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  • BSZ  (293)
  • HU-Berlin Edoc  (1)
  • Online Resource  (263)
  • Journal/Serial  (31)
  • 2015-2019  (294)
  • Musicology  (294)
Datasource
Material
Language
Year
  • 1
    Journal/Serial
    Journal/Serial
    Wien : Universal Ed. ; 1970 -
    Language: German
    Dates of Publication: 1970 -
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe
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  • 2
    Journal/Serial
    Journal/Serial
    Wien : Hollitzer | Graz [u.a.] : Universal-Ed. | Graz : Akad. Dr.- u. Verl.-Anst. ; 1.1969(1970) -
    Show associated volumes/articles
    ISSN: 0075-3572
    Language: German , English
    Pages: 24 cm
    Dates of Publication: 1.1969(1970) -
    Additional Information: 12=4 von Internationale Jazzwissenschaftliche Tagung (ZDB) Bericht / Internationale Jazzwissenschaftliche Tagung Graz : Akadem. Druck- u. Verl.-Anst., 1980
    DDC: 780
    RVK:
    RVK:
    Keywords: Jazz ; Zeitschrift ; Jazz ; Jazz
    Note: 1. beteil. Körp. bis 29.1997: Institut für Jazzforschung an der Hochschule für Musik und Darstellende Kunst in Graz , Ersch. jährl. , Index 1/19.1969/87 in: 20.1988
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  • 3
    Journal/Serial
    Journal/Serial
    Wiesbaden : Harrassowitz ; 1.2004 -
    ISSN: 1613-7493 , 2748-9523
    Language: German
    Dates of Publication: 1.2004 -
    Parallel Title: Erscheint auch als Jüdische Musik
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Juden ; Musik
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  • 4
    Journal/Serial
    Journal/Serial
    Darmstadt : WBG | Stuttgart : Theiss ; 1984,1; 1985 - 1988; 5.1989 -
    ISSN: 0176-8522
    Language: German
    Pages: 28 cm
    Dates of Publication: 1984,1; 1985 - 1988; 5.1989 -
    Additional Information: Supplement Archäologie in Deutschland. Sonderheft
    Additional Information: 2007 - 2011 Beil. Archäologie in Deutschland / Sonderheft Plus
    Parallel Title: Erscheint auch als Archäologie in Deutschland
    Former Title: das Magazin
    DDC: 936.3
    RVK:
    RVK:
    Keywords: Archäologie ; Zeitschrift ; Deutschland ; Archäologie
    Note: Bis 17.2001 ohne Zusatz , Zählung nur auf d. Index; ersch. 6x jährl.
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  • 5
    Journal/Serial
    Journal/Serial
    Santiago de Chile ; 1.1945/46 - ; auch mit durchgehender Nr.-Zählung
    ISSN: 0716-2790 , 0717-6252 , 0717-6252
    Language: Undetermined
    Additional Material: CDs u. CD-ROMs als Beil
    Dates of Publication: 1.1945/46 - ; auch mit durchgehender Nr.-Zählung
    Parallel Title: Erscheint auch als Revista musical chilena
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Index 1945/74 in: 29.1975
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  • 6
    Journal/Serial
    Journal/Serial
    Darmstadt : WBG | Stuttgart : Theiss ; 1984,1; 1985 - 1988; 5.1989 -
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    ISSN: 0176-8522
    Language: German
    Pages: 28 cm
    Dates of Publication: 1984,1; 1985 - 1988; 5.1989 -
    Additional Information: Supplement Archäologie in Deutschland. Sonderheft
    Additional Information: 2007 - 2011 Beil. Archäologie in Deutschland / Sonderheft Plus
    Parallel Title: Erscheint auch als Archäologie in Deutschland
    Former Title: das Magazin
    DDC: 936.3
    RVK:
    RVK:
    Keywords: Archäologie ; Zeitschrift ; Deutschland ; Archäologie
    Note: Bis 17.2001 ohne Zusatz , Zählung nur auf d. Index; ersch. 6x jährl.
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  • 7
    Journal/Serial
    Journal/Serial
    Leipzig : Dt. Verl. für Musik ; 1.1971 -
    ISSN: 0323-8318
    Language: German
    Dates of Publication: 1.1971 -
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Deutschland ; Musikwissenschaft
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  • 8
    Language: German
    Pages: Online-Ressource
    Dates of Publication: Nummer 22 (Wintersemester 2006/07)-
    Parallel Title: Erscheint auch als Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig MT-Journal
    DDC: 780
    RVK:
    RVK:
    Keywords: Zeitschrift ; Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig
    Note: Ungezählte Beilage: Beilage , Ausgaben erscheinen jeweils zum Wintersemester und Sommersemester
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  • 9
    ISSN: 0177-445X
    Language: German
    Pages: 30 cm
    Dates of Publication: 1.1984-
    Additional Information: Supplement zu Schönere Heimat
    Additional Information: Supplement zu Der Bauberater
    Former Title: Volksmusik
    Former Title: Mitteilungsblatt der Volksmusikberatungsstellen des Bayerischen Landesvereins für Heimatpflege e.V.
    DDC: 780
    RVK:
    Keywords: Bayern ; Volksmusik ; Zeitschrift ; Bayern ; Volksmusik
    Note: Erscheint jährlich, bis 2021 vierteljährlich , Früher herausgegeben von der Bayerischen Landesstelle für Volkskunde
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  • 10
    Journal/Serial
    Journal/Serial
    Grahamstown | Johannesburg | Roodeport ; 1.1954/57 - 7.1991/99; 8.2007 -
    ISSN: 0065-4019
    Language: English
    Dates of Publication: 1.1954/57 - 7.1991/99; 8.2007 -
    Parallel Title: Erscheint auch als African music
    Former Title: Vorg. African Music Society Newsletter / African Music Society
    Former Title: journal of the African Music Society
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Repr.: Amsterdam : Swets & Zeitlinger
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  • 11
    Journal/Serial
    Journal/Serial
    Berlin : Logos Verlag Berlin | Stockholm : Nordiska Musikförl. | Halle an der Saale : Stekovics | Münster : MV-Wissenschaft, Monsenstein und Vannerdat ; 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
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    ISSN: 2191-5261
    Language: English
    Pages: 24 cm
    Dates of Publication: 1.1969 - 12.2004; 15.2005; N.S. 1.2009; 2.2011 -
    Additional Information: 1=3; 2=4; 3=5; 4=6; 5=7; 6=8; 7=9 von Musikmuseet (Stockholm) Musikhistoriska Museets skrifter Stockholm : Norstedt, 1964 0081-5675
    Additional Information: 1=2; 2=3; 4=4; 5=5; 6=6; 7=7 von International Folk Music Council. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Folk Music Council Stockholm : Musikhistoriska Museet, 1969
    Additional Information: 8=10; 9=14; 10=24 von Musikmuseet (Stockholm) Musikmuseets skrifter Stockholm : Musikmuseet, 1985 0282-8952
    Additional Information: 8=8 von International Council for Traditional Music. Study Group on Folk Musical Instruments Bericht über die ... internationale Arbeitstagung der Study Group on Folk Musical Instruments des International Council for Traditional Music Stockholm : Musikmuseet, 1985
    Additional Information: 9=9; 10=10; 11=11; 12=12 von International Council for Traditional Music. Study Group on Folk Musical Instruments Report from the ... international meeting of the International Council for Traditional Music's Study Group on Folk Musical Instruments Stockholm : Musikmuseet, 1989
    Additional Information: 15=15 von International Council for Traditional Music. Study Group on Folk Musical Instruments Proceedings from the ... international meeting Stockholm : Svensk Visarkiv, 2005
    DDC: 780
    RVK:
    RVK:
    Keywords: Zeitschrift ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument ; Volksmusik ; Volksmusikinstrument
    Note: 13 u. 14 nicht ersch.
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  • 12
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Erscheint auch als Ethnomusicology
    Former Title: newsletter
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 13
    Journal/Serial
    Journal/Serial
    Champaign, Ill. : University of Illinois Press | Middletown, Conn. [u.a.] : Society for Ethnomusicology ; [1.]1953/57=Nr. 1-11; 2.1958 -
    ISSN: 0014-1836
    Language: English
    Dates of Publication: [1.]1953/57=Nr. 1-11; 2.1958 -
    Additional Information: Bibliographie ab 2000 Ographies
    Parallel Title: Erscheint auch als Ethnomusicology
    Former Title: newsletter
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Index 21/30(1977/1986); 31/40.1987/96 in: 41.1997,2
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  • 14
    Journal/Serial
    Journal/Serial
    Innsbruck : StudienVerl. ; 1.2008 -
    Language: German
    Dates of Publication: 1.2008 -
    DDC: 780
    RVK:
    Keywords: Monografische Reihe
    Note: Ersch. unregelmäßig
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  • 15
    Journal/Serial
    Journal/Serial
    London : Soc. ; 1.1965/69 -
    ISSN: 0531-9684 , 2056-6166 , 2056-6166
    Language: English
    Dates of Publication: 1.1965/69 -
    Parallel Title: Erscheint auch als Folk music journal
    Former Title: Vorg. English Folk Dance and Song Society Journal of the English Folk Dance and Song Society
    Former Title: the journal of traditional song, music & dance
    DDC: 390
    RVK:
    Keywords: Zeitschrift
    Note: Repr. 1.1965/69: Nendeln : Kraus
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  • 16
    ISSN: 0013-8231
    Language: Undetermined
    Dates of Publication: 1.1936 -
    Additional Information: Beil. English Folk Dance and Song Society Journal of the English Folk Dance and Song Society
    Former Title: English dance & song
    Former Title: ED & S
    Former Title: England's foremost folk music magazine
    DDC: 390
    RVK:
    Keywords: Zeitschrift
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  • 17
    Journal/Serial
    Journal/Serial
    Dublin : Four Courts | Dublin : Irish Academy Press ; 1.1990 -
    Language: English
    Dates of Publication: 1.1990 -
    DDC: 780
    RVK:
    Keywords: Music ; Ireland ; Monografische Reihe ; Irland ; Musik
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  • 18
    Journal/Serial
    Journal/Serial
    Hoyerswerda : Stadt Hoyerswerda, Stadtmuseum | Hoyerswerda : Stadtverwaltung Hoyerswerda ; Nr. 1.1998 -
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    Language: German
    Pages: 22 cm
    Dates of Publication: Nr. 1.1998 -
    Former Title: Vorg. Hoyerswerdaer Geschichtshefte
    DDC: 900
    RVK:
    Keywords: Zeitschrift ; Hoyerswerda ; Heimatkunde ; Hoyerswerda ; Geschichte ; Landkreis Hoyerswerda ; Musik ; Geschichte
    Note: Ersch. jährl.
