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  • 1
    Article
    Article
    Associated volumes
    In:  European journal of cultural studies Vol. 16, No. 2 (2013), p. 194-210
    ISSN: 1367-5494
    Language: Undetermined
    Titel der Quelle: European journal of cultural studies
    Publ. der Quelle: London : Sage
    Angaben zur Quelle: Vol. 16, No. 2 (2013), p. 194-210
    DDC: 050
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  • 2
    ISBN: 9783031137945
    Language: English
    Pages: 1 Online-Ressource (xxv, 630 Seiten)
    Parallel Title: Erscheint auch als The Palgrave handbook of testimony and culture
    DDC: 303.372
    Keywords: Cultural studies ; Geschichtsschreibung, Historiographie ; HISTORY / Historiography ; HISTORY / Military / World War II ; HISTORY / Social History ; Historiography ; Kulturwissenschaften ; SOCIAL SCIENCE / General ; Second World War ; Social & cultural history ; Sozial- und Kulturgeschichte ; Zweiter Weltkrieg ; Welt ; Aufsatzsammlung ; Zeitzeuge ; Methodologie ; Wahrheit ; Geschichtsschreibung ; Ethik
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    ISBN: 9781800735965
    Language: English
    Pages: 1 Online-Ressource (xiii, 240 Seiten)
    Series Statement: Worlds of memory volume 9
    Series Statement: Worlds of memory
    Parallel Title: Erscheint auch als Jones, Sara, 1980 - Towards a collaborative memory
    DDC: 943.00072
    RVK:
    Keywords: Germany ; Stiftung Gedenkstätte Berlin-Hohenschönhausen ; Stiftung zur Aufarbeitung der SED-Diktatur (Germany) ; Historical museums Political aspects ; History ; Historiography Political aspects ; Memorialization Political aspects ; Collective memory Poltical aspects ; Memorialization International cooperation ; Electronic books ; Germany (East) Public opinion, Foreign ; Germany (East) Historiography ; Deutschland ; Deutschland Der Bundesbeauftragte für die Unterlagen des Staatssicherheitsdienstes der Ehemaligen Deutschen Demokratischen Republik ; Gedenkstätte Berlin-Hohenschönhausen ; Bundesstiftung zur Aufarbeitung der SED-Diktatur ; Kollektives Gedächtnis ; Transnationale Politik ; Netzwerkanalyse
    Abstract: "Focusing on the memory of the German Democratic Republic, Towards a Collaborative Memory explores the cross-border collaborations of three German institutions. Using an innovative theoretical and methodological framework, drawing on relational sociology, network analysis and narrative, the study highlights the epistemic coloniality that has underpinned global partnerships across European actors and institutions. Sara Jones reconceptualizes transnational memory towards an approach that is collaborative not only in its practices, but also in its ethics, and shows how these institutions position themselves within dominant relationship cultures reflected between East and West, and North and South"--
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Book
    Book
    Heidelberg : Springer International Publishing AG
    ISBN: 9783031137938
    Language: English
    Pages: xxv, 630 Seiten , Illustrationen
    Parallel Title: Erscheint auch als The Palgrave handbook of testimony and culture
    DDC: 303.372
    Keywords: Cultural studies ; Geschichtsschreibung, Historiographie ; HISTORY / Historiography ; HISTORY / Military / World War II ; HISTORY / Social History ; Historiography ; Kulturwissenschaften ; SOCIAL SCIENCE / General ; Second World War ; Social & cultural history ; Sozial- und Kulturgeschichte ; Zweiter Weltkrieg ; Welt ; Aufsatzsammlung ; Aufsatzsammlung ; Zeitzeuge ; Methodologie ; Wahrheit ; Geschichtsschreibung ; Ethik
    Abstract: This Palgrave Handbook examines the ways in which researchers and practitioners theorise, analyse, produce and make use of testimony. It explores the full range of testimony in the public sphere, including perpetrator testimony, testimony presented through social media and virtual reality. A growing body of research shows how complex and multi-layered testimony can be, how much this complexity adds to our understanding of our past, and how creators and users of testimony have their own complex purposes. These advances indicate that many of our existing assumptions about testimony and models for working with it need to be revisited. The purpose of this Palgrave Handbook is to do just that by bringing together a wide range of disciplinary, theoretical, methodological, and practice-based perspectives.
