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  • 1
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    ISBN: 9781501370533 , 9781501370564
    Language: English
    Pages: 1 Online-Ressource (304 pages)
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 302.23/45
    Keywords: Television and the arts ; Art on television ; Artists Political and social views ; Film, TV & radio ; Electronic books
    Abstract: Introduction -- 1. Historical and Theoretical Frameworks -- 2. TV as a Mirror: Manipulations, Interruptions, and Re-presentations -- 3. Breaking News: Television Between Art and Activism -- 4. Artists as Media Stars -- 5. Disentertainment: Music Videos, Kid Shows, Humor, and Soap Operas -- 6. Art in the Age of Prosumers: Reality TV and the Internet Acknowledgements Works Cited -- Bibliography -- Index.
    Abstract: "While highlighting the prevailing role of television in Western societies, Art vs. TV maps and condenses a comprehensive history of the relationships of art and television. With a particular focus on the link between reality and representation, Francesco Spampinato analyzes video art works, installations, performances, interventions and television programs made by contemporary artists as forms of resistance to and appropriation and parody of mainstream television. The artists discussed belong to different generations: those that emerged in the 1960s in association with art movements such as Pop Art, Fluxus and Happening; and those appearing on the scene in the 1980s, whose work aimed at deconstructing media representation in line with postmodernist theories; to those arriving in the 2000s, an era in which, through reality shows and the Internet, anybody could potentially become a media personality; and finally those active in the 2010s, whose work reflects on how old media like television has definitively vaporized through the electronic highways of cyberspace. These works and phenomena elicit a tension between art and television, exposing an incongruence; an impossibility not only to converge but at the very least to open up a dialogical exchange."--
    Note: Includes bibliographical references and index , Mode of access: World Wide Web.
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  • 2
    ISBN: 9783837659030 , 3837659038
    Language: English
    Pages: 142 Seiten , Illustrationen , 24 cm x 15.5 cm, 262 g
    Series Statement: Digital Culture & Society Vol. 8, issue 1 (2022)
    Series Statement: Digital culture & society
    Parallel Title: Erscheint auch als
    DDC: 302.23
    Keywords: Media studies ; Medienwissenschaften ; SOCIAL SCIENCE / Media Studies ; Aufsatzsammlung ; Informationsgesellschaft ; Codierung ; COVID-19
    Abstract: Code is intended both as a computer-based language to program software and as a functional and visual language for organizing administrative processes, visualizing information, performing behaviour control, and reinforcing shared imaginaries based on surveillance and dread. This special issue of Digital Culture & Society deals with the concept of code in relation to the Covid-19 crisis. The contributions depart from the idea that both forms of coding have become dramatically intertwined during the pandemic and are structuring a new way of being in and seeing reality. They explore the new forms of data-driven surveillance and representation of the pandemic evolution at the level of real-time epidemiology, sensor technologies, science policies, push media, and the heterogeneous counter-discourses that try to subvert them
    URL: Cover  (lizenzpflichtig)
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  • 3
    ISBN: 9781685711245
    Language: Undetermined
    Pages: 1 Online-Ressource (269 p.)
    Keywords: Social impact of disasters ; Infectious & contagious diseases ; Media studies
    Abstract: The Covid-19 pandemic has been expressed in various ways through visuality and performance, and some of its more nuanced cultural implications have taken place in a realm that goes beyond words. Through the exploration of the visual culture produced during and in response to the Covid-19 pandemic, The Pandemic Visual Regime: Visuality and Performativity in the Covid-19 Crisis highlights the key role played by images in shaping our understanding of the epochal transformations our society is undergoing. This book argues that visuality and its relationships with the performative have played such a significant role in the Covid-19 pandemic that we can even speak of the emergence of a “pandemic visual regime,” a new way of seeing and representing the world under this global emergency. Through an interdisciplinary framework, The Pandemic Visual Regime aims to answer an array of questions: In which ways have the effects of the pandemic been racialized, thereby reinforcing white supremacy? How are our responses to Covid-19 shaped by the Hollywood “outbreak narrative” of films such as Contagion? How has design responded to our new pandemic needs? How have infographics affected our perception? In which new ways have we come to inhabit private, public, and virtual space? Regarding the latter, what changes have there been in the forms of digital surveillance? On the other side of the spectrum, what forms has mutual aid taken and what have been our forms of relating with nature, both during lockdown and after lockdown was over? All these questions open the field to rethinking the visuality of our post-pandemic zeitgeist
    Note: English
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