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  • HeBIS  (13)
  • HU Berlin  (3)
  • München UB
  • 2020-2024  (15)
  • Durham : Duke University Press  (15)
  • Musikwissenschaft  (15)
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  • 1
    Online-Ressource
    Online-Ressource
    Raving (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478024040
    Sprache: Englisch
    Seiten: 1 online resource (153 pages)
    Ausgabe: 1st ed.
    Serie: Practices Ser.
    Paralleltitel: Erscheint auch als
    DDC: 306.109747
    RVK:
    LS 48655
    RVK:
    LC 88610
    Schlagwort(e): Electronic books
    Kurzfassung: McKenzie Wark takes readers into the undisclosed locations of New York's thriving queer rave scene, showing how raving to techno is an art and technique at which queer and trans bodies might be particularly adept, but which is for anyone who lets the beat seduce them.
    Anmerkung: Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478024040?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478024040
    URL: Cover
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    MPI-MMG
  • 2
    Online-Ressource
    Online-Ressource
    Together, somehow : music, affect, and intimacy on the dancefloor (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478027058
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
    DDC: 306.4846
    RVK:
    LR 56610
    RVK:
    LS 48655
    Schlagwort(e): Geschichte 2000-2023 ; Nachtleben ; Elektronische Tanzmusik ; Nähe ; Party ; House ; Berlin ; Paris ; Chicago, Ill. ; Chicago, Ill. ; Paris ; Berlin ; Elektronische Tanzmusik ; House ; Nachtleben ; Party ; Nähe ; Geschichte 2000-2023
    Anmerkung: Bevorzugte Informationsquelle Landingpage (Duke), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9781478027058
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://www.degruyter.com/isbn/9781478027058
    URL: Cover
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  • 3
    Buch
    Buch
    Raving (2023)
    Durham : Duke University Press
    Details
    ISBN: 9781478016762 , 9781478019381
    Sprache: Englisch
    Seiten: 119 Seiten, Seiten 3-26 Illustrationen
    Serie: Practices
    Paralleltitel: Erscheint auch als
    DDC: 306.109747
    RVK:
    LS 48655
    RVK:
    LC 88610
    Anmerkung: Literaturverzeichnis: Seite [107]-119
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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    MPI Ethno. Forsch.
  • 4
    Buch
    Buch
    Breaks in the air : the birth of rap radio in New York City (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478018872 , 9781478016236
    Sprache: Englisch
    Seiten: xiv, 218 Seiten
    Paralleltitel: Erscheint auch als
    RVK:
    LS 48650
    Schlagwort(e): Geschichte 1975-1990 ; Rundfunksender ; Rap ; Schwarze ; New York, NY ; Rap (Music) / New York (State) / New York / History and criticism ; African American radio stations / New York (State) / New York ; Radio stations / New York (State) / New York / History ; Radio broadcasting / Deregulation / New York (State) / New York ; Radio in popular culture / New York (State) / New York ; MUSIC / Genres & Styles / Rap & Hip Hop ; SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies ; African American radio stations ; Radio broadcasting / Deregulation ; Radio in popular culture ; Radio stations ; Rap (Music) ; New York (State) / New York ; Criticism, interpretation, etc ; History ; New York, NY ; Rap ; Schwarze ; Rundfunksender ; Geschichte 1975-1990
    Kurzfassung: "Breaks in the Air provides a social and cultural history of rap music on Black radio in New York City from the late 1970s to the late 1980s. Radio shows were crucial in the growth of hip hop in New York, and Klaess explores the intertwined histories of sounds, institutions, communities, and legal formations converging in that post-Civil Rights period. John Klaess offers a careful analysis of the city's three crucial commercial radio stations-WBLS-FM 107.5, WRKS-FM 98.7, and WHBI-FM 105.9-drawing on an archive of tape recordings of the stations' broadcasts. Klaess moves from a history of deregulation in the broadcasting industry to the ways that American racial politics inflected the broadcast of rap and looks at how these radio stations engaged with this unique historical situation, how technologies both aided and limited their broadcasts, how their broadcasts were received, and what the public broadcast of this music and culture meant to young people of color in New York"--
    Beschreibung / Inhaltsverzeichnis: Deregulating radio -- Sounding Black progress in the post-civil rights era -- Commercializing rap with Mr. Magic's rap attack -- Programming the street at WRKS -- Broadcasting the Zulu Nation -- Listening to the labor of the Awesome II Show
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 5
    Online-Ressource
    Online-Ressource
    Listening in the Afterlife of Data : Aesthetics, Pragmatics, and Incommunication (2022)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478022534
    Sprache: Englisch
    Seiten: 1 Online-Ressource (179 p.)
