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  • 1
  • 2
    Language: English
    Pages: 1 Online-Ressource
    DDC: 302.23
    Note: In: Annie van den Oever (Hg.): Technē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact. Amsterdam: Amsterdam University Press 2014, S. 272–278. , In: https://doi.org/10.26530/OAPEN_607770
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  • 3
    ISBN: 9789089645715
    Language: English
    Pages: 1 Online-Ressource
    Keywords: Film theory & criticism
    Abstract: This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail
    Note: English
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  • 4
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    ISBN: 9789048519903
    Language: Undetermined
    Pages: 1 Online-Ressource
    Keywords: Film, TV & radio ; Media studies ; Technology: general issues
    Abstract: Techne;/Technology offers a penetrating, close look at the origins of the term techne;, which unleashed a revolution in cinema and media studies when it was first introduced and which continues to influence the study of film as the digital revolution rolls along. The contributors investigate the effects of technologies on major film debates and, moreover, how technologies have affected film theory and its key concepts
    Note: English
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  • 5
    Online Resource
    Online Resource
    Marburg : Philipps-Universität Marburg
    Language: English
    Pages: 1 Online-Ressource
    DDC: 302.23
    Note: In: Annie van den Oever (Hg.): Technē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact. Amsterdam: Amsterdam University Press 2014, S. 93–102. , In: https://doi.org/10.26530/OAPEN_607770
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  • 6
    Language: English
    Pages: 1 Online-Ressource
    DDC: 302.23
    Note: In: Annie van den Oever (Hg.): Technē/Technology. Researching Cinema and Media Technologies – Their Development, Use, and Impact. Amsterdam: Amsterdam University Press 2014, S. 136–153. , In: https://doi.org/10.26530/OAPEN_607770
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Amsterdam University Press
    ISBN: 9789089640796
    Language: English
    Pages: 1 Online-Ressource (280 p.)
    Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies
    Keywords: Film theory & criticism
    Abstract: Ostrannenie (‘making it strange’) has become one of the central concepts of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the ‘Russian Formalist’ Viktor Shklovsky in 1917, ostrannenie has come to resonate deeply in Film Studies, where it entered into dialogue with the Brechtian concept of Verfremdung, the Freudian concept of the uncanny and Derrida's concept of différance. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry. European Film Studies ­ ‘The Key Debates is a new film series from Amsterdam University Press edited by Annie van den Oever (the founding editor), Ian Christie and Dominique Chateau. The editors’ ambition is to uncover and track the process of appropriation of critical terms in film theory in order to give the European film heritage the attention it deserves. With contributions from Ian Christie, Yuri Tsivian, Dominique Chateau, Frank Kessler, Laurent Jullier, Miklós Kiss, Annie van den Oever, Emile Poppe, László Tarnay, Barend van Heusden, András Bálint Kovács, and Laura Mulvey, this important study is a wonderful piece of imaginative yet rigorous scholarship
    Note: English
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  • 8
    Online Resource
    Online Resource
    [Place of publication not identified] : Amsterdam University Press
    ISBN: 9789089645715 , 9089645713 , 9789048519903 , 904851990X , 9048519918 , 9789048519910
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Open Access e-Books
    Series Statement: Knowledge Unlatched
    Series Statement: The key debates 4
    Series Statement: mutations and appropriations in European film studies
    Parallel Title: Erscheint auch als
    Keywords: Technology in motion pictures ; Cinematography Technological innovations ; Motion pictures Technological innovations ; Technologie au cinéma ; Cinéma - Innovations ; Film theory and criticism ; Film, TV and radio ; Films, cinema ; The arts ; Performing Arts / Film / History & Criticism ; Cinematography - Technological innovations ; Motion pictures - Technological innovations ; Technology in motion pictures ; PERFORMING ARTS / Film / General ; Cinema technologies ; Digital revolution ; Film ; Film theory ; Media technologies ; Media theory ; Techne ; Technology
    Abstract: This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail
