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  • BVB  (27)
  • München BSB  (5)
  • Frobenius-Institut
  • Online Resource  (27)
  • Durham : Duke University Press  (27)
  • Musicology  (27)
Datasource
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  • Online Resource  (27)
  • Book  (15)
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Together, somehow : music, affect, and intimacy on the dancefloor (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478027058
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    DDC: 306.4846
    RVK:
    LR 56610
    RVK:
    LS 48655
    Keywords: Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Note: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9781478027058
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781478027058
    URL: Cover
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    Online Resource
    KOBV
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    Listening in the Afterlife of Data : Aesthetics, Pragmatics, and Incommunication (2022)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478022534
    Language: English
    Pages: 1 Online-Ressource (179 p.)
    Series Statement: Thought in the Act : 18
    DDC: 303.48/33
    RVK:
    AP 14900
    RVK:
    AP 15950
    RVK:
    LR 56660
    Abstract: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
    DOI: 10.1515/9781478022534
    URL: https://doi.org/10.1515/9781478022534?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478022534
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    KOBV
    HeBIS
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  • 3
    Online Resource
    Online Resource
    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478023500
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    Keywords: Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Note: Bevorzugte Informationsquelle Ladingpage (Duke), da weder Titelblatt nocht Impressum vorhanden
    DOI: 10.1215/9781478023500
    DOI: 10.1515/9781478023500
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    KOBV
    BVB
  • 4
    Online Resource
    Online Resource
    Tehrangeles dreaming : intimacy and imagination in Southern California's Iranian pop music (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012009 , 1478012005
    Language: English
    Pages: 1 Online-Ressource (xiv, 245 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.63089/915507949
    RVK:
    LS 37000
    Keywords: Iranians / Music / California / Los Angeles ; Popular music / History and criticism / California / Los Angeles ; Iranians / Ethnic identity / California / Los Angeles ; Iranian diaspora ; Popular music / History and criticism / Iran ; Music / Political aspects / History / 20th century / Iran ; Iranischer Einwanderer ; Iranier ; Popmusik ; Los Angeles, Calif. ; Los Angeles, Calif. ; Iranischer Einwanderer ; Iranier ; Popmusik
    Abstract: Introduction -- The Capital of 6/8 -- Iranian popular music and history: Views from Tehrangeles -- Expatriate erotics, homeland moralities -- Iran as a singing woman -- A nation in recovery -- Conclusion: Forty years
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012009
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
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  • 5
    Online Resource
    Online Resource
    The meaning of soul : Black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012245 , 1478012242
    Language: English
    Pages: 1 Online-Ressource (x, 217 pages)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 781.644
    RVK:
    LS 48640
    Keywords: Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Abstract: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012245
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478012245?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478012245
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    HeBIS
    BVB
    Bayreuth UB
  • 6
    Online Resource
    Online Resource
    Sounds of Vacation : Political Economies of Caribbean Tourism (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478005315
    Language: English
    Pages: 1 online resource (249 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.4842409729
    RVK:
    LS 48700
    Keywords: Music and tourism-Caribbean Area ; Music-Social aspects-Caribbean Area ; Music ; Social aspects ; Caribbean Area ; Music and tourism ; Caribbean Area ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung
    Abstract: Cover -- Contents -- Acknowledgments -- Prologue -- Introduction. The Political Economy of Music and Sound: Case Studies in the Caribbean Tourism Industry -- 1. It Sounds Better in the Bahamas: Musicians, Management, and Markets in Nassau's All-Inclusive Hotels -- 2. Touristic Rhythms: The Club Remix -- 3. Listening for Noise: Seeking Disturbing Sounds in Tourist Spaces -- 4. All-InclusiveResorts in Sint Maarten and Our Common Decolonial State: On Butterflies That Are Caterpillars Still in Chrysalis -- 5. Sound Management: Listening to Sandals Halcyon in Saint Lucia -- Epilogue: The Political Economy of Music and Sound -- References -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: http://dx.doi.org/10.1215/9781478005315
    URL: Volltext  (lizenzpflichtig)
    URL: http://dx.doi.org/10.1215/9781478005315?locatt=mode:legacy
    URL: https://doi.org/10.1515/9781478005315?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478005315
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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    HeBIS
    BVB
    Bayreuth UB
  • 7
    Online Resource
    Online Resource
    The Sonic Episteme : Acoustic Resonance, Neoliberalism, and Biopolitics (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478007371
    Language: English
    Pages: 1 online resource (257 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.4842
    RVK:
    AP 14900
    RVK:
    LR 56608
    RVK:
    LR 56828
    Keywords: Music-Social aspects-History-21st century ; Music ; Social aspects ; History ; 21st century ; Electronic books ; Electronic books
    Abstract: Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy.