    Serie: Thought in the Act : 18
    DDC: 303.48/33
    RVK:
    AP 14900
    RVK:
    AP 15950
    RVK:
    LR 56660
    Kurzfassung: In Listening in the Afterlife of Data, David Cecchetto theorizes sound, communication, and data by analyzing them in the contexts of the practical workings of specific technologies, situations, and artworks. In a time he calls the afterlife of data-the cultural context in which data's hegemony persists even in the absence of any belief in its validity-Cecchetto shows how data is repositioned as the latest in a long line of concepts that are at once constitutive of communication and suggestive of its limits. Cecchetto points to the failures and excesses of communication by focusing on the power of listening-whether through wearable technology, internet-based artwork, or the ways in which computers process sound-to pragmatically comprehend the representational excesses that data produces. Writing at a cultural moment in which data has never been more ubiquitous or less convincing, Cecchetto elucidates the paradoxes that are constitutive of computation and communication more broadly, demonstrating that data is never quite what it seems.
    DOI: 10.1515/9781478022534
    URL: https://doi.org/10.1515/9781478022534?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478022534
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Buch
    Buch
    Sound alignments : popular music in Asia's cold wars (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478010678 , 9781478011798
    Sprache: Englisch
    Seiten: vi, 295 Seiten , Illustrationen, Karten
    Paralleltitel: Erscheint auch als
    RVK:
    LS 33000
    Schlagwort(e): Geschichte 1950-1980 ; Popmusik ; Asien ; Popular music / Asia / History and criticism ; Popular music / Political aspects / Asia ; Cold War ; Music / Asia / History and criticism ; Music / 20th century / History and criticism ; Music / Social aspects / Asia ; Music ; Music / Social aspects ; Popular music ; Popular music / Political aspects ; Asia ; 1900-1999 ; Criticism, interpretation, etc ; Asien ; Popmusik ; Geschichte 1950-1980
    Kurzfassung: "The contributors to Sound Alignments explore the myriad forms of popular music that circulated across Asia under the uneven Cold War situation of the 1950s, 1960s and beyond. Geographically, the regions covered stretch from India to Indonesia, Hong Kong, China, South Korea, Okinawa, and Japan. The genres of music explored include various forms of pop, rock, folk, and "yellow music," as well as traditional musics of Asia. Because the Cold War meant radically different things depending on location and time, it is examined from multiple perspectives: socialist internationalism, the nonaligned movement, and the anti-communist developmentalist and capitalist blocs"--
    Beschreibung / Inhaltsverzeichnis: Musical travels of the Coconut Isles and the socialist popular / Jennifer Lindsay -- Vehicles of progress : the Kerala rikshawala at the intersection of communism and social realism / Nisha Kommattam -- East Asian pop music and an incomplete regional contemporary / C. J. W.-L. Wee -- Searching for youth, the people (Minjung), and "another" West while living through anti-communist Cold War politics : South Korean "folk song" in the 1970s / Hyunjoon Shin -- Cosmopolitanism, vernacular cosmopolitanism, and sound alignments : covers and Cantonese cover songs in 1960s Hong Kong / Hon-Lun Yang -- Sonic imaginaries of Okinawa : Daiku Tetsuhiro's cosmopolitan "paradise" / Marié Abe -- Translated fronts : popular songs of socialist cosmopolitanism in Cold War India / Anna Schultz -- Yellow music criticism during China's anti-rightist movement / Qian Zhang -- Afterword: Asia's soundings of the Cold War / Christine R. Yano
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
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  • 7
    Buch
    Buch
    Roadrunner (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478014393 , 9781478013471
    Sprache: Englisch
    Seiten: 132 Seiten , 1 Illustration
    Serie: Singles
    DDC: 782.42166092
    RVK:
    LS 48050
    Schlagwort(e): Popmusik ; USA
    Anmerkung: Bibliography Seite 125-126
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  • 8
    Buch
    Buch
    Songbooks : the literature of American popular music (2021)
    Durham : Duke University Press
    Details
    ISBN: 9781478014089 , 9781478011941
    Sprache: Englisch
    Seiten: xxii, 552 Seiten , Illustrationen
    Serie: Refiguring American music
    DDC: 782.421640973
    RVK:
    LS 48070
    Schlagwort(e): Volksmusik ; Popmusik ; USA
    Anmerkung: Literaturverzeichnis Seite 446-512
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  • 9
    Online-Ressource
    Online-Ressource
    Roadrunner (2021)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478021698
    Sprache: Englisch
    Seiten: 1 Online-Ressource (140 p.)
    Serie: Singles
    DDC: 782.42166092
    RVK:
    LS 48050
    Schlagwort(e): Popmusik ; USA
    Kurzfassung: Jonathan Richman and the Modern Lovers' 1972 song "Roadrunner" captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates "Roadrunner" at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place-the American era that rock & roll signifies-that becomes a story about love and the modern world.
