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    In:  Journal of popular culture : JPC : the official publication of the Popular Culture Association, Popular Literature Section (Comparative Literature II) of the Modern Language Association of America and the Popular Section of the Midwest Modern Language Association Vol. 48, No. 3 (2015), p. 572-585
    ISSN: 0022-3840
    Language: English
    Titel der Quelle: Journal of popular culture : JPC : the official publication of the Popular Culture Association, Popular Literature Section (Comparative Literature II) of the Modern Language Association of America and the Popular Section of the Midwest Modern Language Association
    Publ. der Quelle: Malden, Mass. [u.a.] : Blackwell Publ
    Angaben zur Quelle: Vol. 48, No. 3 (2015), p. 572-585
    DDC: 390
    Abstract: An examination of how Christopher Nolan's Batman triology de-queered the Batman created by Joel Schumacher is offered. While the audience may not be able to identify with the rich white male, on display for much of Nolan's trilogy, there is something safe, comforting and even attainable in these films as opposed to the subversive, queer interpretation that Schumacher presents.
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