- 2. Repeated silencing as shared knowledge -- III. Stigmatising with same-sex sexuality -- 1. The two kings and their rumoured lovers -- 2. Sodomitical religious opponents -- 3. Accumulating accusations -- IV. Sharing disgust and fear -- 1. "Stinking deed" and "spiteful filth" -- 2. Fear of sin against nature in one's nature -- 3. Sharing nightmares of sin against nature -- 4. Placing same-sex sexuality out of this world -- V. Sharing laughter -- 1. Laughing at same-sex sexuality -- 2. Chaucer's Pardoner, "geldyng or a mare" and more -- VI. Framing possibilities: Silences, friendships, deepest love -- 1. Possibilities behind silence and confusion -- 2. Closest friends -- 3. Deepest love -- Conclusions -- 1. From stinking deeds to deepest love -- 2. Closing with queer possibilities -- Acknowledgements -- Bibliography -- Primary sources -- Secondary sources -- Index -- List of figures -- Figure 1: Punishment for sodomy carved in stone, from the left, Lincoln Cathedral, a reconstruction of a twelfth-century stone frieze -- Figure 2: Punishment for sodomy carved in stone, from the right, Lincoln Cathedral, a reconstruction of a twelfth-century stone frieze -- Figure 3: Tutivillus the devil and two women gossiping in a church, Beverley Minster, Beverley, North Yorkshire, fourteenth century , Figure 4: A joined tombstone of Sir John Clanvowe and Sir William Neville, Archaeological Museum of Istanbul -- Figure 5: "A tomb slab of an English couple," Archaeological Museum of Istanbul -- Figure 6: A closer look at two helmets face-to-face above, and two coats of arms with shared heraldry below, Archaeological Museum of Istanbul

Note: This edition also issued in print: 2020 , Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Title from publisher's bibliographic system (viewed on 31 Jul 2019) , Introduction: Britain, empire, and 'openness' to the East -- 'Those islanders' : British orientalisms and the Seven Years' War -- 'Indian details' : fictions of British India, 1774-1789 -- 'All Asia is covered in prisons' : Oriental despotism and British liberty in an age of revolutions -- 'In love with the Gopia' : Sir William Jones and his contemporaries -- 'Imperial dotage' and poetic ornament in romantic orientalist verse narrative -- Cockney translation : Leigh Hunt and Charles Lamb's eastern imaginings -- 'It is otherwise in Asia' : 'character' and improvement in picaresque fiction -- Conclusion: British orientalisms, empire, and improvement

Note: Includes bibliographical references and index

Note: Includes bibliographical references and index

Note: Includes bibliographical references (pages 153-160) and index

Note: © Verlag C.H. Beck oHG, München 1999. - Dieses Buch erschien zuerst 1999 in gebundener Form in der Reihe C.H. Beck Kulturwissenschaft, durchgesehene broschierte Sonderausgabe 2003, 3. Auflage 2006, 4. durchgesehene Auflage 2009, 5., durchgesehene Auflage 2010

Note: Konferenzdaten dem Vorwort entnommen

Note: Includes bibliographical references and index , Introduction: contesting British Chinese culture , The cultura politics of in/visibility: contesting 'British Chineseness' in the arts , One step forward, two steps back: dancing in the margins/on the border of oblivion , "A history written by our bodies": artistic activism and the agonistic Chinese voice of Mad For Real's performances at the end of the twentieth century , Testing, contesting , Manchester's Chinese Arts Centre: a case study in strategic cultural intervention , From South China to South London: a journey in search of home through fine art practice , The artist-photographer and performances of identity: the camera as catalyst , British Chinese cinema and the struggle for recognition, even on the margins , Cinema of displaced identity , The arts Britain utterly ignored: or, Arts Council revenue funding and state intervention in British East Asian theatre in the late 1990s and early 2000s , FACE: autobiographical theatre and cross-cultural considerations , British Chinese performance in minor transnational perspective

Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jun 2020)

Note: Literaturangaben

Note: Title from publisher's bibliographic system (viewed on 08 Jun 2018) , 1. Introduction: Transcultural Studies in Australian Identity , 2. Remembering Aboriginal Sydney , 3. Files and Aboriginal Lives: Biographies from an Archive , 4. Writing, Femininity and Colonialism: Judith Wright, Helene Cixous and Marie Cardinal , 5. The Staging of Social Policy: The Photographing of Post-War British Child Migrants , 6. Writing Home from China: Charles Allen's Transnational Childhood , 7. Australian? Autobiography? Citizenship, Postnational Self-Identity and the Politics of Belonging , 8. A Nikkei Australian Story: Legacy of the Pacific War , 9. Displaced Persons (1947 -- 52) in Australia: Memory in Autobiography , 10. Between Utopia and Autobiography: Migrant Narratives in Australia , 11. Vietnamese -- Australian Life Writing and Integration: The Magazine for Multicultural and Vietnamese Issues , 12. Heroes, Legends and Divas: Framing Famous Lives in Australia

