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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783030735111 , 3030735117
    Language: English
    Pages: 1 Online-Ressource (XXI, 289 Seiten) , 24 illus., 17 illus. in color.
    Edition: 1st ed. 2021
    Parallel Title: Erscheint auch als Mediated Terrorism in the 21st Century
    DDC: 302.2
    RVK:
    Keywords: Communication ; Terrorism ; Political violence ; Culture ; Media and Communication ; Terrorism and Political Violence ; Global and International Culture ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    ISBN: 9783030735111
    Language: English
    Pages: 1 online resource (XXI, 289 pages)
    Parallel Title: Erscheint auch als Mediated terrorism in the 21st century
    DDC: 303.625
    RVK:
    RVK:
    Keywords: Terrorism and mass media ; Terrorism in mass media ; Terrorism on television ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Terrorismus ; Internationaler Terrorismus ; Krieg ; Medien ; Social Media
    Abstract: Mediated Terrorism in the 21st Century offers new interpretations of figures emerging from representations of terrorism and counterterrorism: the male hero, female agent, religious leader, victim/perpetrator, and survivor. This collection of essays by a broad array of international scholars reflects the altered image-making processes that have developed from George W. Bush’s “war on terror.” Building on current literature on media and terrorism, this volume analyzes the most recent technological developments that have impacted the way we experience terrorism: online videos, social media, cartoons, media feeds, and drones. The authors address different time periods, different terrorist groups, and explore the way filmmakers and television producers from the USA, Europe, South Africa, and the Middle East are documenting modern wars in popular culture.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    ISBN: 9783031400292
    Language: English
    Pages: 1 Online-Ressource(XVII, 139 p. 44 illus., 1 illus. in color.)
    Edition: 1st ed. 2023.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Motion pictures ; Medicine and the humanities.
    Abstract: Chapter 1: Introduction -- Chapter 2: Vilray Blair MD, Lon Chaney and The Phantom of the Opera -- Chapter 3: Beauty Regimes, Facial Surgery and Elinor Glyn’s Such Men are Dangerous -- Chapter 4: Masks, Prosthetics and Performance -- Chapter 5: Unveiling Romance, Elinor Glyn’s Man and Maid -- Chapter 6: In Conclusion, Visual Culture in the Archive.
    Abstract: “Transforming Faces for the Screen: Horror and Romance in the 1920s is an impressive scholarly achievement, standing as both a fascinating study of the relationship between film and war trauma during a specific era and as a model for approaching film and culture more generally through meticulous archival research and bold interdisciplinary thinking”. Gaylyn Studlar, David May Distinguished Professor in the Humanities, Washington University in St. Louis,USA. This book brings together research from medical and film archives to illustrate the cultural impact of film and literature in its relationship to the discourse of plastic surgery in the 1920s. This different take on reading the body after the First World War enables students of multiple disciplines, and readers interested in both Hollywood and post-war culture, to understand some of the complexities of medical interventions gained after the First World War and the way in which they filtered into the world of Hollywood film making. It also allows readers who may not be familiar with these two 1920s stars to access the films of Lon Chaney and the books and films of Elinor Glyn and gain new insights into 1920s visual culture. For ease of readership, the book is organised so that each of the main chapters focuses on a particular film (either Lon Chaney or Elinor Glyn). This is particularly useful for use in the classroom or for online education. Readers can refer to the film directly, aided by illustrations of frames from the films. This book tells the story of how two stars of Hollywood film transformed their character’s faces on screen through a close reading of three films in the 1920s. It reveals how they applied their embodied knowledge of surgery and surgical procedures to broaden their audience’s emotional and intellectual understanding of the treatment of deformity and disability. Alexis Weedon is Professor of Publishing Studies and Karen Randell is Professor of Film and Culture, both at the University of Bedfordshire, UK. Their British Academy funded project explores attitudes to the reconstructed body through the creative work of these two Hollywood stars of the 1920s. Their research investigates medical procedures, photos and diaries located at archives in the UK and USA to analyse films which creatively and successfully addressed the latent fears of technologizing the body. .
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  • 4
    ISBN: 9781474452090
    Language: English
    Pages: 1 Online-Ressource (312 p.) , 15 B/W illustrations
    Edition: 2022
    DDC: 820.90091
    RVK:
    Keywords: Zwischenmenschliche Beziehung ; Liebesbeziehung ; USA ; Großbritannien
    Abstract: An interdisciplinary exploration of the enduring, and often fraught, cultural fascination surrounding British-American romanceThe first scholarly collection to consider the diverse ways in which US-UK romance, framed here through the lens of 'the special relationship', has been represented across key sites in a range of popular mediaLooks at both historical and contemporary case-studies drawn from across film, television, music, literature, news and politics from the last centuryConsiders pressing questions of identity and desire for subjects impacted by globalisation, cosmopolitanism, transnational relations and neoliberal political and economic policiesWinston Churchill famously described the political alliance between the US and UK as a 'special relationship', but throughout the cultural history of these two countries there have existed transatlantic 'special relationships' of another kind - affairs between British and American citizens who have fallen in love, with one another but often too with the idea(l) of that other place across the ocean. From romantic novelist Elinor Glyn in the 1920s to Prince Harry and Meghan Markle today, this collection examines some of the history, contemporary manifestations and enduring appeal of US-UK romance across popular culture. Looking at both historical and contemporary case-studies, drawn from across film, television, music, literature, news and politics, this is a timely intervention into the popular romantic discourse of US-UK relations, at a critical and transitional moment in the ongoing viability of the special relationship.ContributorsJay Bamber, independent scholar Caroline Bainbridge, University of Roehampton Barbara Jane Brickman, University of AlabamaWilliam Brown, University of RoehamptonShelley Cobb, University of Southampton Neil Ewen, University of WinchesterAlice Guilluy, London Film AcademyHannah Hamad, Cardiff UniversityDeborah Jermyn, University of RoehamptonVeera Mäkelä, University of HelsinkiInmaculada Pérez-Casal, Universidade de Santiago de Compostela Karen Randell, Nottingham Trent UniversityManuela Ruiz, University of ZaragozaMartha Shearer, King's College LondonFrances Smith, University of Sussex Theodore Louis Trost, University of AlabamaAlexis Weedon, University of BedfordshireNathalie Weidhase, Birmingham City University...
    URL: Cover
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