    Description / Table of Contents: Introduction : researching cinema and media technologies / Annie van den Oever -- Part I. Philosophy of technology : reassessing key questions -- The philosophy of technology in the frame of film theory : Walter Benjamin's contribution / Dominique Chateau -- Toward an archaeology of the cinema/technology relation : from mechanization to "digital cinema" / Benoît Turquety -- Technē and Poiēsis : on Heidegger and film theory / Robert Sinnerbrink -- Stiegler's post-phenomenological account of mediated experience / Patrick Crogan -- What are media? / Lambet Wiesing -- Part II. Cinema and media technologies : hardware, software, wetware -- The "history of vision"-debate revisited / Annemone Ligensa -- Will the 3D revolution happen? A brief perspective on the long history of stereoscopy (with special thanks to Eisenstein and Bazin) / Ian Christie -- Television's many technologies : domesticity, governmentality, genealogy / Markus Stauff -- Postmodern hi-fi vs. post-cool lo-fi : an epistemological war / Laurent Jullier -- Part III. Cinema and media technologies : a historical context -- Marey's gun : apparatuses of capture and the operational image / Pasi Väliaho -- Re-editing as psychotechnique : montage and mediality in early Soviet Cinema / Malte Hagener -- Technophobia and Italian film theoy in the interwar period / Francesco Pitassio -- Jean-Luc Godard's Histoire(s) du cinéma : cogito ergo video / Céline Scemama -- Peformativity/Expressivity : the mobile micro screen and its subject / Nanna Verhoeff and Heidi Rae Cooley -- Part IV. Discussions : revisiting the past -- Rethinking the materiality of technical media : Friedrich Kittler, enfant terrible with a rejuvenating effect on parental discipline : a dialogue / Geoffrey Winthrop-Young and Annie van den Oever -- Revisiting Christian Metz's "apparatus theory" : a dialogue / Martin Lefebvre and Annie van den Oever -- Part V. Envisioning the future -- The future history of a vanishing medium / André Gaudreault -- Experimental media archaeology : a plea for new directions / Andeas Fickers and Annie van den Oever.
    Note: Includes bibliographical references (pages 333-359) and indexes , English
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  • 9
    ISBN: 9789048537082
    Language: English
    Pages: 1 online resource (211 pages)
    Edition: 1st ed.
    Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies v.7
    Parallel Title: Erscheint auch als
    DDC: 302.23
    Keywords: Storytelling in mass media ; Electronic books
    Abstract: Cover -- Contents -- Editorial -- Acknowledgments -- 1. Screen Narrative in the Digital Era -- Ian Christie and Annie van den Oever -- PART I - Theory in Contemporary Contexts Reassessing Key Questions -- 2. Stories and Storytelling in the Era of Graphic Narrative -- Jan Baetens -- 3. Rediscovering Iconographic Storytelling -- Vincent Amiel -- 4. Wallowing in Dissonance -- Miklós Kiss and Steven Willemsen -- 5. "Storification" -- Or, What Do We Want Psychology and Physiology to Tell Us about Screen Stories? -- Ian Christie -- 6. Transmedia Storytelling -- Melanie Schiller -- PART II - History and Analyses -- 7. The Endless Endings of Michelangelo Antonioni's Films -- José Moure -- 8. The Film That Dreams -- Dominique Chateau -- 9. Spoilers, Twists, and Dragons. Popular Narrative after Game of Thrones -- Sandra Laugier -- PART III - Discussions -- 10. Storytelling and Mainstream Television Today - A Dialogue -- John Ellis and Annie van den Oever -- 11. The Single Shot, Narration, and Creativity in the Space of Everyday Communication -- Roger Odin -- PART IV - Practicalities -- 12. Rewriting Proust -- Eric de Kuyper and Annie van den Oever -- 13. Introduction to Dickensian: An Intertextual Universe? -- Ian Christie -- 14. The Lives of the Characters in Dickensian -- Luke McKernan -- 15. Music Structuring Narrative - A Dialogue -- Robert Ziegler and Ian Christie -- Notes on Contributors -- Index of Names -- Index of Film Titles.
    Note: Description based on publisher supplied metadata and other sources
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  • 10
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9789048537082
    Language: English
    Pages: 1 Online-Ressource , 25 halftones
    Series Statement: The Key Debates: Mutations and Appropriations in European Film Studies
    DDC: 302.23
    Keywords: Aufsatzsammlung
    Abstract: Stories are central to modern media today. Not only narrative entertainment media, such as television, cinema, theater, but also in social media. Telling and having ‘a story’ are widely deemed essential, in advertising and commerce as well as in social life. Does this represent an intensification of what has always been part of culture or has it reached a new universality? The collection Stories identifies new phenomena in the fields of complex narration, puzzle film, and transmedia storytelling, and in turn addresses the chief issues of stories and storytelling amid the vast amount of discussion and analysis on the topic, presenting innovative and promising paths forward in research. ...
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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