ISBN:
1584658029
,
9781584658023
Language:
English
Pages:
XI, 236 S.
,
Ill
,
23 cm
Series Statement:
Interfaces
Series Statement:
studies in visual culture
DDC:
770.97309045
Keywords:
Photography Social aspects 20th century
;
History
;
African Americans Race identity
;
African American photographers
;
Civil rights movements History 20th century
;
Photography in ethnology
;
Photography Social aspects
;
History
;
20th century
;
United States
;
African Americans Race identity
;
African American photographers
;
Civil rights movements History
;
20th century
;
United States
;
Photography in ethnology United States
;
United States Race relations 20th century
;
United States Race relations
;
20th century
;
USA
;
Schwarze
;
Fotografie
;
Selbstbild
;
Ethnische Identität
;
Bürgerrechtsbewegung
;
Geschichte 1950-1980
Abstract:
Introduction: The self in black and white -- Beyond the "Negro point of view" : the Kamoinge Workshop's "Harlem" portfolio -- Bruce Davidson's "American Negro" photographs in context -- Getting down to the feeling : Bruce Davidson, Roy DeCarava, and the Civil Rights Movement -- Roy DeCarava, Harlem, and the psychic self -- Epilogue: Dawoud Bey and the act of reciprocity
Description / Table of Contents:
Introduction: The self in black and white -- Beyond the "Negro point of view" : the Kamoinge Workshop's "Harlem" portfolio -- Bruce Davidson's "American Negro" photographs in context -- Getting down to the feeling : Bruce Davidson, Roy DeCarava, and the Civil Rights Movement -- Roy DeCarava, Harlem, and the psychic self -- Epilogue: Dawoud Bey and the act of reciprocity.
Note:
Includes bibliographical references and index
