ISBN:
9780472903962
Language:
English
Pages:
1 Online-Ressource
Parallel Title:
Erscheint auch als Chun, Tarryn Li-Min, 1984- Revolutionary stagecraft
DDC:
792.0951
Keywords:
1900-1999
;
Theater History 20th century
;
Theater Political aspects 20th century
;
History
;
Theaters Stage-setting and scenery
;
Théâtre - Chine - Histoire - 20e siècle
;
Théâtre - Aspect politique - Chine - Histoire - 20e siècle
;
PERFORMING ARTS / General
;
Theater
;
Theater - Political aspects
;
Theaters - Stage-setting and scenery
;
History
;
China
Abstract:
Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over "how to" make theater amid the political upheavals of China's 20th century. The book begins at a pivotal moment in the 1920s-when Chinese theater artists began to import, use, and write about modern stage equipment-and ends in the early days of China's current scientific and technological boom, in the 1980s. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage. In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th century envisioned and enacted their own revolutions through the materiality of the theater apparatus
Description / Table of Contents:
Intro -- Contents -- List of Illustrations -- Acknowledgments -- Note on Translation, Transliteration, and Chinese Characters -- Introduction: Thinking Chinese Theater through Technicity -- 1. Mobilizing Illumination: Lighting, Scenography, and Affective Arousal in Early Huaju -- 2. Dramaturgical Technologies: Engineering Atmosphere in the First Golden Age of Huaju -- 3. Socialist Utopian Special Effects: Technological Fantasy on the Seventeen Years Stage -- 4. Model Ingenuity: Technical Mentality and Practicality in Cultural Revolution Yangbanxi
Description / Table of Contents:
5. Theater as Technoscience: Research, Design, and Nuclear Physics in the Post-Mao Era -- Coda -- Notes -- Bibliography -- Index
Note:
Includes bibliographical references (pages 273-308) and index