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  • 19
    Journal/Serial
    Journal/Serial
    Barcelona : Orféo Català ; 1.1904 - 33.1936[?]; 2.ép. 1.1984 - 7.1990 = Nr. 1-74; 4.ép. 23.2006,Mai=Nr. 259 -
    ISSN: 1136-7458
    Language: Catalan
    Dates of Publication: 1.1904 - 33.1936[?]; 2.ép. 1.1984 - 7.1990 = Nr. 1-74; 4.ép. 23.2006,Mai=Nr. 259 -
    Additional Information: 3.ép. 8.1991 - 23.2006,Apr. Catalunya música Barcelona, 1991 1136-7458
    DDC: 390
    RVK:
    Keywords: Zeitschrift
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  • 20
    Journal/Serial
    Journal/Serial
    Warszawa : [Verlag nicht ermittelbar] ; 1.1950,Apr. - 7.1956,Jan./Febr. = Nr. 1-70/71; [N.S.]1.1956 = Nr. 1 -
    ISSN: 0541-4830 , 0027-5344
    Language: Polish , English
    Dates of Publication: 1.1950,Apr. - 7.1956,Jan./Febr. = Nr. 1-70/71; [N.S.]1.1956 = Nr. 1 -
    Additional Information: CD-Beil. Folk music collection
    Parallel Title: Erscheint auch als Muzyka
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft
    Note: Index als Bibliografia bezeichnet , Beteil. Körp. anfangs: Pánstwowy Instytut Sztuki, Związek Kompozytorów Polskich , Index 1/18.1956/73; 19/23.1974/78; 24/33.1979/88; [N.S.]1/49.1956/2005
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  • 21
    Journal/Serial
    Journal/Serial
    Aachen : Shaker | Bamberg : Univ.-Bibliothek Bamberg | Münster : MV Wiss., Verl.-Haus Monsenstein und Vannerdat OHG ; 1.1990(1992) -
    ISSN: 0943-4224
    Language: German
    Pages: 21 cm
    Additional Material: CD-ROMs als Beil
    Dates of Publication: 1.1990(1992) -
    Former Title: Berichte aus dem ICTM-Nationalkomitee Deutschland
    Former Title: Bericht über die Tagung des Nationalkomitees der Bundesrepublik Deutschland im International Council for Traditional Music (UNESCO) am
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im ICTM
    Former Title: Berichte aus dem Nationalkomitee der Bundesrepublik Deutschland im International Council for Traditional Music (ICTM/UNESCO)
    DDC: 780.8905
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Musikethnologie
    Note: Bis 8.1998 mit Kassettenbeil.; ab 9/10.1999/2000 mit CD-Beil , Ersch. unregelmäßig; enthaltener Kongress ab 20/21.2010/2013 als Monografie behandelt
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  • 22
    Journal/Serial
    Journal/Serial
    Paris : UN ; 1.1977 -
    ISSN: 0251-5164
    Language: Undetermined
    Dates of Publication: 1.1977 -
    Parallel Title: Erscheint auch als Protection du patrimoine culturel / Cahiers techniques: musées et monuments
    DDC: 050
    RVK:
    Keywords: Monografische Reihe
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  • 23
    Journal/Serial
    Journal/Serial
    Austin, Tex. : Univ. of Texas Press ; 1.1980 -
    ISSN: 0163-0350 , 1536-0199 , 1536-0199
    Language: English , Spanish , Portuguese
    Dates of Publication: 1.1980 -
    Parallel Title: Erscheint auch als Latin American music review
    Former Title: Vorg. Yearbook for Inter-American musical research
    DDC: 780
    RVK:
    Keywords: Zeitschrift
    Note: Index 1/10.1980/89 in: 10.1989
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  • 24
    Journal/Serial
    Journal/Serial
    Leipzig : Zentralhaus-Publ. | Leipzig : Kabinett für Kulturarbeit der Stadt Leipzig | Leipzig : Gruppe Folkländer ; 1.1978 -
    Language: German
    Dates of Publication: 1.1978 -
    Additional Information: Einzelne Bd. zugl. Bd. von Bibliographie der Literatur zum deutschen Volkslied Leipzig : Zentralhaus-Publ., 1987
    DDC: 780
    RVK:
    RVK:
    Keywords: Monografische Reihe ; Deutsch ; Volkslied
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  • 25
    Journal/Serial
    Journal/Serial
    Paris : Michel ; Nachgewiesen Nr. 1.1967
    Language: Undetermined
    Dates of Publication: Nachgewiesen Nr. 1.1967
    DDC: 790
    RVK:
    Keywords: Zeitschrift
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  • 26
    Language: Serbian , English
    Dates of Publication: 1.1950 -
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    Additional Information: 1=158; 8=271 von Srpska akademija nauka i umetnosti Posebna izdanja / Srpska Akademija Nauka i Umetnosti Beograd : [Wechselnde Verleger], 1960 0352-1850
    DDC: 300
    RVK:
    Keywords: Monografische Reihe
    Note: Wechselnde Parallelsacht , Urh. anfangs: Srpska Akademija Nauk, Etnografski Institut , Ersch. unregelmäßig , Teils in kyrill. Schr.; Text serb.
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  • 27
    Journal/Serial
    Journal/Serial
    Kassel : Merseburger | Köln [u.a.] : Staufen-Verl. | Köln : Volk ; H. 1.1952 -
    ISSN: 0522-7046
    Language: German
    Dates of Publication: H. 1.1952 -
    Additional Information: Index 1/155=82a von Arbeitsgemeinschaft für Rheinische Musikgeschichte Mitteilungen / Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V. Köln, 1955 0948-1222
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 136=1984; 140=1985; 142=1986; 149=1991; 157=1992; 155=1995; 159=1998 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte Kassel : Merseburger, 1986 0522-7046
    Additional Information: 6=1; 125=2 von Beiträge zur Musikgeschichte der Stadt Aachen Köln [u.a.], 1954
    Additional Information: 20=1; 52=2; 62=3; 112-4;119=5 von Studien zur Musikgeschichte des Rheinlandes Köln : Volk, 1956
    Additional Information: 26=1957 von "Referate der Jahrestagung für Rheinische Musikgeschichte"
    Additional Information: 43=1; 53=2; 58=3; 64=4; 69=5; 80=6; 97=7; 111=8; 150=10 von Rheinische Musiker Kassel : Merseburger, 1960
    Additional Information: 61=1 von Musik in Mönchengladbach Mönchengladbach : Kulturamt, 1965
    Additional Information: 61=[1]; 109=2 u.a. von Studien zur Musikgeschichte der Stadt Mönchengladbach Köln : Volk, 1965
    Additional Information: 104,1=2; 104,2=3 von Josef-Rheinberger-Archiv (Vaduz) Veröffentlichungen des Josef Rheinberger-Archivs, Vaduz Köln : Volk, 1974
    Additional Information: 121=7 von Musikalische Volkskunde Essen : Verl. Die Blaue Eule, 1971
    Additional Information: 149=1249; 155=1255; 157=1257; 159=1259; 169=1269; 170=1270; 172=1272; 173=1273 von Edition Merseburger Kassel : Verlag Merseburger, 1947
    Additional Information: 170=2004 von Arbeitsgemeinschaft für Rheinische Musikgeschichte Bericht über die Tagung der Arbeitsgemeinschaft für Rheinische Musikgeschichte ... Kassel : Merseburger, 2005
    Former Title: Veröffentlichungen der Arbeitsgemeinschaft für Rheinische Musikgeschichte e.V.
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Rheinland ; Musik ; Geschichte ; Rheinland ; Musik ; Geschichte
    Note: Einzelne Bd. Medienkombination aus Druckwerken und Tonträger , Darin: Jahrestagung / Arbeitsgemeinschaft für Rheinische Musikgeschichte , Springende Ersch.-Jahre; ersch. unregelmäßig
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  • 28
    Language: German
    Dates of Publication: 2.1992 -
    Former Title: Vorg. Beiträge zur Jazzforschung
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Jazz
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  • 29
    Journal/Serial
    Journal/Serial
    Wilhelmshaven : Noetzel | Heidelberg : Quelle & Meyer | Wilhelmshaven : Heinrichshofen ; 1.1959 -
    Language: German
    Dates of Publication: 1.1959 -
    Former Title: Vorg. Musikpädagogische Bibliothek
    DDC: 780
    RVK:
    Keywords: Monografische Reihe ; Musikerziehung
    Note: Repr.: Walluf bei Wiesbaden : Sändig
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  • 30
    ISSN: 0081-7341
    Language: German
    Pages: 25 cm
    Dates of Publication: 1.1965 -
    Former Title: Studien zur Musikgeschichte des neunzehnten Jahrhunderts
    DDC: 050
    RVK:
    Keywords: Monografische Reihe ; Musik ; Geschichte 1800-1900
    Note: Bd. 20; 32 u. 45 nicht ersch.; unregelmäßig
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  • 31
    Journal/Serial
    Journal/Serial
    Berlin : VWB, Verl. für Wiss. und Bildung | Paris : Internat. Music Council | Kassel : Bärenreiter | Mainz : Schott | Roma : Ed. Lerici | Wilhelmshaven : Heinrichshofen | Wilhelmshaven : Verl. Noetzel ; Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Show associated volumes/articles
    ISSN: 0043-8774 , 2941-3680 , 2941-3680
    Language: German , English , French
    Pages: 23 cm
    Dates of Publication: Nr. 1.1957 - 6.1959; [1.]1959 - [2.]1960; 3.1961 - 53.2011; N.S. Vol. 1.2012 -
    Additional Information: Beil. International Music Council Bulletin of the International Music Council (Unesco)
    Additional Information: 52=17 von Intercultural music studies Berlin : VWB, Verl. für Wiss. und Bildung, 1990 1435-5590
    Parallel Title: Erscheint auch als The world of music
    Former Title: Darin aufgeg. Darin aufgeg. ---〉 Musique dans le monde
    Former Title: Die Welt der Musik
    Former Title: Le monde de la musique
    Former Title: journal of the Department of Ethnomusicology, Otto-Friedrich University of Bamberg
    Former Title: The world of music bibliography
    DDC: 780.89
    RVK:
    Keywords: Musikethnologie ; Zeitschrift ; Musikethnologie
    Note: Gesamttitel teils: Intercultural music studies , Beteil. Körp. bis 32.1990: International Institute of Comparative Music Studies and Documentation (Berlin); International Music Council (UNESCO); 33.1991 - 38.1996: International Institute of Traditional Music (Berlin) , Ersch. 2x jährl., anfangs 3x jährl.; 52.2010 - 53.2011 in 1 Bd. ersch. , Text engl., früher dt., engl., franz. , Index 19/29.1977/87=30.1988,1; Index [1]/52.1959/2010=53.2011
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  • 32
    Online Resource
    Online Resource
    Paderborn : Wilhelm Fink
    ISBN: 9783846764640
    Language: German
    Pages: 1 Online-Ressource (X, 442 Seiten) , Karte, Notenbeispiele , 23.5 cm x 15.5 cm
    Series Statement: Kulturtransfer und "kulturelle Identität" Band 3
    Series Statement: Kulturtransfer und "kulturelle Identität"
    Parallel Title: Erscheint auch als Erhardt, Sonja Europäischer Musiktransfer
    Dissertation note: Dissertation Albert-Ludwigs-Universität Freiburg i. Br. 2018
    DDC: 780
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Westeuropa ; Musik ; Rezeption ; Russland ; Kulturaustausch ; Geschichte 1775-1800 ; Westeuropa ; Russland ; Kulturaustausch ; Geschichte 1775-1800 ; Kulturvermittlung ; Europa ; Geschichte 1775-1800
    URL: Volltext  (lizenzpflichtig)
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  • 33
    ISBN: 9783839442562
    Language: English
    Pages: 1 Online-Ressource (233 Seiten) , Illustrationen
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Menrath, Stefanie, 1972 - Anonymity performance in electronic pop music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Carl von Ossietzky Universität Oldenburg 2016
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    Keywords: Anonymität ; Feldforschung ; Performance ; Performativität ; Popmusik ; Elektronische Musik ; music ; Music ; Performance ; Cultural Studies ; Popular Culture ; Musicology ; Pop Music ; Ethnography ; Anonymity ; Culture; Pop Music; Performance; Ethnography; Anonymity; Musicology; Popular Culture; Music; Cultural Studies; ; Hochschulschrift ; Hochschulschrift ; Elektronische Musik ; Performativität ; Anonymität
    Abstract: 〈p〉Anonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?〈br /〉This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music.〈/p〉
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  • 34
    ISBN: 9783205232872
    Language: English , English , German
    Pages: 1 Online-Ressource (286 Seiten)
    Series Statement: Music Traditions Vol. 1
    Parallel Title: Erscheint auch als Ethnomusicology matters
    DDC: 780
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    Keywords: Aufsatzsammlung ; Konferenzschrift ; Konferenzschrift 28.09.2017-30.09.2017 ; Aufsatzsammlung ; Konferenzschrift ; Aufsatzsammlung ; Konferenzschrift ; Musikethnologie ; Kulturerbe ; Musikethnologie
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  • 35
    ISBN: 9781350114838 , 9781350114821 , 9781350114814
    Language: English
    Pages: 1 Online-Ressource (viii, 208 pages) , illustrations
    Edition: First edition
    Edition: London Bloomsbury Publishing
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    Parallel Title: Erscheint auch als Fay, Brendan Classical music in Weimar Germany
    DDC: 306.4842094309042
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    Keywords: National socialism and music History 20th century ; National socialism and music ; Musikleben ; Klassische Musik ; Musikästhetik ; Traditionalismus ; Fortschrittlichkeit ; Deutschland ; Deutschland ; Klassische Musik ; Konservativismus ; Politik ; Weimarer Republik ; Geschichte 1918-1933 ; Deutschland ; Kulturpolitik ; Medien ; Musiksoziologie ; Geschichte 1918-1933
    Abstract: "From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany."--Bloomsbury Publishing
    Abstract: List of Figures Acknowledgements Introduction: German Music and the Nazi Past 1. (Re)Composing the Nation: Music, War, and the German Inflation, 1918-1924 2. Radios and Records: Image and Reality in Weimar Technology 3. Internationalism, Nationalism and the Case of Hans Joachim Moser 4. Wagner under Weimar 5. Judging Performance, Performing Judgments: Race and Performance in Weimar Germany Epilogue: Rethinking Tradition Bibliography Index.