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction -- 1. Neoliberal Noise and the Biopolitics of (Un)Cool: Acoustic Resonance as Political Economy -- 2. Universal Envoicement: Acoustic Resonance as Political Ontology -- 3. Vibration and Diffraction: Acoustic Resonance as Materialist Ontology -- 4. Neoliberal Sophrosyne: Acoustic Resonance as Subjectivity and Personhood -- 5. Social Physics and Quantum Physics: Acoustic Resonance as the Model for a "Harmonious" World -- Conclusion -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- V -- W.
    Note: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478007371?locatt=mode:legacy
    URL: https://doi.org/10.1515/9781478007371?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478007371
    URL: Cover
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  • 8
    Online Resource
    Online Resource
    The race of sound : listening, timbre, and vocality in African American music (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    LS 48015
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    DOI: 10.1215/9780822372646
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
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    Bayreuth UB
  • 9
    Online Resource
    Online Resource
    Dust of the Zulu : Ngoma aesthetics after Apartheid (2017)
    Durham : Duke University Press
    Details
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
    RVK:
    LS 47940
    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    DOI: 10.1215/9780822373636
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9780822373636
    URL: Cover
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    Online Resource
    HeBIS
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    Bayreuth UB
  • 10
    Online Resource
    Online Resource
    Remixing reggaetón : the cultural politics of race in Puerto Rico (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822375258 , 0822375257
    Language: English
    Pages: 1 Online-Ressource (xii, 224 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.646097295
    RVK:
    LS 48900
    Keywords: Geschichte 1980-2015 ; Reggaetón / History and criticism ; Reggaeton ; Puerto Rico ; Einführung ; Einführung ; Einführung ; Electronic books ; Einführung ; Puerto Rico ; Reggaeton ; Geschichte 1980-2015
    Abstract: Introduction: reggaetón takes its place -- Iron fist against rap -- The perils of perreo -- Loíza -- Fingernails con feeling -- Enter the Hurbans -- Conclusion: reggaetón's limits, possibilities, and futures
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822375258
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9780822375258
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 11
    Online Resource
    Online Resource
    Go-go live : the musical life and death of a chocolate city (2012)
    Durham : Duke University Press
    Details
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    LS 48900
    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822395201?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822395201
    URL: Cover
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  • 12
    Online Resource
    Online Resource
    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48800
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
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    BSZ
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    Bayreuth UB
    MPI Ethno. Forsch.
  • 13
    Online Resource
    Online Resource
    A language of song : journeys in the musical world of the African diaspora (2009)
    Durham : Duke University Press | The Hague : OAPEN Foundation
    Details
    ISBN: 9781478090717
    Language: English
    Pages: 1 Online-Ressource (x, 352 Seiten) , Illustrationen
    DDC: 780.89/96
    RVK:
    LS 48000
    RVK:
    LS 48900
    Keywords: Afrikaner ; Musik
    Note: Literaturverzeichnis: Seite 339-342
    URL: kostenfrei
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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    München BSB
    München UB
    Würzburg UB
    Regensburg UB
    BSZ
    GBV
    KOBV
    HeBIS
    BVB
    Bayreuth UB
    MPI Ethno. Forsch.
