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  • 1
    Language: English
    Angaben zur Quelle: 2015, Jg. 59, H. 3, S. 450-474
    Note: Sean Bellaviti
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  • 2
    ISBN: 9780190936464 , 9780190936471
    Language: English
    Pages: xv, 302 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Currents in Latin American and Iberian music
    Parallel Title: Erscheint auch als Bellaviti, Sean Música típica
    DDC: 781.62/687287
    RVK:
    Keywords: Popular music Social aspects ; History ; Popular music History and criticism ; Folk music History and criticism ; Cumbia (Music) History and criticism ; Hochschulschrift
    Abstract: "This book tells the story of a form of music that enjoys unparalleled popularity in a country that itself possesses instant name recognition but is very little known and very little studied. Panamanian música típica or cumbia, as this music is also called, is intrinsically linked to the social and political history of a sliver of land that connects North and South America while providing passage between two great oceans. I show that to appreciate música típica is to appreciate the development of the Isthmian crossing, the construction of the Panama Canal, the movement of people along this corridor and, most significantly, the lives of rural people living along its banks and deeper in the Panamanian interior. In this work, I draw on both archival and ethnographic research to reconstruct a 20th-century social history of Panamanian música típica. I examine música típica in relation to the rise of populist Panamanian nationalism that often equated cosmopolitanism and Afro-Panamanian cultural influence with U.S. imperialism. Notwithstanding its widespread national popularity and identification with rural society, música típica has infrequently been embraced as a form of official musical nationalism. Its links to Panamanian nationalist sentiment are often indirect and profoundly ambiguous. In focusing on musicians and their approaches to musical fusion, varied performance strategies, and the forging of links to both rural and urban economies, I show how música típica performers were not only central to the development of a sense of nationhood, but also actively cultivated performance identities that straddled some the most pronounced schisms in Panamanian society of the period"--
    Note: Includes bibliographical references and index
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  • 3
    Article
    Article
    Associated volumes
    In:  Ethnomusicology 59(2015), 3, Seite 450-474 | volume:59 | year:2015 | number:3 | pages:450-474
    ISSN: 0014-1836
    Language: English
    Titel der Quelle: Ethnomusicology
    Publ. der Quelle: Champaign, Ill. : University of Illinois Press, 1953
    Angaben zur Quelle: 59(2015), 3, Seite 450-474
    Angaben zur Quelle: volume:59
    Angaben zur Quelle: year:2015
    Angaben zur Quelle: number:3
    Angaben zur Quelle: pages:450-474
    Library Location Call Number Volume/Issue/Year Availability
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