    Note: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily , Includes bibliographical references (pages 184-197) and index
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  • 36
    Online Resource
    Online Resource
    New York, NY : Routledge
    ISBN: 9781315408583 , 1315408589 , 9781315408576 , 1315408570 , 9781315408552 , 1315408554 , 9781315408569 , 1315408562
    Language: English
    Pages: 1 online resource
    Edition: Second edition
    DDC: 780.89
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    Keywords: Ethnomusicology
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Description based on online resource; title from digital title page (viewed on July 01, 2019)
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 37
    ISBN: 9783830991199
    Language: German , English
    Pages: 1 Online-Ressource (216 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 26
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
    DDC: 781.63168
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    Keywords: Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Song ; Rockmusik ; Funktionale Musik
    Abstract: Der kurze, eingängige Song ist das Herzstück – der Diamant – populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die – auf unterschiedlichen Ebenen – einen Willen zur Expansion bezeugen. Diese Sammelpublikation fragt nach den verschiedenen Erscheinungen von Großformen, analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe sowie die leitenden Motivationen musikalischen Handelns im 'großen Stil' und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder 'Concepts – Cycles – Narrations', 'Cultural (Trans-) Formations', 'Personal Artistry' und 'Audio-Vision and Performance' werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht.
    Note: Tabellen, Literaturangaben
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  • 38
    ISBN: 9783845299365
    Language: German
    Pages: 1 Online-Ressource (444 Seiten)
    Edition: 2. Auflage
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Universität Erlangen-Nürnberg 2007
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    Keywords: Geschichte 1951-1970 ; Geschichte 1950-1970 ; Rockmusik ; Rock 'n' Roll ; Gegenkultur ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Rockmusik ; Gegenkultur ; Geschichte 1951-1970 ; Rock 'n' Roll ; Gegenkultur ; Geschichte 1951-1970 ; Rockmusik ; Geschichte 1950-1970
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 39
    ISBN: 9783830991199
    Language: German
    Pages: 1 Online-Ressource (216 Seiten)
    Series Statement: Populäre Kultur und Musik Band 26
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Große Formen in der populären Musik
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    Keywords: elektronische Tanzmusik ; Hip-Hop ; Jules Buckley ; Konzeptalbum ; Konzeptmusical ; Mike Oldfield ; musikalische Großformen ; Musikvideo ; Popkonzert ; Populäre Musik ; Rockmusik ; Schlager ; Schlagerfilm ; Steve Vai ; Konferenzschrift 2015 ; Aufsatzsammlung ; Konferenzschrift 2015 ; Aufsatzsammlung ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Klassische Musik ; Musikalische Form ; Rezeption ; Unterhaltungsmusik ; Song ; Rockmusik ; Funktionale Musik
    Abstract: Der kurze, eingängige Song ist das Herzstück – der Diamant – populärer Musikkulturen. Daneben haben exzentrische Spielarten allerdings auch große Formen hervorgebracht, die – auf unterschiedlichen Ebenen – einen Willen zur Expansion bezeugen. Die vorliegende Sammelpublikation von international forschenden Expertinnen und Experten auf dem Gebiet der Popmusik-Studien fragt nach den verschiedenen Erscheinungen von Großformen auf diesem Gebiet, beschreibt und analysiert die Phänomene und klärt dabei ihre soziokulturellen Kontexte, die ökonomischen, technologischen Entstehungshintergründe, die leitenden Motivationen musikalischen Handelns im „großen Stil“ und seine möglichen ästhetischen Konsequenzen auf. Aufgeteilt in die vier Themenfelder „Concepts – Cycle – Narrations“, „Cultural (Trans-) Formations“, „Personal Artistry“ und „Audio-Vision and Performance“ werden Geschichte und Gestaltung von Konzeptalben, tanz- bzw. clubbasierte Musikumgebungen, individuelle kompositorische Verfahren sowie auf Bühne oder Bildschirm ausgerichtete Erweiterungen des Songformats untersucht. Die Herausgeber: PD Dr. Christofer Jost ist wissenschaftlicher Mitarbeiter am Zentrum für Populäre Kultur und Musik der Albert-Ludwigs-Universität Freiburg sowie Privatdozent am hiesigen Institut für Medienkulturwissenschaft. PD Dr. Gregor Herzfeld ist Universitätsassistent (Tenure Track) am Institut für Musikwissenschaft der Universität Wien sowie Privatdozent der Universität Basel.
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  • 40
    Online Resource
    Online Resource
    Bielefeld : transcript
    ISBN: 9783839446447
    Language: German
    Pages: 1 Online-Ressource (261 Seiten) , Illustrationen
    Series Statement: Rivergate Regionals Collection
    Series Statement: Konsumästhetik Band 5
    Series Statement: Konsumästhetik
    Parallel Title: Erscheint auch als Baßler, Moritz, 1962 - Western promises: Pop-Musik und Markennamen
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    Keywords: Local transit Political aspects ; Transportation and state ; Transportation Political aspects ; Advertising Music ; Branding (Marketing) Social aspects ; Mass media Aesthetics ; Popular music Social aspects ; SOCIAL SCIENCE / General ; SOCIAL SCIENCE / Sociology / General ; Popmusik ; Markenname ; Erwähnung ; Popkultur
    Abstract: Frontmatter -- Inhalt -- Pop und Marke -- Teenage Command Performance -- Pop Art Music -- »Bits of Americana«. Markenlogos auf Plattencovern -- Autos -- Pepsi -- NDW und Deutschpop -- Schluss -- Dank -- Abbildungsverzeichnis -- Markenverzeichnis -- Index
    Abstract: Markennamen sind das Erkennungszeichen für Pop Art und Popliteratur, finden sich jedoch fast nie in den Werken von Pop-Musiker_innen wieder. Die Rolling Stones nehmen 1964 zwar einen Werbeclip für Kellogg's auf, würden Rice Krispies aber nie in ihren Songs erwähnen - und auch in dem Gesamtwerk der Beatles lassen sich gerade mal zwei Erwähnungen finden. Das ist doch seltsam: Warum machen sich die Zeichen der Konsumkultur ausgerechnet in der Pop-Musik so rar? Im Ausgang von dieser Frage entwickelt Moritz Baßler eine Diskursgeschichte des Pop von Elvis bis heute, mit intensiven Songanalysen und speziellen Kapiteln zu Automarken, Pepsi und deutschsprachiger Pop-Musik. Was wird eingelöst von den 'Western Promises', den Versprechen unserer Pop- und Markenkultur?
    URL: Cover
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  • 41
    ISBN: 9783839448496
    Language: German
    Pages: 1 Online-Ressource (353 Seiten)
    Series Statement: Kultur und soziale Praxis
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Stoffers, Nina, 1978 - Kulturelle Teilhabe durch Musik?
    Dissertation note: Dissertation Humboldt-Universität zu Berlin
    DDC: 306.4842
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    Keywords: Electronic books ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Musikerziehung ; Kulturpädagogik ; Teilhabe ; Außerschulische Jugendbildung ; Ethnosoziologie ; Multikulturelle Gesellschaft ; Gruppenarbeit ; Ausgrenzung
    Abstract: Die Idee kultureller Teilhabe wird in wissenschaftlichen und gesellschaftspolitischen Kontexten immer wichtiger - mit entsprechenden Hoffnungen verbunden ist dabei insbesondere die Förderung von benachteiligten Gruppen. Dem Diskurs inhärent ist jedoch, dass das Ziel kultureller Teilhabe in sein Gegenteil verkehrt werden und zu einer inkludierenden Exklusion führen kann. Nina Stoffers zeigt, wie dieses Spannungsverhältnis wechselseitig voneinander abhängiger Strategien des Empowerment und des Othering gerade in transkulturellen Musikprojekten mit Kindern und Jugendlichen austariert wird. Kulturelle Teilhabe wird dabei als diversitätssensible und rassismuskritische Praxis begreifbar
    Abstract: Frontmatter -- Inhalt -- Danksagung -- Teil I: Einleitung -- 1. Forschungshorizont -- 2. Forschungsperspektive -- 3. Aufbau -- Teil II: Theoretische Grundlagen -- 1. Kulturelle Bildung -- 2. Bedeutungsvarianten des Kulturbegriffs -- 3. Transkulturalität -- 4. Kulturelle Teilhabe -- Teil III: Methodik -- 1. Das Forschungsfeld und seine Erschließung -- 2. Standortgebundenheit, methodisch kontrolliertes Fremdverstehen und ethische Forschungshaltung -- 3. Erhebungsmethoden -- 4. Erhebung und Sampling -- 5. Auswertungsmethoden -- 6. Darstellung der Daten -- Teil IV: Transkulturelle Musikprojekte -- Einleitung -- A. Heimat re-invented (Köln) -- Steckbrief -- Übersicht der Szenen von Heimat re-invented -- 1. Selbst- und Fremdbild: (Re-)Präsentationen in Antrag, Homepage, Evaluation und Presse -- 2. Zur Relevanz der Dramaturgie: Wer hält die Fäden in der Hand? -- 3. Was wird aufgeführt und wer steht auf der Bühne? Zur Auswahl des Repertoires und der Teilnehmenden -- 4. Kostüme und Requisiten -- 5. Wer arbeitet wie? Die Arbeitsweisen der künstlerischen Dozentinnen -- 6. Für wen ist das Projekt? Erwartungen und Ziele aus künstlerischen und pädagogischen Perspektiven -- 7. Titel und Rahmen -- 8. Exkurs: Der Umgang mit Klischees und Stereotypen -- B. Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- C. Zukunftsmusik (Berlin) -- Steckbrief -- 1. Titel und Rahmen -- 2. Auswahl des Repertoires und der Teilnehmenden -- 3. Selbst- und Fremdbild -- Teil V: Im Spannungsfeld von Empowerment und Othering -- 1. Sichtbarkeit -- 2. Kompetenzorientierung -- 3. Zuschreibungen -- 4. Musik als Mittel zum Zweck? -- 5. Schlüsselkategorie: Das Spannungsfeld von Empowerment und Othering -- Teil VI: Fazit und Ausblick -- Einleitung -- Inkludierende Exklusion -- Ausblick -- Teil VII: Anhang -- Materialauflistung und Abkürzungsverzeichnis -- 1. Allgemein -- 2. Projekt A: Heimat re-invented (Köln) -- 3. Projekt B: Philharmonischer Verein der Sinti und Roma (Frankfurt/Main) -- 4. Projekt C: Zukunftsmusik (Berlin) -- Teil VIII: Bibliografie
    Note: Description based on publisher supplied metadata and other sources
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  • 42
    ISBN: 9783839446676
    Language: English
    Pages: 214 Seiten , 22.5 cm x 14.8 cm, 318 g
    Edition: First published
    Series Statement: Music and sound culture volume 35
    Series Statement: Musik und Klangkultur 35
    Series Statement: Musik und Klangkultur
    Parallel Title: Erscheint auch als Music practices across borders
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    Keywords: Music and transnationalism ; Music Effect of multiculturalism on ; Music Social aspects ; Music ; Ethnomusicology ; Musicology ; Musik ; Kulturaustausch ; Kultur ; Internationale Kooperation ; Kulturindustrie ; Internationale Politik ; Künstler ; Soziales Netzwerk ; Evaluation ; Migration ; Forschung ; MUSIC / History & Criticism ; Erde ; Evaluation ; Globalization ; Interculturalism ; Migration ; Music ; Musicology ; Sociology of Culture ; Transnational ; Konferenzschrift 2018 ; Konferenzschrift 2018
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Abstract: Frontmatter -- Content -- Introduction-Music practices across borders / Peres da Silva, Glaucia / Hondros, Konstantin -- Valuation in a reversed economy / Fryberger, Annelies -- Culture, creativity and practice / Wafula, Mukasa Situma -- "Come and expose yourself to the fantastic music from around the world" / Lell, Peter -- From desire for recognition to desire for independence / Le Coz, Sandrine -- The invention of African art music / Riva, Nepomuk -- Contemplating musical life in Tunisia under the French protectorate-the society and challenges / El Kahla, Alla -- The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century / Anabel González, Daniela -- Brazilian grooves and cultured clichés / Boy Bystron, Janco / Santana, Chico -- About the authors
    Note: Seite 8: [...] we organized a conference at the University of Duisburg-Essen in June 2018, entitled (E)valuating Transnational Music Practices: Space, Diversity, and Exchange [...]
