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  • Wirtschaft (Ethnologie)  (20)
  • handicraft  (11)
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  • 1
    AV-Medium
    AV-Medium
    Cofán (South Colombia, Montaña) - Manioc Processing (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 339MB, 00:06:47:08 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: Landwirtschaft ; house / household effects ; Umweltwissenschaft/Ökologie ; America ; material culture ; Preßschlauch ; harvest ; Wirtschaft (Ethnologie) ; kitchen furnishings ; manioc press ; Colombia ; crop growing methods ; nutrition ; Pflanzenwelt ; food preparation ; Ackerbau ; Knolle ; South America ; Ernte ; Encyclopaedia Cinematographica ; flora ; Cofán ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Knollenfrüchte ; Südamerika ; tuber ; ethnology/cultural anthropology ; Knollen ; Kulturwissenschaften ; Agrar- und Forstwissenschaft ; rootcrops ; Hausrat ; Pflanzenbau, Ernte ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Ernährung ; Nahrungsmittelzubereitung ; Amerika ; manioc ; Kücheneinrichtung ; Kolumbien ; tubers (ethnology) ; Wurzeln, Knollen ; Agrikultur/Landwirtschaft ; Anbaumethoden ; agriculture ; agriculture (ethnology) ; Maniok
    Abstract: Frauen aus Santa Rosa de Sucumbios ernten und verarbeiten Maniokknollen: Abschaben der Schale, Zerreiben der Knollen mit einer aufgespaltenen, dornigen Palmwurzel, Einfüllen des Breies in die aus Baststreifen geflochtene Maniokpresse (Tipiti), Auspressen des giftigen Saftes durch Drehen der Enden der Presse in entgegengesetzter Richtung.
    Abstract: Celila Lucitante and an elderly female relative of hers went over to the Ecuadorian side of the Rio San Miguel to bring back a supply of manioc tubers. They gather a considerable amount and bring them back to the house. The older woman then prepared the manioc, first by scraping away the outer skin with a knife. The woman began grating the manioc tubers then into a wooden vessel using a split, thorny root of a palm as a grater. The poisonous juice from the manioc must now be removed and this is achieved by the two women together (or sometimes by one person on her own) with the aid of the tipiti manioc press. Firstly the poison is removed by both women together operating the tipiti which has previously been filled with the manioc mass, each woman twisting her end of the tipiti in opposite directions, thus extracting the poison. In the second method a woman on her own suspends the tipiti from the rafters of her house and twists it by inserting a pole through its lower "ear". In this way the manioc flour is rendered edible and can be used for baking purposes.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1945
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    IWF
  • 2
    AV-Medium
    AV-Medium
    Witoto (East Peru, Selva) - Plaiting a Manioc Press »tipiti« (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 366MB, 00:06:49:16 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: Peru ; house / household effects ; Knollen ; handicraft ; Flechten ; America ; material culture ; Witoto ; Bast ; Preßschlauch ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; plaiting ; kitchen furnishings ; manioc press ; rootcrops ; Pflanzenwelt ; Peru ; Hausrat ; household utensil ; economy ; household articles ; crocheting, knitting, plaiting ; Haus / Hausrat, Hausgerät ; Häkeln, Stricken, Flechten ; South America ; Encyclopaedia Cinematographica ; Amerika ; flora ; manioc ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Knollenfrüchte ; Textilproduktion ; Südamerika ; tubers (ethnology) ; Handwerk ; ethnology/cultural anthropology ; textile production ; bast ; Maniok
    Abstract: Ein Mann aus Estirón flicht aus Baststreifen in leinwandbindiger, randparalleler, dann in diagonaler Flechttechnik einen etwa 3 m langen Schlauch mit verengten Enden. Diese werden zu Schlaufen verknotet, die zum Aufhängen und zum Drehen dienen.