  • 14
    Online Resource
    Online Resource
    Rumba rules : the politics of dance music in Mobutu's Zaire (2008)
    Durham : Duke University Press
    Details
    ISBN: 9780822389262 , 0822389266
    Language: English
    Pages: xxiii, 300 p , ill
    DDC: 306.4/8423096751
    RVK:
    LS 47950
    RVK:
    LC 87534
    Keywords: Mobutu Sese Seko / 1930-1997 ; Popular music / Political aspects / Congo (Democratic Republic) ; Popular music / Social aspects / Congo (Democratic Republic) ; Music and state / History / 20th century / Congo (Democratic Republic) ; Electronic books ; Electronic books
    Abstract: Popular culture's politics -- The Zairian sound -- Made in Zaire -- Live time -- Musicians and mobility -- Live texts -- The political life of dance bands -- In the skin of a chief
    Note: Includes bibliographical references (p. [271]-285) and index. - Includes discography (p. 287-288)
    DOI: 10.1215/9780822389262
    URL: Volltext
    URL: Volltext
    URL: https://doi.org/10.1515/9780822389262?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822389262
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 15
    Online Resource
    Online Resource
    Phonographies : grooves in sonic Afro-modernity (2005)
    Durham : Duke University Press
    Details
    ISBN: 9780822386933 , 0822386933
    Language: English
    Pages: 1 Online-Ressource (xii, 286 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    Keywords: Geschichte 1900-2000 ; Popular music Social aspects ; History ; 20th century ; Sound Recording and reproducing ; Social aspects ; Blacks Music ; 20th century ; History and criticism ; African Americans Music ; History and criticism ; Music and literature History ; 20th century ; Musik ; Sound ; Schwarze ; USA ; Electronic books ; USA ; Schwarze ; Musik ; Sound ; Geschichte 1900-2000
    Note: Includes bibliographical references (pages [257]-278) and index , Intro : It's beginning to feel like -- Hearing sonic Afro-modernity -- "I am I be" : a subject of sonic Afro-modernity -- In the mix -- Consuming sonic technologies -- Sounding diasporic citizenship -- Outro : thinking sound/sound thinking (slipping into the breaks remix)
    DOI: 10.1215/9780822386933
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 16
    Online Resource
    Online Resource
    Prophets of the hood : politics and poetics in hip hop (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822386155 , 0822386151
    Language: English
    Pages: 1 Online-Ressource (x, 236 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LR 57717
    RVK:
    LR 57718
    RVK:
    LR 57727
    RVK:
    LR 57728
    RVK:
    LS 48000
    RVK:
    LS 48650
    RVK:
    LS 48900
    Keywords: Rap (Music) History and criticism ; Rap (Music) Political aspects ; Hip-hop Social aspects ; Hip-Hop ; Rap ; Electronic books ; Hip-Hop ; Rap
    Note: Includes bibliographical references and index , Hip hop's mama : originalism and identity in the music -- My mic sound nice : art, community, and consciousness -- Stinging like Tabasco : structure and format in hip hop compositions -- The glorious outlaw : hip hop narratives, American law and the court of public opinion -- B-boys, players and preachers : reading masculinity -- The venus hip hop and the pink ghetto : negotiating spaces for women -- Bling bling-- and going pop : consumerism and co-optation in hip hop
    DOI: 10.1215/9780822386155
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 17
    Online Resource
    Online Resource
    Real country : music and language in working-class culture (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822385998 , 0822385996
    Language: English
    Pages: 1 Online-Ressource (xv, 363 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LC 87610
    RVK:
    LS 48610
    RVK:
    MS 1420
    Keywords: Country music Texas ; Lockhart ; History and criticism ; Working class Texas ; Lockhart ; Songs and music ; History and criticism ; Music and language ; Arbeiterklasse ; Countrymusic ; Texas ; Electronic books ; Texas ; Countrymusic ; Arbeiterklasse
    Note: Includes bibliographical references (pages [349]-356) and indexes , "Turns" -- Voicing working-class culture -- Knowing Lockhart: two perspectives -- Out the country : space, time, and stereotype -- The fool in the mirror : self, person, and subjectivity -- "Feeling" and "relating" : speech, song, story, and emotion -- Bring me up in a beer joint : the poetics of speech and song -- The women take care of that : engendering working-class culture -- The art of singing : speech and song in performance -- "I hang my head and cry" : the character of the voice
    DOI: 10.1215/9780822385998
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 18
    Online Resource
    Online Resource
