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  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Imprint: Palgrave Macmillan
    ISBN: 9783031124662
    Language: English
    Pages: 1 Online-Ressource (XVII, 355 p. 13 illus)
    Edition: 1st ed. 2023
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    Parallel Title: Printed edition
    DDC: 305.3
    RVK:
    Keywords: Sex ; Ethnology—Africa ; Culture ; Indigenous peoples—Religion ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    ISBN: 9783030972004
    Language: English
    Pages: 1 Online-Ressource(XVII, 268 p. 2 illus.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Popular music. ; Ethnology—Africa. ; Culture. ; Africa—Politics and government. ; Social justice.
    Abstract: Chapter 1: Culture, Language, Human Rights and Politics in Oliver Mtukudzi’s Music -- Part I: “Fearfully and Wonderfully Made”: Mtukudzi and African Cultural Pride -- Chapter 2: “Dada Nerudzi Rwako”: Championing African Identities in Oliver Mtukudzi’s Music -- Chapter 3: Tuku Music as a Site of Cultural Embodiment -- Chapter 4: Exploring the Nhaka Concept in Oliver Mtukudzi’s Music -- Part II: “Language as Identity”: Mtukudzi and the Language Question in Africa -- Chapter 5: A Stylistic Analysis of ‘Neria,’ a Song by Oliver Mtukudzi -- Chapter 6: A Semantic Analysis of Metaphors Found in Selected Lyrics of Oliver Mtukudzi’s Songs -- Chapter 7: An Exploration of Metaphoric Images in Oliver Mtukudzi’s Songs on HIV/AIDS -- Chapter 8: A Stylistic Study of Figurative Language in Oliver Mtukudzi’s Selected Songs -- Chapter 9: The ‘I’ in Oliver Mtukudzi’s Music: Autobiographical Memory and the Fragmented Self in Selected Songs -- Chapter 10: “Pakare Paye”: Music as Media for Communicating Values in the Family Governance System—The Case of Oliver Mtukudzi’s Songs -- Part III: Mtukudzi as a Human Rights Defender and “Theologian” -- Chapter 11: Championing Marital Harmony Through Music: An Examination of Four Selected Songs by Oliver Mtukudzi -- Chapter 12: Music and Human Rights in Zimbabwe: An Analysis of Oliver Mtukudzi’s Messages -- Chapter 13: Oliver Mtukudzi’s Theology: A Literary Analysis of Selected Gospel Songs -- Part IV: “Walking the Tightrope”: Playing Politics with Politics in a Challenging Environment -- Chapter 14: The Corpse as Political Capital: Oliver Mtukudzi’s Funeral and Political Contestation in Post-colonial Zimbabwe -- Chapter 15: Music and Politics in Mashava: An Analysis of Selected Songs by the Late Oliver Mtukudzi -- Chapter 16: Stance Accounts of Political and Religious Identities in ‘Tuku’ MusicTuku’ Music.
    Abstract: This book delves into a critical and comprehensive analysis of Mtukudzi’s legacy, as an outstanding musician who anchored his music on cultural identity specifically through the artistic manipulation of language. As a cultural worker, his remit extended beyond performance. This raised his stature to the levels of such African music icons as Fela Kuti of Nigeria, Salif Keita of Mali and Miriam Makeba/Hugh Masekela of South Africa, all towering giants in African musical performance. This volume examines how Mtukudzi artistically manipulated language to convey a timeless message of cultural identity, fighting for the respect of rights for women, children and all. It unpacks how Mtukudzi subtly uses language to put across political views that speak truth to power, harnessing Zimbabwean language to articulate and promote the nation’s cultural heritage and to advocate for societal development and the promotion of rights of vulnerable groups. The chapters in this volume are a mix of interdisciplinary Zimbabwean scholars of linguistics, performance studies, religion, history, communication and media studies, unravelling Mtukudzi as a fighter for human rights and justice who subtly critiqued political systems and practices. It concludes that Mtukudzi strove to be a cultural worker who used the power of language through music to contribute towards the rehabilitation of a battered African identity. Munyaradzi Nyakudya is Senior Lecturer in the History Heritage and Knowledge Systems Department of the University of Zimbabwe. Bridget Chinouriri is Senior Lecturer in the Creative Media and Communication Department of the University of Zimbabwe. Pauline Mateveke is Senior Lecturer in the Languages Literature and Culture Department of the University of Zimbabwe. Ezra Chitando is Professor of Religious Studies in the Philosophy Religion and Ethics Department of the University of Zimbabwe.
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  • 3
    Online Resource
    Online Resource
    Cham : Springer International Publishing AG | Ann Arbor, Michigan : ProQuest
    ISBN: 9783031124662
    Language: English
    Pages: 1 Online-Ressource (360 pages)
    Edition: 1st ed.
    DDC: 305.42096891
    Keywords: Equality ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    ISBN: 9783030807283
    Language: English
    Pages: 1 Online-Ressource(XIV, 295 p.)
    Edition: 1st ed. 2022.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Popular music. ; Ethnology—Africa. ; Culture. ; Africa—Politics and government. ; Philosophy. ; Postcolonialism.
