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  • 1
    ISBN: 9789004201118
    Language: English
    Pages: 1 Online-Ressource (x, 324 Seiten) , Illustrationen
    Series Statement: Brill's studies in intellectual history Volume 197
    Series Statement: Brill's studies in intellectual history
    Parallel Title: Erscheint auch als Literary cultures and public opinion in the Low Countries, 1450-1650
    Keywords: Public opinion in literature ; Literature and society History 16th century ; Literature and society History 17th century ; Public opinion History 16th century ; Public opinion History 17th century ; Influence (Literary, artistic, etc.) ; Dutch literature History and criticism 1500-1800 ; Latin literature, Medieval and modern History and criticism ; Literature: history and criticism ; Literary studies: general ; Literary studies: c 1500 to c 1800 ; Religion and beliefs ; Religion: general ; History of religion ; Society and social sciences ; Society and culture: general ; Cultural studies ; History of ideas ; LITERARY CRITICISM ; European ; German ; HISTORY ; Europe ; General ; Dutch literature ; Influence (Literary, artistic, etc.) ; Intellectual life ; Latin literature, Medieval and modern ; Public opinion in literature ; Literature and society ; Public opinion ; Literatur ; Öffentliche Meinung ; Literatur ; Niederländisch ; Öffentliche Meinung ; Humanities ; Niederlande ; Benelux countries ; History ; Regional and national history ; Niederlande ; Belgien ; European history ; Criticism, interpretation, etc ; History ; Literature and literary studies ; Benelux countries Intellectual life 16th century ; Benelux countries Intellectual life 17th century ; Electronic books ; Aufsatzsammlung
    Abstract: In the early modern Low Countries, literary culture functioned on several levels simultaneously: it provided learning, pleasure, and entertainment while also shaping public debate. From a ditty in Dutch sung in the streets to a funeral poem in Latin composed to be read for or by intimate friends, from a play performed for a prince to a comedy written for pupils literary texts and performances often dealt with highly controversial topics of religion or politics, on a local or national, but also on a supranational scale. This volume sets out to analyse the role and function of literary culture in the formation of early modern public opinion, and proposes ways in which a modern scholar might approach early modern works of literature and other traces of literary culture to explore early modern public opinion making. The cases presented in this volume bring the Dutch and Latin literary cultures of the Low Countries in the focus of international debates on the history of public opinion.
    Abstract: Preface /Jan Bloemendal, Arjan van Dixhoorn and Elsa Strietman --Literary Cultures and Public Opinion in the Early Modern Low Countries /Jan Bloemendal and Arjan van Dixhoorn --'You serve me well': Representations of Gossip, Newsmongering and Public Opinion in the Plays of Cornelis Everaert /Samuel Mareel --'Please Do Not Mind the Crudeness of its Weave': Literature, Gender and the Polemic Authority of Anna Bijns /Judith Keßler --The Morality of Hypocrisy: Gnapheus's Latin Play Hypocrisis and the Lutheran Reformation /Verena Demoed --Playing to the Public, Playing with Opinion: Latin and Vernacular Dutch History Drama by Heinsius and Duym /Juliette Groenland --Hugo Grotius in Praise of Jacobus Arminius: Arminian Readers of an Epicedium in the Dutch Republic and England /Moniek van Oosterhout --Manuscript Pamphlets and Made-Up Performances: New Sources and Challenges in the Study of Public Opinion /Nelleke Moser --'The Cry of the Royal Blood': Revenge Tragedy and the Stuart Cause in the Dutch Republic, 1649-1660 /Helmer Helmers --'A Vile and Scandalous Ditty': Popular Song and Public Opinion in a Seventeenth-Century Dutch Village Conflict /Joke Spaans --Early Modern Literary Cultures and Public Opinion: An Epilogue in the Form of a Discussion /Jan Bloemendal and Arjan van Dixhoorn.
