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  • 1
    ISBN: 9781611479003
    Language: English
    Pages: 1 Online-Ressource (377 pages)
    DDC: 303.482
    Keywords: Literatur ; Kultur ; Gesellschaft ; Kunst ; Geschlechtsidentität ; Multikulturelle Gesellschaft ; Diaspora ; Globalisierung ; Migration
    Abstract: Crossing Borders engages with the emergent field of borders studies, particularly in relation to North America, South Asia, and the transnational spaces they continue to embrace. While multicultural theory tends to emphasize specific and individual cultures, border studies examines the intersection of cultures and the resulting effects.
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    ISBN: 9781498573139
    Language: English
    Pages: 236 Seiten
    DDC: 305.80097309034
    Keywords: 19. Jahrhundert (1800 bis 1899 n. Chr.) ; c 1800 to c 1900 ; ARCHITECTURE / General ; ART / American / General ; Architecture ; Architektur ; Art forms ; Ethnic Studies ; Ethnic studies ; Fotografie ; HISTORY / Social History ; Kunstformen ; Modern history to 20th century: c 1700 to c 1900 ; PERFORMING ARTS / Theater / General ; PHOTOGRAPHY / Subjects & Themes / Architectural & Industrial ; Photography & photographs ; SOC069000 ; SOCIAL SCIENCE / Ethnic Studies / General ; Social & cultural history ; Sozial- und Kulturgeschichte
    Abstract: Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States
    Description / Table of Contents: Part 1: Articulate SpacesChapter 1: The Racial Geometry of the Nation: Thomas Jefferson's Grids and OctagonsIrene ChengChapter 2: Arctic Whiteness: William Bradford, Herman Melville, and the Invisible Spheres of Fright Wyn KelleyChapter 3: Music and Military Movement: Racial RepresentationBrigitte FielderChapter 4: Black Faces Etched in White Stone: Black Feminist Visuality in Edmonia Lewis's SculptureKelli MorganChapter 5: Enchanted Optics: Excavating the Magical Empiricism of Holmesian Stereoscopic SightCheryl SpinnerChapter 6: Between Word and Image: The Use of Humor, Satire, and Caricature in Early Abolitionist Political CartoonsMartha CutterPart 2: Democratic VisionsChapter 7: Seeing Irony in Barnum's America: Anti-Slavery Humor in Uncle Tom's CabinAdena SpingarnChapter 8: Babo's Skull, Aranda's Skeleton: Visualizing the Sentimentality of Race Science in Benito CerenoChristine YaoChapter 9: Melville's Greens: Color Theory and DemocracyJennifer GreimanChapter 10: Narrative Structure as Secular Judgment in Thomas Crawford's Progress of CivilizationKirsten Pai BuickChapter 11: Beheld by the Eye of God: Photography and the Promise of Democracy in Frederick Douglass's The Heroic SlaveKya MangrumChapter 12: Cotton Babies: Mama's Maybe: Kara Walker's Marvels of InventionJanet Neary
    URL: Cover  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812298642
    Language: English
    Pages: 1 online resource (x, 354 pages)
    Parallel Title: Erscheint auch als Cutter, Martha J. The many resurrections of Henry Box Brown
    DDC: 306.3/62092 B
    Keywords: Electronic books ; Brown, Henry Box 1816-1897 ; USA ; Rezeption ; Darstellende Kunst ; Massenkultur ; Geschichte
    Abstract: Cover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Abbreviations for Archives Consulted -- Introduction. The Many Resurrections of Henry Box Brown, the Man Who Mailed Himself to Freedom -- Chapter 1. Slavery and Freedom in US Visual Culture: The Performative Personae of William Wells Brown, William and Ellen Craft, Frederick Douglass, and Sojourner Truth -- Chapter 2. Becoming Box Brown, 1815-1857 -- Chapter 3. Performing Fugitivity: Henry Box Brown on the Nineteenth-Century British Stage, 1857 -- Chapter 4. Performing New Panoramas, Mesmerism, Spiritualism, and Second Sight, England, 1857-1875 -- Color Plates -- Chapter 5. Canada, the United States, and Beyond: Performing Slavery and Freedom, 1875-1897 -- Chapter 6. The Absent Presence: Henry Box Brown in Contemporary Museums, Memorials, and Visual Art -- Chapter 7. Playing in the Archives: Box Brown in Contemporary Children's Literature and Visual Poetry -- Coda. The Resilience of Box Brown and the Afterlives of Slavery -- Appendix. Selected Contemporary Creative Works About Henry Box Brown -- Notes -- Index.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (URL des Erstveröffentlichers)
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