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  • Lincoln : University of Nebraska Press  (4)
  • Ethnology  (4)
  • English Studies
Datasource
Material
Language
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Subjects(RVK)
  • 1
    ISBN: 9780803274969 , 0803274963 , 9780803274945
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 781.62/970092
    RVK:
    RVK:
    RVK:
    Keywords: Densmore, Frances Ethnomusicological collections ; Densmore, Frances ; Densmore, Frances ; Musikethnologie ; Sammlung ; Indians of North America Material culture ; Collectors and collecting ; Indians of North America Music ; History and criticism ; Ethnomusicology ; Ethnomusicologists Biography ; Biografie ; Aufsatzsammlung ; Biographie ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Lincoln : University of Nebraska Press
    ISBN: 9780803249905 , 9780803265141 (Sekundärausgabe) , 080326514X (Sekundärausgabe)
    Language: English
    Edition: Online-Ausg. Online-Ressource UPCC book collections on Project MUSE ISBN 9780803265141
    Edition: ISBN 080326514X
    Edition: [Online-Ausg.]
    DDC: 305.80098
    RVK:
    Abstract: "Fluent Selves examines narrative practices throughout lowland South America focusing on indigenous communities in Brazil, Chile, Ecuador, and Peru, illuminating the social and cultural processes that make the past as important as the present for these peoples. This collection brings together leading scholars in the fields of anthropology and linguistics to examine the intersection of these narratives of the past with the construction of personhood. The volume's exploration of autobiographical and biographical accounts raises questions about fieldwork, ethical practices, and cultural boundaries in the study of anthropology. Rather than relying on a simple opposition between the "Western individual" and the non-Western rest, contributors to Fluent Selves explore the complex interplay of both individualizing as well as relational personhood in these practices. Transcending classic debates over the categorization of "myth" and "history," the autobiographical and biographical narratives in Fluent Selves illustrate the very medium in which several modes of engaging with the past meet, are reconciled, and reemerge. "--...
    Note: Online-Ausg.:
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9780803284463 , 0803284462
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 391.00973
    RVK:
    Keywords: Geschichte 1964-1979 ; Kleidung ; Mode ; Feminismus ; Geschlechtsunterschied ; Geschlechterrolle ; Sex role ; Sex ; Feminism ; Fashion ; Fashion Social aspects ; Clothing and dress Social aspects ; Clothing and dress Sex differences ; USA
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  • 4
    Online Resource
    Online Resource
    Lincoln : University of Nebraska Press
    ISBN: 9780803271951 , 9780803256866 , 9780803274150 (Sekundärausgabe) , 0803274157 (Sekundärausgabe)
    Language: English
    Edition: Online-Ausg. Online-Ressource UPCC book collections on Project MUSE ISBN 9780803274150
    Edition: ISBN 0803274157
    Edition: [Online-Ausg.]
    DDC: 305.8
    RVK:
    Keywords: Geschichte ; Indigenes Volk ; Ethnische Identität ; Öffentlichkeit ; Aufsatzsammlung
    Abstract: "This engaging collection of essays discusses the complexities of "being" indigenous in public spaces. Laura R. Graham and H. Glenn Penny bring together a set of highly recognized junior and senior scholars, including indigenous scholars, from a variety of fields to provoke critical thinking about the many ways in which individuals and social groups construct and display unique identities around the world. The case studies in Performing Indigeneity underscore the social, historical, and immediate contextual factors at play when indigenous people make decisions about when, how, why, and who can "be" indigenous in public spaces. Performing Indigeneity invites readers to consider how groups and individuals think about performance and display and focuses attention on the ways that public spheres, both indigenous and nonindigenous ones, have received these performances. The essays demonstrate that performance and display are essential to the creation and persistence of indigeneity, while also presenting the conundrum that in many cases "indigeneity" excludes some of the voices or identities that the category purports to represent. "--...
    Note: Online-Ausg.:
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