    Note: Includes bibliographical references and index , English
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  • 2
    ISBN: 9789004218833
    Language: English
    Pages: Online-Ressource (666 p)
    Series Statement: Drama and theatre in early modern Europe 1
    Series Statement: Drama and theatre in early modern Europe
    Keywords: c 1600 to c 1700 ; Theatre studies ; History ; Electronic books ; Aufsatzsammlung ; Electronic books ; Vondel, Joost van den 1587-1679
    Abstract: Both historically and theoretically this book deals the work and the life of Joost van den Vondel, the most famous and controversial Dutch playwright in the Dutch Republic. Over twenty-five of his tragedies are analyzed, offering an overview of different theoretical approaches. Historically, Vondel is situated in his own times and in the present
    Description / Table of Contents: Joost van den Vondel (1587-1679); Copyright; Contents; Preface; 1 Vondel's Dramas: A Chronological Survey; 2 Vondel's Works for the Stage Read and Studied over the Centuries; 3 Vondel's Dramas: Ways of Relating Present and Past; PART I VONDEL'S LIFE, WORKS AND TIMES; 4 Vondel's Life; 5 Vondel's Religion; 6 Vondel and Amsterdam; 7 Vondel as a Dramatist: The Representation of Language and Body; 8 Vondel's Theatre and Music; 9 Vondel's Dramas: Their Afterlife in Performance
    Description / Table of Contents: 10 Between Disregard and Political Mobilization - Vondel as a Playwright in Contemporary European Context: England, France and the German LandsPART II APPROACHES AND DRAMAS; 11 New Historicism - Hierusalem verwoest (1620) and the Jewish Question*; 12 Politics and Aesthetics - Decoding Allegory in Palamedes (1625); 13 Translation Studies - Vondel's Appropriation of Grotius's Sophompaneas (1635); 14 Intertextuality - Gysbreght van Aemstel (1637); 15 Dramaturgy - Staging problems in Vondel's Gysbreght van Aemstel; 16 Cultural Analysis - The Joseph Plays
    Description / Table of Contents: 17 The Humanist Tradition - Maria Stuart (1646)18 Deconstruction - Unsettling Peace in Leeuwendalers (1647); 19 Religion and Politics - Lucifer (1654) and Milton's Paradise Lost (1674); 20 Gender Studies - Emotions in Jeptha (1659); 21 Close Reading and Theory - The David Plays; 22 Psychoanalysis - Law, Theatre and Violence in Samson (1660); 23 Law and Literature - Batavische gebroeders (1663); 24 New Philology - Variants in Adam in ballingschap (1664); 25 Philosophy - Noah (1667) on God and Nature; 26 Bibliography of Vondel's dramas (1850-2010); Bibliography; About the Authors; Indices;
    Note: Description based upon print version of record , English
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  • 3
    ISBN: 9789004289635
    Language: English , German , French
    Pages: 1 Online-Ressource (x, 238 Seiten)
    Series Statement: Brill studies in intellectual history volume 239
    Series Statement: Brill's studies in intellectual history
    Parallel Title: Erscheint auch als Bilingual Europe
    DDC: 470/.42
    RVK:
    Keywords: Latin language Foreign elements ; Bilingualism History ; Indo-European languages Influence on Latin ; Latin language Influence on Indo-European languages ; Geschichte 1300-1800 ; Kongreß ; Europa ; Latein ; Landessprache ; Mehrsprachigkeit ; Kultur ; Literatur ; Konferenzschrift 2009 ; Europa ; Landessprache ; Neulatein ; Zweisprachigkeit ; Geschichte 1300-1800
    Abstract: Bilingual Europe presents to the reader a Europe that for a long time was 'multilingual': besides the vernacular languages Latin played an important role. Even 'nationalistic' treatises could be written in Latin. Until deep into the 18th century scientific works were written in it. It is still an official language of the Roman Catholic Church. But why did authors choose for Latin or for their native tongue. In the case of bilingual authors, what made them choose either language, and what implications did that have? What interactions existed between the two? Contributors include Jan Bloemendal, Wiep van Bunge, H. Floris Cohen, Arjan C. van Dixhoorn, Guillaume van Gemert, Joep T. Leerssen, Ingrid Rowland, Arie Schippers, Eva Del Soldato, Demmy Verbeke, Françoise Waquet, and Ari H. Wesseling. --
    Note: Enthält Bibliografie und Index , Beiträge teilweise englisch, teilweise deutsch, teilweise französisch
    URL: Volltext  (kostenfrei)
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  • 4
    ISBN: 9789004218833
    Language: English
    Pages: 1 Online-Ressource (xii , 652 p.)