    URL: Cover
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  • 43
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190656881
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American musicspheres
    Series Statement: Oxford scholarship online
    DDC: 781.629697298307471
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    Keywords: Calypso ; Soca ; Steelband ; Karneval ; New York, NY
    Abstract: 'Jump Up!' provides a comprehensive history of Trinidadian calypso and steelband music in the diaspora. Carnival, transplanted from Trinidad to Harlem in the 1930s and to Brooklyn in the late 1960s, provides the cultural context for the study. Blending urban studies, oral history, archival research, and ethnography, the work examines how members of New York's diverse Anglophile-Caribbean communities forged transnational identities through the self-conscious embrace, transformation, and hybridization of select Carnival music styles and performances. The text fills a significant void in our understanding of how Caribbean Carnival music-specifically calypso, soca (soul/calypso), and steelband-evolved in the second half of the twentieth century as it flowed between its island homeland and its burgeoning New York migrant community.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 44
    ISBN: 0190462590 , 9780190462598
    Language: English
    Pages: 1 Online-Ressource (297 p)
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    Keywords: Jazz Instruction and study ; MUSIC / Instruction & Study / Theory ; bisacsh ; USA ; Schule ; Musikerziehung ; Jazz
    Note: Includes bibliographical references and index
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  • 45
    Online Resource
    Online Resource
    Singapore : Springer Singapore | Singapore : Palgrave Macmillan
    ISBN: 9789811366857
    Language: English
    Pages: 1 Online-Ressource (xv, 281 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.095
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    Keywords: Asian Culture ; Environment Studies ; Asian Literature ; History of China ; Ethnology-Asia ; Environment ; Oriental literature ; China-History ; Klimaänderung ; Literatur ; Umwelt ; Klimaänderung ; Chinesisch ; Umwelt ; Anthropozän ; Kultur ; Anthropozän ; China ; Aufsatzsammlung ; Konferenzschrift Hong Kong Baptist University Januar 2018 ; Aufsatzsammlung ; Aufsatzsammlung ; Chinesisch ; Literatur ; Umwelt ; Klimaänderung ; Anthropozän ; China ; Kultur ; Klimaänderung ; Anthropozän ; Umwelt
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 46
    ISBN: 9783658278823
    Language: German
    Pages: 1 Online-Ressource (XI, 309 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Rheinische Friedrich-Wilhelms-Universität Bonn 2016
    DDC: 302.23
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    Keywords: Media and Communication ; Social Media ; Popular Culture ; Communication ; Social media ; Popular Culture ; Digitalisierung ; Medialisierung ; Strukturwandel ; Social Media ; Musikwirtschaft ; Popmusik ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Popmusik ; Social Media ; Medialisierung ; Musikwirtschaft ; Digitalisierung ; Strukturwandel
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  • 47
    ISBN: 9783476049704
    Language: German
    Pages: 1 Online-Ressource (XI, 169 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Hochschule für Musik und Theater Hamburg 2019
    DDC: 780
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    Keywords: Geschichte 1979-2019 ; Geschichte 1979- ; Music ; Cultural Policy and Politics ; Cultural Management ; Music ; Cultural policy ; Kulturpolitik ; Musikleben ; Musikpolitik ; Iran ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Iran ; Musikleben ; Kulturpolitik ; Geschichte 1979- ; Iran ; Musikleben ; Musikpolitik ; Geschichte 1979-2019
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  • 48
    Online Resource
    Online Resource
    Stuttgart :J.B. Metzler Verlag,
    ISBN: 978-3-476-05458-6
    Language: German
    Pages: 1 Online-Ressource (XV, 711 Seiten).
    Edition: 2., erweiterte und aktualisierte Auflage
    Parallel Title: Erscheint auch als
    DDC: 190
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    Keywords: Adorno, Theodor W. ; Modern Philosophy ; Critical Theory ; Philosophy, modern ; Critical theory ; Kritische Theorie. ; Bibliografie ; Aufsatzsammlung ; Lehrbuch ; Aufsatzsammlung ; 1903-1969 Adorno, Theodor W. ; Kritische Theorie
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 49
    Online Resource
    Online Resource
    Chicago : University of Chicago Press
    ISBN: 9780226654775
    Language: English
    Pages: 1 online resource (208 pages) , 14 halftones, 2 line drawings
    Series Statement: Chicago Studies in Ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 306.4/842096652
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    Keywords: MUSIC / General ; Music Political aspects ; Politik ; Musik ; Guinea ; Guinea ; Musik ; Politik
    Abstract: Music has long been an avenue for protest, seen as a way to promote freedom and equality, instill hope, and fight for change. Popular music, in particular, is considered to be an effective form of subversion and resistance under oppressive circumstances. But as Nomi Dave shows us in The Revolution's Echoes, the opposite is also true-music can often support, rather than challenge, the powers that be. Examining fifty years of history in Guinea, Dave introduces readers to the music supporting the authoritarian regime of former president Sékou Touré, and to the musicians who, even long after his death, have continued to praise dictators and avoid dissent. Dave shows that this isn't just the result of state manipulation-even in the absence of coercion, musicians and their audiences take real pleasure in musical praise of leaders. Time and again, whether in traditional music or in newer genres such as rap, Guinean musicians have celebrated state power and authority. With The Revolution's Echoes, Dave insists that we must grapple with the uncomfortable truth that some forms of music choose to support authoritarianism, generating new pleasures and new politics in the process
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020) , In English
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  • 50
    ISBN: 9783828874138
    Language: German
    Pages: 1 Online-Ressource (XIII, 622 Seiten) , Notenbeispiele
    Edition: 1. Auflage
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum-Verlag. Reihe Musikwissenschaft Band 13
    Series Statement: Wissenschaftliche Beiträge aus dem Tectum-Verlag. Reihe Musikwissenschaft
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Humboldt-Universität zu Berlin 2019
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    Keywords: Harrison, George ; Interkulturalität ; Indien ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Harrison, George 1943-2001 ; Indien ; Interkulturalität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 51
    Online Resource
    Online Resource
    Woltersdorf : Reiner Kluge | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German
    Pages: 1 Online-Ressource (13 Seiten)
    DDC: 780
    RVK:
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    Note: Erweiterte Fassung (2019) des gleichnamigen Beitrages aus Wahrnehmung – Erkenntnis – Vermittlung. Hildesheim, Zürich, New York: Olms Verlag, 2013 (Fs. Auhagen), 248-259
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  • 52
    Online Resource
    Online Resource
    Bingley [und weitere] : Emerald Publishing
    ISBN: 9781787563957
    Language: English
    Pages: 1 Online-Ressource , Illustrationen, Diagramme, Notenbeispiel
    Edition: First edition
    Series Statement: Emerald studies in metal music and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Mittelalter ; Heavy Metal ; Rockmusik ; Rezeption ; Heavy metal (Music) / Criticism and interpretation ; Medievalism ; Heavy metal (Music) ; Medievalism ; Criticism, interpretation, etc ; Aufsatzsammlung ; Aufsatzsammlung ; Mittelalter ; Rezeption ; Rockmusik ; Heavy Metal
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  • 53
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190670443
    Language: English
    Pages: 1 Online-Ressource (xl, 248 Seiten) , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    DDC: 782.4216491224
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    Keywords: Rap (Music) / Analysis, appreciation ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
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  • 54
    ISBN: 9780190462611
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.65071
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    Keywords: Jazz Instruction and study ; USA ; Schule ; Musikerziehung ; Jazz
    Abstract: 'Teaching School Jazz' is an edited collection of suggested practices in school jazz education authored by a seasoned and diverse lineup of jazz educators with supporting research-based case studies woven into the narrative. It provides not only a wealth of school jazz teaching strategies but also, and perhaps as important, the jazz perspectives and principles from which they are derived.
    Note: Also issued in print: 2019. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on June 11, 2019)
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  • 55
    Online Resource
    Online Resource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190056148
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white, and colour).
    Series Statement: Oxford scholarship online
    DDC: 306.484249
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    Abstract: Hip hop and diplomacy are unlikely partners. And yet, since 2001 the US Department of State has been sending hip hop artists to perform and teach around the world. The government has good reason to be interested in hip hop: it is known and loved across the globe, readily acknowledged as a product of American culture. Moreover, hip hop has long been a means of fostering community through creative collaboration-what hip hop artists call building-and can thus facilitate mutual respect and cooperation among people of different nations, a key objective of diplomacy. At heart, 'Build' is about the intersection of art and power. It reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma.
    Note: Also issued in print: 2019 , Includes bibliographical references and index
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  • 56
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199365197 , 9780190874438
    Language: English
    Pages: 1 Online-Ressource (xiv, 264 Seiten) , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.11
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    Keywords: Musical ability / Cross-cultural studies ; Musiker ; Kreativität ; Kulturvergleich ; Europa ; Nordamerika ; Afrika ; Europa ; Nordamerika ; Afrika ; Musiker ; Kreativität ; Kulturvergleich
    Abstract: How are an individual's ability and motivation to be creative shaped by the world around her? Why does creativity seem to flourish in some environments, while in others it is stifled? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict development of creative skill sets, engagement in creative activities, and willingness to take creative risks. Becoming Creative explores how social and cultural factors enable or inhibit creativity in music. The text integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, prioritizing the voices of practicing musicians and music educators
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 57
    Language: German , English
    Pages: 1 Online-Ressource (7,7 MB, 320 Seiten) , Illustrationen
    Series Statement: Sounding heritage volume 4
    Series Statement: Sounding heritage
    Parallel Title: Erscheint auch als Jazzforschung heute
    DDC: 781.65072
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    Keywords: Konferenzschrift 09.2018 ; Aufsatzsammlung ; Jazz ; Jazzforschung
    Note: "Das vorliegende Buch versammelt die Beiträge einer Tagung zur Jazzforschung im deutschsprachigen Raum, die im September 2018 in Weimar stattgefunden hat." - Einleitung , Printausgabe erschienen bei: Edition EMVAS Berlin , Beiträge teilweise deutsch, teilweise englisch
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 58
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    ISBN: 9781501330209 , 9781501330193
    Language: English
    Pages: 1 Online-Ressource (xv, 178 pages) , illustrations
    Series Statement: 33 1/3 Japan
    Parallel Title: Erscheint auch als Roberts, Martin Cornelius's Fantasma
    DDC: 781.63
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    Keywords: Cornelius ; Popular music History and criticism 1991-2000 ; Electronic books ; Biografie ; Biografie ; Electronic books ; Biografie ; Japan ; Popmusiker ; Musikalbum ; Geschichte 1997 ; Volkstümliche Musik ; Unterhaltungsmusik ; Geschichte 1997 ; Cornelius 1969-
    Abstract: "In Tokyo in the early 1990s, an indie band called Flipper's Guitar was at the forefront of a new wave in Japanese popular music known as Shibuya-kei. The band's founder, Keigo Oyamada, would go on to produce, under the name Cornelius, a series of albums that are among the most innovative in Japanese popular music of the past two decades. Oyamada's third album under his Cornelius alter-ego, Fantasma (1997), played a key role in putting J-pop on the world map for Western music fans, and Oyamada himself is today one of the most respected figures in the Japanese music industry. This book tells the story of Fantasma's emergence from the Shibuya-kei scene and considers the wider impact of Oyamada's work both internationally and on Japanese popular music today. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more"--Bloomsbury Collections
    Abstract: Dedication -- Epigraph -- Note on Transliterations and Japanese Names -- Preface: White Rabbit -- Chapter 1. From Nakameguro to Everywhere -- Chapter 2. Magic Kingdom -- Chapter 3. Ape Shall Not Kill Ape -- Chapter 4. Mutations -- Chapter 5. Pet Sounds -- Chapter 6. Merrie Melodies -- Chapter 7. Three-Dimensional Music -- Chapter 8. Analog Afterlives -- Chapter 9. Double Fantasy -- Notes -- Bibliography -- Permissions -- Index.