Note: Includes bibliographical references (pages [133]-139) and index

Note: "This book of essays on British social and cultural history, eclectic, yet connected by similar themes and approaches, is in honour of Michael Edward Rose, Professor Emeritus at the University of Manchester." - Seite [1]

Note: Includes bibliographical references and index

Note: Revision and expansion of: Leksykon kultury amerykańskiej. 1996

Note: Includes bibliographical references (pages 259-264) and index

Note: "Grew out of the Thirty-Second Annual Nineteenth-Century Studies Association Conference in 2011" (Acknowledgments)

Note: "The chapters in this book traverse disciplinary fields, sampling a wide range of approaches and theoretical perspectives. Most of these essays were workshopped at the "Girls, Texts, Cultures" symposium at the University of Winnipeg in 2010. This symposium was designed to generate and sustain dialogues between two groups of scholars: those focusing on texts for and about girls, and those who investigate contemporary girlhoods."--Introduction , Includes bibliographical references and index

Note: Includes bibliographical references (pages 226-294) and index

Note: Literaturverz. S. [319] - 335

Note: Includes bibliographical references (pages 197-216) and index

Note: Includes bibliographical references and index

Note: Literaturverz. S. [230]-257

Note: Online resource; title from title screen (viewed June 27, 2019)

Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)

Note: Includes bibliographical references and index , Evolution and Victorian fiction , Between specimen and imagination : photography in the age of evolution , Early cinema and evolution , Evolution and victorian art , "I'm evolving!" : varieties of evolution on the Victorian stage , Dance and evolutionary thought in late Victorian discourse , The "non-Darwinian" revolution and the great chain of musical being , Development and display : progressive evolution in British Victorian architecture and architectural theory , Dramas of development : exhibitions and evolution in Victorian Britain , The popularization of evolution and victorian culture

Note: Beitr. überw. engl., teilw. dt.

Note: Literaturverzeichnis: Seite [270]-283

Note: Literaturverzeichnis ungezählte Seite 674 , Literaturangaben , Mit Register , pt. 1 Expansions : There are no visual media , pt. 1 Expansions :There are no visual media , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence : The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy : Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds : Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories : The mobilized and virtual gaze in modernity : fl(c)Øneur/fl(c)Øneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities : Orientalism and the exhibitionary order , from The colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations : U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging , The (in)human spatial condition : a visual essay ; Mapping non-conformity : post-bubble urban strategies , X-reality : interview with the virtual cannibal , On software, or the persistence of visual knowledge , Notes on the photographic image , Queer faces : photography and subcultural lives , Currents of worldmaking in contemporary art , Sublimated with mineral fury : prelim notes on sounding pandemonium Asia , The sea and the land : biopower and visuality from slavery to Katrina , pt. 2 Globalization, war and visual economy : (a) War and violence :The archaeology of violence : the king's head , On the actuarial gaze : from 9/11 to Abu Ghraib , American military imaginaries and Iraqi cities , Zeroing in : overhead imagery, infrastructure ruins, and datalands in Afghanistan and Iraq , What Greg Roberts saw : visuality, intelligibility, and sovereignty : 36,000km over the equator , Media and martyrdom , Live true life or die trying , (b) Attention and visualizing economy :Kino-I, Kino-world : notes on the cinematic mode of production , On virtuosity , Faking globalization , Creativity and the problem of free labor , It's easier to imagine the end of the world than the end of capitalism , Do it yourself geo-politics , pt. 3 The body, coloniality and visuality : (a) Bodies and minds :Optics , Blindness and visual culture : an eye witness account , Reduplicative desires , The persistence of vision , The body and/in representation , Forever modern : Mami Wata visual culture and history in Africa , (b) Histories and memories :The mobilized and virtual gaze in modernity : flâneur/flâneuse ; Tourism and "sacred ground" : the space of ground zero , Maps, mother/goddesses, and martyrdom in modern India , Museums in late democracies , The fact of blackness , The case of blackness , (c) (Post/de/neo)colonial visualities :Orientalism and the exhibitionary order , fromThe colonial harem , Vodun art, social history and the slave trade , Between cult and culture : Bamiyan, Islamic iconoclasm and the museum , The postcolonial constellation : contemporary art in a state of permanent transition , Urban warfare : walking through walls , pt. 4 Media and mediations :U.S. operating systems at midcentury : the intertwining of race and unix , Rethinking the digital age , The unworkable interface , On the superiority of the analog , Digital racial formations and networked images of the body , Imagination, multimodality and embodied interaction : a discussion of sound and movement in two cases of laboratory and clinical magnetic resonance imaging

Note: Papers originally presented at an international conference on "Carnival, a people's art and taking back the streets," held in Toronto, July 30-August 3, 2008, to coincide with the Caribana Festival. Literaturangaben , Includes bibliographical references and index

Note: Literaturangaben

Note: Literaturangaben und Index