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  • Adams, Mark  (9)
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  • 1
    ISBN: 9789088906329
    Language: English
    Pages: ca. 190 Seiten , Illustrationen
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  • 2
    ISBN: 9781877385551
    Language: English
    Pages: 160 S. , überw. Ill. , 25 x 30 cm
    DDC: 391.6508999462093
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    Keywords: Tätowierung ; Neuseeland ; Samoa ; Bildband ; Tätowierung ; Samoa ; Tätowierung ; Neuseeland ; Tätowierung
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  • 3
    ISBN: 9780824896607
    Language: English
    Pages: 306 Seiten , Illustrationen , 30 cm
    Edition: Second edition
    DDC: 391.6/508999462093
    Keywords: Suʻa Suluʻape, Paulo ; Adams, Mark ; Tribal tattoos Pictorial works ; Tattoo artists ; Samoaner ; Tätowierung ; Identität ; Fotografie
    Abstract: "When Tatau was first published in 2010, Mark Adams' renowned images documenting a great Polynesian art tradition were a revelation. It told the story of the late Suluʻape Paulo II, the pre-eminent figure of modern Samoan tattooing. A brilliantly innovative and often controversial man, he saw tatau as an art of international importance. Tatau documented his practice, and that of other tufuga ta tatau (tattoo artists), in the contexts of Polynesian tattooing, Samoan migrant communities and New Zealand art. Long out-of-print, this revised and extended new edition, with its handsome large format and texts by distinguished scholars, makes a cultural treasure available once more"--
    Description / Table of Contents: Samoan Tattooing, Cosmopolitans, Global Culture / Sean Mallon -- The Portrait, the Peʻa and the Room / Peter Brunt -- 'A Living Art': A conversation between Suʻa Suluʻape Paulo II and Sean Mallon -- 'An Uncomfortable Edge': A conversation between Mark Adams and Nicholas Thomas.
    Note: Includes bibliographical references
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  • 4
    ISBN: 1877372617 , 9781877372612
    Language: English
    Pages: 183 Seien
    DDC: 749
    Keywords: Waitere, Tene 1854-1931 ; Adams, Mark 1949- ; Waitere, Tene ; Adams, Mark ; Waitere, Tene ; Wood-carvers New Zealand ; Wood-carving, Maori ; Wood-carving, Maori Pictorial works ; Decorative arts, Maori ; Decorative arts, Maori Pictorial works ; Mahi toi ; Tohunga whakairo ; Whakairo ; Kōrero nehe ; Poupou ; Wood-carving, Maori Pictorial works ; Wood-carvers ; Photographers ; Decorative arts, Maori Pictorial works ; Maori ; Holzschnitzerei ; Neuseeland ; Bildband ; Bildband ; Neuseeland ; Maori ; Holzschnitzerei ; Waitere, Tene 1854-1931
    Note: Literaturverz, S. 179-180
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  • 5
    ISBN: 9781877372612
    Language: English
    Pages: 183 S. , Ill. , 29 cm
    DDC: 749
    Keywords: Waitere, Tene ; Adams, Mark ; Wood-carving, Maori Pictorial works ; Wood-carvers ; Photographers ; Decorative arts, Maori Pictorial works ; Neuseeland ; Maori ; Holzschnitzerei ; Waitere, Tene 1854-1931
    Note: Literaturverz, S. 179-180
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  • 6
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    Dunedin : University of Otago Press
    ISBN: 1877133825
    Language: English
    Pages: 196 Seiten
    DDC: 993.7
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    Keywords: Cook, James ; Forschungsreise ; Maori ; Landschaft ; Ozeanien ; Bildband ; Cook, James 1728-1779 ; Forschungsreise ; Ozeanien ; Ozeanien ; Landschaft ; Maori
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  • 7
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    Dunedin : Univ. of Otago Press [u.a.]
    ISBN: 1877133825
    Language: English
    Pages: 196 S
    Edition: 1st publ
    DDC: 993.7
    Keywords: œaSouth Island (N.Z.)œaPictorial works ; œaSouth Island (N.Z.)œaDescription and travel ; Cook, James *1728-1779* ; Ozeanien ; Forschung ; South Island (N.Z.) ; Pictorial works ; South Island (N.Z.) ; Description and travel ; Bildband ; Cook, James 1728-1779 ; Ozeanien ; Forschung ; Geschichte
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  • 8
    ISBN: 9789088906329 , 9789088906336
    Language: English
    Pages: 479 Seiten
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    DDC: 779.90695092
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    Keywords: Adams, Mark ; Thomas, Nicholas ; Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Ozeanien ; Europa ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Adams, Mark 1949- ; Thomas, Nicholas 1960-
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
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  • 9
    ISBN: 9789088906343
    Language: English
    Pages: 1 Online-Ressource (479 Seiten) , Illustrationen
    Series Statement: Pacific presences 7
    Series Statement: Pacific presences
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Ozeanien ; Europa
    Abstract: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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