    Note: Includes bibliographical references and index
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  • 59
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783030180997
    Language: English
    Pages: 1 Online-Ressource (xiii, 269 Seiten) , Illustrationen
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780
    RVK:
    Keywords: Music ; Popular Culture ; Media and Communication ; Cultural Theory ; Philosophy of Music ; Music ; Popular Culture ; Communication ; Culture—Study and teaching ; Music—Philosophy and aesthetics ; Kulturtheorie ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Popmusik ; Kulturtheorie
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 60
    ISBN: 9780199913930
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Currents in Latin American and Iberian mMusic
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    Keywords: Kolumbien ; Schwarze ; Soziale Situation ; Volksmusik
    Abstract: Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation’s margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia’s majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia’s Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways that it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to demonstrate national heritage, to generate economic development, and to provide social amelioration in a context of war. The author draws on both archival and ethnographic research to trace these and other opinions about how currulao has been understood, illuminating a history of struggles over its meanings that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, this book asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere’s most important and understudied black cultures and a theory of history traced through the performative practice of currulao.
    Abstract: Cover -- Series -- Rites, Rights & Rhythms -- Copyright -- Dedication -- Contents -- Acknowledgments -- About the Companion Website -- A Note on Images -- Introduction -- 1. The Sounded Poetics of the Black Southern Pacific -- 2. Music in the Mines: Black Cosmopolitans and Musical Practice in the Colonial Southern Pacific -- 3. Modernities and Nonmodernities in Black Pacific Music -- 4. Race, Region, Representativity, and the Folklore Paradigm -- 5. Between Legibility and Alterity: Black Music and Self-​Making in the Age of Ethnodiversity -- Conclusion -- References -- Index
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  • 61
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190698454
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    DDC: 781.6480977311
    RVK:
    Keywords: House music History and criticism ; Illinois ; Chicago ; Homosexuality and popular music Illinois ; Chicago ; African American gays Illinois ; Chicago ; Popmusik ; Chicago, Ill. ; House ; Geschichte 1975-2019
    Abstract: This interdisciplinary study historicizes house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago’s queer, black, and Latino social dancers. Working from oral history interviews, archival research, and performance ethnography, it argues that the remediation and adaptation of house by multiple and overlapping crossover communities in its first decade shaped the ways that contemporary Chicago house music producers, DJs, dancers, and promoters re-remember and re-animate house as an archive indexing experiences of queer of color congregation. Engaging with and extending the fields of African American studies, urban studies, gender and sexuality studies, dance studies, performance studies, popular music studies, ethnomusicology, and media studies, Do You Remember House? considers house music culture’s liberatory potential in relation to its flexible repertoire in motion, an ever-expanding archive of danceable sounds.
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  • 62
    ISBN: 9780253040565
    Language: English
    Pages: 1 online resource (226 pages)
    Additional Information: Rezensiert in Uslin, Karen L. [Rezension von: Kita, Caroline A., Jewish Difference and the Arts in Vienna] 2021
    Series Statement: German Jewish Cultures Ser.
    Parallel Title: Erscheint auch als Kita, Caroline A. Jewish difference and the arts in Vienna
    DDC: 780.943613
    RVK:
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    Keywords: Music-Austria-Vienna-History and criticism ; Music-Austria-Vienna-History and criticism ; Electronic books ; Biblisches Drama ; Juden ; Mitgefühl ; Musik ; Literatur ; Bibel Altes Testament ; Juden ; Wien ; Geschichte 1876-1918
    Abstract: Jewish Difference and the Arts in Vienna explores how Jewish writers and composers sought, through their engagement with musical forms and styles, to capture Jewish voices and their dynamic expression of compassion and otherness.
    Abstract: Cover -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgments -- Note on Translation -- Introduction -- 1. A Case for Compassion: Siegfried Lipiner's Adam -- 2. Voicing Compassion: Gustav Mahler's Second and Third Symphonies -- 3. Polyphony as a Poetics of Compassion: Arnold Schoenberg's Die Jakobsleiter -- 4. Dialogues of Compassion: Richard Beer-Hofmann's Jaákobs Traum -- 5. Compassion as Communal Song: Stefan Zweig's Jeremias -- Epilogue -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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  • 63
    Online Resource
    Online Resource
    Leipzig : Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Schriften online: Musikpädagogik 5
    Dissertation note: Masterarbeit Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig
    DDC: 305.8
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    Keywords: Hochschulschrift ; Sachsen ; Musikerziehung ; Schulbuch ; Afrikabild ; Kolonialismus ; Rassismus ; Musikerziehung ; Interkulturalität ; Rassismus
    Note: Betrifft: Die Untersuchung der visuellen Repräsentationen von Schwarz positionierten Menschen in ca. vierzig Musik-Schulbüchern, die im Bundesland Sachsen zugelassen sind
    URL: Volltext  (kostenfrei)
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  • 64
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource (328 Seiten)
    Series Statement: Popular music
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als Popular Music and Public Diplomacy (Veranstaltung : 2015 : Dortmund) Popular music and public diplomacy
    RVK:
    Keywords: International relations and culture ; Music and diplomacy ; Music ; Popular music Political aspects ; history ; Politics ; Music ; Cultural History ; History of the 20th Century ; Popular Culture ; Musicology ; Pop Music ; International Relations ; Diplomacy ; MUSIC / History & Criticism ; Konferenzschrift ; Konferenzschrift ; Unterhaltungsmusik ; Public Diplomacy ; Geschichte ; Musik ; Kulturveranstaltung ; Interdisziplinarität ; Transnationalisierung
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries
    Abstract: Frontmatter -- Table of Contents -- Acknowledgements -- Popular Music and Public Diplomacy / Dunkel, Mario / Nitzsche, Sina A. -- Part I: Competition and Collaboration -- Music in Transnational Transfers and International Competitions / Nathaus, Klaus -- The Paradoxes of Cultural and Music Diplomacy in a Federal Country / Mazzola, Alessandro -- Dervish on the Eurovision Stage / Şahin, Nevin Ş -- Part II: Infiltration and Appropriation -- Between Propaganda and Public Diplomacy / Ritter, Rüdiger -- "Liberated from Serfdom" / Feustle, Maristella -- A Musical Inquisition? / Ignácz, Ádám -- Part III: Education and Promotion -- Dancing in Chains / Bayles, Martha -- Becoming a Blue-Collar Musical Diplomat / Brown, Nicholas Alexander -- Music Trade in the Slipstream of Cultural Diplomacy / Kube, Sven -- National Flamencoism / Díaz, Carlos Sanz / Morales Tamaral, José Manuel -- Part IV: Representation and Participation -- The Ethics and Politics of Empathy in US Hip-Hop Diplomacy / Salois, Kendra -- Popular Musicking and the Politics of Spectatorship at the United Nations / Ball, James R. -- From Sons of Gastarbeita to Songs of Gastarbeiter / Nieden, Gesa zur -- Public Diplomacy and Decision-Making in the Eurovision Song Contest / Vuletic, Dean -- List of Contributors -- Index
    Note: Open Access , Mode of access: Internet via World Wide Web.
    URL: Cover
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    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 65
    ISBN: 9780429817229 , 0429817223 , 9780429445149 , 0429445148 , 9780429817205 , 0429817207 , 9780429817212 , 0429817215
    Language: English
    Pages: 1 online resource
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Radiohead (Musical group) ; Rock music Criticism and interpretation ; Radiohead (Musical group) ; Rock music ; Criticism and interpretation ; MUSIC / General
    Abstract: Cover; Half Title; Series Page; Title Page; Copyright Page; Contents; Acknowledgements; Introduction; Book structure; Notes; References; Chapter 1 Popular music genre; Definitions and distinctions; Etymological debates; Historical origins; Genre theory in cultural studies: genre as process and as discourse; Genre theory in popular music studies: from tradition to transgression; Genre identities and the popular music discourse; Notes; References; Chapter 2 Genre and transgression in the music of Radiohead; Methodological backgrounds; A look at "Creep" and its alternatives
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  • 66
    Online Resource
    Online Resource
    Woodbridge, Suffolk, UK : The Boydell Press
    ISBN: 9781787445345
    Language: English
    Pages: 1 Online-Ressource (xviii, 284 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    DDC: 306.4842
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    Keywords: Geschichte 1800-1960 ; Music / Social aspects / History / 19th century ; Music / Social aspects / History / 20th century ; Salons / Europe / History / 19th century ; Salons / United States / History / 20th century ; Music in the home / Social aspects / History / 19th century ; Music in the home / Social aspects / History / 20th century ; Soziokultur ; Salonmusik ; Europe / Intellectual life / 19th century ; United States / Intellectual life / 20th century ; USA ; Europa ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Europa ; USA ; Salonmusik ; Soziokultur ; Geschichte 1800-1960
    Abstract: This collection explores the idea of music in the salon during the long nineteenth century, both as a socio-cultural phenomenon, and as a source of artistic innovation and exchange. Drawing on a wide range of scholarly approaches, this book uses the idea of the salon as a springboard to examine issues such as gender, religion, biography and performance; to explore the ways in which the salon was represented in different media; and to showcase the heterogeneity of the salon through a selection of case studies. It offers fresh considerations of familiar salons in large cultural centres, as well as insights into lesser-known salons in both Europe and the United States. Bringing together an international group of scholars, the collection underscores the enduring impact of the European musical salon
    Note: Introduction - Anja Bunzel and Natasha Loges -- - Johanna Kinkel's Social Life in Berlin (1836-39) : Reflections on Historiographical Sources - Anja Bunzel -- - Accidental Aesthetics in the Salon : Amateurism and the Romantic Fragment in the Lied Sketches of Bettina von Arnim - Jennifer Ronyak -- - Salon Culture in the Circle of Joseph Joachim, or, Composing Inwardness : C. J. Arnold's "Quartettabend bei Bettina von Arnim" Reconsidered - Katharina Uhde and R. Larry Todd -- - Reading, Singing, Becoming : The M adchenlieder of Paul Heyse and Johannes Brahms - Natasha Loges -- - Fridays with Malla : Musical Repertoire in the Swedish Salon of Malla Silfverstolpe - Kirsten Santos Rutschman -- - Observing Musical Salon Culture in England c. 1800 through the Lens of the Caricature - Maren Bagge and Clemens Kreutzfeldt -- - The Salon Singer as Subject of Satire during the July Monarchy - Mary Anne Garnett -- - The Instruments of the Vienna Biedermeier Salon : Diversity in Design, Sound, and Technology - Beatrix Darmst adter -- - Offenbach and the Representation of the Salon - P eter Boz o -- - Affordances of the Piano : A Cinematic Representation of the Victorian Salon - Harry White -- - 'Der Mensch ist zur Geselligkeit geboren' : Salon Culture, Night Thoughts, and a Schubert Song - Susan Youens -- - Traditions, Preferences and Musical Taste in the Staegemann-Olfers Salon in Nineteenth-Century Berlin - Petra Wilhelmy-Dollinger -- - Josephine Lang and the Salon in Southern Germany - Harald Krebs -- - Jessie Hillebrand and Musical Life in 1870s Florence - Michael Uhde -- - An Invitation to 309 Beacon Street : Clara Kathleen Rogers and her Boston Salon - Katie A. Callam -- - "Too Much Playing Four Hands!" : Ernst von Dohn anyi's European Salon in the United States of the 1950s - Veronika Kusz
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 67
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839443583
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    DDC: 780
    RVK:
    Keywords: Geschichte ; Unterhaltungsmusik ; Public Diplomacy ; Cultural History ; Diplomacy ; History of the 20th Century ; History ; International Relations ; Music ; Musicology ; Politics ; Pop Music ; Popular Culture ; Unterhaltungsmusik ; Public Diplomacy ; MUSIC / History & Criticism ; Electronic books
    Abstract: In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop.This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Jun 2019)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Image
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  • 68
    ISBN: 3839446678 , 9783839446676
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Musik und Klangkultur 35
    RVK:
    Keywords: Music ; Musicology ; Ethnomusicology ; SOCIAL SCIENCE / General ; MUSIC / History & Criticism ; Music ; Musicology ; Ethnomusicology ; Electronic books ; Konferenzschrift ; Aufsatzsammlung
