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  • 1
    ISBN: 9781409440048
    Language: English
    Pages: 1 online resource (302 pages)
    Edition: 1st ed.
    Series Statement: Re-materialising Cultural Geography
    Parallel Title: Erscheint auch als
    DDC: 304.23
    Keywords: Public spaces -- Social aspects -- England -- London ; Social interaction -- England -- London ; South Bank (London, England) ; Urban parks -- Social aspects -- England -- London ; Public spaces ; Social aspects ; England ; London ; Social interaction ; England ; London ; South Bank (London, England) ; Urban parks ; Social aspects ; England ; London ; Electronic books
    Abstract: Tensions over the production of urban public space came to the fore in summer 2013 with mass protests in Turkey sparked by a plan to redevelop Taksim Gezi Park, Istanbul. In London, concomitant proposals to refurbish an area of the 'South Bank' historically used by skateboarders were similarly met by staunch opposition. Through an in-depth ethnographic examination of London's South Bank, this book explores multiple dimensions of the production of urban public space. Drawing on user accounts of the significance of public space, as well as observations of how the South Bank is 'practised' on a daily basis, it argues that public space is valued not only for its essential material characteristics but also for the productive potential that these characteristics, if properly managed, afford on a daily basis. At a time when policy-makers, urban planners and law enforcement authorities simultaneously grapple with pressures to deal with social 'problems' (such as street drinking, vandalism, and skateboarding) and accusations that new modes of urban planning and civic management infringe upon civil liberties and dilute the publicity of 'public' space, this book offers an insightful account of the daily exigencies of public spaces. In so doing, it questions the utility of the public/private binary for our understanding both of common urban space and of different sets of social practices, and points towards the need to be attentive to productive processes in how we understand and experience urban open space as public
    Abstract: Cover -- Contents -- List of Figures -- List of Abbreviations -- Acknowledgements -- 1 Introduction -- 2 Public Space as a Research Setting -- 3 Boundary Effects: Morphology and Activity at South Bank -- 4 South Bank as Theme Park? Public Space and the Practical Accommodation of Disorder -- 5 Play and Public Space: Theorising Ludic Practices at South Bank -- 6 'The Stamp of the Definitive': From 'Loose Space' to 'Public Realm' at South Bank -- 7 Conclusion: Time to Stand Back? The Reinvented Southbank Centre -- Bibliography -- Appendix 1 -- Appendix 2 -- Index
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    ISBN: 9781351943611
    Language: English
    Pages: 1 online resource (204 pages)
    Edition: 1st ed.
    Series Statement: Re-Materialising Cultural Geography Ser
    Parallel Title: Erscheint auch als Myers, Garth Disposable cities
    Parallel Title: Print version Myers, Garth Andrew Disposable Cities : Garbage, Governance and Sustainable Development in Urban Africa
    DDC: 307.12160967
    RVK:
    Keywords: Urbanization-Africa ; Sustainable urban development-Africa ; Refuse and refuse disposal-Africa ; Urban ecology (Sociology)-Africa ; Electronic books ; Sustainable development ; Africa ; Refuse and refuse disposal ; Africa ; Urban ecology (Sociology) ; Africa ; Urbanization ; Africa ; Subsaharisches Afrika ; Stadtplanung ; Sozialökologie ; Subsaharisches Afrika ; Stadtplanung ; Nachhaltigkeit ; Subsaharisches Afrika ; Verstädterung ; Subsaharisches Afrika ; Stadt ; Abfallbeseitigung
