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  • 1
    Book
    Book
    Durham :Duke University Press,
    ISBN: 978-1-4780-1540-6 , 1-4780-1540-3 , 978-1-4780-1801-8 , 1-4780-1801-1
    Language: English
    Pages: xiii, 250 Seiten : , Illustrationen ; , 23 cm.
    Series Statement: a Camera Obscura book
    Parallel Title: Online version Green-Simms, Lindsey B., 1978- Queer African cinemas
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    Keywords: Africa ; Homosexuality in motion pictures ; Homosexuality and motion pictures / Africa ; Gays in motion pictures ; Motion pictures / Africa / History and criticism ; PERFORMING ARTS / Film / History & Criticism ; SOCIAL SCIENCE / LGBTQ Studies / General ; Homosexuality and motion pictures ; Motion pictures ; Film. ; LGBT. ; Afrika. ; Criticism, interpretation, etc ; Film ; LGBT
    Abstract: "In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing anti-queer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance-contrary to traditional narratives about resistance that center overt and heroic struggle-is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival"--
    Description / Table of Contents: Registering Resistance: The Pluralities and Possibilities of Queer African Cinemas -- Making Waves: Queer Eccentricity and West African Wayward Women -- Touching Nollywood: From Negation to Negotiation in Queer Nigerian Cinema -- Cutting Masculinities: Post-Apartheid South African Cinema -- Holding Space, Saving Joy: Queer Love and Critical Resilience in East Africa -- Coda: Queer Cinema's Destiny (a view from 2020)
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  • 2
    Online Resource
    Online Resource
    Minneapolis : University of Minnesota Press | Oxford : Oxford University Press
    ISBN: 9781452957654
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white), map (black and white)
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    Keywords: Automobiles Social aspects ; Automobiles History ; Automobiles in literature ; Automobiles in motion pictures ; Automobile driving Social aspects
    Abstract: 'Postcolonial Automobility' discusses how the automobile, with its promise of autonomous, unfettered mobility is a paradigmatic object through which one can assess the pleasures, dangers, and limits of global modernity in West Africa.
    Note: Previously issued in print: 2017 , Includes bibliographical references and index
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  • 3
    Book
    Book
    Minneapolis ; London : University of Minnesota Press
    ISBN: 9781517901134 , 9781517901141
    Language: English
    Pages: xi, 248 Seiten , Illustrationen, Karte , 22 cm
    DDC: 388.3420966
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    Keywords: Automobiles Social aspects ; Automobiles History ; Automobiles in literature ; Automobiles in motion pictures ; Automobile driving Social aspects ; Kraftwagen ; Mobilität ; Westafrika ; Westafrika ; Mobilität ; Kraftwagen
    Note: Includes bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    Minneapolis : University of Minnesota Press
    ISBN: 9781452954707
    Language: English
    Pages: 1 online resource (262 pages)
    Parallel Title: Erscheint auch als
    DDC: 388.3420966
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    Keywords: Automobiles-Social aspects-Africa, West ; Automobiles-Africa, West-History ; Automobiles in literature ; Electronic books
    Abstract: "Cover" -- "Half Title" -- "Title" -- "Copyright" -- "Dedication" -- "Contents" -- "Acknowledgments" -- "Introduction: Cars, Cultural Production, and Global Modernity" -- "1. The Hum of Progress: Motorcars and the Modernization of West Africa" -- "2. âNo Danger No Delayâ: Wole Soyinka and the Perils of Driving" -- "3. Moving Pictures, Mired Cars: The Automobile in African Francophone Cinema" -- "4. The Return of the Mercedes: Upward Mobility, the Good Life, and Nigerian Video Film" -- "5. Women in Traffic: Toward a Feminist Automobility" -- "Conclusion: Global (Be)Longings" -- "Notes" -- "Bibliography" -- "Index" -- "A" -- "B" -- "C" -- "D" -- "E" -- "F" -- "G" -- "H" -- "I" -- "J" -- "K" -- "L" -- "M" -- "N" -- "O" -- "P" -- "Q" -- "R" -- "S" -- "T" -- "U" -- "V" -- "W" -- "Y".
    URL: Volltext  (lizenzpflichtig)
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