    Abstract: 1. Introduction; Ezra Chitando, Pauline Mateveke,Munyaradzi Nyakudya and Bridget Chinouriri -- Part 1: Personal Reconstruction -- 2. Oliver Mtukudzi and the Complexities of Transformative Masculinities; Ezra Chitando and Munyaradzi Nyakudya -- 3. Rebuilding the Self: Oliver Mtukudzi's Music as Pedagogy; Gibson Ncube and Yemurai Gwatirisa -- 4. Song as Matric of Parresia: Tuku and the Quest for Truth and Democratic Ethos in Society; Tasiyana D. Javangwe -- 5. Looking for the Join: Tuku Music as a Marker of Postcolonial White Zimbabwean Identity; Shannon Morreira -- 6. Mtukudzi: The (Re)constructor? One Who Makes Others Rich?; Reggemore Marongedze and Bridget Chinouriri -- Part 2: Cultural Reconstruction -- 7. Re-embracing One's Culture: Lessons from Oliver Mtukudzi's Songs; John Chitakure -- 8. Oliver Mtukudzi as a Cultural Activist: Exploring Africanness in Tuku Music; Allan T. Maganga, Chalres Tembo and Owen T. Chikara -- 9. Oliver Mtukudzi: Singing for Harmony to Heal out Land; Tariro Kamuti -- 10. Reappraising Indigenous Knowledge Systems: A Review of Oliver Mtukudzi's 'Sandi bonde'; Tenson Muyambo -- 11. Oliver Mtukudzi and the Rebuilding of the Lives of Orphans and Children on the Streets; Samson Mhizha -- Part 3: Political Reconstruction -- 12. Reinterpreting Oliver Mtukudzi's Tactical Praxis; Dube Edmore -- 13. Reading the Political Metaphor in Oliver Mtukudzi's 'Wasakara' and 'Ngomera': Calling for Cultures of Peace in Africa; Hugh Mangeya and Ernest Jakaza -- 14. Tuku, the Political Philosopher King; Charity Manyeruke -- Part 4: Religious Reconstruction -- 15. Resisting Foreign Intrusions: Celebrating the Spirituality of Indigenous Africans; Macloud Sipeyiye and Willian Chigidi -- 16. Music the Religion, Musicians the Priests, and the People the Congregants: The Music of Oliver Mtukudzi; Bridget Chinouriri -- 17. Spiritual Reconstruction: Oliver Mtukudzi's Spiritual Life and his Contribution to the Methodist Church in Zimbabwe; Martin Mujinga -- Part 5: Global Reconstruction -- 18. "Politics of Composition, Performance and Reception": Interrogating the Global Appeal of Oliver Mtukudzi; Margret Chipara -- 19. Breaking Boundaries, Transcending Differences: An Intercultural reading of Oliver Mtukudzi's Collaborative Musical Productions; Yemurai Gwatirisa and Gibson Ncube -- 20. Reconstructing the Global Order Through Ubuntu: The ethical insights in Sekuru (Grandpa) Tuku Music; Tinashe Muchuri.
    Abstract: This book is a critical reflection on the life and career of the late legendary Zimbabwean music icon, Oliver “Tuku” Mtukudzi, and his contribution towards the reconstruction of Zimbabwe, Africa and the globe at large. Mtukudzi was a musician, philosopher, and human rights activist who espoused the agenda of reconstruction in order to bring about a better world, proposing personal, cultural, political, religious and global reconstruction. With twenty original chapters, this vibrant volume examines various themes and dimensions of Mtukudzi’s distinguished life and career, notably, how his music has been a powerful vehicle for societal reconstruction and cultural rejuvenation, specifically speaking to issues of culture, human rights, governance, peacebuilding, religion and identity, humanism, gender and politics, among others. The contributors explore the art of performance in Mtukudzi’s music and acting career, and how this facilitated his reconstruction agenda, offering fresh and compelling perspectives into the role of performing artists and cultural workers such as Mtukudzi in presenting models for reconstructing the world. Ezra Chitando (PhD) is Professor of Religion in the Department of Philosophy, Religion and Ethics at the University of Zimbabwe, and Theology Consultant on HIV and AIDS for the World Council of Churches. He researches and publishes on music, religion and culture. He is the author of Sounds of Life: Music, Identity and Politics in Zimbabwe, (2016, co-edited with Mangena and Muwati), along with numerous other publications. Pauline Mateveke (PhD) is a Senior Lecturer in the Department of Language, Literature and Culture at the University of Zimbabwe. She holds a Doctor of Philosophy Degree in English specialising in Gender, Literature and Music. Her research interests include popular culture and literature, gender studies and literary criticism. Munyaradzi Nyakudya (PhD) is a Senior Lecturer in the Department of History, Heritage and Knowledge Systems at the University of Zimbabwe. He researches on the socio-political and economic history of African societies, with a special passion for ethnomusicology, peace and security studies; education, democratization and sustainable livelihoods. Bridget Chinouriri (PhD) is a Zimbabwean ethnomusicologist, creative writer, culture consultant and scientist and a Senior Lecturer in the Department of Creative Media and Communications, University of Zimbabwe.
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