    Abstract: Horgario, a middle-aged man and head of household, is making tipiti for his family. He brings bast strips from the house rafter, where they have been drying, into an open space where he begins to work at the future instrument. He begins by crossing at right angles two long bast strips, then adds another strip to each of them, first from one side, then from the other. He does this until it is seven or eight strips wide, after which he continues to weave only lengthwise. He narrows both ends of the tipiti, until only two separate, slender "pig-tails" are left. These he twists over and then ties to form a loop. Through this loop the tipiti will be suspended from the rafter at one and and through the other loop a stick will be inserted by a woman using tipiti to enable her to twist the instrument and extract the venom. As his final task Horgario rolls the instrument up and ties it round with a slender fiber to hold it firmly in place. The tipiti is now ready for use. The film shows the beginning the rectangular then oblique 1/1 plaiting of a tipiti with tubular diagonally braided ends.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1997
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    IWF
  • 3
    AV-Medium
    AV-Medium
    Witoto (East Peru, Selva) - Manioc Processing (1974)
    IWF (Göttingen)
    In:  (Jan. 1974)
    Details
    Language: Undetermined , Undetermined
    Pages: 81MB, 00:06:34:23 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1974)
    Keywords: Peru ; house / household effects ; Knollen ; America ; material culture ; Witoto ; Preßschlauch ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; kitchen furnishings ; rootcrops ; nutrition ; baking flatbread ; manioc Press ; Pflanzenwelt ; Peru ; food preparation ; Hausrat ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Mehl ; Ernährung ; South America ; Encyclopaedia Cinematographica ; Nahrungsmittelzubereitung ; Amerika ; baking ; flora ; manioc ; Kücheneinrichtung ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Knollenfrüchte ; Backen / Backplatte ; Südamerika ; tubers (ethnology) ; Fladenbacken ; Backen ; flour ; ethnology/cultural anthropology ; Maniok
    Abstract: Eine Frau aus Estirón füllt Maniokmasse in den Preßschlauch, den sie spiralig verdreht und am Dachsparren aufhängt. In die untere Schlaufe zieht sie einen Stock, dreht ihn mehrfach um den Hausbalken, wobei der blausäurehaltige Manioksaft herausgepreßt wird. Die entgiftete Masse schüttet sie in sie in ein Holzgefäß, zerstampft und siebt sie und bäckt daraus Fladen.
    Abstract: A young woman is preparing manioc to eat. The pounded manioc is brought over into the tipiti lying stretched out in its entire length on the ground. The interior of the tipiti is filled with manioc pulp. The next task is to twist the tipiti with the manioc over and over like a puttee. The instrument is thus shortened and a woman can bring it under the roof of the house to suspend it from one end from the rafter. Into the lower loop she inserts a long stick which serves as a handle. She twists this handle 180 degrees round the house pole along with the tipiti is suspended, and then she goes back to repeat this action several times, sometimes not twisting it to such an acute angle. Under this pressure the venomous manioc juice is squeezed out into a vessel beneath. When the juice has all been removed the content of the tipiti is thrown into a large wooden vessel; it is then ground with a large semi-circular manioc pounder of exceptionally heavy wood, and then strained over a basket strainer in order to remove coarse bits and give it uniform consistency. Once strained the manioc flour is laid out in roundish, flat cakes over huge pottery plates set on tripods of clay over the fireplace. The cakes are baked for a short while until they are ready to eat.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1998
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  • 4
    AV-Medium
    AV-Medium
    Cofán (South Colombia, Montaña) - Making a Spear (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 276MB, 00:05:29:06 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: handicraft ; America ; Machete ; Kulturwissenschaften ; Speer ; Wirtschaft (Ethnologie) ; Colombia ; Pflanzenwelt ; Bambus ; economy ; Holzarbeiten ; South America ; spear ; Encyclopaedia Cinematographica ; Klebstoff, Kleben ; adhesive, adhesion ; Amerika ; machete ; flora ; Cofán ; woodworking ; Rohre und Gräser ; Kolumbien ; cultural studies ; Ethnologie/Kulturanthropologie ; bamboo ; Holzbearbeitung ; Südamerika ; Handwerk ; reeds and grasses ; ethnology/cultural anthropology
    Abstract: Ein Mann aus Santa Rosa de Sucumbios fällt einen Baum und bearbeitet ihn mit der Machete. Dann spaltet er einen Bambusabschnitt, spitzt ihn zu, klebt ihn mit erhitztem Bienenwachs an den Speerschaft und umwickelt die Verbindungstelle mit zu Schnur gedrillter Mauritia-Faser.
