ISBN:
9781474447683
Language:
English
Pages:
1 Online-Ressource (ix, 166 Seiten)
,
Illustrationen
Series Statement:
Visionaries: thinking through female filmmakers
Parallel Title:
Erscheint auch als Ince, Kate, 1963 - The cinema of Mia Hansen-Løve
DDC:
791.4302/33092
Keywords:
Hansen-Løve, Mia
;
Motion picture producers and directors
;
Families in motion pictures
;
Vulnerability (Personality trait) in motion pictures
;
Love in motion pictures
;
Coming-of-age films History and criticism
;
Motion picture producers and directors
;
France
;
Hansen-Løve, Mia 1981-
;
Film
Abstract:
Hansen-Love as actor and critic --Becoming an auteur --Transnational authorship in contemporary France --The book --1.Fracture Familiale --Liquid love and the twenty-first-century family --Fracture familiale and film form in All Is Forgiven and Father of My Children --Fractures of time and place in Things to Come and Maya --Liquid society, precariousness, ethics and film --Conclusion: girlhood and the ethics of fracture familiale --2.Vulnerable People --Fragile life in All Is Forgiven --Risk, denial and failure in Father of My Children --Failing fatherhood and postmodern French masculinities --Life crises in Eden and Goodbye First Love --Recovery time in Maya --Reconfiguring male domination --Vulnerabilisation of the subject --3.Adversity And Resilience: The Post-Secular Ethic Of Vocation --Camille's architectural recovery --Paul Vallée's (re)turn to literature --Nathalie Chazeaux's philosophical resilience --Gabriel Dahan, war reporter --Conclusion --4.Candid Camera, Or An Aesthetic Of Transcendence --`Palpitations of life' --Pastoral beauty in France and India in All Is Forgiven, Goodbye First Love, Things to Come and Maya --A transcendental style for the twenty-first century? --Candid camera --5.Lost In Music --Music in Hansen-Løve's films --Conclusion --6.The Rivers Of Time --De-spatialising time: Bergsonian duree and Deleuze's time-image --Flow, movement and time in Goodbye First Love and Father of My Children --Time tunnels in Goodbye First Love and Maya --From narrative to phenomenological realism --Moments in time --Conclusion: the ethics of durée.
Note:
Includes bibliographical references (pages 154-160), filmography (pages 161-162) and index
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