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  • 1
    E-Resource
    E-Resource
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9781137057266
    Language: English
    Series Statement: The new Middle Ages
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: National characteristics, Irish ; Signs and symbols / Ireland ; Cultural property / Ireland ; Irish / Ethnic identity ; Ireland / Civilization / Medieval influences ; Ireland / Civilization / Celtic influences / Electronic books
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  • 2
    Book
    Book
    New York, N.Y. : Palgrave Macmillan
    ISBN: 9780230103207
    Language: English
    Pages: XIV, 207 S. , Ill.
    Series Statement: New Middle Ages
    DDC: 941.5
    RVK:
    Keywords: National characteristics, Irish ; Signs and symbols ; Cultural property ; Irish Ethnic identity ; Ireland Civilization ; Ireland Civilization
    Abstract: Introduction: Icons of Irishness -- Visualizing antiquity -- Classifying taste -- Meet me at the fair -- Keepsakes and souvenirs -- Proclaiming independence, expressing solidarity
    Description / Table of Contents: Introduction: Icons of Irishness -- Visualizing antiquity -- Classifying taste -- Meet me at the fair -- Keepsakes and souvenirs -- Proclaiming independence, expressing solidarity.
    Note: Includes bibliographical references
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  • 3
    Online Resource
    Online Resource
    [Place of publication not identified] : Punctum Books
    ISBN: 9780692707647 , 0692707646
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Keywords: Beachcombing ; Found objects (Art) ; Art Beaches ; Exhibition catalogues & specific collections ; Art / Collections, Catalogs, Exhibitions ; Bathing beaches ; Bathing beaches - Health aspects ; Juvenile works ; Pictorial works ; art, beach, objects, photography, ocean
    Abstract: This volume brings together writing and imagery from the experimental "beachwalk" session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and material ecology. We talked about the delicate care of treading the world, the confluence of the personal and the professional, and the possibilities of storytelling. We thought about what happens when we encounter stuff, when we take it, change it, do something with it. When we display it, or sculpt it, or collect it. When we make something an object, and an object of looking. Then we met on the beach. We walked and talked about loss, home, agency, and liminality. We collected things: We picked up stones, feathers, seaweed. We pointed to stuff, gathered it, let it strike our fancy. Every shell nurtured a conversation among the artists, scientists, historians, poets, archivists, surfers, philosophers, and pirates who had joined the walk. We brought the sea-things back, manipulated them, and displayed them as works of art. Walk on the Beach is a souvenir of that project, a record of our bounty. It emerges from the process at the heart of art historical work: close looking. Thinking through objects, thinking with objects. Letting the things help us tell their stories. This is a tiny collection of looking, together
    Note: Title from content provider , English
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  • 4
    Online Resource
    Online Resource
    Earth, Milky Way : punctum books
    Language: English
    Pages: 1 Online-Ressource (60 p.)
    Keywords: Exhibition catalogues & specific collections
    Abstract: This volume brings together writing and imagery from the experimental “beachwalk” session(s) at the Third Biennial Meeting of the BABEL Working Group, On the Beach: Precariousness, Risk, Forms of Life, Affinity, and Play at the Edge of the World. We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and material ecology. We talked about the delicate care of treading the world, the confluence of the personal and the professional, and the possibilities of storytelling. We thought about what happens when we encounter stuff, when we take it, change it, do something with it. When we display it, or sculpt it, or collect it. When we make something an object, and an object of looking. Then we met on the beach. We walked and talked about loss, home, agency, and liminality. We collected things: We picked up stones, feathers, seaweed. We pointed to stuff, gathered it, let it strike our fancy. Every shell nurtured a conversation among the artists, scientists, historians, poets, archivists, surfers, philosophers, and pirates who had joined the walk. We brought the sea-things back, manipulated them, and displayed them as works of art. Walk on the Beach is a souvenir of that project, a record of our bounty. It emerges from the process at the heart of art historical work: close looking. Thinking through objects, thinking with objects. Letting the things help us tell their stories. This is a tiny collection of looking, together
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    Brooklyn, NY : punctum books
    Language: English
    Pages: 1 Online-Ressource (88 p.)
    Keywords: History of art: Byzantine & Medieval art c 500 CE to c 1400 ; Essay
    Abstract: For too long, the Earth has been used to ground thought instead of bending it; such grounding leaves the planet as nothing but a stage for phenomenology, deconstruction, or other forms of anthropocentric philosophy. In far too much continental philosophy, the Earth is a cold, dead place enlivened only by human thought—either as a thing to be exploited, or as an object of nostalgia. Geophilosophy seeks instead to question the ground of thinking itself, the relation of the inorganic to the capacities and limits of thought. This book constructs an eclectic variant of geophilosophy through engagements with digging machines, nuclear waste, cyclones and volcanoes, giant worms, secret vessels, decay, subterranean cities, hell, demon souls, black suns, and xenoarcheaology, via continental theory (Nietzsche, Schelling, Deleuze, et alia) and various cultural objects such as horror films, videogames, and weird Lovecraftian fictions, with special attention to Speculative Realism and the work of Reza Negarestani. In a time where the earth as a whole is threatened by ecological collapse, On an Ungrounded Earth generates a perversely realist account of the earth as a dynamic engine materially invading and upsetting our attempts to reduce it to merely the ground beneath our feet
    Note: English
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  • 6
    Online Resource
    Online Resource
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9781137057266
    Language: English
    Pages: XIV, 207 S. , Ill.
    Edition: 1. ed.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: The new Middle Ages
    Parallel Title: Print version Icons of Irishness from the Middle Ages to the Modern World
    DDC: 941.5
    RVK:
    Keywords: Electronic books
    Abstract: From majestic Celtic crosses to elaborate knotwork designs, visual symbols of Irish identity at its most medieval abound in contemporary culture. Consdering both scholarly and popular perspectives this book offers a commentary on the blending of pasts and presents that finds permanent visualization in these contemporary signs
    Description / Table of Contents: Cover; Title; Copyright; Contents; List of Illustrations; Acknowledgments; Author's Note; Introduction: Icons of Irishness; 1. Visualizing Antiquity; 2. Classifying Taste; 3. Meet Me at the Fair; 4. Keepsakes and Souvenirs; 5. Proclaiming Independence, Expressing Solidarity; Afterword: Specters and Apparitions; Notes; Selected Bibliography; Index;
    Note: Description based upon print version of record , Electronic reproduction; Available via World Wide Web
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