    Note: Entählt Literaturangaben und ein Register , Introduction : testimony in culture and cultures of testimony , Part I Concepts in testimony , Bearing witness as truth practice : the twofold – discursive and existential – character of telling truth in testimony , Bearing witness as a boundary case : survivor testimony, legal testimony and historical testimony , Testimonies in historiography and oral history , Gendered testimonies at the dawn of the twenty-first century , Queer dignity : intersections of testimonial queerness in theatre, performance, and the visual arts , The cultural contexts of testimony : the WEIRDness of global cosmopolitan norms , Part II Mediations and methodologies , Autobiography as testimony , Fictionalisation of testimony , Testimony and film , Filming interviews with witnesses to genocide , The sensual memory of Shoah : the meaning of sound, touch and taste in the culture of testimonies , Digital testimony and social media , Distributed remembering : virtual reality testimonies and immersive witnessing , Digital archiving and teaching with German-language testimony on the Holocaust in the twenty-first century – a German and transnational perspective , Part III The ethics and practice of testimony , Testimony, memorialisation, and museums : a crisis in Holocaust education? , Testimony in public commemoration and education for the United Kingdom's Holocaust Memorial Day , Testifying to genocide : a creative and critical use of memory and testimony in Holocaust education in the UK and Canada , Bearing witness : testimony and transitional justice in the aftermath of mass violence , Culture clash : doing justice and bearing witness in the testimonial process at war crimes tribunals , The rhetoric of witnessing : political address, historical justice, and commemoration of traumatic events , Community education projects giving voice : the use of testimony to facilitate understanding in pursuit of justice and sustainable peace in a society emerging from conflict , Testimony on whose terms? : the cultural politics of forced migration testimony , Perpetrator testimony , Testimonies of the self and others : Sara Jones and Emilie Pine in Dialogue
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 5
    ISBN: 9781800735958 , 1800735952
    Language: English
    Pages: xiii, 240 Seiten , Diagramme
    Series Statement: Worlds of memory volume 9
    Series Statement: Worlds of memory
    Parallel Title: Erscheint auch als Jones, Sara, 1980 - Towards a collaborative memory
    DDC: 943.00072
    RVK:
    Keywords: Germany ; Stiftung Gedenkstätte Berlin-Hohenschönhausen ; Stiftung zur Aufarbeitung der SED-Diktatur (Germany) ; Historical museums Political aspects ; History ; Historiography Political aspects ; Memorialization Political aspects ; Collective memory Poltical aspects ; Memorialization International cooperation ; Germany (East) Public opinion, Foreign ; Germany (East) Historiography ; Deutschland ; Deutschland Der Bundesbeauftragte für die Unterlagen des Staatssicherheitsdienstes der Ehemaligen Deutschen Demokratischen Republik ; Gedenkstätte Berlin-Hohenschönhausen ; Bundesstiftung zur Aufarbeitung der SED-Diktatur ; Kollektives Gedächtnis ; Transnationale Politik ; Netzwerkanalyse
    Abstract: Focusing on the memory of the German Democratic Republic, Towards a Collaborative Memory explores the cross-border collaborations of three German institutions. Using an innovative theoretical and methodological framework, drawing on relational sociology, network analysis and narrative, the study highlights the epistemic coloniality that has underpinned global partnerships across European actors and institutions. Sara Jones reconceptualizes transnational memory towards an approach that is collaborative not only in its practices, but also in its ethics, and shows how these institutions position themselves within dominant relationship cultures reflected between East and West, and North and South.
    Note: Quellen- und Literaturverzeichnis: Seite 210-230 , Enthält ein Register
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  • 6
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783031137938
    Language: English
    Pages: XXV, 630 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 306.09
    Keywords: Cultural History ; History of World War II and the Holocaust ; Memory Studies ; Global and International Culture ; Civilization—History ; World War, 1939-1945 ; Collective memory ; Culture ; Zeugenaussage ; Zeitzeuge ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Zeitzeuge ; Zeugenaussage
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Palgrave Macmillan
    ISBN: 9783031137945
    Language: English
    Pages: 1 Online-Ressource (XXV, 630 p. 15 illus., 12 illus. in color)
    Edition: 1st ed. 2023
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.09
    Keywords: Cultural History ; History of World War II and the Holocaust ; Memory Studies ; Global and International Culture ; Civilization—History ; World War, 1939-1945 ; Collective memory ; Culture ; Zeugenaussage ; Zeitzeuge ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Zeitzeuge ; Zeugenaussage
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    Language: English
    Pages: 1 Online-Ressource (223 Seiten)
    Dissertation note: Dissertation University of Birmingham 2019
    DDC: 306
    Keywords: Hochschulschrift ; Hochschulschrift ; Gothic ; Geschichte 1983-19905 ; Deutschland
    Abstract: This thesis investigates Goth culture (in the widest sense, including Post-Punk, New Wave and New Romantic scenes, genres and styles) in the GDR between 1983 and 1989/1990 from state and participants perspectives. Drawing on the major works within Gothic, subculture, and postmodern theory, this thesis explores the ‘subcultural capital’ of the pluriform, multi-scene East German Goth culture in official state documents and in ‘subcultural micro-media’ to answer the key question how Goth scenes were represented by different participants and political actors. Participants are considered as agents whose ‘spectacular style’ brought them in conflict with society and authority, and who performed different politics of representation which varied between self-marginalisation and demystification, and between isolation and ‘liberalisation through negotiation’. The thesis explores the uniqueness of East German Goth(ic) while considering it as a transnational phenomenon in the Cold War Zeitgeist of the 1980s. The ‘local boundedness’ made East German Goth develop both similarly and differently compared to Goth scenes in the West. The study demonstrates that symbolic representations of Goth contain sets of social and political relationships and practices as well as existential conflicts, strategies, and solutions. It will on the one side be shown how social groups which are considered ‘Goth’ produced meaning, identity, and ‘ideology’. On the other side, it will be shown that the state applied the principle of homology and semiological method to understand subcultural phenomena and what the results of this were. The overarching question of this study is dual: How is Gothic culture and how are participants in Gothic culture represented in the individual interpretations and translations of ‘Gothic’ in micro-media produced by participants, and how is Gothic culture and how are participants in Gothic culture represented in official state documents and embedded in the political-ideological narrative and terminology? The dual perspectivity gives insights into what is referred to in this thesis as ‘Post-Punk transition’ in subcultural ‘texts’, and ‘Post-Punk confusion’ in state theory. It will be shown in this thesis how Punk evolved into Goth, what marks this transition in the subcultural micro-media, and how this transition is reflected in official state documentation. The thesis also shows that within both perspectives, there are difference and ambivalence. The representations of Goth in the GDR are an ideal case study to explore how subcultural identities and meanings are constructed through language and rhetoric, and that definitions of ‘subculture’ and ‘Goth’ are fluid and subject to time and space.
    Note: Quellen- und Literaturverzeichnis
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