    Abstract: Frontmatter --Content --Introduction-Music practices across borders /Peres da Silva, Glaucia / Hondros, Konstantin --Valuation in a reversed economy /Fryberger, Annelies --Culture, creativity and practice /Wafula, Mukasa Situma --"Come and expose yourself to the fantastic music from around the world" /Lell, Peter --From desire for recognition to desire for independence /Le Coz, Sandrine --The invention of African art music /Riva, Nepomuk --Contemplating musical life in Tunisia under the French protectorate-the society and challenges /El Kahla, Alla --The construction of an Italian diasporic identity in the city of Buenos Aires at the turn of the 19th century /Anabel González, Daniela --Brazilian grooves and cultured clichés /Boy Bystron, Janco / Santana, Chico --About the authors
    Abstract: Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind
    Note: In English
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  • 69
    ISBN: 9783658252533
    Language: English
    Pages: 1 Online-Ressource (298 Seiten) , Illustrationen
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306
    RVK:
    Keywords: Cultural Studies ; Creativity and Arts Education ; Media Research ; Music ; Music ; Musik ; Unterhaltungsmusik ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Musik ; Unterhaltungsmusik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 70
    Online Resource
    Online Resource
    Wien : Hollitzer Wissenschaftsverlag
    ISBN: 9783990125786
    Language: German
    Pages: 1 online resource (169 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.62
    RVK:
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    Keywords: Rhythm ; Electronic books ; Musikerziehung ; Lautmalerei ; Rhythmus ; Pattern
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 71
    ISBN: 9783830991045
    Language: German
    Pages: 1 Online-Ressource (339 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Populäre Kultur und Musik Band 25
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation Friedrich-Schiller-Universität Jena 2018
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    Keywords: Dance hall ; Reggaemusiker ; Musikalische Analyse ; Reggae ; Unterhaltungsmusik ; Jamaika ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Jamaika ; Reggae ; Reggaemusiker ; Dance hall ; Unterhaltungsmusik ; Musikalische Analyse
    Abstract: Reggae und Dancehall gehören zu den einflussreichsten Stilbereichen populärer Musik der vergangenen Jahrzehnte. Auf der Karibikinsel Jamaika entstanden, durchliefen sie international intensive Aneignungsprozesse und werden mittlerweile weltweit gehört und gespielt. Diese Studie spürt den ästhetischen Phänomenen des Genres nach. Durch die Verschränkung diskurs-, bild- und musikanalytischer Zugänge werden die Bewertungskriterien von Experten, die visuellen Darstellungen der Musiker sowie die musikalischen Klänge im Reggae und Dancehall analysiert und wechselseitig aufeinander bezogen. Damit reagiert die Studie auf aktuelle Herausforderungen der wissenschaftlichen Analyse populärer Musik: Nicht nur das Klanggeschehen im Reggae und Dancehall, sondern auch die darauf bezogenen Bewertungskriterien werden empirisch untersucht und als Interpretationsgrundlage genutzt. Zentral ist dabei die Frage, was in diesem Genre positiv bewertet wird und wie diese Wertschätzung analytisch greifbar werden kann
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  • 72
    Online Resource
    Online Resource
    New Brunswick : Rutgers University Press
    ISBN: 9781978808157
    Language: English
    Pages: 1 online resource (248 pages)
    Parallel Title: Erscheint auch als
    DDC: 306.48424
    RVK:
    Keywords: Popular music-Political aspects-History ; Popular music-Social aspects-History ; Electronic books ; Electronic books
    Abstract: Cover Page -- Title Page -- Copyright Page -- Contents -- Introduction -- Chapter 1. Musical Workers of the World Unite: Joe Hill, Woody Guthrie, and Pete Seeger -- Chapter 2. There for More Than Fortune: Phil Ochs, Joan Baez, and Bob Dylan -- Chapter 3. Caged Artists: Lesley Gore, Janis Ian, and P. F. Sloan -- Chapter 4. Parody and Poetry: Tom Lehrer -- Peter, Paul and Mary -- and The Smothers Brothers -- Chapter 5. Psychedelicate Situations: Jimi Hendrix and Pink Floyd -- Chapter 6. Reason and Blues: Marvin Gaye and The Temptations -- Chapter 7. Say It Loud, We're Blocked but Proud: James Brown and Curtis Mayfield -- Chapter 8. Hard Rock Turns Metallic: The Who and Black Sabbath -- Chapter 9. More Than a Working-Class Hero: John Lennon and The Beatles -- Chapter 10. Out of Place and In Your Face: The Dead Kennedys and The Sex Pistols -- Chapter 11. Word: Gil Scott-Heron and Grandmaster Flash -- Chapter 12. Global Music Consciousness: Bob Marley and Peter Gabriel -- Chapter 13. Weird, Funny, Smart, Angry: Frank Zappa versus Everyone -- Chapter 14. Rap, Not Hip-Hop: NWA and Public Enemy -- Chapter 15. Weapons of Mass Deconstruction: Dixie Chicks and Green Day -- Epilogue: Music Is Power -- Acknowledgments -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
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  • 73
    ISBN: 1315408570 , 1315408554 , 1315408562 , 9781315408576 , 9781315408552 , 9781315408569
    Language: English
    Pages: 1 Online-Ressource (1 online resource)
    Edition: Second edition
    Parallel Title: Erscheint auch als Theory for ethnomusicology
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    Keywords: Ethnomusicology ; Ethnomusicology ; Music Philosophy and aesthetics ; MUSIC / Ethnomusicology ; bisacsh ; Ethnomusicology ; fast ; (OCoLC)fst00916186 ; Electronic books ; Musikethnologie ; Musiksoziologie ; Musikphilosophie
    Abstract: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements
    Note: Includes bibliographical references and index
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  • 74
    Online Resource
    Online Resource
    New York : Bloomsbury Academic & Professional
    ISBN: 9781501346606
    Language: English
    Pages: 1 online resource (201 pages)
    Parallel Title: Erscheint auch als
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    Keywords: Electronic books ; Europa ; Jazz ; Forschung ; Musikerziehung ; Musikförderung ; Netzwerk ; Kulturelle Identität
    Abstract: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Preface -- Acknowledgements -- Abbreviations -- Introduction -- 1 Researching jazz in Europe today -- 2 Challenges for European jazz networking -- 3 Current strategies -- 4 Giving voice to ground players -- Conclusions -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 75
    ISBN: 9783658237677
    Language: German
    Pages: 1 Online-Ressource (XII, 405 S. 1 Abb)
    Series Statement: Systematische Musikwissenschaft
    Parallel Title: Printed edition
    DDC: 306
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    Keywords: Music ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 76
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    Online Resource
    Singapore : Springer Singapore | Imprint: Palgrave Macmillan
    ISBN: 9789811335136
    Language: English
    Pages: 1 Online-Ressource (IX, 179 p. 3 illus., 2 illus. in color)
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    DDC: 306.76
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    Keywords: Queer theory ; Music ; Gender identity ; Culture ; Gender
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 77
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer VS
    ISBN: 9783658261016
    Language: German
    Pages: 1 Online-Ressource (XIII, 321 S.)
    Series Statement: Jahrbuch für Musikwirtschafts- und Musikkulturforschung
    Parallel Title: Erscheint auch als
    DDC: 302.2
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    Keywords: Music ; Culture - Economic aspects ; Sociology, Urban ; Straße ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Straße
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 78
    ISBN: 9783658218997
    Language: German
    Pages: 1 Online-Ressource (VIII, 592 Seiten) , Illustrationen
    Edition: 2., überarbeitete und erweiterte Auflage
    Parallel Title: Erscheint auch als
    DDC: 302.23
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    Keywords: Media Research ; Media Sociology ; Music ; Music ; Medien ; Musik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Musik ; Medien
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 79
    Online Resource
    Online Resource
    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer VS
    ISBN: 9783658222550
    Language: German
    Pages: 1 Online-Ressource (XXIII, 353 S. 1 Abb)
    Series Statement: pop.religion: lebensstil – kultur – theologie
    Parallel Title: Printed edition
    DDC: 306.6
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    Keywords: Religion and sociology ; Theology ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017 ; Konferenzschrift 2017
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 80
    ISBN: 9783476049728
    Language: German
    Pages: 1 Online-Ressource (IX, 183 Seiten) , Illustrationen, Diagramme
    Series Statement: Springer eBooks
    Series Statement: J.B. Metzler Humanities
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Busch, Werner, 1944 - Beethoven-Bilder
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    Keywords: Ethnology-Europe ; Cultural heritage ; Civilization-History ; History, Modern ; Fine arts ; Music ; Beethoven, Ludwig van 1770-1827 ; Bildnis ; Geschichte 1801-2014 ; Beethoven, Ludwig van 1770-1827 ; Rezeption ; Kunst ; Geschichte 1801-2014 ; Beethoven, Ludwig van 1770-1827 ; Bildnis ; Denkmal ; Musikalische Ikonographie ; Geschichte 1800-2000
    Abstract: 1 Willibrord Joseph Mähler, Ludwig van Beethoven (1803) -- 2. Joseph Stieler, Beethoven (1819/20).-3. Josef Danhauser, Liszt am Flügel (1840) -- 4. Ernst Julius Hähnel, Beethoven-Denkmal (1845) -- 5. Moritz von Schwind, Eine Symphonie (1852) -- 6. Albert Graefle, Die Intimen bei Beethoven (Nachstich von 1876) -- 7. Kaspar Clemens von Zumbusch, Beethoven-Denkmal (1880) -- 8. Henry Baerer, Beethoven-Denkmal (1884) -- 9. Theodore Baur, Beethoven-Statue (1895–1897) -- 10. Max Klinger, Beethoven (1902) 93 XI Fidus, Beethoven, Tempelbild (1903) -- 11. Peter Breuer, ›Beethoven in der Badewanne‹ (1910/1938) -- 12. Ernst Barlach, Entwurf eines Beethoven-Denkmals (1926) -- 13. Georg Kolbe, Beethoven-Denkmal (1926–1947/1951) -- 14. Antoine Bourdelle, La Pathéthique. Beethoven am Kreuz (1929) -- 15.Dieter Roth, Die Badewanne zu »Ludwig van« (1969) -- 16. Markus Lüpertz, Beethoven-Monument (2014) -- 17. Epilog Autographes Blatt aus Beethovens Petter-Skizzenbuch
    Abstract: Beethoven-Bildnisse gibt es, jenseits des omnipräsenten Titanenhauptes, in einer Vielfalt von Gestaltungen in gezeichneter, gemalter und plastischer Form, die viel über ihre jeweilige Zeit und über unsere Zugänge zu Beethovens Musik zu erkennen geben. Eine originelle Perspektive auf zweihundert Jahre Kulturgeschichte eröffnet dieses Gespräch zwischen einem Musik- und einem Kunsthistoriker beim Betrachten diverser Beethoven-Bilder und -Denkmäler. Das reicht vom Klassizismus der Goethezeit bis zum Dekonstruktivismus der Gegenwart, von Joseph Stieler bis Markus Lüpertz, von Napoleon Bonaparte bis Wilhelm Furtwängler und Mauricio Kagel. Ein unterhaltsames und erhellendes Gespräch zweier ausgewiesener Vertreter ihres Fachs
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  • 81
    ISBN: 9783956504815
    Language: English
    Pages: 1 Online-Ressource (249 Seiten) , Illustrationen, Notenbeispiele
    Edition: 1. Auflage
    Series Statement: Religion und Politik 19
    Series Statement: Istanbuler Texte und Studien (IST) Band 40
    Series Statement: Istanbuler Texte und Studien
    Parallel Title: Erscheint auch als Diversity and contact among singer-poet traditions in Eastern Anatolia
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    Keywords: Twentieth Century ; Asik ; Turkey ; Dengbej ; Musicology ; musicology ; tradition ; Oral History ; Musik ; Kunst ; Diversität ; Geschlechterrollen ; art ; Musikologie ; Sänger-Poet ; diversity ; gender role ; music ; oral history ; singer-poet ; tradition ; Aufsatzsammlung ; Aufsatzsammlung ; Anatolien ; Volksmusik ; Volksliteratur ; Mehrsprachigkeit ; Kulturkontakt ; Anatolien ; Gesang ; Geschichte 1900-2018
    Abstract: In der aktuellen Berichterstattung werden vor allem die Unterschiede zwischen dem christlichen Westen und dem islamischen Osten betont. Bei einem näheren Blick auf die Geschichte der beiden Kulturräume lässt sich jedoch eine ähnliche Entwicklung ausmachen: Als Renaissance wird sowohl eine Phase im Heiligen Römischen Reich unter den Habsburgern als auch im Herrschaftsgebiet der Timuriden bezeichnet.Diese vermeintliche Ähnlichkeit bildet den Ausgangspunkt für eine Untersuchung der beiden Kulturräume in der Zeit um 900/1500. Damals lenkten die Herrscher Maximilian I. und Babur die Geschicke der beiden Dynastien. Ihre Selbstzeugnisse bilden die Grundlage für eine vergleichende Analyse. Die Fragen, die im Rahmen der Arbeit behandelt werden, lauten: Welche signifikanten Ähnlichkeiten zwischen diesen Texten lassen sich ausmachen und woher rühren sie? Lassen sich Unterschiede feststellen, die Hinweise auf eine Auseinanderentwicklung der beiden Kulturräume geben?Die Analyse lässt zahlreiche Gemeinsamkeiten zutage treten. Es zeigt sich, dass der typologische Vergleich literarischer Texte dazu beitragen kann, aktuelle Entwicklungen, in denen die trennenden Elemente zwischen Westen und Osten stark betont werden, historisch präziser einzuordnen. Doch auch der herausgearbeitete Unterschied kann aufschlussreich sein: Er lässt sich als Vorzeichen auf die Auseinanderentwicklung beider Kulturräume im Bereich der Ambiguitätstoleranz deuten.
