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  • 1
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9789048555475
    Language: English
    Pages: 1 Online-Ressource (233 pages)
    Edition: 1st ed.
    Series Statement: Protest and Social Movements Series v.27
    DDC: 303.484
    RVK:
    Keywords: Electronic books
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | New York, NY : JSTOR
    ISBN: 9048555477 , 9789048555475
    Language: English
    Pages: 1 Online-Ressource (220 pages) , illustrations
    Series Statement: Protest and Social Movements
    Parallel Title: Erscheint auch als
    DDC: 303.484
    Keywords: Protest movements ; Protest movements in mass media ; Collective memory ; Social and cultural history ; Demonstrations and protest movements ; HISTORY / Social History ; SOCIAL SCIENCE / Sociology / General ; SOCIAL SCIENCE / Media Studies ; Pressure groups, protest movements and non-violent action ; Social and cultural history ; Social and political philosophy ; Social and Political Sciences ; SPS ; Art and Material Culture ; ART & MAT ; Conflict and Peace ; CONFL & PEACE ; Contemporary Society ; CONTEMP SOC ; Cultural Studies ; CULTURAL ; Sociology and Social History ; SOC & HIS ; activism, protest, cultural memory, visual representation
    Abstract: Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory politics, or has the digital production and massive online exchange of images made it harder to identify and remember a movement via a single powerful image? Bringing together experts in visual culture, cultural memory, social movements, and digital humanities, this collection presents new empirical, theoretical, and methodological insights into the visual memory of protest...
    Note: "Amsterdam University Press" , Acknowledgements Introduction, (Ann Rigney and Thomas Smits) Producing Memorable Images 1. Photojournalism, the World Press Photo Awards, and the Visual Memory of Protest, (Marco Solaroli) 2. The Photographs of Nair Benedicto and the Memory of Protest in Brazil, (Erika Zerwes) 3. Deniz Gezmi. takes to the Streets: From Photograph to Silhouette [tbc], (Duygu Erbil) Reproduction and Remediation 1. Photography, Memory and Women in May '68, (Antigoni Memou) 2. Scarcity in Visual Memory: Creating a Mural of Sylvia Pankhurst, (Clara Vlessing) 3. Memory, Iconicity and Virality in Action: Exploring Protest Photos Online, (Samuel Merrill) Mobilizing Visual Memory 1. Visual Memory in Grassroots Mobilizations: The Anti-Corruption Movement of 2011 in India, (Alice Mattoni and Anwesha Chakraborty) 2. Visual Activism in Protest against Disappearances: The Photo-Portraits of the 43 Ayotzinapa Students, (Sophie Dufays) 3. Space and Place in Online Visual Memory: The Tank Man in Hong Kong, 2013-2020, (Thomas Smits and Ruben Ros) List of Illustrations Notes on Contributors Index of Names
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press
    ISBN: 9048555477 , 9789048555475
    Language: English
    Pages: 1 online resource (220 pages) , illustrations.
    Series Statement: Protest and Social Movements
    Series Statement: Protest and social movements.
    Parallel Title: Print version:
    DDC: 303.484
    Keywords: Protest movements. ; Protest movements in mass media. ; Collective memory. ; Social and cultural history. ; Demonstrations and protest movements. ; HISTORY / Social History. ; SOCIAL SCIENCE / Sociology / General. ; SOCIAL SCIENCE / Media Studies. ; Pressure groups, protest movements and non-violent action. ; Social and cultural history. ; Social and political philosophy. ; Social and Political Sciences ; SPS ; Art and Material Culture ; ART & MAT ; Conflict and Peace ; CONFL & PEACE ; Contemporary Society ; CONTEMP SOC ; Cultural Studies ; CULTURAL ; Sociology and Social History ; SOC & HIS ; activism, protest, cultural memory, visual representation ; Electronic books.
    Abstract: Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory politics, or has the digital production and massive online exchange of images made it harder to identify and remember a movement via a single powerful image? Bringing together experts in visual culture, cultural memory, social movements, and digital humanities, this collection presents new empirical, theoretical, and methodological insights into the visual memory of protest.
    Note: "Amsterdam University Press" , Acknowledgements Introduction, (Ann Rigney and Thomas Smits) Producing Memorable Images 1. Photojournalism, the World Press Photo Awards, and the Visual Memory of Protest, (Marco Solaroli) 2. The Photographs of Nair Benedicto and the Memory of Protest in Brazil, (Erika Zerwes) 3. Deniz Gezmi. takes to the Streets: From Photograph to Silhouette [tbc], (Duygu Erbil) Reproduction and Remediation 1. Photography, Memory and Women in May '68, (Antigoni Memou) 2. Scarcity in Visual Memory: Creating a Mural of Sylvia Pankhurst, (Clara Vlessing) 3. Memory, Iconicity and Virality in Action: Exploring Protest Photos Online, (Samuel Merrill) Mobilizing Visual Memory 1. Visual Memory in Grassroots Mobilizations: The Anti-Corruption Movement of 2011 in India, (Alice Mattoni and Anwesha Chakraborty) 2. Visual Activism in Protest against Disappearances: The Photo-Portraits of the 43 Ayotzinapa Students, (Sophie Dufays) 3. Space and Place in Online Visual Memory: The Tank Man in Hong Kong, 2013-2020, (Thomas Smits and Ruben Ros) List of Illustrations Notes on Contributors Index of Names
    URL: JSTOR
    URL: Image
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Amsterdam : Amsterdam University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9789463723275
    Language: English
    Pages: 1 Online-Ressource (233 p.)
    Series Statement: Protest and Social Movements
    DDC: 303.484
    Keywords: Social & cultural history ; Sociology ; Media studies ; activism, protest, cultural memory, visual representation
    Abstract: Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory politics, or has the digital production and massive online exchange of images made it harder to identify and remember a movement via a single powerful image? Bringing together experts in visual culture, cultural memory, social movements, and digital humanities, this collection presents new empirical, theoretical, and methodological insights into the visual memory of protest.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
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