    Right to rock : the Black Rock Coalition and the cultural politics of race (2004)
    Durham : Duke University Press
    Details
    ISBN: 9780822386131 , 0822386135
    Language: English
    Pages: 1 Online-Ressource (xi, 317 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48050
    RVK:
    LS 48635
    Keywords: Black Rock Coalition ; Rock music Social aspects ; United States ; African American musicians ; Music and race ; Rockmusik ; Schwarze ; USA ; Electronic books ; USA ; Rockmusik ; Schwarze
    Note: Includes discography (pages [267]-271), bibliographical references (pages [285]-298) and index , Reclaiming the right to rock -- The "postliberated generation" -- Saturday go to meeting -- Black rock manifesting -- Black rock aesthetics -- Living colored in the music industry -- Media interventions -- Playing rock, playing roles -- Jimi Hendrix experiences -- Until the levee breaks
    DOI: 10.1215/9780822386131
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Online Resource
    Online Resource
    Sound of Africa! : making music Zulu in a South African studio (2003)
    Durham : Duke University Press
    Details
    ISBN: 9780822384632 , 0822384639
    Language: English
    Pages: 1 Online-Ressource (xv, 335 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.63/0968
    RVK:
    LS 47945
    RVK:
    LS 47974
    Keywords: Popular music Social aspects ; South Africa ; Sound recording industry South Africa ; Musik ; Zulu ; Schallaufzeichnung ; Electronic books ; Electronic books ; Zulu ; Musik ; Schallaufzeichnung
    Note: Includes bibliographical references (pages [297]-312), discography (pages [313]-317), and index , Demo tape: about Sound of Africa! -- Cut one: mbaqanga -- Cut two: the recording studio as fetish -- Cut three: producing liveness -- Cut four: sounding figures -- Cut five: performing zuluness -- Cut six: imagining overseas -- A final mix: mediating difference
    DOI: 10.1215/9780822384632
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 20
    Online Resource
    Online Resource
    Love Saves the Day : A History of American Dance Music Culture, 1970-1979 (2003)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9780822385110
    Language: English
    Pages: 1 Online-Ressource (528 p.) , 73 photos and Illustrations
    Edition: 2004
    DDC: 306.4/84
    RVK:
    LQ 89307
    RVK:
    LS 48000
    RVK:
    LS 48640
    Abstract: Opening with David Mancuso's seminal "Love Saves the Day" Valentine's party, Tim Lawrence tells the definitive story of American dance music culture in the 1970s-from its subterranean roots in NoHo and Hell's Kitchen to its gaudy blossoming in midtown Manhattan to its wildfire transmission through America's suburbs and urban hotspots such as Chicago, Boston, San Francisco, Los Angeles, Newark, and Miami.Tales of nocturnal journeys, radical music making, and polymorphous sexuality flow through the arteries of Love Saves the Day like hot liquid vinyl. They are interspersed with a detailed examination of the era's most powerful djs, the venues in which they played, and the records they loved to spin-as well as the labels, musicians, vocalists, producers, remixers, party promoters, journalists, and dance crowds that fueled dance music's tireless engine.Love Saves the Day includes material from over three hundred original interviews with the scene's most influential players, including David Mancuso, Nicky Siano, Tom Moulton, Loleatta Holloway, Giorgio Moroder, Francis Grasso, Frankie Knuckles, and Earl Young. It incorporates more than twenty special dj discographies-listing the favorite records of the most important spinners of the disco decade-and a more general discography cataloging some six hundred releases. Love Saves the Day also contains a unique collection of more than seventy rare photos.
    DOI: 10.1515/9780822385110
    URL: https://doi.org/10.1515/9780822385110?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822385110
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Regensburg UB
    HeBIS
    BVB
  • 21
    Online Resource
    Online Resource
    Hit me, Fred : recollections of a side man (2002)
    Durham : Duke University Press
    Details
    ISBN: 9780822386957 , 082238695X
    Language: English
    Pages: 1 Online-Ressource (xiv, 326 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Wesley, Fred ; Wesley, Fred ; Trombonists United States ; Biography ; Funk musicians United States ; Biography ; Autobiografie ; Electronic books ; Wesley, Fred 1943- ; Autobiografie
    Note: "Foreword by Rickey Vincent"--Jacket. - Includes discography (pages [313]-316) and index , A musical upbringing -- Higher education -- Uncle Sam's army -- James Brown -- California -- James Brown again -- Bootsy's rubber band and Parliament/Funkadelic -- Count Basie -- Hollywood, Hollywood -- Mile high in Denver -- JB horns -- Star time
