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  • 1
    Online Resource
    Online Resource
    Brooklyn, NY : punctum books
    Language: English
    Pages: 1 Online-Ressource (176 p.)
    Keywords: AN ; KCP ; Theatre studies
    Abstract: "If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater’s movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human-driven events signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders the question of anthropocentric obligations moot. Waste proposes that the theater is the form best suited to confronting the human’s perverse relationship to its finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, and not spend, their time."
    Note: English
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  • 2
    Online Resource
    Online Resource
    Santa Barbara : Punctum Books | Baltimore, Md : Project MUSE
    ISBN: 9781950192885 , 1950192881 , 9781950192892 , 195019289X
    Language: English
    Pages: 1 Online-Ressource (pages cm)
    Parallel Title: Erscheint auch als Rizzo, Jessica Waste
    Keywords: Theater and society ; Drama Social aspects ; Drama History and criticism ; Théâtre et société ; Théâtre (Genre littéraire) - Aspect social ; Théâtre (Genre littéraire) - Histoire et critique ; Drama ; Drama - Social aspects ; Theater and society ; PERFORMING ARTS / Theater / History & Criticism ; Criticism, interpretation, etc
    Abstract: "If at its most elemental, the theater is an art form of human bodies in space, what becomes of the theater as suicide capitalism pushes our world into a posthuman age? Waste: Capitalism and the Dissolution of the Human in Twentieth-Century Theater traces the twentieth-century theater's movement from dramaturgies of efficiency to dramaturgies of waste, beginning with the observation that the most salient feature of the human is her ability to be ashamed of herself, to experience herself as excess, the waster and the waste of the world. By examining theatrical representations of capitalism, war, climate change, and the permanent refugee crisis, Waste traces the ways in which these human contributions signal a tendency toward prodigality that terminates with self-destruction. Defying its promise of abundance for all, capitalism poisons all relationships with competition and fear. The desire to dominate in war is revealed to be the desire to obliterate the self in collective conflagration. The refugee crisis raises the urgent question of our responsibility to the other, but the climate crisis renders all anthropocentric questions moot.Waste proposes that the theater is the form best suited to confronting the human's perverse relationship to her finitude. Everything about the theater is suffused with existential shame, with an acute awareness of its provisionality. Unlike the dominant narrative of the human, which is bound up with a fantasy of infinite growth, the theater is not deluded about its nature, origins, and destiny. At its best, the theater gathers artist and audience in one space to die together for a little while, to consciously waste, not spend, their time"--
    Description / Table of Contents: 1. Staging Capitalism: Dramatic Surplus and Inefficiency -- 2. War: Abjection and Oblivion -- 3. Crisis of Imagination: The Anthropocene -- 4. Debt and the Refugee -- Epilogue: America -- Bibliography.
    Note: Includes bibliographical references
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