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  • 1
    Book
    Book
    New York : Fordham Univ. Press
    ISBN: 9780823257850 , 9780823257867
    Language: English
    Pages: XVI, 247 S., [4] Bl. , Ill.
    DDC: 306.6/97
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1980-2013 ; LITERARY CRITICISM / Middle Eastern ; ART / Asian ; RELIGION / Islam / General ; Islam 21st century ; Islam 20th century ; LITERARY CRITICISM / Middle Eastern ; ART / Asian ; RELIGION / Islam / General ; Postkolonialismus ; Fundamentalismus ; Islam ; Reaktion ; Islam ; Fundamentalismus ; Reaktion ; Postkolonialismus ; Geschichte 1980-2013
    Abstract: "The subject of this book is a new "Islam." This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained...indeed, it is a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out. At this discursive site are many metonyms for Islam: the veiled or "pious" Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question "How do we free ourselves from freedom?" Again and again, freedom is imagined as Western, modern, imperial...a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom's other. At Freedom's Limit is an intervention into current debates regarding religion, secularism, and Islam and provides a deep critique of the anthropology and sociology of Islam that have consolidated this formation. It shows that, even as this Islam gains increasing traction in cultural production from television shows to movies to novels, the most intricate contestations of Islam so construed are to be found in the work of Muslim writers and painters. This book includes extended readings of jihadist proclamations; postcolonial law; responses to law from minorities in Muslim-majority societies; Islamophobic films; the novels of Leila Aboulela, Mohammed Hanif, and Nadeem Aslam; and the paintings of Komail Aijazuddin"..
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    New York : Fordham University Press
    ISBN: 9780823257874
    Language: English
    Pages: Online-Ressource (xvi, 247 pages) , illustrations (chiefly color
    Edition: Online-Ausg.
    Parallel Title: Print version At Freedom's Limit : Islam and the Postcolonial Predicament
    DDC: 306.6/97
    Keywords: Islam 21st century ; Islam 20th century ; ART / Asian ; ART / Asian ; Electronic books
    Abstract: "The subject of this book is a new "Islam." This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained--indeed, it is a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out. At this discursive site are many metonyms for Islam: the veiled or "pious" Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question "How do we free ourselves from freedom?" Again and again, freedom is imagined as Western, modern, imperial--a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom's other. At Freedom's Limit is an intervention into current debates regarding religion, secularism, and Islam and provides a deep critique of the anthropology and sociology of Islam that have consolidated this formation. It shows that, even as this Islam gains increasing traction in cultural production from television shows to movies to novels, the most intricate contestations of Islam so construed are to be found in the work of Muslim writers and painters. This book includes extended readings of jihadist proclamations; postcolonial law; responses to law from minorities in Muslim-majority societies; Islamophobic films; the novels of Leila Aboulela, Mohammed Hanif, and Nadeem Aslam; and the paintings of Komail Aijazuddin"--
    Description / Table of Contents: 1. The Argument2. The Maintenance of Innocence -- 3. The Echo-Chamber of Freedom: The Muslim Woman and the Pretext of Agency -- 4. Religion and the Novel: A Case Study -- 5. How Injury Travels -- 6. Cold War Baroque: Saints and Icons -- 7. Theologies of Love.
    Note: Includes bibliographical references and index , Includes index
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Article
    Article
    Associated volumes
    In:  The postcolonial contemporary (2018), Seite 164-186 | year:2018 | pages:164-186
    ISBN: 9780823280070
    Language: Undetermined
    Titel der Quelle: The postcolonial contemporary
    Publ. der Quelle: New York, NY : Fordham University Press, 2018
    Angaben zur Quelle: (2018), Seite 164-186
    Angaben zur Quelle: year:2018
    Angaben zur Quelle: pages:164-186
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Bronx : Fordham University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780823257874
    Language: English
    Pages: 1 Online-Ressource (224 pages)
    DDC: 306.697
    RVK:
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    New York, NY : Fordham University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780823257898
    Language: English
    Pages: 1 Online-Ressource (272 p.)
    DDC: 306.6/97
    Abstract: The subject of this book is a new “Islam.” This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained—indeed, itis a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out.At this discursive site are many metonyms for Islam: the veiled or “pious” Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question “How do we free ourselves from freedom?” Again and again, freedom is imagined as Western, modern, imperial—a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom’s other.At Freedom’s Limit is an intervention into current debates regarding religion, secularism, and Islam and provides a deep critique of the anthropology and sociology of Islam that have consolidated this formation. It shows that, even as this Islam gains increasing traction in cultural production from television shows to movies to novels, the most intricate contestations of Islam so construed are to be found in the work of Muslim writers and painters.This book includes extended readings of jihadist proclamations; postcolonial law; responses to law from minorities in Muslim-majority societies; Islamophobic films; the novels of Leila Aboulela, Mohammed Hanif, and Nadeem Aslam; and the paintings of Komail Aijazuddin.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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