    DOI: 10.1215/9780822386957
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online Resource
    Online Resource
    Songs of the unsung : the musical and social journey of Horace Tapscott (2001)
    Durham : Duke University Press
    Details
    ISBN: 9780822383185 , 0822383187
    Language: English
    Pages: 1 Online-Ressource (xvi, 253 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Tapscott, Horace ; Pianists United States ; Biography ; Jazz musicians United States ; Biography ; African American musicians Biography ; Autobiografie ; Electronic books ; Biografie ; Biografie ; Autobiografie
    Note: Preface -- 1 Early Years in Houston -- 2 California -- 3 Setting the Pace -- 4 Central Avenue -- 5 Military Service -- 6 On the Road with Lionel Hampton -- 7 To Preserve and Develop Black Culture -- 8 The Fire This Time -- 9 In the Middle of It -- 10 Stayin' Alive -- 11 The Union of God's Musicians and Artists Ascension -- 12 Settling into the Community -- 13 Movements to the Present -- 14 Reflections and Directions -- Postscript: From the Funeral Service -- Appendix: A Partial List of UGMAA Artists, 1961-1998 -- Discography 1: Horace Tapscott -- Discography 2: Music from the Ark. - Includes discographies and index
    DOI: 10.1215/9780822383185
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Online Resource
    Online Resource
    Deep river : music and memory in Harlem Renaissance thought (2001)
    Durham : Duke University Press
    Details
    ISBN: 9780822383048 , 0822383047
    Language: English
    Pages: 1 Online-Ressource (x, 335 Seiten) , Illustrationen
    Series Statement: New Americanists
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HU 1728
    RVK:
    LS 48050
    Keywords: African Americans New York (State) ; New York ; Music ; History and criticism ; Harlem Renaissance ; Harlem renaissance ; Musik ; Geschichte ; Schwarze ; Harlem (New York, N.Y.) Intellectual life ; 20th century ; USA ; New York, NY ; Electronic books ; New York, NY ; Musik ; Schwarze ; Geschichte ; USA ; Musik ; Schwarze ; Harlem renaissance ; Musik
    Note: Includes bibliographical references (pages [311]-323) and index , "Unvoiced longings": Du Bois and the "sorrow songs" -- Swan songs and art songs: the spirituals and the "new Negro" in the 1920s -- "The twilight of aestheticism": Locke on cosmopolitanism and musical evolution -- "Beneath the seeming informality": Hughes, Hurston, and the politics of form -- Saving jazz from its friends: the predicament of jazz criticism in the swing era
    DOI: 10.1215/9780822383048
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Online Resource
    Online Resource
    Blutopia : visions of the future and revisions of the past in the work of Sun Ra, Duke Ellington, and Anthony Braxton (1999)
    Durham : Duke University Press
    Details
    ISBN: 9780822378471 , 0822378477
    Language: English
    Pages: 1 Online-Ressource (xi, 314 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48030
    Keywords: Sun Ra Criticism and interpretation ; Ellington, Duke 1899-1974 ; Criticism and interpretation ; Braxton, Anthony Criticism and interpretation ; Braxton, Anthony ; Sun Ra ; Ellington, Duke ; Jazz History and criticism ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Sun Ra Jazzmusiker 1914-1993 ; Braxton, Anthony 1945- ; Ellington, Duke 1899-1974
    Note: Includes bibliographical references (pages [285]-303) and index , Introduction: Blutopia -- Pt. I. Sun Ra: A Starward Eye. 1. Astro Black: Mythic Future, Mythic Past. 2. Of Aliens and Angels: Mythic Identity -- Pt. II. Duke Ellington: Tone Parallels. 3. In the Jungles of America: History Without Saying It. 4. Zajj: Renegotiating Her Story -- Pt. III. Anthony Braxton: Crossroad Axiums. 5. All the Things You Are: Legba's Legacy. 6. Going to the Territory: Sound Maps of the Meta-Real -- Coda: House of Voices, Sea of Music
    DOI: 10.1215/9780822378471
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
  • 25
    Online Resource
    Online Resource
    The cultural life of intellectual properties : authorship, appropriation, and the law (1998)
    Durham : Duke University Press
    Details
    ISBN: 9780822382492 , 0822382490
    Language: English
    Pages: 1 Online-Ressource (xi, 462 Seiten)
    Series Statement: Post-contemporary interventions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    HD 370
    RVK:
    LB 79000
    RVK:
    LR 57500
    RVK:
    PE 743
    RVK:
    PR 2352
    Keywords: Intellectual property United States ; Critical legal studies United States ; Popular culture United States ; Rechtsschutz ; Zivilisation ; Geistiges Eigentum ; United States Cultural policy ; USA ; Electronic books ; USA ; Geistiges Eigentum ; Rechtsschutz ; Zivilisation
