Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Online Resource
    Online Resource
    Cham : Springer Nature Switzerland | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031392184
    Language: English
    Pages: 1 Online-Ressource (XXIII, 262 p. 111 illus., 19 illus. in color.)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Finance. ; History. ; Economic history. ; Culture ; International finance. ; tax in Britain ; tax in Victorian period ; international finance in the nineteenth century ; People's Budget ; Death Duties Budget ; history of British taxation ; PEARL analysis ; political cartoons ; income tax ; taxation in the long nineteenth century ; political iconography ; Victorian cultural icons
    Abstract: 1. Introduction -- 2 Fiscal Context -- 3. Visual Satire Context -- 4. Income Tax -- 5. Indirect Tax -- 6. Politics Of Personality -- 7. Estate Tax -- 8. Free Trade -- 9. Conclusion -- Appendix 1 -- Appendix 2.
    Abstract: This book offers a multi-disciplinary visual analysis of British taxation history from Pitt’s introduction of income tax in 1799 through to Lloyd George’s Peoples budget in 1909. Focusing specifically on cartoons from the period, the book utilises the author’s innovative PEARL methodology to analyse the impact of Publishers’ attitudes, Editorial techniques, Artistic methods, Readers’ responses, and Legal context on historical images published in this period. The book outlines a financial and visual context for the period, discussing the importance of political cartoons during a period when the relationship between the state and the taxpayer was fundamentally shifting. There was a gradual increase in trust between government and the taxpayer over the raising and use of public monies through taxation. This included attempts to reduce the size of the national debt, whilst having to finance the ever-increasing economic impact of wars and are considered alongside an exploration of the recurring iconographical styles of the period. The book situates the visual history of taxation within a wider context of political images responding to fiscal events and uses the PEARL analysis technique to pinpoint nuanced and evolving public attitudes towards tax structures in Britain, as well as comparative developments in the US such as the impact of the Civil War and income tax debates. The book will be of interest to financial historians and academic cultural historians, as well as all those interested in visual culture and political imagery. Henry Sless is currently a Research Associate at the Henley Business School at the University of Reading, UK. He received a Master’s in historical cartoons from the University of Kent, UK, and a doctorate in visual images of finance in the Victorian era from the University of Reading.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783030866044
    Language: English
    Pages: 1 Online-Ressource(XXXIII, 338 p. 165 illus., 98 illus. in color.)
    Edition: 1st ed. 2022.
    Series Statement: Springer eBook Collection
    Parallel Title: Erscheint auch als Sless, Henry Merchant princes and charlatans or makers of money?
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: 1800-1899 ; Kaufleute ; Institutioneller Investor ; Wirtschaftskriminalität ; Geschlechterdiskriminierung ; Elite ; Wirtschaftsgeschichte ; USA ; Großbritannien ; Frankreich ; Deutschland (bis 1945) ; Finance—History. ; Arts. ; Europe—History. ; History. ; Finance. ; Art—History.
    Abstract: Introduction -- Financial context -- Visual context -- The merchant princes -- The charlatans -- Financial iconography -- Gender -- The other -- The law -- Dreams and the unconscious -- Conclusion.
    Abstract: This book provides a critical analysis of visual images of British and international finance during the nineteenth century. Its focus is on the financiers themselves, contrasting the depiction of the respectable Merchant Princes with the less than perfect charlatans (white-collar criminals) who defrauded investors of millions. The breakdown of trust between financiers and investors that evolved during this period is represented visually in depictions of the emotional response of investors to the uncertain financial climate. Throughout the book a PEARL methodology has been used to critique the images reflecting the impact of any Publisher’s political bias, the Editorial and Artistic techniques used to convey the messages in the images, and the Legal context (especially a concern in countries such as France and Germany where censorship was strict). The book concludes that white-collar criminals were invariably secretly admired in Britain, and rarely severely satirised. Similarly, Merchant Princes were depicted favourably in Britain as members of the ruling elite during the latter half of the century. This is contrasted with the more extreme anti-monopolistic images in the US and the extreme anti-Semitic treatment of Jewish financiers in France and Germany. Henry Sless is currently a Research Associate at Henley Business School at the University of Reading, UK. He received a Master’s in historical cartoons from the University of Kent, UK, and a doctorate in visual images of finance in the Victorian era from the University of Reading.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...