    Abstract: A man from Santa Rosa de Sucumbios on Rio San Miguel in Alto Putumayo is making a spear. He first goes into the forest over the Ecuadorian side of the river to cut down an appropriate tree (a species of palm tree) for the spear shaft. He brings this home and begins to work it into proper shape by thinning it down with a machete. Once this is accomplished he picks out a loose, dried bamboo stem, lying in the clearing near the house. This he slices lengthwise in two and shapes it into the desired form with a machete. He then twists a length of the Mauritia palm fiber into slender string with which he will tie the spear bamboo head to the shaft. Following this he slightly heats a chunk of beeswax with which he attaches the bamboo spear head with the string fiber he has just made.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2142
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  • 5
    AV-Medium
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    Noanamá (West Colombia, Pacific Coast) - Making a Pot Used as House Top Decoration (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 953MB, 00:18:30:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: lodging ; handicraft ; America ; Formen der Tonwaren ; shaping of clay ; Haus / Hausbau ; Kulturwissenschaften ; Wounaan ; Wirtschaft (Ethnologie) ; house / building of a house ; buildings ; Colombia ; pitfiring ; habitation ; economy ; Gesellschaft ; South America ; Encyclopaedia Cinematographica ; construction work ; Amerika ; Tonaufbereitung ; house decoration ; society ; clay preparation ; Kolumbien ; cultural studies ; Bauwesen ; Brennhaufen ; Ethnologie/Kulturanthropologie ; Wohnen ; Bauen ; Südamerika ; Handwerk ; Unterkünfte ; Gebäude ; Töpfern / Parallelwulsttechnik ; open fire ; Noanamá ; building trade ; pottery ; ethnology/cultural anthropology ; Töpferei ; Hausdekoration
    Abstract: Eine Frau töpfert als Kegeldachspitze zwei große, anthropomorphe Gefäße: Sie holt Ton und magert ihn mit zermahlenen Tonscherben. In Parallelwulsttechnik formt sie ein konisches Gefäß, das sie mit angefeuchteten Fingern und einem Kalebassenstück glättet, mit Kopf und Armen versieht und im Brennhaufen brennt.
    Abstract: A woman coils two anthropomorphic vessels used as cone-shaped rooftops: she fetches clay and mixes it with crushed potsherds. Then she coils a conical vessel, smooths it with fingers and a piece of calebash, adds head and two arms and pitfires the vessel.
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    DOI: 10.3203/IWF/E-2141
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  • 6
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    AV-Medium
    Noanamá (West Colombia, Pacific Coast) - Extraction of Dye and Body Painting (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 49MB, 00:05:06:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: individual ; arts (ethnology) ; division of labor ; America ; art ; body decoration ; Kulturwissenschaften ; Wounaan ; Wirtschaft (Ethnologie) ; Körperdekoration ; Noanamá ; Arbeitsbeziehungen ; division of labour ; Körperbemalung ; Colombia ; Wounaan ; labor relations ; Arbeit ; decoration ; body painting ; Künste (Ethnologie) ; colour ; economy ; Gesellschaft ; Arbeitsteilung ; work ; Kunst ; ornamentation ; Individuum ; South America ; Encyclopaedia Cinematographica ; Amerika ; Körper ; society ; Kolumbien ; cultural studies ; Ethnologie/Kulturanthropologie ; Ornamentieren ; Dekoration ; Südamerika ; dye ; body ; Noanamá ; Farbstoff, Farbe ; ethnology/cultural anthropology
    Abstract: Ein Mann und sein Sohn aus Quebrada Taparral holen Früchte von Borojoa patinoi aus dem Wald. Seine Frau halbiert die Früchte, schabt das Fruchtfleisch aus, füllt es in eine Kalebasse und erhitzt diese, wobei die weiß-rosa Masse schwarz wird. Sie malt damit mit Hilfe von zwei- oder dreizackigen Stäbchen gerade und geschwungene Linien und Punkte auf den Körper ihrer Tochter.