    Abstract: Cover -- Half Title -- Dedication -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Tables -- Foreword -- Acknowledgments -- List of Abbreviations -- Glossary of Foreign Words -- 1 Toward a Political Ecology of African Cities -- Introduction -- African Cities -- Neoliberalism -- Sustainable Development -- Good Governance -- The Politics of Cultural Difference -- Political Ecology and Urban Africa -- Conclusion -- 2 The Sustainable Cities Program and African Cities -- Introduction -- The SCP Map of Operations -- Tanzanian and Zambian Cases -- The United Nations and African Urban Development -- Top-down Donor-driven Bottom-up Localized Development -- The Exclusive City -- Conclusion -- 3 Dar es Salaam: Model City for the World -- Introduction -- Dar es Salaam -- The Sustainable Dar es Salaam Program -- Neoliberalism in Dar es Salaam -- Sustainable Development in Dar es Salaam -- Good Governance in Dar es Salaam -- The Politics of Cultural Difference in Dar es Salaam -- Conclusion -- 4 The Mirror that Zanzibar Holds up for the World -- Introduction -- It all Comes Together in Zanzibar -- The Zanzibar Sustainable Program -- Neoliberalism in Zanzibar -- Sustainable Development in Zanzibar -- Good Governance in Zanzibar -- The Politics of Cultural Difference in Zanzibar -- Conclusion -- 5 Lusaka: The Years of the Rule of Money -- Introduction -- Lusaka -- The Sustainable Lusaka Program -- Neoliberalism in Lusaka -- Sustainable Development in Lusaka -- Good Governance in Lusaka -- The Politics of Cultural Difference in Lusaka -- Conclusion -- 6 Conclusion -- Introduction -- Neoliberalism or ubinafsishaji: The Years of the Rule of Money and Garbage -- Beyond Sustainability Rhetoric: Environment and Development in Urban Africa -- ''New Geographies of Governmentality'' in African Cities?.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
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  • 3
    ISBN: 9780754689157
    Language: English
    Pages: 1 online resource (200 pages)
    Edition: 1st ed.
    Series Statement: Re-materialising Cultural Geography
    Parallel Title: Erscheint auch als Rycroft, Simon, 1966 - Swinging city
    DDC: 942.1085
    RVK:
    RVK:
    Keywords: Cultural geography -- England -- London ; Counterculture -- England -- London ; London (England) -- Civilization -- 20th century ; Electronic books ; local ; Counterculture ; England ; London ; Cultural geography ; England ; London ; London (England) ; Civilization ; 20th century ; Electronic books ; England ; London ; Kulturgeographie ; Kultursoziologie ; Geschichte 1950-1974 ; Cultural geography ; England ; London ; Counterculture ; England ; London ; London (England) ; Civilization ; 20th century ; London ; Anthropogeografie ; Gegenkultur ; Jugendkultur ; Subkultur ; Geschichte 1950-1974
    Abstract: This book works with two contrasting imaginings of 1960s London: the one of the excess and comic vacuousness of Swinging London, the other of the radical and experimental cultural politics generated by the city's counterculture. The connections between these two scenes are mapped looking firstly at the spectacular events that shaped post-war London, then at the modernist physical and social reconstruction of the city alongside artistic experiments such as Pop and Op Art. Making extensive use of London's underground press the book then explores the replacement of this seemingly materialistic image with the counterculture of underground London from the mid-1960s. Swinging City develops the argument that these disparate threads cohere around a shared cosmology associated with a new understanding of nature which differently positioned humanity and technology. The book tracks a moment in the historical geography of London during which the city asserts itself as a post-imperial global city. Swinging London it argues, emerged as the product of this recapitalisation, by absorbing avant-garde developments from the provinces and a range of transnational, mainly transatlantic, influences.
    Abstract: Cover -- Contents -- List of Figures -- Preface -- 1 Introduction: The Material and Immaterial Geographies of 1960s London -- 2 The Long Front of Material and Immaterial Culture I: Beat and Angry -- 3 The Long Front of Material and Immaterial Culture II: Architecture and Visual Culture -- 4 Mapping Swinging London -- 5 A Historical Geography of Countercultural London -- 6 Rephrasing and Reimagining Dissent: Technology, Nature and Humanity -- 7 Oz, London and Cosmic Consciousness -- 8 Lightshows and Multi-media Environments: Cosmic Connections and the Countercultural Subject -- 9 Conclusions: Post-War Vision and Representation -- References -- Index.
    Note: Description based on publisher supplied metadata and other sources
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