    URL: https://doi.org/10.1515/9781478021698?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021698
    URL: Cover
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  • 10
    Online-Ressource
    Online-Ressource
    Songbooks : The Literature of American Popular Music (2021)
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    Details
    ISBN: 9781478021391
    Sprache: Englisch
    Seiten: 1 Online-Ressource (552 p.)
    Serie: Refiguring American Music : 25
    DDC: 782.421640973
    RVK:
    LS 48070
    Schlagwort(e): Volksmusik ; Popmusik ; USA ; Electronic books
    Kurzfassung: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    URL: https://doi.org/10.1515/9781478021391?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478021391
    URL: Cover
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Cover
    URL: Cover  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 11
    Buch
    Buch
    The meaning of soul : black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009597 , 9781478008699
    Sprache: Englisch
    Seiten: x, 217 Seiten
    Serie: Refiguring American music
    DDC: 781.644
    RVK:
    LS 48640
    Schlagwort(e): Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; USA
    URL: Inhaltsverzeichnis
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  • 12
    Buch
    Buch
    Black diamond queens : African American women and rock and roll (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478011224 , 9781478010197 , 1478010193 , 147801122X
    Sprache: Englisch
    Seiten: xiv, 392 Seiten
    Serie: Refiguring american music
    Paralleltitel: Online version Mahon, Maureen Black diamond queens
    RVK:
    LS 48050
    RVK:
    LC 87600
    Schlagwort(e): Schwarze ; Frau ; Rockmusik ; USA
    Kurzfassung: African American women have played a pivotal part in rock and roll-from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
    Anmerkung: Literaturverzeichnis: Seite [349]-373 , Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
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  • 13
    Buch
    Buch
    Space is the place : the lives and times of Sun Ra (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478008415
    Sprache: Englisch
    Seiten: XXXIV, 476 Seiten, 8 ungezählte Seiten , Illustrationen
    Ausgabe: Republished with new preface
    Paralleltitel: Online version Szwed, John F., 1936- Space is the place
    RVK:
    LS 48040
    Schlagwort(e): Sun Ra ; Biografie ; Biografie
    Kurzfassung: "Sun Ra - a/k/a Herman Poole "Sonny" Blount - was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his values about the galaxy, Black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh"--
    Anmerkung: Selected bibliography Seite 409-425 , Discography Seite 427-448 , "This is a paperback re-issue of the 1997 hardcover title published by Pantheon"--Provided by publisher
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  • 14
    Online-Ressource
    Online-Ressource
    Black diamond queens : African American women and rock and roll (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012771 , 1478012773
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 392 pages) , illustrations
    Serie: Refiguring american music
    Paralleltitel: Erscheint auch als
    DDC: 782.421660820973
    RVK:
    LC 87600
    RVK:
    LS 48050
    Schlagwort(e): Geschichte 1950-1990 ; African American women rock musicians / History / 20th century / United States ; Rock music / Social aspects ; Music and race ; Rockmusikerin ; Schwarze ; Ethnische Identität ; Geschlechterrolle ; USA ; USA ; Rockmusikerin ; Schwarze ; Geschlechterrolle ; Ethnische Identität ; Geschichte 1950-1990
    Kurzfassung: Rocking and Rolling with Big Mama Thornton -- LaVern Baker, the Incredible Disappearing Queen of Rock and Roll -- Remembering the Shirelles -- Call and Response -- Negotiating "Brown Sugar" -- The Revolutionary Sisterhood of Labelle -- The Fearless Funk of Betty Davis -- Tina Turner's Turn to Rock
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012771
    URL: https://www.degruyter.com/isbn/9781478012771
    URL: Cover
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  • 15
    Online-Ressource
    Online-Ressource
    The meaning of soul : Black music and resilience since the 1960s (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012245 , 1478012242
    Sprache: Englisch
    Seiten: 1 Online-Ressource (x, 217 pages)
    Serie: Refiguring American music
    Paralleltitel: Erscheint auch als
    DDC: 781.644
    RVK:
    LS 48640
    Schlagwort(e): Geschichte 1960- ; Soul music / History and criticism ; Soul musicians ; African Americans / Music / History and criticism ; Music and race / History / 20th century / United States ; Popular music / History and criticism / United States ; Resilienz ; Afroamerikanische Musik ; Ethnische Identität ; Soulmusiker ; USA ; USA ; Soulmusiker ; Afroamerikanische Musik ; Ethnische Identität ; Resilienz ; Geschichte 1960-
    Kurzfassung: From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism
    Anmerkung: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478012245
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478012245?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478012245
    URL: Cover
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