    Abstract: A man and his son bring in the river fruits of Borojoa patinoi from the forest and this fruit will be used for preparing a black-bluish dye. His wife will prepare this dye. She slices the fruit with a machete and extracts the interior mass and fills an old Crescentia cujete gourd with it. She slightly heats this gourd with the fruit over a fire-place and as result of this the content, orginally pinkish-white, turns black. With this dye the women later paints her daughter. To apply the dye to the body she uses special traditional sticks, two- or three-pronged, and with these she sketches out designs, mostly linear and straight, but also a few curving lines on the girl's back, chest, arms, face, and nose. The girl herself also helps in this, painting some of the designs. The paint, which is applied largely for festivities or visits, lasts several days.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-1942
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  • 7
    AV-Medium
    AV-Medium
    Noanamá (West Colombia, Pacific Coast) - Plaiting a Fire Fan (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 85MB, 00:06:58:07 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: house / household effects ; handicraft ; division of labor ; Flechten ; America ; material culture ; Wounaan ; Wirtschaft (Ethnologie) ; Wärmeversorgung ; Arbeitsbeziehungen ; plaiting ; kitchen furnishings ; Colombia ; labor relations ; Gesellschaft ; gathering (ethnology) ; work ; Häkeln, Stricken, Flechten ; Sammeln ; South America ; Encyclopaedia Cinematographica ; Wildbeuter ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Südamerika ; Sammelwirtschaft ; Handwerk ; fan ; Noanamá ; Feuer / Feuerfächer ; ethnology/cultural anthropology ; lianas ; Kulturwissenschaften ; settlement ; division of labour ; Arbeit ; Hausrat ; household utensil ; economy ; household articles ; Arbeitsteilung ; crocheting, knitting, plaiting ; Fächer ; Haus / Hausrat, Hausgerät ; game hunters ; Siedlung ; Lianen ; Amerika ; society ; Kücheneinrichtung ; Kolumbien ; fire / fire fan ; Textilproduktion ; heating ; textile production ; gathering
    Abstract: Ein Mann aus Quebrada Taparral sammelt Lianenranken. Seine Schwiegertochter entfernt deren Rinde, spleißt die Lianen der Länge nach und schabt sie mit der Machete dünn und geschmeidig, flicht ein vierteiliges Diagnonalgeflecht in 3/3 Köperbindung und macht aus den offengelassenen unteren Enden den Fächergriff.
    Abstract: A man, called Marcellino, gathers some hanging vines in the forest in order to have them made into a fire fan by this daughter-in-law. She first strips the bark of the lianas Marcellino had collected and then smooths them over and thins them down with a machete before beginning to plait the fire fan. She starts by crossing a few strands and then adds more and more horizontally and vertically, leaving open loose ends in the lower half from which she will later make the handle for the fire fan. The film shows an oblique 3/3 twill plaiting made in 4 sections.
    Note: Audiovisuelles Material
    DOI: 10.3203/IWF/E-2094
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  • 8
    AV-Medium
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    Shuara (Jívaro) (East Ecuador, Montaña) - Making a Cooking Pot (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 634MB, 00:12:27:07 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: house / household effects ; handicraft ; America ; material culture ; Formen der Tonwaren ; art ; Wirtschaft (Ethnologie) ; Ecuador ; kitchen furnishings ; decoration ; pitfiring ; Kunst ; ornamentation ; South America ; Encyclopaedia Cinematographica ; Harz ; Jívaro ; urucu ; cultural studies ; materielle Kultur ; Ethnologie/Kulturanthropologie ; Shuar ; Südamerika ; Handwerk ; Farbstoff, Farbe ; ethnology/cultural anthropology ; Urucú ; arts (ethnology) ; glazing ; resin ; Shuara ; shaping of clay ; Kulturwissenschaften ; Glasieren ; Künste (Ethnologie) ; Ecuador ; Hausrat ; colour ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; Amerika ; Tonaufbereitung ; clay preparation ; Kücheneinrichtung ; Brennhaufen ; Ornamentieren ; Dekoration ; dye ; Töpfern / Parallelwulsttechnik ; open fire ; pottery ; Töpferei
    Abstract: Eine alte Frau bringt Ton, magert ihn mit zerstoßener, verkohlter Borke, formt eine flache Bodenscheibe und in Parallelwulsttechnik die Wände, die sie mit angefeuchteten Händen und einer Baumfrucht glattstreicht. Nach dem Trocknen und Brennen im Brennhaufen bestreicht sie die noch warmen Gefäße mit Kopal und malt mit Urucú ein rotes Zickzackband auf.
    Abstract: An old woman mixes clay with crushed charcoal made from bark, she forms a flat bottom and coils the sides, which are smoothed by hand and using the fruit of a tree. After pitfiring she coats the still warm pots with copal (resin) and paints a zig-zag decoration.