    Note: Introduction: Authoring Culture. A Critical Cultural Legal Studies. Against Culture(s). Anthropology's Trademark and Its Academic Others. Authoring Alterity. Contested Cultures. Legalities,Identities, and Mass Media. Authorship and Alterity -- Objects of Property and Subjects of Politics: Objects and Subjects. Historicizing the Subject. Postmodern Culture. It's a Small, Small world. Postmodern Goods. Author(iz)ing the Corporate Persona. Manufacturing Distinction. Fixing the Signifier/Owning the Sign. Activist Appropriations. PolicingPostmodern Precincts. Xerox Cultures. Dialogicsof Postmodern Politics -- Author(iz)ing the Celebrity: Engendering Alternative Identities: The Value of the CelebrityPersona. CelebrityAuthorship. The CelebrityForm and the Politicsof Postmodernism. Doing Gender. Respecting Judy. Fictionalized Sexualities. Enterprising Women. Engendering and EndangeringAlternative Identities -- , - Tactics of Appropriation and the Politics of Recognition: PoliticalArticulations. Official Signifiers. Postmodernity and the Rumor. Racial Inscriptions and Iterations. Corporeal Vulnerability. Signifyin(g) Powers -- Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers. Mimicry, Alterity, and Embodiment. Marked and Unmarked Bodies. Contemporary Contestations. Fighting Redskins. Consuming Crazy Horse. Mimicking Authors at the Altars of Property -- The Properties of Culture and the Politics of Possessing Identity: Whose VoiceIs It Anyway? The European Art/Culture System. Contemporary Properties of Culture and Identity. Listening to Native Claims "in Context". Representation without Representation: Visibility without Voice. Possessive Individualism Revisited: Authorship and Cultural Identity. Aboriginal Title -- , - Dialogic Democracy I: Authorship and Alterity in Public Spheres: The Author in the Modern Public Sphere. FreeSpeech in the Condition of Postmodernity. Objects and Subjects Redux -- Dialogic Democracy II: Alterity and Articulation in the Space of the Political: Locating the Politics of the Public Sphere. Mass Mediation and the Publics of Civil Society. The Spaceof the Signature. The Unworked Community. An Ethics of Contingency. - Includes bibliographical references (pages [398]-443) and index
    DOI: 10.1215/9780822382492
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 26
    Online Resource
    Online Resource
    Everynight life : culture and dance in Latin/o America (1997)
    Durham : Duke University Press
    Details
    ISBN: 9780822396673
    Language: English
    Pages: 1 Online-Ressource (377 pages) , illustrations
    Series Statement: Latin America otherwise
    Parallel Title: Erscheint auch als Everynight life : culture and dance in Latin/o America
    DDC: 792.8/098
    RVK:
    LR 54557
    RVK:
    LS 48800
    Keywords: Dance History ; Dance Sociological aspects ; Dance Political aspects ; Sozialgeschichte ; Tanz ; Kultur ; Lateinamerika ; Lateinamerika ; Tanz ; Kultur ; Sozialgeschichte
    Note: Description based on print version record
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    BVB
  • 27
    Online Resource
    Online Resource
    Jazz among the discourses (1995)
    Durham : Duke University Press
    Details
    ISBN: 9780822397083 , 0822397080
    Language: English
    Pages: 1 Online-Ressource (viii, 288 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48100
    Keywords: Jazz History and criticism ; Musical canon ; Kritische Theorie ; Jazz ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Kritische Theorie
    Note: Includes bibliographical references and index , The jazz canon and its consequences / Krin Gabbard -- "Moldy figs" and modernists : jazz at war (1942-1946) / Bernard Gendron -- Jazz in crisis, 1948-1958 : ideology and representation / Steven B. Elworth -- Other : from noun to verb / Nathaniel MacKey -- Historical context and the definition of jazz : putting more of the history in "jazz history" / William Howland Kenney -- Oral histories of jazz musicians : the NEA transcripts as texts in context / Burton W. Peretti -- The media of memory : the seductive menace of records in jazz history / Jed Rasula -- "Out of notes" : signification, interpretation, and the problem of Miles Davis / Robert Walser -- Critical alchemy : Anthony Braxton and the imagined tradition / Ronald M. Radano -- Ephemera underscored : writing around free improvisation / John Corbett -- Double V, double time : bebop's politics of style / Eric Lott -- Ascension : music and the black arts movement / Lorenzo Thomas
    DOI: 10.1215/9780822397083
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Bayreuth UB
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