ISBN:
90-8890-446-4
,
978-90-8890-446-2
,
90-8890-447-2
,
978-90-8890-447-9
,
978-90-8890-448-6 /eBook
Language:
English
Pages:
303 Seiten
,
Illustrationen
Series Statement:
Pacific Presences 1
DDC:
301
Keywords:
Anthropologie, visuelle Ozeanien
;
Melanesien
;
Papua-Neuguinea
;
Museumskunde
;
Kunst und Gesellschaft
;
Kunst, ozeanische
;
Forge, Anthony [Leben und Werk]
Abstract:
Anthropology`s engagement with art has a complex and uneven history. While material culture, `decorative art`, and art styles were of major significance for founding figures such as Alfred Haddon and Franz Boas, art became marginal as the discipline turned towards social analysis in the 1920s. This book addresses a major moment of renewal in the anthropology of art in the 1960s and 1970s. British anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, and wrote influentially, especially about issues of style and meaning in art. His powerful, question-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important? Fifty years later, art has renewed global significance, and anthropologists are again considering both its local expressions among Indigenous peoples and its new global circulation. In this context, Forge`s arguments have renewed relevance: they help scholars and students understand the genealogies of current debates, and remind us of fundamental questions that remain unanswered.This volume brings together Forge`s most important writings on the anthropology of art, published over a thirty year period, together with six assessments of his legacy, including extended reappraisals of Sepik ethnography, by distinguished anthropologists from Australia, Germany, Switzerland and the United Kingdom. (Umschagtext)
Description / Table of Contents:
Preface -- Part 1. Anthony Forge on art, 1960-1990. Introduction to Primitive Art and Society ; Three Kamanggabi Figures from the Arambak People of the Sepik District New Guinea ; Notes on Eastern Abelam Designs Painted on Paper, New Guinea ; Paint: A Magical Substance ; Art and Environment in the Sepik ; The Abelam Artist ; Style and Meaning in Sepik Art ; The Problem of Meaning in Art ; Learning to See in New Guinea ; The Power of Culture and the Culture of Power ; Draft Introduction to Sepik Culture History, the Proceedings from the second Wenner-Gren conference on Sepik Culture History 1986, Mijas, Spain -- Part 2. On Forge. Anthony Forge and Alfred Bühler: From Field Collecting to Friendship / Christian Kaufmann ; Style and Meaning: Abelam Art through Yolngu Eyes / Howard Morphy ; Anthony Forge and Innovation: Perspectives from Vanuatu / Lissant Bolton ; The problem of agency in art / Ludovic Coupaye ; Looking back: Abelam art and some of Forge's theses from a 2015 perspective / Brigitta Hauser-Schäublin ; Communicating with Anthony Forge / Michael O'Hanlon -- Appendix -- Endnotes -- Bibliography -- Acknowledgements
Note:
Literaturverzeichnis: Seite 293 - 302; Enthält 11 Beiträge von A. Forge und 6 Beiträge über A. Forge
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