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Weekend societies
electronic dance music festivals and event-culturesHerausgeber: St. John, Graham <1968->
(DE-588)140568484Paperback edition
978-1-5013-0931-1; 978-1-5013-4377-3
Schlagwörter: Elektronische Musik
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Letzte Änderung: 02.12.2019
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- Musikwissenschaft
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https://gateway-bayern.de/BV046280138
Letzte Änderung: 02.12.2019
| Titel: | Weekend societies |
|---|---|
| Untertitel: | electronic dance music festivals and event-cultures |
| Von: | edited by Graham St. John |
| ISBN: | 978-1-5013-0931-1 |
| Preis/Einband: | HB |
| ISBN: | 978-1-5013-4377-3 |
| Preis/Einband: | PB |
| Erscheinungsort: | New York, NY ; London ; Oxford ; New Delhi ; Sydney |
| Verlag: | Bloomsbury Academic |
| Erscheinungsjahr: | 2018 |
| Ausgabe: | Paperback edition |
| Umfang: | viii, 254 Seiten |
| Details: | Illustrationen |
| Fußnote : | Literaturangaben |
| Format: | 24 cm |
| Sprache: | eng |
| RVK-Notation: | LS 48655 |
| Angaben zum Inhalt: | Introduction: Dance Music Festivals and Event-Cultures, Graham St John, University of Fribourg Part One. Dance Empires and EDM Culture Industry 1. EDM Pop: A Soft Shell Formation in a New Festival Economy. Fabian Holt, University of Roskilde 2. Stereosonic and Australian Commercial EDM Festival Culture. Ed Montano, RMIT University 3. Searching for a Cultural Home: Asian American Youth in the EDM Festival Scene. Judy Park, Harvard College Part Two. Underground Networks and Transformational Events 4. Boutiquing at the Raindance Campout: Relational Aesthetics as Festival Technology. Bryan Schmidt, University of Minnesota 5. Harm Reduction or Psychedelic Support? Caring for Drug-Related Crises at Transformational Festivals. Deirdre Ruane, Goldsmiths, University of London 6. Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Alice O'Grady, University of Leeds 7. Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State. Anne Petiau (trns Luis-Manuel Garcia) Part Three. Cosmopolitan Experiments and Electroniculture 8. Towards a Cosmopolitan Weekend Dance Culture in Spain: From the Ruta Destroy to the Sonar Festival. Paolo Magaudda, University of Padova 9. Being-Scene at MUTEK: Remixing Spaces of Gender and Ethnicity in Electronic Music Performance. tobias c. van Veen, Universite de Montreal 10. Charms War: Dance Camps and Sound Cars at Burning Man. Graham St John, University of Fribourg |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Online-Ausgabe, EPUB |
| _ISBN: | 978-1-5013-0933-5 |
| Andere Ausgabe: | Erscheint auch als |
| _Bemerkung: | Online-Ausgabe, PDF |
| _ISBN: | 978-1-5013-0932-8 |
| Thema (Schlagwort): | Elektronische Musik |
| Weitere Schlagwörter : | Gesellschaft |
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| 505 | 8 | |a Introduction: Dance Music Festivals and Event-Cultures, Graham St John, University of Fribourg Part One. Dance Empires and EDM Culture Industry 1. EDM Pop: A Soft Shell Formation in a New Festival Economy. Fabian Holt, University of Roskilde 2. Stereosonic and Australian Commercial EDM Festival Culture. Ed Montano, RMIT University 3. Searching for a Cultural Home: Asian American Youth in the EDM Festival Scene. Judy Park, Harvard College Part Two. Underground Networks and Transformational Events 4. Boutiquing at the Raindance Campout: Relational Aesthetics as Festival Technology. Bryan Schmidt, University of Minnesota 5. Harm Reduction or Psychedelic Support? Caring for Drug-Related Crises at Transformational Festivals. Deirdre Ruane, Goldsmiths, University of London 6. Dancing Outdoors: DiY Ethics and Democratized Practices of Well-being on the UK Alternative Festival Circuit. Alice O'Grady, University of Leeds 7. Free Parties and Teknivals: Gift-Exchange and Participation on the Margins of the Market and the State. Anne Petiau (trns Luis-Manuel Garcia) Part Three. Cosmopolitan Experiments and Electroniculture 8. Towards a Cosmopolitan Weekend Dance Culture in Spain: From the Ruta Destroy to the Sonar Festival. Paolo Magaudda, University of Padova 9. Being-Scene at MUTEK: Remixing Spaces of Gender and Ethnicity in Electronic Music Performance. tobias c. van Veen, Universite de Montreal 10. Charms War: Dance Camps and Sound Cars at Burning Man. Graham St John, University of Fribourg | |
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