Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Book
    Book
    Roma : G&BPress | Roma : Pontificia Università Gregoriana
    ISBN: 9788878394742
    Language: Spanish
    Pages: 446 Seiten , 24 cm
    Series Statement: Tesi Gregoriana 43
    Series Statement: Serie Filosofia
    Series Statement: Tesi gregoriana / Serie filosofia
    Dissertation note: Dissertation Pontificia Universitate Gregoriana 2021
    DDC: 305
    Keywords: Hochschulschrift ; Geschlechterforschung ; Theorie ; Geschlecht ; Geschlechtsidentität ; Geschlechterrolle ; Sexualität ; Philosophie ; Ideengeschichte 1850-2020
    Abstract: Las nociones de sexo, genero, sexualidad y relaciones de genero no son univocas, y sus significados son terreno frecuente de luchas de poder. El conflicto se agudiza por falta de una debida distincion entre el plano teorico y el ideologico-politico. En el debate propiamente cientifico se generan con frecuencia posiciones netas (pro-genero y anti-genero), que no encuentran puntos de dialogo por una comprension insuficiente de las distintas posiciones, por no colocar la discusion en los niveles adecuados y porque surgen de universos conceptuales radicalmente distintos. Con la intencion de abrir perspectivas de dialogo en este ambito tan delicado, este trabajo muestra la heterogeneidad de las teorias de genero, evidenciando la diversidad de sus planteamientos y presupuestos. La consideracion de las categorias filosoficas que subyacen a tales teorias ilumina cuestiones que raramente forman parte del debate academico en torno a este tema, pero que resulta fundamental. La clasificacion de las teorias en seis modelos constituye otra herramienta util de analisis, que hasta ahora ha faltado en el ambito cientifico. Se rescata asi lo que estas teorias aportan para la vision cristiana de la sexualidad, y se reconocen algunos aspectos positivos de la postmodernidad. Aunque esta investigacion no pueda considerarse en modo alguno completa, ofrece un metodo y abre perspectivas que podrian ser exploradas en el futuro.
    Note: Includes bibliographical references (pages 413-436) and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    ISBN: 9788835155119
    Language: Undetermined
    Pages: 1 Online-Ressource (17 p.)
    Series Statement: diségno
    Keywords: Architectural structure and design ; Engineering graphics and draughting / technical drawing ; The Arts: techniques and principles ; Transitions ; Cross ; Modulate ; Develop ; Drawing ; Science of Representation
    Abstract: The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction
    Note: Italian , English , Spanish
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...