    Series Statement: Drama and Theatre in Early Modern Europe
    Keywords: c 1600 to c 1700 ; Theatre studies ; History
    Abstract: Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coincinding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of Amsterdam, a contemporary and acquaintance of Grotius and Rembrandt, but in general well acquainted with Latin humanists, Dutch scholars, authors and Amsterdam burgomasters. He fuelled literary, religious and political debates. His tragedy 'Gysbreght van Aemstel', which was played on the occasion of the opening of the stone city theatre in 1638, was to become the most famous play in Dutch history, and can probably boast holding the record for the longest tradition of annual performance in Europe. In general, Vondel’s texts are literary works in the full sense of the word, complex and inexhasutive; attracting attention throughout the centuries. Contributors include: Eddy Grootes, Riet Schenkeveld-van der Dussen, Mieke B. Smits-Veldt, Marijke Spies, Judith Pollmann, Bettina Noak, Louis Peter Grijp, Guillaume van Gemert, Jürgen Pieters, Nina Geerdink, Madeleine Kasten, Marco Prandoni, Peter Eversmann, Mieke Bal, Maaike Bleeker, Bennett Carpenter, James A. Parente, Jr., Stefan van der Lecq, Jan Frans van Dijkhuizen, Helmer Helmers, Kristine Steenbergh, Yasco Horsman, Jeanne Gaakeer and Wiep van Bunge
    Note: English
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  • 5
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill
    ISBN: 9789004323421
    Language: English
    Pages: 1 Online-Ressource (454 p.)
    Keywords: History
    Abstract: Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and other vernacular tragedians, as well as neo-Latin dramas by Jesuits and others, and with respect to politics, religion and law. Readership: All interested in European Baroque and Classicist Drama, early modern history and literature, those interested in politics and literature
    Note: English
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  • 6
    ISBN: 9789004201118
    Language: English
    Pages: 1 Online-Ressource (x, 324 pp. p.)
    Keywords: Literary studies: c 1500 to c 1800 ; European history ; History of religion ; History of ideas
    Abstract: In the early modern Low Countries, literary culture functioned on several levels simultaneously: it provided learning, pleasure, and entertainment while also shaping public debate. From a ditty in Dutch sung in the streets to a funeral poem in Latin composed to be read for or by intimate friends, from a play performed for a prince to a comedy written for pupils – literary texts and performances often dealt with highly controversial topics of religion or politics, on a local or national, but also on a supranational scale. This volume sets out to analyse the role and function of literary culture in the formation of early modern public opinion, and proposes ways in which a modern scholar might approach early modern works of literature and other traces of literary culture to explore early modern public opinion making. The cases presented in this volume bring the Dutch and Latin literary cultures of the Low Countries in the focus of international debates on the history of public opinion
    Note: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Brill
    ISBN: 9789004289635
    Language: English
    Pages: 1 Online-Ressource
    Keywords: European history
    Abstract: Bilingual Europe presents to the reader a Europe that for a long time was ‘multilingual’: besides the vernacular languages Latin played an important role. Even ‘nationalistic’ treatises could be written in Latin. Until deep into the 18th century scientific works were written in it. It is still an official language of the Roman Catholic Church. But why did authors choose for Latin or for their native tongue? In the case of bilingual authors, what made them choose either language, and what implications did that have? What interactions existed between the two? Contributors include Jan Bloemendal, Wiep van Bunge, H. Floris Cohen, Arjan C. van Dixhoorn, Guillaume van Gemert, Joep T. Leerssen, Ingrid Rowland, Arie Schippers, Eva Del Soldato, Demmy Verbeke, Françoise Waquet, and Ari H. Wesseling