    Abstract: The current media coverage emphasizes the differences between “Christian West” and “Islamic East”. However, a similarity in development can be found by having a closer look at the history of the Islamic world. For example, a period during the rule of the Timurid dynasty is also known as ‘Renaissance’. It took place at the same time as the ‘Renaissance’ under the rule of the Habsburgs in the Holy Roman Empire.This apparent similarity is used as a starting point for an analysis of the situation of the two cultural regions around 900/1500. The powerful dominions of the Habsburgs and the Timurids were ruled by the emperors Maximilian the First and Babur during that time. They both wrote self-testimonies which have been used for a comparative analysis. The thesis seeks to provide answers to the following questions: Which kind of important similarities can be found in the texts, and where do they originate? Can significant differences be identified which may reveal the starting point of the diverging development of the cultures?The results of the analysis indicate many similarities in the self-presentations. They show that a typological comparison of literary texts can lead to a more precise and historically correct interpretation than that of current trends, which rather promote differences between the cultures of West and East. Even the detected difference can be insightful: it is seen as an early sign of divergence of the two cultures in the area of intolerance of ambiguities.
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  • 82
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    Bielefeld : Transcipt Verlag
    ISBN: 9783839439838
    Language: German
    Pages: 1 Online-Ressource (357 pages)
    Series Statement: Histoire Band 118
    Parallel Title: Print version Schürmer, Anna Klingende Eklats : Skandal und Neue Musik
    DDC: 306
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    Keywords: Popular culture ; Electronic books ; Hochschulschrift ; Hochschulschrift
    Abstract: Cover -- Inhalt -- KLINGENDE HISTORIOGRAPHIE (Einleitung) -- REFERENZEN und CHIFFREN (Exposition) -- AGON und SKANDAL (Durchführung #1) -- ELEKTRONISCHE EKLATANZ (Durchführung #2) -- TRANSKULTURELLE TRANSFERS (Durchführung #3) -- QUERSTAND von KUNST und POLITIK (Durchführung #4) -- ANALYTISCHE KONTRAPUNKTE (Reprise) -- BIBLIOGRAPHIE
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    URL: Cover
    URL: Cover
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  • 83
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    Münster ; New York : Waxmann
    ISBN: 9783830986799 , 9783830987123
    Language: German
    Pages: 1 Online-Ressource (287 Seiten) , Diagramme
    Series Statement: Musik und Migration Band 1
    Series Statement: Musik und Migration
    Parallel Title: Erscheint auch als
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    Keywords: Kulturvermittlung ; Oper ; Identitätsentwicklung ; Musikwissenschaft ; Exil ; Migration ; Europa ; Musikwissenschaft ; transkulturell ; cultural mobility ; Alfred Einstein ; Shanghai ; Ostasien ; Migrationsforschung ; Lateinamerika ; Afrika ; Tanz ; Arabs Got Talent ; Identität ; Barock ; Wien ; operisti ; Marianne Pirker ; italiensische Oper ; Hugo Riesenfeld ; Stummfilm ; Franz Waxman ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift ; Konferenzschrift 2016 ; Konferenzschrift 2016 ; Musikwissenschaft ; Migration ; Exil ; Identitätsentwicklung ; Europa ; Oper ; Kulturvermittlung
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 84
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    Wiesbaden : Springer Fachmedien Wiesbaden | Imprint: Springer VS
    ISBN: 9783658201432
    Language: German
    Pages: 1 Online-Ressource (X, 425 S. 30 Abb., 9 Abb. in Farbe)
    Parallel Title: Erscheint auch als
    DDC: 306
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    Keywords: Wissen ; Musik ; Musikhören ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Konferenzschrift 2014 ; Musikhören ; Musik ; Wissen
    URL: Volltext  (lizenzpflichtig)
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  • 85
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    Stuttgart : J. B. Metzler'sche Verlagsbuchhandlung & Carl Ernst Poeschel GmbH | Ann Arbor, Michigan : ProQuest
    ISBN: 9783476046161
    Language: German
    Pages: 1 Online-Ressource (289 pages)
    Series Statement: Abhandlungen Zur Musikwissenschaft Ser.
    DDC: 306.071
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    Keywords: Beethoven, Ludwig van ; Mendelssohn Bartholdy, Felix ; Liszt, Franz ; Geschichte 1700-18 ; Sinfonie ; Komposition ; Finale ; Musikalische Form ; Vokalmusik
    Note: Description based on publisher supplied metadata and other sources
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  • 86
    Language: German
    Pages: 1 Online-Ressource (1 Videodatei, 58:34) , farbig
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    Keywords: Film ; Weihnachten ; Weihnachtslied ; Dresden ; Konzert ; Geschichte 2018
    Note: In Koproduktion mit der Stiftung Frauenkirche Dresden , Fernsehübertragung. Deutschland. 2018 , Trompeten-Ouvertüre C-Dur , Mariä Wiegenlied , Cantique de Jean Racine , Violinkonzert Nr. 3 in G-Dur: Adagio , Gloria: Gloria , Elias: Höre, Israel , Elias: Fürchte dich nicht , Hänsel und Gretel: Abendsegen und Traumpantomime , Petite Messe Solennelle: Cum Sancto Spiritu , Sprachfassung: Deutsch
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  • 87
    ISBN: 9780190499679
    Language: English
    Pages: 1 Online-Ressource (xiv, 253 Seiten)
    Additional Information: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Parallel Title: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
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    Keywords: Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Abstract: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 88
    ISBN: 9780190908027
    Language: English
    Pages: 1 Online-Ressource (xviii, 386 Seiten)
    DDC: 781.641234
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    Keywords: Popular music History and criticism ; Popular music Production and direction ; History ; Tone color (Music) ; Unterhaltungsmusik ; Klangfarbe ; Schallaufzeichnung ; Musikproduktion ; Geschichte 1930-
    Abstract: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. The book’s chapters engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. The chapters in Part I, “Genre,” ask how sonic signatures define musical identities and publics; Part II, “Voice,” considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; Part III, “Instrument,” tells stories of the way some iconic pop music machines—guitars, strings, synthesizers—got (or lost) their distinctive sounds; and Part IV, “Production,” puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons, rockist authenticity, empty space?), and what it all might mean. The book includes a general theoretical introduction by the editors and an afterword by noted popular music scholar Simon Frith.
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  • 89
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    Show associated volumes/articles
    In:  Sächsisches Archivblatt (2018), 2, Seite 4-5 | year:2018 | number:2 | pages:4-5
    Language: German
    Pages: Illustrationen
    Parallel Title: Erscheint auch als Gööck, Stefan Leipziger Liederszene in Videomitschnitten aus dem kulturellen Bereich
    Titel der Quelle: Sächsisches Archivblatt
    Publ. der Quelle: Dresden : Sächsisches Hauptstaatsarchiv, 1992
    Angaben zur Quelle: (2018), 2, Seite 4-5
    Angaben zur Quelle: year:2018
    Angaben zur Quelle: number:2
    Angaben zur Quelle: pages:4-5
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    Keywords: Deutschland ; Leipzig ; Liedermacher ; Lied ; Aufführung ; Videoaufzeichnung ; Quelle
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  • 90
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    New York, NY : Oxford University Press
    ISBN: 9780190296643
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 781.49
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    Keywords: Geschichte ; Sound recordings / Production and direction ; Popular music / Production and direction ; Tonstudio ; Musiker ; Unterhaltungsmusik ; Musikproduktion ; Unterhaltungsmusik ; Musiker ; Tonstudio ; Musikproduktion ; Geschichte
    Abstract: 'Dawn of the DAW' examines DIY recording studio practices past and present, with a focus on the concept of 'the studio as musical instrument' the evolving role of the producer, and the implications of these practices for the field of music education
    Note: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 91
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    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190653804
    Language: English
    Pages: 1 Online-Ressource
    DDC: 781.66117
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    Keywords: Einführung ; Einführung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 92
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 786.908995073
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    Keywords: Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Abstract: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Note: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
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  • 93
    Online Resource
    Online Resource
    Cambridge : Harvard University Press
    ISBN: 9780674919747
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Stephens, Randall J The Devil's Music : How Christians Inspired, Condemned, and Embraced Rock 'n' Roll
    DDC: 306.4/84260973
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    Keywords: Rock music Religious aspects ; Christianity ; Rock music History and criticism ; Rock music History and criticism ; Christian rock music History and criticism ; Fundamentalism History ; Electronic books
    Abstract: When rock and roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music's demonic origins. The big beat, said Billy Graham, was "ever working in the world for evil." Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil's Music tells the story of this transformation. Rock's origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock 'n' roll's popularity grew, white preachers tried to distance their flock from this "blasphemous jungle music," with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock 'n' roll, faith served as a vehicle for whites' racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus's message within their own religious community and project it into a secular world. In Stephens's compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.--
    Abstract: Cover -- Title Page -- Copyright -- Contents -- Introduction -- 1. Pentecostalism and Rock 'n' Roll in the 1950s -- 2. Race, Religion, and Rock 'n' Roll -- 3. The Beatles, Christianity, and the Conservative Backlash -- 4. The Advent of Jesus Rock -- 5. The Fundamentalist Reaction to Christian Rock -- Epilogue -- Notes -- Acknowledgments -- Index
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 94
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190634933
    Language: English
    Pages: 1 Online-Ressource (xvi, 472 Seiten)
    DDC: 782.254092
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    Keywords: Jackson, Mahalia 1911-1972 ; African American gospel singers Biography ; United States ; Gospel singers Biography ; United States ; African Americans Music ; History and criticism ; Gospel music History and criticism ; Jackson, Mahalia 1911-1972 ; Afroamerikanische Musik ; Gospelsong ; USA
    Abstract: Drawing on and piecing together a trove of previously unexamined sources, this book is the first critical study of the renowned African American gospel singer Mahalia Jackson (1911–1972). Beginning with the history of Jackson’s family on a remote cotton plantation in the Central Louisiana parish of Pointe Coupée, the book follows their relocation to New Orleans, where Jackson was born, and Jackson’s own migration to Chicago during the Great Depression. The principal focus is her career in the decade following World War II, during which Jackson, building upon the groundwork of seminal Chicago gospel pioneers and the influential National Baptist Convention, earned a reputation as a dynamic church singer. Eventually, Jackson achieved unprecedented mass-mediated celebrity, breaking through in the late 1940s as an internationally recognized recording artist for Apollo and Columbia Records who also starred in her own radio and television programs. But the book is also a study of the black gospel field of which Jackson was a part. Over the course of the 1940s and 1950s, black gospel singing, both as musical worship and as pop-cultural spectacle, grew exponentially, with expanded visibility, commercial clout, and forms of prestige. Methodologically informed by a Bourdiean field analysis approach that develops a more granular, dynamic, and encompassing picture of post-war black gospel, the book persistently considers Jackson, however exceptional she may have been, in relation to her fellow gospel artists, raising fresh questions about Jackson, gospel music, and the reception of black vernacular culture.
