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  • 1
    Language: German
    Pages: 1 Online-Ressource (1 online resource)
    Series Statement: Digitale Gesellschaft 19
    DDC: 302.23
    Keywords: Mass media Social aspects ; Mass media ; Social aspects
    Abstract: At the border between that which is analogous and that which is digital: Transformations into and from digital spaces are made tangible and placed (media- ) culturally by humanistic approaches
    Abstract: Die Grenzen zwischen analogen und digitalen Medien sind längst durchlässig geworden. Dieser Band versammelt literatur- und medienwissenschaftliche Zugänge, die Übersetzungen in und aus dem digitalen Raum beschreibbar machen und aus einer (medien- )kulturellen Perspektive reflektieren. Die Beiträge fokussieren ästhetische und künstlerische Wechselwirkungen zwischen analogen und digitalen Medienphänomenen sowie Aspekte der Partizipation und Konvergenz in der Medienrezeption und -produktion. Dabei werden sowohl spezifische mediale Formen (etwa Motion Graphics, Memes oder Gedichte) als auch kulturelle Praktiken (etwa Ausstellungen, Techniken des Lesens und Schreibens oder Fankultur) diskutiert
    Abstract: Frontmatter --Inhalt --Vorwort --Übersetzungen in und aus dem digitalen Raum: Zur Einführung in diesen Band /Schmid, Johannes C.P. / Veits, Andreas / Vorrath, Wiebke --Audio-Visuelle Praktiken --Animierte Bilder im Kontext von Live-Veranstaltungen /Feyersinger, Erwin --Remediationen des digitalen Spiels in Offline -- Das Leben ist kein Bonuslevel /Schmerheim, Philipp --"Like, we're all made of matter." Intimität und Transformation in Spike Jonzes Her /Chernyshova, Svetlana --Literarische Praktiken --Formate digitaler Umordnung: Literarische Praktiken zwischen Medienspezifik und Postdigitalität /Bülhoff, Andreas --Dichtung digital: Nora Gomringers lyrische Transformationen /Prange, Catrin --Wie inszenieren sich Laienschriftsteller*innen? Selbstinszenierungspraxen im Mikrofeld webbasierter Schreibforen /Ingelmann, Julian --Diskursive Praktiken --Metalepsen in der Partizipationskultur: Das Spiel mit den Grenzen der storyworkl im Fandiskurs zum Marvel Cinematic Universe /Ossa, Vanessa --Memes und Frames: Zur Markiertheit als semiotischem Verfahren /Tetzlaff, Stefan --Den Terror (mit- )teilen: Praktiken, Prozesse und Produkte der Teilhabe im disruptiven Medienereignis /Zeitler, Anna --Autorinnen und Autoren
    Note: In German
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  • 2
    ISBN: 9783837641141 , 3837641147
    Language: German
    Pages: 211 Seiten , Illustrationen , 22.5 cm x 14.8 cm, 363 g
    Series Statement: Digitale Gesellschaft Band 19
    Series Statement: Digitale Gesellschaft
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Praktiken medialer Transformationen
    Parallel Title: Erscheint auch als Praktiken medialer Transformationen
    DDC: 302.23
    RVK:
    Keywords: Konferenzschrift ; Medienästhetik ; Medienkonvergenz ; Digitalisierung ; Literatur ; Medien ; Partizipation ; Medien ; Rezeption ; Medien ; Produktion
    Note: Literaturangaben , Enthält 10 Beiträge
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  • 3
    ISBN: 9783839441145
    Language: German
    Pages: 1 Online-Ressource (215 pages)
    Edition: 1st ed.
    Series Statement: Digitale Gesellschaft v.19
    DDC: 302.23
    RVK:
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Digitalisierung ; Literatur ; Medien ; Partizipation ; Rezeption ; Produktion ; Medienästhetik ; Medienkonvergenz ; Neue Medien ; Kunst
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    ISBN: 9783111299334 , 9783111299402 , 9783111286396
    Language: Undetermined
    Pages: 1 Online-Ressource (298 p.)
    Series Statement: Poetry in the Digital Age
    Keywords: Poetry ; Literary theory ; Literary studies: general ; Cognition and cognitive psychology ; Poetry in the Digital Age ; Visual Culture ; Language and Media Criticism ; Poetic and Sociopolitical Practices
    Abstract: This book’s goal is to determine the significance of visual culture in the production of contemporary poetry and to sound out the insights poetry might generate into contemporary visual culture. Its main hypothesis is that poetry holds considerable potential for (post-)digital language, image, and media criticism. The visual dimensions of recent poetry encompass, for instance, kinetic writing in digital poetry, visual elements in social media poems, and (spoken and written) text-image interactions in poetry films as well as in book poetry. The articles examine these medial correlations and their political implications by asking how visual culture is applied, exposed, and debated in poetry. This volume brings together contributions by authors from various countries working in disciplines such as literary, media, and film studies, linguistics, cultural and visual culture studies, and in poetic practice. It covers poetry in English, German, Norwegian, Polish, Ukrainian, Russian, Serbian, and also multilingual works. The book thus aims to promote international exchange between poetry researchers and stimulate further investigation into current relations between poetry and visuality from additional research perspectives and languages. ; This book’s goal is to determine the significance of visual culture in the production of contemporary poetry and to sound out the insights poetry might generate into contemporary visual culture. Its main hypothesis is that poetry holds considerable potential for (post-)digital language, image, and media criticism. The visual dimensions of recent poetry encompass, for instance, kinetic writing in digital poetry, visual elements in social media poems, and (spoken and written) text-image interactions in poetry films as well as in book poetry. The articles examine these medial correlations and their political implications by asking how visual culture is applied, exposed, and debated in poetry. This volume brings together contributions by authors from various countries working in disciplines such as literary, media, and film studies, linguistics, cultural and visual culture studies, and in poetic practice. It covers poetry in English, German, Norwegian, Polish, Ukrainian, Russian, Serbian, and also multilingual works. The book thus aims to promote international exchange between poetry researchers and stimulate further investigation into current relations between poetry and visuality from additional research perspectives and languages
    Note: English
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