    Note: English
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  • 8
    ISBN: 9789004323421 , 9004323422 , 9789004323414
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Drama and theatre in early modern Europe volume 5
    Parallel Title: Erscheint auch als
    Parallel Title: Print version Politics and aesthetics in European baroque and classicist tragedy
    Keywords: Politics in literature ; Latin drama (Tragedy) History and criticism ; Aesthetics in literature ; European drama (Tragedy) Classical influences ; European drama History and criticism 17th century ; Politics in literature ; Latin drama (Tragedy) ; Aesthetics in literature ; European drama (Tragedy) ; European drama ; Politics in literature ; HISTORY ; General ; Aesthetics in literature ; Criticism, interpretation, etc ; European drama ; Latin drama (Tragedy) ; Electronic books
    Abstract: Introduction / Jan Bloemendal and Nigel Smith -- Part 1: Sovereignty. What Roman paradigm for the Dutch Republic? Baroque tragedies and ambiguities concerning Dominium and torture / Frans-Willem Korsten -- Grotius among the dagonists: Joost van den Vondel's Samson, of heilige wraeck, revenge and the Ius gentium / Russ Leo -- Performing the medieval past: Vondel's Gysbreght van Aemstel / Freya Sierhuis -- Part 2: Religion. Political martyrdom at the English College in Rome / Howard B. Norland -- Historical tragedy and the end of Christian humanism: Nicolaus Vernulaeus (1583-1649) / James A. Parente, Jr -- The baroque tragedy of the Roman Jesuits: Flavia and beyond / Blair Hoxby -- Part 3: Ethics. Mortal knowledge: akrasia in English Renaissance tragedy / Emily Vasiliauskas -- A fabulis ad veritatem: Latin tragedy, truth and education in early modern England / Sarah Knight -- The political theater and theatrical politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada / Tatiana Korneeva -- French tragedy during the seventeenth century: from cruelty on a scaffold to poetic distance on stage and critical judgment / Christian Biet -- Part 4: Mobility. German Trauerspiel and its international nexus: on the migration of poetic forms / Joel Lande -- The politics of mobility: Shakespeare's Titus Andronicus, Jan Vos' Aran and Titus and the poetics of empire / Helmer Helmers -- French classicism in Jesuit theater poetics of eighteenth century Germany / Nienke Tjoelker -- Scenario of terror: royal violence and the origins of Russian tragic drama / Kirill Ospovat
    Abstract: Introduction / Jan Bloemendal and Nigel Smith -- Part 1: Sovereignty. What Roman paradigm for the Dutch Republic? Baroque tragedies and ambiguities concerning Dominium and torture / Frans-Willem Korsten -- Grotius among the dagonists: Joost van den Vondel's Samson, of heilige wraeck, revenge and the Ius gentium / Russ Leo -- Performing the medieval past: Vondel's Gysbreght van Aemstel / Freya Sierhuis -- Part 2: Religion. Political martyrdom at the English College in Rome / Howard B. Norland -- Historical tragedy and the end of Christian humanism: Nicolaus Vernulaeus (1583-1649) / James A. Parente, Jr -- The baroque tragedy of the Roman Jesuits: Flavia and beyond / Blair Hoxby -- Part 3: Ethics. Mortal knowledge: akrasia in English Renaissance tragedy / Emily Vasiliauskas -- A fabulis ad veritatem: Latin tragedy, truth and education in early modern England / Sarah Knight -- The political theater and theatrical politics of Andrea Giacinto Cicognini: Il Don Gastone di Moncada / Tatiana Korneeva -- French tragedy during the seventeenth century: from cruelty on a scaffold to poetic distance on stage and critical judgment / Christian Biet -- Part 4: Mobility. German Trauerspiel and its international nexus: on the migration of poetic forms / Joel Lande -- The politics of mobility: Shakespeare's Titus Andronicus, Jan Vos' Aran and Titus and the poetics of empire / Helmer Helmers -- French classicism in Jesuit theater poetics of eighteenth century Germany / Nienke Tjoelker -- Scenario of terror: royal violence and the origins of Russian tragic drama / Kirill Ospovat
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
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