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  • 95
    ISBN: 9781477312476 , 9781477312483
    Language: English
    Pages: 1 Online-Ressource (xix, 440 Seiten)
    Edition: First edition
    Parallel Title: Erscheint auch als Music, sound, and architecture in Islam
    DDC: 700.91767
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    Keywords: Music and architecture-Islamic countries ; Art and architecture-Islamic countries ; Music-Social aspects-Islamic countries ; Music-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Architecture-Islamic countries-History and criticism ; Art and architecture-Islamic countries ; Music and architecture-Islamic countries ; Music-Islamic countries-History and criticism ; Music-Social aspects-Islamic countries ; Electronic books ; Aufsatzsammlung ; Islam ; Architektur ; Musik ; Akustik ; Islam ; Architektur ; Musik ; Akustik
    Abstract: Intro -- List of Figures, Plates, Charts, and Tables -- Foreword by Ali S. Asani -- Acknowledgments -- Part One: Transregional -- 1. Listening to Islamic Gardens and Landscapes, by D. Fairchild Ruggles -- Part Two: The Ottoman Empire and Turkey -- 2. A Sound Status among the Ottoman Elite: Architectural Patrons of Sixteenth-Century Istanbul Mosques and Their Recitation Programs, by Nina Ergin -- 3. A Concert Platform: A Space for a Style in Turkish Music, by John Morgan OâConnell -- 4. Articulating Otherness in the Construction of Alevi-BektaÅi Rituals and Ritual Space in a Transnational Perspective, by Irene Markoff -- Part Three: The Arab World -- 5. Venerating Cairoâs Saints through Monument and Ritual: Islamic Reform and the Rise of the Architext, by Michael Frishkopf -- 6. Nightingales and Sweet Basil: The Cultural Geography of Aleppine Song, by Jonathan H. Shannon -- 7. Aural Geometry: Poetry, Music, and Architecture in the Arabic Tradition, by Samer Akkach -- Part Four: Andalusia and Europe -- 8. Tents of Silk and Trees of Light in the Lands of Najd: The Aural and the Visual at a Mawlid Celebration in the Alhambra, by Cynthia Robinson -- 9. Aristocratic Residences and the Majlis in Umayyad Córdoba, by Glaire D. Anderson -- 10. Sounds of Love and Hate: Sufi Rap, Ghetto Patrimony, and the Concrete Politics of the French Urban Periphery, by Paul A. Silverstein -- Part Five: Central and South Asia -- 11. Ideal Form and Meaning in Sufi Shrines of Pakistan: A Return to the Spirit, by Kamil Khan Mumtaz -- 12. The Social and Sacred Microcosm of the Kiiz Ãi: Space and Sound in Rituals for the Dead among the Kazakhs of Mongolia, by Saida Daukeyeva -- Part Six: Iran -- 13. Listening to Pictures in Iran, by Anthony Welch -- 14. Of Mirrors and Frames: Music, Sound, and Architecture at the Iranian ZÅ«rkhÄneh, by Federico Spinetti -- References
    URL: Volltext  (lizenzpflichtig)
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  • 96
    Online Resource
    Online Resource
    Albany : State University of New York Press
    ISBN: 9781438469881
    Language: English
    Pages: 1 Online-Ressource (228 pages)
    Series Statement: SUNY Series, Philosophy and Race
    Series Statement: SUNY Series, Philosophy and Race Ser.
    Parallel Title: Erscheint auch als Thompson, Mark Christian, 1970 - Anti-music
    DDC: 781.6508996073043
    RVK:
    Keywords: Philosophy, German-20th century ; Jazz-Germany-20th century-History and criticism ; Blacks-Race identity-Germany-History-20th century ; Electronic books ; Deutschland ; Afroamerikanische Musik ; Jazz ; Kulturpolitik ; Geschichte 1919-1939 ; Deutschland ; Schwarze ; Jazz ; Afroamerikanische Musik ; Ethnische Identität ; Nationalsozialismus ; Geschichte 1918-1939
    Abstract: Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One The Jazz Paradox -- I. Bloch's Blacks -- II. Jonny's Jimmy -- III. Parodic Primitivism -- IV. Nazi Neger -- Chapter Two The Jazz Machine -- I. The Jazz Machine -- II. The Principle of Looking -- III. Jazz Vulgarity -- IV. The Astaire Automaton -- Chapter Three The Monkey's Trick -- I. The Monkey's Trick -- II. The Track of the Divine -- III. Jazzman Mozart -- Chapter Four The Music of Fascism -- I. Jazz at War -- II. That Ol' Wagnerian Rag -- III. Slave to Jazz -- IV. Sacrificial Jazz -- Chapter Five Jazz-Heinis -- I. The Inner Crisis -- II. The Nazi Princess -- III. Stop, Thief -- IV. The White-Face Minstrel -- Conclusion -- Notes -- Bibliography -- Index
    URL: Volltext  (lizenzpflichtig)
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  • 97
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190466954 , 0190466952
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Series Statement: Currents in Latin American & Iberian music
    DDC: 793.319468
    RVK:
    Keywords: Flamenco ; Flamenco Social aspects ; Dance and race ; Spanien ; Flamenco ; Tanz ; Rasse ; Person of Color ; Schwarze ; Sinti ; Roma ; Geschichte 1492-1933
    Abstract: How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, between 1492—when Christian reconquest of the Iberian Peninsula coincided with Christopher Columbus’s landing on Hispaniola—and 1933—when Andalusian poet Federico García Lorca published his “Theory and Play of the Duende”—the vanquished Moor became Black; and how the imagined Gitano (“Gypsy,” or Roma) embodies the warring images and sounds of this process. By the nineteenth-century nadir of its colonial reach, Spanish identity was paradoxically enacted in terms of a minstrelized Gitano, a hybrid of Spanish and American representations of Blackness. Flamenco’s imagined Gypsy, teetering between ostentatious ignorance and the humility of epiphany, references an earlier trope: the pastor bobo (foolish shepherd), who, seeing an angelic apparition, must decide whether to accept the light of Christ—or remain in darkness. Spain’s symbolic linkage of this religious peril with the Blackness of abjection scripts the evangelical narrative which defeated the Moors and enslaved the Americas. The bobo’s confusion, appealingly comic but holding the pathos of the ultimate stakes of his decision—heaven or hell, safety or extermination—bares a teeming view of the embodied politics of colonial exploitation and creole identity formation. Flamenco’s Sonidos Negros live in this precarious balance, amid the purposeful ruckus cloaking danced resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by slavery and colonization.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 98
    Online Resource
    Online Resource
    London : Rowman & Littlefield International | Birmingham, AL, USA : EBSCO Industries, Inc.
    ISBN: 9781786606235
    Language: English
    Pages: 1 Online-Ressource (ix, 277 Seiten) , Illustrationen
    Series Statement: Popular musics matter: social, political and cultural interventions
    DDC: 781.640943
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    Keywords: Geschichte 1945-2016 ; Unterhaltungsmusik ; Nationalbewusstsein ; Kulturelle Identität ; Identität ; Deutschland ; Deutschland ; Hochschulschrift
    Note: Bibliographie: Seite 235-262
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 99
    Online Resource
    Online Resource
    Dresden : Jazztage Dresden Gemeinnützige UG | Dresden : Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden
    Language: German
    Pages: 1 Online-Ressource
    DDC: 780
    RVK:
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    Keywords: Geschichte 2018 ; Jazz ; Festival ; Dresden ; Programmheft
    URL: Volltext  (kostenfrei)
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  • 100
    ISBN: 9781315776989
    Language: English
    Pages: 1 Online-Ressource (XVI, 340 Seiten) , Illustrationen, Notenbeispiele
    Series Statement: Routledge research in music
    Parallel Title: Erscheint auch als Live electronic music
    DDC: 786.7
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    Keywords: Electronic music History and criticism ; Electronic music ; Electronic music ; Criticism, interpretation, etc ; Elektronische Musik
    Abstract: During the twentieth century, electronic technology enabled the explosive development of new tools for the production, performance, dissemination and conservation of music. The era of the mechanical reproduction of music has, rather ironically, opened up new perspectives, which have contributed to the revitalisation of the performer’s role and the concept of music as performance. This book examines questions related to music that cannot be set in conventional notation, reporting and reflecting on current research and creative practice primarily in live electronic music. It studies compositions for which the musical text is problematic, that is, non-existent, incomplete, insufficiently precise or transmitted in a nontraditional format. Thus, at the core of this project is an absence. The objects of study lack a reliably precise graphical representation of the work as the composer or the composer/performer conceived or imagined it. How do we compose, perform and study music that cannot be set in conventional notation? The authors of this book examine this problem from the complementary perspectives of the composer, the performer, the musical assistant, the audio engineer, the computer scientist and the musicologist
    Abstract: Dwelling in a field of sonic relationships: "instrument" and "listening" in an ecosystemic view of live electronics performance / Agostino Di Scipio -- (The) speaking of characters, musically speaking / Chris Chafe -- Collaborating on composition: the role of the musical assistant at IRCAM, CCRMA and CSC / Laura Zattra -- Alvise Vidolin interviewed by Laura Zattra: the role of the computer music designers in composition and performance / Laura Zattra -- Instrumentalists on solo works with live electronics: towards a contemporary form of chamber music? / Franðcois-Xavier Fâeron and Guillaume Boutard -- Approaches to notation in music for piano and live electronics: the performer's perspective / Xenia Pestova -- Encounterpoint: the ungainly instrument as co-performer / John Granzow -- Robotic musicianship in live improvisation involving humans and machines / George Tzanetakis -- Authorship and performance tradition in the age of technology: (with examples from the performace history of works by Luigi Nono, Luciano Berio and Karlheinz Stockhausen) / Angela Ida de Benedictis -- (Absent) authors, texts and technologies: ethnographic pathways and compositional practices / Nicola Scaldaferri -- Computer-supported analysis of religious chant / Dâaniel Pâeter Birâo and George Tzanetakis -- Fixing the fugitive: a case study in spectral transcription of Luigi Non's A Pierre: dell'azzurro silenzio, inquietum: a piáu cori for contrabass flute in G, contrabass clarinet in B flat and live electronics (1985) / Jan Burle -- A spectral examination of Luigi Nono's A Pierre: dell'azzurro silenzio, inquietum (1985) / Friedemann Sallis -- Experiencing music as strong works or as games: the examination of learning processes in the production and reception of live electronic music / Vincent Tiffon
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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