ISBN:
9781283318891
,
1409427854
,
128331889X
,
9781409427858
Language:
English
Pages:
Online-Ressource (1 online resource (xix, 211 p.))
,
ill.
Edition:
Online-Ausg.
Edition:
2013 Electronic reproduction; Available via World Wide Web
Series Statement:
Ashgate popular and folk music series
Parallel Title:
Druckausg. The politics of post-9/11 music
Parallel Title:
Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
DDC:
781.64097309051
Keywords:
Popular music Political aspects
;
United States
;
September 11 Terrorist Attacks, 2001 Songs and music
;
History and criticism
;
War on Terrorism, 2001-2009 Songs and music
;
History and criticism
;
Electronic books
;
September 11 Terrorist Attacks, 2001 Songs and music
;
History and criticism
;
War on Terrorism, 2001-2009 Songs and music
;
History and criticism
;
Popular music History and criticism 2001-2010
;
September 11 Terrorist Attacks, 2001 Influence
;
Popular music Social aspects
;
Popular music Political aspects
;
USA
;
Attentat
;
Elfter September
;
Rezeption
;
Musikwissenschaften
;
Popmusik
;
Aufsatzsammlung
;
Aufsatzsammlung
;
USA
;
Attentat
;
Elfter September
;
Rezeption
;
Popmusik
;
Musikwirtschaft
Abstract:
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music"
Description / Table of Contents:
Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
Description / Table of Contents:
8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
Description / Table of Contents:
14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
Note:
Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record
,
Series from dust jacket
,
Electronic reproduction; Available via World Wide Web
