ISSN:
1367-5494
Language:
English
Titel der Quelle:
European journal of cultural studies
Publ. der Quelle:
London : Sage
Angaben zur Quelle:
Vol. 19, No. 6 (2016), p. 513-528
DDC:
050
Abstract:
By means of a qualitative analysis of Superfans, a five-part reality television series in which fans are followed in their daily activities, ranging from singing along at concerts to intimate camera confessions in a room dedicated to their idol, this article studies the representation of fandom in mainstream television and participants’ and TV-producers’ reflections upon it. Empirical content analysis and interviews reveal different aspects of fandom, as identified by Abercrombie and Longhurst, to dominate the representation: intense media use and fan productivity, strong hierarchical communities and a lack of critical interpretative skills. Fan–idol relationships are shown to be based on emotions and to go beyond mere identification to include parasocial relationships and neo-religiosity. Results thus confirm the theoretical paradox between the television industry’s promotion of celebrity to attract loyal audiences and the rejection of fandom through a carefully constructed representation hereof as ‘freaky business’.
Note:
Copyright: © The Author(s) 2015
DOI:
10.1177/1367549415597924
URL:
http://journals.sagepub.com/doi/full/10.1177/1367549415597924
