ISBN:
9780511557972
Sprache:
Englisch
Seiten:
1 online resource (xiv, 213 pages)
Serie:
Cambridge studies in social and cultural anthropology 92
Paralleltitel:
Erscheint auch als
Paralleltitel:
Erscheint auch als
DDC:
302.23/43/095482
Schlagwort(e):
Film
;
Gesellschaft
;
Motion pictures / Social aspects / India / Tamil Nadu
;
Urban poor / India / Tamil Nadu
;
Motion picture audiences / India / Madurai
;
Popular culture / India / Madurai
;
Stadt
;
Publikum
;
Film
;
Armut
;
Indien
;
Madurai (India) / Popular culture
;
Indien
;
Indien Süd
;
Film
;
Publikum
;
Armut
;
Stadt
Kurzfassung:
This study of the Indian cinema is concerned particularly with cinema-goers in Madurai, a city in Tamil Nadu, South India. Sara Dickey reviews the history of Tamil film, explains the structure of the industry, and presents the perspective of the filmmakers. However, the core of the book is an analysis of the films themselves and the place they have in the lives of poor people, who organize fan clubs, discuss the films and the actors, and in various ways relate these fantasy worlds to their own lives. Dickey argues that the effect of these films is ultimately conservative, for they glorify poverty while holding out the hope of a better future. Her rich ethnography makes an interesting contribution to the study of film in India and, more generally, to the understanding of popular culture in an Indian city
Anmerkung:
Title from publisher's bibliographic system (viewed on 05 Oct 2015)
,
Introduction
,
Lives in Madurai
,
Activities and attitudes
,
History of Tamil cinema
,
Films
,
Film themes
,
Filmmakers
,
Audiences
,
Fan clubs and politics
,
Conclusions
DOI:
10.1017/CBO9780511557972
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(lizenzpflichtig)
URL:
https://doi.org/10.1017/CBO9780511557972
URL:
https://doi.org/10.1017/CBO9780511557972
URL:
Volltext
(lizenzpflichtig)
