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  • 1
    Book
    Book
    Durham ; London : Duke University Press
    ISBN: 9781478004660 , 9781478004059
    Language: English
    Pages: xiii, 494 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Henry Cow ; Geschichte 1968-1978 ; Jazz ; Rockgruppe ; Experimentelle Musik ; Progressive Rock ; Großbritannien ; Henry Cow (Musical group) ; Avant-garde (Music) / England / 20th century / History and criticism ; Music / Political aspects / History / 20th century ; Music / 20th century / Philosophy and aesthetics ; Rock musicians / Interviews ; Avant-garde (Music) ; Music / Philosophy and aesthetics ; Music / Political aspects ; Rock musicians ; England ; 1900-1999 ; Criticism, interpretation, etc ; History ; Interviews ; Biografie ; Biografie ; Henry Cow ; Großbritannien ; Rockgruppe ; Progressive Rock ; Jazz ; Experimentelle Musik ; Geschichte 1968-1978
    Abstract: In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. The band's rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World is a Problem Benjamin Piekut tells the band's story-from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later-and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group's pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow's story resonates far beyond its inimitable music; it speaks to the avant-garde's unpredictable potential to transform the world. -- Back cover
    Description / Table of Contents: You can't play this music at Cambridge (1968-73) -- Faust and the virgins (1973) -- Contentment is hopeless, unrest is progress (1974) -- Death to the individual : Slapp Happy (1974-75) -- Europa (1975- 76) -- The roads leading to Rome (1976-77) -- No joy anymore : London 1977 -- Henry Cow always had to be Henry Cow
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  • 2
    Article
    Article
    Show associated volumes/articles
    In:  Cultural critique Vol. 84, No. 1 (2013), p. 134-163
    ISSN: 0882-4371
    Language: Undetermined
    Titel der Quelle: Cultural critique
    Publ. der Quelle: Minneapolis, Minn. [u.a.] : Univ. of Minnesota Press
    Angaben zur Quelle: Vol. 84, No. 1 (2013), p. 134-163
    DDC: 050
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  • 3
    Online Resource
    Online Resource
    New York : Oxford University Press
    In:  Volume 1
    ISBN: 9780199983827
    Language: English
    Pages: 1 Online-Ressource (xxiv, 589 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of critical improvisation studies ; Volume 1
    Angaben zur Quelle: Volume 1
    DDC: 001
    Keywords: Improvisation (Music) ; Creation (Literary, artistic, etc.) ; Improvisation (Music) ; Creation (Literary, artistic, etc.)
    Abstract: Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
    Note: Includes bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    New York : Oxford University Press
    In:  Volume 2
    ISBN: 9780199983834
    Language: English
    Pages: 1 Online-Ressource (xxiii, 574 Seiten) , Illustrationen
    Series Statement: Oxford handbooks
    Parallel Title: Erscheint auch als The Oxford handbook of critical improvisation studies ; Volume 2
    Angaben zur Quelle: Volume 2
    DDC: 001
    Keywords: Improvisation (Music) ; Creation (Literary, artistic, etc.) ; Improvisation (Music) ; Creation (Literary, artistic, etc.)
    Abstract: Improvisation informs a vast array of human activities, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. These volumes gather scholarship on improvisation from a similarly wide range of perspectives, with contributions from more than 60 scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.
    Note: Enthält: Beiträge aus den Jahren 2013-2016
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