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    DOI: 10.3203/IWF/E-2144
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  • 9
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    Noanamá (West Colombia, Pacific Coast) - Preparation of an Unfermented Maize Drink (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 40MB, 00:04:41:00 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: drinks ; Mais ; America ; Nahrungsverzehr ; Kulturwissenschaften ; Getränke ; Wounaan ; eating ; Wirtschaft (Ethnologie) ; grains and cereals ; Noanamá ; Colombia ; Wounaan ; nutrition ; Pflanzenwelt ; food preparation ; economy ; Ernährung ; South America ; Encyclopaedia Cinematographica ; Nahrungsmittelzubereitung ; Amerika ; flora ; Kolumbien ; cultural studies ; maize ; Getreide (Ethnologie) ; Ethnologie/Kulturanthropologie ; Nahrungszubereitung ; Südamerika ; beverages ; Noanamá ; ethnology/cultural anthropology
    Abstract: Eine Frau aus Quebrada Taparral zerreibt gekochte und gequollene Maiskörner auf einem Mahlstein. Die Maismasse schüttet sie in ein Kalebassensieb auf einem Holzgestell, feuchtet sie an und preßt sie mit der Hand, bis sich im darunterstehenden Holzgefäß genügend milchiger Maissaft angesammelt hat, der mit Kalebassenschalen geschöpft und getrunken wird.
    Abstract: A middle-aged woman is preparing chicha, an unfermented drink made from maize. The preparation takes places inside the house. For this she had brought a large supply of corn over from her chacre (cultivated field) and then had boiled this corn for almost a day before leaving it to set in a bowl. Now she brings in an ablong, rounded, wooden dish and a special wooden platform with a large opening in it in which a perforated gourd dish will be placed. She also brings in a shapeless metate (grinding stone) and a stone mano. With this mano she proceeds to crush the corn seeds, already softened by boiling. The resulting mass she repeatedly tosses into the gourd strainer set in the opening of the wooden platform which in turn is placed cross-wise over the wooden dish. With her hands she strains the corn mass through the strainer extracting fresh, milky corn juice which drips into the wooden dish underneath. When enough has fallen into the wooden dish members of the family scoop it up with unperforated half gourds and drink it.
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    DOI: 10.3203/IWF/E-1943
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  • 10
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    Cofán (South Colombia, Montaña) - Making a Cooking Pot (1975)
    IWF (Göttingen)
    In:  (Jan. 1975)
    Details
    Language: Undetermined , Undetermined
    Pages: 451MB, 00:08:46:22 (unknown) , Stummfilm , Silent movie
    Angaben zur Quelle: (Jan. 1975)
    Keywords: house / household effects ; handicraft ; America ; material culture ; Formen der Tonwaren ; shaping of clay ; Kulturwissenschaften ; Wirtschaft (Ethnologie) ; pottering / coiling ; kitchen furnishings ; Colombia ; Hausrat ; pitfiring ; household utensil ; economy ; household articles ; Haus / Hausrat, Hausgerät ; South America ; Encyclopaedia Cinematographica ; Amerika ; Cofán ; Tonaufbereitung ; clay preparation ; Kücheneinrichtung ; Kolumbien ; cultural studies ; materielle Kultur ; Brennhaufen ; Ethnologie/Kulturanthropologie ; Südamerika ; Handwerk ; cooking vessel ; Töpfern / Parallelwulsttechnik ; open fire ; pottery ; ethnology/cultural anthropology ; Kochgefäß ; Töpferei
    Abstract: Eine Frau bringt Ton, mischt ihn mit Flußsand, formt daraus ein Kochgefäß in Parallelwulsttechnik, befeuchtet es mit Speichel und glättet es mit einem Kalebassenstück. Das Gefäß hat einen flachen Boden und eine zunächst konisch, dann gerade verlaufende Wand. Der nach außen gebogene Rand wird mit Fingernageleindrücken verziert. Nach dem Trocknen werden die Töpfe im Brennhaufen gebrannt.
    Abstract: A woman mixes clay with sand from the riverbed and coils a cooking vessel; it is smoothed with a piece of calebash and decorated using her finger nails. After drying the pots are pitfired.
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    DOI: 10.3203/IWF/E-1947
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