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  • 1
    ISBN: 9780824896607
    Sprache: Englisch
    Seiten: 306 Seiten , Illustrationen , 30 cm
    Ausgabe: Second edition
    DDC: 391.6/508999462093
    Schlagwort(e): Suʻa Suluʻape, Paulo ; Adams, Mark ; Tribal tattoos Pictorial works ; Tattoo artists ; Samoaner ; Tätowierung ; Identität ; Fotografie
    Kurzfassung: "When Tatau was first published in 2010, Mark Adams' renowned images documenting a great Polynesian art tradition were a revelation. It told the story of the late Suluʻape Paulo II, the pre-eminent figure of modern Samoan tattooing. A brilliantly innovative and often controversial man, he saw tatau as an art of international importance. Tatau documented his practice, and that of other tufuga ta tatau (tattoo artists), in the contexts of Polynesian tattooing, Samoan migrant communities and New Zealand art. Long out-of-print, this revised and extended new edition, with its handsome large format and texts by distinguished scholars, makes a cultural treasure available once more"--
    Beschreibung / Inhaltsverzeichnis: Samoan Tattooing, Cosmopolitans, Global Culture / Sean Mallon -- The Portrait, the Peʻa and the Room / Peter Brunt -- 'A Living Art': A conversation between Suʻa Suluʻape Paulo II and Sean Mallon -- 'An Uncomfortable Edge': A conversation between Mark Adams and Nicholas Thomas.
    Anmerkung: Includes bibliographical references
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    ISBN: 9789088906329 , 9789088906336
    Sprache: Englisch
    Seiten: 479 Seiten
    Serie: Pacific presences 7
    Serie: Pacific presences
    Paralleltitel: Erscheint auch als
    DDC: 779.90695092
    RVK:
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    Schlagwort(e): Adams, Mark ; Thomas, Nicholas ; Fotografie ; Kolonialismus ; Ethnologisches Museum ; Europa ; Ozeanien ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Ozeanien ; Europa ; Ethnologisches Museum ; Kolonialismus ; Fotografie ; Adams, Mark 1949- ; Thomas, Nicholas 1960-
    Kurzfassung: Ethnographic museums, now often rebranded as collections of ‘world cultures’, appear permanently problematic, even as their contexts and the orientation of their activities change. Across Europe and elsewhere, curators and other museum staff are committed to dialogue and collaboration with the peoples from whom collections were made. But their vast assemblages of artefacts, removed from countries of origin primarily during the colonial period, and assumed, mostly inaccurately, to have been looted, seem always in question. Photo-Museology arises from an art project undertaken over 25 years. From the early 1990s, Mark Adams and Nicholas Thomas together investigated sites of cross-cultural encounter in the Pacific and associated places in Europe, ranging from Captain Cook memorials to ethnographic museums. Some of those museums still exhibited colonial symbols and forms of knowledge, others had attempted to displace such histories, foregrounding more inclusive or progressive stories. Complementing the academic studies in the Pacific Presences series, this book offers what John Berger referred to as ‘another way of telling’. Through photography, it revisits the places collections were made, and the places they ended up in. It is a meditation on presence and absence.
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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