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  • 1
    ISBN: 0415876966 , 9780415876964 , 0415898161 , 9780415898164 , 0203847873 , 9780203847879
    Language: English
    Pages: x, 259 Seiten , Illustrationen , 24 cm
    Edition: First issued in paperback
    Series Statement: Routledge studies in ethnomusicology 2
    Series Statement: Routledge studies in ethnomusicology
    Parallel Title: Online-Ausg. St John, Graham The Local Scenes and Global Culture of Psytrance.
    DDC: 781.648
    RVK:
    RVK:
    RVK:
    Keywords: Trance (Underground dance music) Social aspects ; Trance (Underground dance music) History and criticism ; Trance (Underground dance music) Social aspects ; Trance (Underground dance music) History and criticism ; Techno ; Elektronische Musik ; Festival ; Trance ; Musikethnologie
    Abstract: "This lively textual symposium offers a collection of formative research on the culture of global psytrance (psychedelic trance). As the first book to address the diverse transnationalism of this contemporary electronic dance music phenomenon, the collection hosts interdisciplinary research addressing psytrance as a product of intersecting local and global trajectories. Contributing to theories of globalization, postmodernism, counterculture, youth subcultures, neotribes, the carnivalesque, music scenes and technologies, dance ritural, and spirituality, chapters introduce psytrance in Goa, the UK, Israel, Japan, the US, Italy, the Czech Republic, Portugal, and Australia. As a global occurrence indebted to 1960's psychedelia, sharing music production technologies and DJ techniques with electronic dance music scenes, and harnessing the communication capabilities of the internet, psytrance and its cultural implications are thoroughly explored." ""This stimulating collection of essays by some of the key researchers in the field provides a genuinely insightful and engaging contribution to the study of psytrance, which students, tutors, and researchers will be turning to for many years to come. I warmly and enthusiastically welcome it."--Christopher Partridge, Lancaster University" "Graham St John is a Research Associate at the University of Queensland's Centre for Critical and Cultural Studies, and was recently a Postdoctoral Research Fellow in Interactive Media and Production at the University of Regina, Saskatchewan, and an SSRC Residential Fellow at the School for Advanced Research, Santa Fe, New Mexico"--Jacket
    Note: Includes bibliographical references and index , Goa trance. Goa is a state of mind : on the ephemerality of psychedelic social emplacements , Global psytrance. Infinite noise spirals : the musical cosmopolitanism of psytrance , Liminal culture. Demencze : psychedelic madhouse in the Czech Republic
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  • 2
    Book
    Book
    New York, NY ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501309311 , 9781501343773
    Language: English
    Pages: viii, 254 Seiten , Illustrationen , 24 cm
    Edition: Paperback edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Gesellschaft ; Elektronische Musik ; Electronic dance music festivals ; Electronic dance music / Social aspects ; Elektronische Musik
    Description / Table of Contents: Introduction: Dance Music Festivals and Event-Cultures, Graham St John, University of Fribourg Part One. Dance Empires and EDM Culture Industry 1. EDM Pop: A Soft Shell Formation in a New Festival Economy. Fabian Holt, University of Roskilde 2. Stereosonic and Australian Commercial EDM Festival Culture. Ed Montano, RMIT University 3. Searching for a Cultural Home: Asian American Youth in the EDM Festival Scene. Judy Park, Harvard College Part Two. Underground Networks and Transformational Events 4. Boutiquing at the Raindance Campout: Relational Aesthetics as Festival Technology. Bryan Schmidt, University of Minnesota 5. Harm Reduction or Psychedelic Support? Caring for Drug-Related Crises at Transformational Festivals. Deirdre Ruane, Goldsmiths, University of London 6. Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Alice O'Grady, University of Leeds 7. Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State. Anne Petiau (trns Luis-Manuel Garcia) Part Three. Cosmopolitan Experiments and Electroniculture 8. Towards a Cosmopolitan Weekend Dance Culture in Spain: From the Ruta Destroy to the Sonar Festival. Paolo Magaudda, University of Padova 9. Being-Scene at MUTEK: Remixing Spaces of Gender and Ethnicity in Electronic Music Performance. tobias c. van Veen, Universite de Montreal 10. Charms War: Dance Camps and Sound Cars at Burning Man. Graham St John, University of Fribourg
    Note: Literaturangaben
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